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Digital Pilgrimage: The Role of Online Platforms in Preserving and Promoting Kampung Dukuh’s Religious Heritage Lahpan, Neneng Yanti Khozanatu; Putra, Bagas Dwipantara; Hidayana, Iip Sarip; Budiman, Arif
Mudra Jurnal Seni Budaya Vol 40 No 2 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v40i2.3155

Abstract

Kampung Adat Dukuh is a traditional village that maintains its ancestors’ traditions and cultural values, especially from Islamic teachings. This traditional village receives regular visits from pilgrims every Saturday. Continuous visits by outsiders to this area have given rise to various potential socio-cultural vulnerabilities among the indigenous community. Therefore, an effort is needed to manage the visits of these pilgrims as a potential for well-managed religious tourism that can control the boundaries that maintain the sustainability and comfort of the lives of indigenous people. One of them is developing a digital platform to promote the richness of the traditions and culture of Dukuh Village while maintaining its values by properly documenting them following the etiquette in Dukuh Village. This article aims to see the changes and potential for empowering Dukuh Village as a religious tourism destination and disseminating information about its cultural practices through digital platforms. By using qualitative methods and developing the PAR (Participatory Action Research) method combined with ethnographic work, this study pays attention to community involvement in this empowerment. The study results show that the young generation of Kampung Dukuh has a solid ability to adapt and learn by making the digital platform a space for expression and maintaining the values of the wisdom of Kampung Dukuh by presenting accurate information using an insider perspective.
A virtual art festival in West Java; Participatory culture during the pandemic Lahpan, Neneng Yanti Khozanatu
Wacana, Journal of the Humanities of Indonesia Vol. 26, No. 1
Publisher : UI Scholars Hub

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Abstract

YouTube was used as a significant platform for public performances around the globe during the COVID-19 pandemic, including those given by contemporary and traditional artists and communities. Although this transference of public performance to virtual performance has meant challenges for traditional artists, it has also encouraged them to create new creative media spaces. Instead of confronting digital technology, some traditional artists compromise and negotiate with it. Through an ethnographic account of a performance in Tasikmalaya, West Java, this article describes how traditional artistic forms were preserved through a virtual-based art festival performed by the art community, Komunitas Cermin Tasikmalaya. Solidarity, collaboration, and networking were crucial elements in holding the online festival in which young people were the main actors in this participatory culture, which was widely disseminated through YouTube.