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<![CDATA[RUMAH BATU DI PESAYANGAN MARTAPURA SEBUAH KARYA ARSITEKTUR EKLEKTIK DI KALIMANTAN SELATAN ]]>
<![CDATA[Anhar, Pakhri]]>;
<![CDATA[Tharziansyah, Muhammad]]>
<![CDATA[ Jurnal Teknik Sipil dan Perencanaan Vol 9, No 1 (2007): Jurnal Teknik Sipil & Perencanaan ]]>
Publisher : <![CDATA[Semarang State University ]]>
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<![CDATA[Eclectism in architecture is seen as an emerging style driven by the desire or effort to immitate and apply elements of interest to compose a new form at architecture. Ecletic architecture has also developed in South Borneo. The mansory houses are evidence of ecleticsm development process in local architecture. Merchants holds an inportant role in this eclectism process, due to intensive cultural contacts inherited within this society. The intensity of the cultural contact plays a substantial part form the aculturation process. This intensity of cultural contact is the main part of alculturation process, which increased after the fall of Banjar Kingdom in mid 19th century. Gaya eklektik dalam arsitektur digambarkan sebagai suatu gaya yang muncul karena adanya keinginan atau usaha menjiplak dan kemudian memadukan berbagai unsur yang dianggap menarik ke dalam bentuk baru. Begitu pula dengan perkembangan arsitektur eklektik di Kalimantan Selatan, dimana arsitektur Rumah Batu merupakan bukti adanya proses eklektikisme dalam arsitektur setempat. Pemegang peran utama dalam proses eklektik ini adalah para saudagar atau pedagang, yang tentunya tidak terlepas dari intensitas kontak budaya yang dimiliki oleh kelompok masyarakat ini. Intensitas kontak budaya ini merupakan bagian utama dari proses akulturasi budaya yang meningkat setelah runtuhnya Kerajaan Banjar pada pertengahan abad ke 19. ]]>
<![CDATA[RUMAH BATU DI PESAYANGAN MARTAPURA SEBUAH KARYA ARSITEKTUR EKLEKTIK DI KALIMANTAN SELATAN ]]>
<![CDATA[Anhar, Pakhri]]>;
<![CDATA[Tharziansyah, Muhammad]]>
<![CDATA[ Jurnal Teknik Sipil dan Perencanaan Vol 9, No 1 (2007): Jurnal Teknik Sipil & Perencanaan ]]>
Publisher : <![CDATA[Semarang State University ]]>
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DOI: 10.15294/jtsp.v9i1.6926
<![CDATA[Eclectism in architecture is seen as an emerging style driven by the desire or effort to immitate and apply elements of interest to compose a new form at architecture. Ecletic architecture has also developed in South Borneo. The mansory houses are evidence of ecleticsm development process in local architecture. Merchants holds an inportant role in this eclectism process, due to intensive cultural contacts inherited within this society. The intensity of the cultural contact plays a substantial part form the aculturation process. This intensity of cultural contact is the main part of alculturation process, which increased after the fall of Banjar Kingdom in mid 19th century. Gaya eklektik dalam arsitektur digambarkan sebagai suatu gaya yang muncul karena adanya keinginan atau usaha menjiplak dan kemudian memadukan berbagai unsur yang dianggap menarik ke dalam bentuk baru. Begitu pula dengan perkembangan arsitektur eklektik di Kalimantan Selatan, dimana arsitektur Rumah Batu merupakan bukti adanya proses eklektikisme dalam arsitektur setempat. Pemegang peran utama dalam proses eklektik ini adalah para saudagar atau pedagang, yang tentunya tidak terlepas dari intensitas kontak budaya yang dimiliki oleh kelompok masyarakat ini. Intensitas kontak budaya ini merupakan bagian utama dari proses akulturasi budaya yang meningkat setelah runtuhnya Kerajaan Banjar pada pertengahan abad ke 19. ]]>
<![CDATA[RUMAH BATU DI PESAYANGAN MARTAPURA SEBUAH KARYA ARSITEKTUR EKLEKTIK DI KALIMANTAN SELATAN ]]>
<![CDATA[Anhar, Pakhri]]>;
<![CDATA[Tharziansyah, Muhammad]]>
<![CDATA[ Jurnal Teknik Sipil dan Perencanaan Vol 9, No 1 (2007): Jurnal Teknik Sipil & Perencanaan ]]>
Publisher : <![CDATA[Semarang State University ]]>
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DOI: 10.15294/jtsp.v9i1.6926
<![CDATA[Eclectism in architecture is seen as an emerging style driven by the desire or effort to immitate and apply elements of interest to compose a new form at architecture. Ecletic architecture has also developed in South Borneo. The mansory houses are evidence of ecleticsm development process in local architecture. Merchants holds an inportant role in this eclectism process, due to intensive cultural contacts inherited within this society. The intensity of the cultural contact plays a substantial part form the aculturation process. This intensity of cultural contact is the main part of alculturation process, which increased after the fall of Banjar Kingdom in mid 19th century. Gaya eklektik dalam arsitektur digambarkan sebagai suatu gaya yang muncul karena adanya keinginan atau usaha menjiplak dan kemudian memadukan berbagai unsur yang dianggap menarik ke dalam bentuk baru. Begitu pula dengan perkembangan arsitektur eklektik di Kalimantan Selatan, dimana arsitektur Rumah Batu merupakan bukti adanya proses eklektikisme dalam arsitektur setempat. Pemegang peran utama dalam proses eklektik ini adalah para saudagar atau pedagang, yang tentunya tidak terlepas dari intensitas kontak budaya yang dimiliki oleh kelompok masyarakat ini. Intensitas kontak budaya ini merupakan bagian utama dari proses akulturasi budaya yang meningkat setelah runtuhnya Kerajaan Banjar pada pertengahan abad ke 19. ]]>
<![CDATA[STUDI TATA RUANG KOTA RANCANGAN VAN DER PIJL KASUS: KOTA BANJARBARU, KALIMANTAN SELATAN ]]>
<![CDATA[Naimatul Aufa]]>;
<![CDATA[Pakhri Anhar]]>
<![CDATA[ TATALOKA Vol 14, No 2 (2012): Volume 14 Number 2, May 2012 ]]>
Publisher : <![CDATA[Diponegoro University ]]>
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DOI: 10.14710/tataloka.14.2.142-155
<![CDATA[Banjarbaru city is a city designed by an architect named Van der Pijl in 1953. The city was originally planned as the capital city of Kalimantan province, replacing the city of Banjarmasin. This plan was canceled and finally became forgotten, unclear, blend with the development of the city. It worsens by the loss of historical records this city. This study aims to determine how the spatial planning of Banjarbaru City by Van der Pijl. This study used naturalistic research paradigm that aims to discover patterns to be developed into research results. Based on the analysis, it is found that the plan of Banjarbaru City by Van der Pijl has similarities with the concept of cities designed at the beginning of the 20th century, the concept of creating a new town outside the city, on pristine environment with quiet atmosphere and natural environment. This concept is known as the garden city concept introduced by Ebenezer Howard. The similarity of this pattern is there have a city center as the area of governance, there is a green open spaces (parks), and there are areas designated as residential areas located adjacent to an office area, industrial area and comercial area]]>
<![CDATA[TAMAN SATWA BORNEO DI ARANIO, KABUPATEN BANJAR ]]>
<![CDATA[Annisa Rakhmatillah]]>;
<![CDATA[Pakhri Anhar]]>
<![CDATA[ JURNAL TUGAS AKHIR MAHASISWA LANTING Vol 10 No 2 (2021): JTAM LANTING Agustus 2021 ]]>
Publisher : <![CDATA[ULM Press ]]>
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DOI: 10.20527/jtamlanting.v10i2.778
<![CDATA[The need of an animal park as a place or ex-situ conservation institution, a means of protection and preservation of wild animals that are protected or not through rescue activities, collecting, maintaining the welfare of the new habitat and demonstrating to the public as a means of education. In the design of the Wildlife Park there must be an approach to the habitat of animals for animal welfare, then the need for habitat landscape simulation in the design of the Wildlife Park. By applying the programmatic concept of Landscape Immersion in this design which is related to landscape simulation and psychology of animals and humans in animal parks. This concept applies to the arrangement of space and continuous circulation. so visitors feel as if they are visiting an animal's natural habitat, with all its sights, sounds and smells.]]>
<![CDATA[GEREJA KALIMANTAN EVANGELIS HOSIANA BANJARMASIN ]]>
<![CDATA[Hendi Kristian]]>;
<![CDATA[Pakhri Anhar]]>
<![CDATA[ JURNAL TUGAS AKHIR MAHASISWA LANTING Vol 10 No 2 (2021): JTAM LANTING Agustus 2021 ]]>
Publisher : <![CDATA[ULM Press ]]>
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DOI: 10.20527/jtamlanting.v10i2.804
<![CDATA[The Gereja Kalimantan Evangelis Banjarmasin is a Christian place of worship located in the city of Banjarmasin, South Kalimantan. Starting from the Gospel Preaching in the 19th century, the entry of Protestant Christian teachings in the land of Borneo by missionaries from Germany. Initially known as the Gereja Dayak Evangelis but there was a change to G.K.E, along with the development of the Gereja Kalimantan Evangelis, the increase in the number of congregations and the spiritual needs of Christians also needed to be increased. The church is not only a place of worship, but also a place to shape one's personality, and have a social role in society. The problem is how to facilitate spiritual and social activities for Christians by presenting a religious experience that reminds visitors of the greatness of God. In the problem of the church G.K.E hosiana used the semiotic method namely the icon and symbol approach to answer the problem. The icon and symbol approach is applied to the shape, scale, lighting, material, and texture which can affect the 3 senses of humans, namely hearing and touch, which will give certain reactions to the thoughts and feelings of visitors.]]>
<![CDATA[Arsitektur Benteng Vredburg : Pengaruh Arsitektur Renaissance, Tradisional Jawa dan Cina ]]>
<![CDATA[M. Deddy Huzairin]]>;
<![CDATA[Pakhri Anhar]]>;
<![CDATA[Ira Mentayani]]>
<![CDATA[ INFO-TEKNIK Vol 2, No 1 (2001): INFOTEKNIK VOL. 2 NO. 1 2001 ]]>
Publisher : <![CDATA[Universitas Lambung Mangkurat ]]>
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DOI: 10.20527/infotek.v2i1.445
<![CDATA[Penelitian ini merupakan bagian dari kajian sejarah dan konservasi arsitektur. Merupakan suatu kajian anatomi bentuk arsitektur kolonial, dengan mengambil studi kasus benteng vreddeburg di yogyakarta. Penelitian ini terbatas hanya pada beberapa bangunan yang terdapat di kompleks benteng di telaah. Sedangkan anatomi yang dibahas adalah keterkaitannya dengan arsitektur renaissance, tradisional jawa dan cinaBerdasarkan analisa terahdap anatomi bentuk arsitektur benteng vredeburg, menunjukkan bahwa elemen-elemen penyusun bentuk arsitektur benteng Vredeburg, didominasi oleh bentuk arsitektur renaissance ( sebagai ragam arsitektur asal para pembangunnya/ Belanda).Namun demikian, dari beberapa gedung yang dianalisa terdapat sautu fenomena yang menarik, dimana semakin belakangan bangunan tersebut dibangun semakin besar pengaruh dari arsitektur setempat. Arsitektur setempat tersebut, bukan hanya arsitektur tradisional jawa, akan tetapi juga arsitektur cina (sedikit pengaruhnya) yang merupakan tanggapan terhadap bentuk-bentuk bangunan orang tionghoa yang terdapat disekitar bangunan benteng.]]>
<![CDATA[PUSAT KEGIATAN SELAM KALIMANTAN SELATAN ]]>
<![CDATA[Dearby Lintang Putri Irfansyah]]>;
<![CDATA[Nurfansyah Nurfansyah]]>;
<![CDATA[Pakhri Anhar]]>
<![CDATA[ JURNAL TUGAS AKHIR MAHASISWA LANTING Vol 13 No 1 (2024): JTAM LANTING Februari 2024 ]]>
Publisher : <![CDATA[ULM Press ]]>
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DOI: 10.20527/jtamlanting.v13i1.2478
<![CDATA[South Kalimantan has great underwater potential, water accidents often occur in South Kalimantan and the needs for marine tourism in South Kalimantan do not coincide with the pre-existing diving facilities. Diving activities also have quite good interest but have experienced a decline and the Dive Center that has been established still has incomplete infrastructure facilities, so a complete space is needed to attract public interest in diving activities. So that the use of the concept of education and recreation for the Dive Center can become a place to practice and learn as well as introduce and develop diving activities. The aim of this design is to develop an existing Dive Center so that it is able to accommodate training and learning activities as well as being an educational and recreational facility with a functional architectural approach. It is hoped that the existence of this Dive Center can meet the needs, develop and introduce diving activities to the community.]]>
<![CDATA[GELANGGANG REMAJA DI MUARA TEWEH (MUARA TEWEH YOUTH CENTERS) ]]>
<![CDATA[Nursyifa, Findara Illa]]>;
<![CDATA[Anhar, Pakhri]]>
<![CDATA[ JURNAL TUGAS AKHIR MAHASISWA LANTING Vol 9 No 1 (2020): JTAM LANTING February 2020 ]]>
Publisher : <![CDATA[UNIVERSITAS LAMBUNG MANGKURAT ]]>
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DOI: 10.20527/jtamlanting.v9i1.538
<![CDATA[The importance of non-academic education for teenagers is considered no less important in order to the development of various potentials within them. Teenagers in Muara Teweh were considered quite enthusiastic for participating in various types of activities. However, there are some that are known to be frequent obstacles, including the unavailability of place and facilities, and environments that tend to be determinative. This situation is feared will reduce the interest of teenagers in exploring their potential interests and talents more freely. This is the background of the need to procure a place in the form of a youth center that has a function for accommodating these development activities but also offers a fun atmosphere, dynamic and flexible, so that teens can comfortably carry out their activities. The method that is used is an architectural psychology approach by observing the characteristics of teenagers as a design reference. This is manifested by the concept of a youth cultural space that is applied to architectural elements in both indoor and outdoor space.]]>
<![CDATA[PASAR TERPADU H. M. YUSI DI KANDANGAN ]]>
<![CDATA[Nurmithasari, Nadya]]>;
<![CDATA[Anhar, Pakhri]]>
<![CDATA[ JURNAL TUGAS AKHIR MAHASISWA LANTING Vol 9 No 1 (2020): JTAM LANTING February 2020 ]]>
Publisher : <![CDATA[UNIVERSITAS LAMBUNG MANGKURAT ]]>
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DOI: 10.20527/jtamlanting.v9i1.551
<![CDATA[M. Yusi Market is a regional market development plan from the government to improve the trade sector in the South Hulu Sungai regency. Kandangan Market as the main market has been unable to be developed to accommodate the large number of traders and the market location provided is not maximally utilized by traders because of the uncomfortable atmosphere because the application of market prototypes is not in accordance with local community buying and selling behavior. The architectural problem solving that is right for the Integrated Market H. M. Yusi in Kandangan is a comfortable market design and in accordance with the buying and selling behavior of market users in Kandangan. Behavioral Architecture method is an approach used to solve architectural problems in the integrated market of H. M. Yusi in Kandangan, namely by approaching the relationship of human behavior to the architectural environment as a consideration of the application of designs that will lead to improvements in the architectural environment. The study method includes the analysis of merchant behavior, buyer behavior and the relationship of behavior of traders and buyers to be able to adjust the needs and behavior of market users. Hygienic and cultural is a concept used to solve the problems of the application of integrated market area buildings that are comfortable and in accordance with market user behavior and Paiwakan Market concept is focus on wet market. The concept is applied to the design of circulation arrangement, achievement, building mass, material, facade ornaments and building utility systems.]]>
