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All Journal Journal of Visual Art and Design Panggung EDUKATIF : JURNAL ILMU PENDIDIKAN Syntax Idea Dinamika Kerajinan dan Batik : MAJALAH ILMIAH Moda : The Fashion Journal Wimba: Jurnal Komunikasi Visual Jurnal Visual Ideas Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain Panggung
Yan Yan Sunarya
Faculty Of Visual Art And Design, Institut Teknologi Bandung, Jalan Ganesa No. 10, Bandung 40132
Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Automotive Engineering Chemical Engineering, Chemistry & Bioengineering Computer Science & IT Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Mathematics Social Sciences Other

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Journal : Journal of Visual Art and Design

 1 
Studi Komparatif antara Ragam Hias Batik Tradisional Bakaran dengan Ragam Hias Batik Keraton Surakarta Ulfa Septiana; Yan Yan Sunarya; Achmad Haldani
Journal of Visual Art and Design Vol. 5 No. 1 (2013): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Abstract

Bakaran batik is a batik that is developed in Bakaran Village, Pati Regency at the North Coast of Java. Traditional ornaments in Bakaran batik show no influence from foreign cultures in general coastal batik, but are similar to the ornamentation of the Keraton Surakarta batik. This study aims to describe the elements of ornamentation and aesthetic characteristics of traditional Bakaran and Keraton Surakarta batik, and to identify the cause of the similarity between them. The conclusion is the ornamentation of Bakaran traditional batik and Keraton Surakarta one, have similarities to the main motive of the batik ornaments, that occur between Bakaran traditional batik and Keraton Surakarta one were caused by the trade relations between regions of both batiks in the past. There are also differences that characterize these batiks, the size and shape of the batik motifs on the traditional batik.
Adaptasi Unsur Estetik Sunda pada Wujud Ragam Hias Batik Sunda Yan Yan Sunarya
Journal of Visual Art and Design Vol. 10 No. 1 (2018): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2018.10.1.3

Abstract

Abstrak. Studi tentang aspek identitas dalam ranah Batik Sunda dengan unsur estetiknya sebagai artifak budaya, merupakan kajian objek desain yang komprehensif. Sejumlah masalah yang ditemui yaitu perkembangan estetik Batik Sunda tradisional dan modern, agar bisa dikenali ciri khasnya dan perlu penjelasan hubungan antara wujud dan terapan unsur-unsur estetik dalam bentuk ragam hias Batik Sunda, terhadap identitas masyarakat Sunda secara intraestetik maupun ekstraestetik. Selanjutnya dalam mengkaji Batik Sunda secara estetik dan mengidentifikasi unsur-unsur estetik batiknya digunakan metode strategi adaptasi visual. Penelitian ini disusun dalam wujud strategi adaptasi visual berupa kreatifitas berdasarkan hubungan antara identitas dengan ragam hias pada Batik Sumedang, Batik Garut, Batik Tasikmalaya, dan Batik Ciamis. Kesimpulannya adalah terdapat konsep estetik Sunda di dalam ragam hias batik-batik tersebut; serta hubungan antara wujud estetik yang berasal dari hasil kajian dan terapan unsur-unsur estetik dalam bentuk ragam hias Batik Sunda, terhadap identitas masyarakat Sunda melalui penelusuran terhadap faktor intraestetik dan ekstraestetiknya, yang kemudian menjadi indikator adanya adaptasi visual (kebudayaan) masyarakat Sunda.Kata Kunci: adaptasi visual; Batik Sunda; masyarakat Sunda; ragam hias;unsur estetik Sunda.Adaptation of Aesthetic Elements at Form of Sundanese Batik OrnamentsAbstract. The study of cultural identity related to Sundanese batik, considering aesthetic elements as cultural artifacts, involves a comprehensive investigation of batik as designed object. Some of the issues are investigating the aesthetic development of traditional and modern Sundanese batik to discover the characteristics of Sundanese batik;and investigating the relationship between the form and application of aesthetic elements in Sundanese batik on the one hand and Sundanese cultural identity on the other by considering intra-aesthetic and extra-aesthetic factors. To investigate the aesthetics of Sundanese batik and to identify characteristic Sundanese batik elements, a visual adaptation strategy was used. This approach was applied to batik ornaments from Sumedang, Garut, Tasikmalaya, and Ciamis. The conclusions are a specifically Sundanese aesthetic exists in Sundanese batik ornaments; and the relationship between the aesthetic elements applied in Sundanese batik, as derived from the results of this study, and Sundanese cultural identity can be explained by intra-aesthetic and extra-aesthetic factors, which can be seen as indicators of visual (cultural) adaptation by the Sundanese people.Keywords: element of Sundanesse aesthetic; ornament; Sundanese Batik; Sundanese society; visual adaptation.
Co-Authors Achmad Haldani Destiarmand Achmad Haldani Destiarmand Agus Sachari Agus Sachari Amanda Rizky Ananda Putri Rohalida Banung Grahita desy nurcahyanti Desy Nurcahyanti Elda Franzia Jasjfi Estining Dyah Wulandari Gandung Anugrah Kalbuadi Jessica Laurencia Kahfiati Kahdar Karina Tandoko Salim, Irving Gustav Syafira Audianty Talitha Nagata Ulfa Septiana Wegig Murwonugroho