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All Journal International Journal of Nusantara Islam MUDRA Jurnal Seni Budaya Panggung Adabiyyat: Jurnal Bahasa dan Sastra Buana Ilmu Jurnal Budaya Etnika Wacana: Journal of the Humanities of Indonesia International Journal of Nusantara Islam Panggung
Neneng Yanti Khozanatu Lahpan
[SCOPUS ID : 57210112023] Institut Seni Budaya Indonesia (ISBI) Bandung
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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Digital Pilgrimage: The Role of Online Platforms in Preserving and Promoting Kampung Dukuh’s Religious Heritage Lahpan, Neneng Yanti Khozanatu; Putra, Bagas Dwipantara; Hidayana, Iip Sarip; Budiman, Arif
Mudra Jurnal Seni Budaya Vol 40 No 2 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v40i2.3155

Abstract

Kampung Adat Dukuh is a traditional village that maintains its ancestors’ traditions and cultural values, especially from Islamic teachings. This traditional village receives regular visits from pilgrims every Saturday. Continuous visits by outsiders to this area have given rise to various potential socio-cultural vulnerabilities among the indigenous community. Therefore, an effort is needed to manage the visits of these pilgrims as a potential for well-managed religious tourism that can control the boundaries that maintain the sustainability and comfort of the lives of indigenous people. One of them is developing a digital platform to promote the richness of the traditions and culture of Dukuh Village while maintaining its values by properly documenting them following the etiquette in Dukuh Village. This article aims to see the changes and potential for empowering Dukuh Village as a religious tourism destination and disseminating information about its cultural practices through digital platforms. By using qualitative methods and developing the PAR (Participatory Action Research) method combined with ethnographic work, this study pays attention to community involvement in this empowerment. The study results show that the young generation of Kampung Dukuh has a solid ability to adapt and learn by making the digital platform a space for expression and maintaining the values of the wisdom of Kampung Dukuh by presenting accurate information using an insider perspective.
A virtual art festival in West Java; Participatory culture during the pandemic Lahpan, Neneng Yanti Khozanatu
Wacana, Journal of the Humanities of Indonesia Vol. 26, No. 1
Publisher : UI Scholars Hub

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Abstract

YouTube was used as a significant platform for public performances around the globe during the COVID-19 pandemic, including those given by contemporary and traditional artists and communities. Although this transference of public performance to virtual performance has meant challenges for traditional artists, it has also encouraged them to create new creative media spaces. Instead of confronting digital technology, some traditional artists compromise and negotiate with it. Through an ethnographic account of a performance in Tasikmalaya, West Java, this article describes how traditional artistic forms were preserved through a virtual-based art festival performed by the art community, Komunitas Cermin Tasikmalaya. Solidarity, collaboration, and networking were crucial elements in holding the online festival in which young people were the main actors in this participatory culture, which was widely disseminated through YouTube.
SISTEM PEWARISAN BUDAYA PADA KESENIAN LONGSER GRUP PANCAWARNA DI DESA RANCAMANYAR KECAMATAN Billah, M. Arif; Lahpan, Neneng Yanti Khozanatu; Hidayana, Iip Sarip
Jurnal Budaya Etnika Vol. 3 No. 2 (2019): Artefak Budaya Arkais dan Kontemporer : dari Ulos Hingga Seni Digital
Publisher : Institute of Indonesia Arts and Culture (ISBI) Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/be.v3i2.1122

Abstract

ABSTRAKSeni longser merupakan kesenian dengan jenis teater rakyat yang hidup dan berkembang di wilayah Jawa Barat, khususnya di daerah Bandung. Pada awalnya, kesenian longser pertama kali diperkenalkan oleh seniman bernama Bang Tilil. Kiprahnya sebagai seniman longser, mampu menghasilkan beberapa grup seni longser di wilayah Bandung salah satunya, yaitu seni longser Grup Pancawarna yang dipimpin oleh Ateng Japar. Setelah Ateng Japar wafat, kesenian tersebut masih dilanjutkan oleh anggota grup atau penerusnya untuk dapat mempertahankan kesenian longser s ebagai warisan budaya. Sebagai salah satu usaha untuk dapat mempertahankan kesenian tersebut. Tulisan ini, merupakan deskripsi analisis dengan menggunakan metode penelitian kualitatif. Adapun teori yang digunakan, yaitu teori pewarisan budaya. Temuan dari hasil penelitian yaitu, membahas hasil pola pewarisan budaya dari Ateng Japar sebagai pendiri grup Pancarwarna kepada para penerusnya. Proses pewarisan kesenian ini dilakukan menggunakan konsep enkulturasi dan sosialisasi. Ada beberapa aspek yang berubah dari proses pewarisan kesenian longser Pancawarna, aspek tersebut yaitu bentuk atau struktur pertunjukan.Kata Kunci: Kesenian Longser, Grup Pancawarna, dan Pewarisan BudayaABSTRACTLongser is one of popular arts that live within areas in West Java, particularly in a beautiful town called Bandung. The art of longser was firstly introduced by an artist, Bang Tilil. His performance as a longser artist had made some of group of longser art in the area, one of the most well known among people was called a group Pancawarna that was lead by Ateng Japar. Despite is death, he inspire other members of the group, which is also his successor, to continue preserving this longser art as a cultural heritage. This research is a descriptive analysis with qualitative approach, and using a theory of cultural inheritance. The research discovers the patterns resulted from a cultural inheritance that was passed down to the younger generation from Ateng Japar as the founder of Pancawarna group. This longser inheritance was passed down using the enculturation and socialization concepts. During this process, several aspects change slowly within the longser of Pancawarna group. Those aspects are longser’s forms or performing structures.Keywords: Longser, Pancawarna Group, Enculturation, Socialization, and Cultural Inheritance.
AKULTURASI BUDAYA PADA PERTUNJUKAN KESENIAN KOROMONG Yuliani, Linda; Lahpan, Neneng Yanti Khozanatu; Yuningsih, Yuyun
Jurnal Budaya Etnika Vol. 3 No. 1 (2019): Etnografi Ritual Masyarakat Sunda: Fungsi Sosial, Liminalitas, Akulturasi
Publisher : Institute of Indonesia Arts and Culture (ISBI) Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/be.v3i1.1127

Abstract

ABSTRAK Penelitian ini berfokus pada kesenian Koromong dalam perubahan-perubahan yang disebabkan oleh adanya akulturasi budaya antara kepercayaan lokal dengan agama Islam sehingga dapat berdampingan. Akibat adanya akulturasi membuat beberapa aspek mengalami pembauran kedua unsur tersebut serta munculkan struktur baru dalam pertunjukan kesenian Koromong. Pandangan mengenai pemaknaan memberikan dua sudut yang berbeda sesuai dengan kepercayaan nya masing-masing. Penulisan ini hasil penelitian yang di deskripsikan dengan menggunakan metode kualitatif. Teknik lapangan yang dilakukan melalui observasi, wawancara, dan mendokumentasikan. Landasan teori dalam penelitian menggunakan teori akulturasi budaya dimana hasil dari penelitian lapangan dapat dipecahkan melalui teori ini. Kata Kunci: Akulturasi, Kesenian, Koromong, Kepercayaan dan Islam.  ABSTRACT This research study focuses on the art of Koromong in the changes that caused by the cultural acculturation between local beliefs and Islamic teachings in order to make them live coexisted. As a result of the acculturation, several aspects have experienced mixing of these two elements and have emerged into a new form which could be deflected in Koromong art peerformances. The meaning of this art performance could be seen in two different angles according to their respective beliefs.This study is the result of research that described by using qualitative methods. Field techniques are carried out through observation, interviews, and documenting. The theoretical foundation of research uses cultural acculturation theory where the results of field research can be solved through this theory. Keywords: Acculturation, Art, Koromong, Trust and Islam.
Co-Authors Aprilla Putri Wahyuni Arif Budiman Billah, M. Arif Bunga Dessri Nur Ghaliyah Cahya Cahya Deni Hermawan Fella Fahira Fipih Fauziah Iip Sarip Hidayana Iip Sarip Hidayana Ismet Ruchimat Linda Yuliani M. Arif Billah Mochamad Rilo Tubagus Novianti, Galih Suci Nurma Latifah Putra, Bagas Dwipantara Shafanissa, Winna Siti Ulfah Nurazizah Widhiawan, Ilham Dwipa Yuliani, Linda Yuningsih, Yuyun