muhammad rokib
Universitas Negeri Surabaya

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Negosiasi Islam dan Budaya Lokal pada Terjemahan Novel “Kisah Seribu Satu Malam”: Sebuah Kajian Parateks muhammad rokib; Moh Mudzakkir
IBDA` : Jurnal Kajian Islam dan Budaya Vol 14 No 1 (2016): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (107.252 KB) | DOI: 10.24090/ibda.v14i1.621

Abstract

Alf Laylah wa Laylah novel (tales) translated as “The Arabian Nights” and “Kisah Seribu Satu Malam” is a popular literature in the world. Through the Antoine Galland translation in 1704 entitled Les mille et une nuits, the novel had translated as The Arabian Night and widespread to all over the world. In Indonesia, the Arabian Nights received great reception from the society. One of the empirical evidences from the reception is a Mizan publisher translation which was reached to nineteenth edition. Mizan has translated it by “Kisah Seribu Satu Malam” from the English edition. In 2004, the first volume had nineteen edition, while second has fifteen. These frequences of edition showed the Indonesian people interest to the novel. Through the paratext approach which scrutinizes text from the cover of novel include images, codes, symbols, text and combinated design, this paper argues that translated edition of Kisah Seribu Satu Malam has reflected local readers’ reception considering local culture. Within various covers design, there has been similar message on peaceful and humorous symbol of Indonesian Islam.
KONFLIK BATIN TOKOH DALAM CERPEN JURU MASAK KARYA DAMHURI MUHAMMAD: KAJIAN PSIKOANALISIS FREUD DALAM PERSPEKTIF STRATIFIKASI SOSIAL Armeta Devinka Yola Yogama; Shely Fauziah Dea Maretta; Salwatus Sholehah; Eni Nurhayati; Muhammad Rokib
Didaktik : Jurnal Ilmiah PGSD STKIP Subang Vol. 12 No. 02 (2026): Volume 12 No. 2, Juni 2026 Release
Publisher : STKIP Subang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36989/didaktik.v12i02.12913

Abstract

This study aims to describe the inner conflict of Makaji as the main character in the short story Juru Masak by Damhuri Muhammad through Sigmund Freud’s psychoanalytic perspective and to explain the influence of social stratification on the character’s psychological conflict. This research employed a qualitative approach with a descriptive method. The primary data source was the text of the short story Juru Masak, while secondary data were obtained from books, journals, and other relevant scientific references. Data were collected through reading and note-taking techniques, then analyzed using content analysis. The results show that Makaji’s inner conflict arises from the contradiction between the id, which drives the need for recognition and self-esteem, the ego, which adjusts to social reality, and the superego, which controls behavior based on social norms. The conflict is further strengthened by social stratification that places the profession of a cook in a subordinate position, causing psychological pressure, decreased self-esteem, and an identity crisis. Thus, the character’s inner conflict is not only caused by individual personality dynamics, but also by interactions with the surrounding social construction. This study confirms that literary works are able to represent the
ANALISIS STRUKTUR KEPRIBADIAN TOKOH DALAM CERITA PENDEK MATA YANG ENAK DI PANDANG : PERSPEKTIF PSIKOLOGIS SIGMUND FREUD Nadinta Putri; Eny Nurhayati; Muhammad Rokib; Dhynda Maulidya Putri Rizqita; Anisa Gita Putri; Nasyila Zahra Ananta
Didaktik : Jurnal Ilmiah PGSD STKIP Subang Vol. 12 No. 02 (2026): Volume 12 No. 2, Juni 2026 Publish
Publisher : STKIP Subang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36989/didaktik.v12i02.13005

Abstract

This study aims to analyze the personality structure of the characters in Ahmad Tohari's short story "Mata yang Enak Dipandang" using Sigmund Freud's psychoanalytic perspective. The main focus of this study is to identify the dynamics of the id, ego, and superego as reflected in the characters' actions, dialogue, and inner conflicts. The method used is descriptive qualitative with content analysis techniques through a literary psychology approach. The results show that the characters' personality structure is dominated by the id, which is oriented towards fulfilling basic needs, while the ego acts as an adaptive mediator to social reality, and the superego presents as a weak moral control. The inner conflict that arises is a result of the imbalance of these three personality structures and is reinforced by external factors such as poverty and social pressure. These findings emphasize that literary works not only represent individual psychological conditions but also reflect social realities that influence the dynamics of the characters' psyches.