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All Journal INOTEKS : Jurnal Inovasi Ilmu Pengetahuan, Teknologi, dan Seni Ekspresi: Indonesian Art Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Saraswati Jurnal Pendidikan dan Kajian Seni SOSIOHUMANIORA: Jurnal Ilmiah Ilmu Sosial dan Humaniora Jurnal Pengabdian Seni IDEA: Jurnal Seni Pertunjukan Pengabdian Seni Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Setya Rahdiyatmi Kurnia Jatilinuar
Institut Seni Indonesia Yogyakarta
Arts Humanities Computer Science & IT Education Languange, Linguistic, Communication & Media Social Sciences Other

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Hop: Interpretasi Suwuk Dalam Komposisi Karawitan wisesa, Wiku; Jatilinuar, Setya Rahdiyatmi Kurnia; Suhardjono, Suhardjono
IDEA: Jurnal Ilmiah Seni Pertunjukan Vol 17, No 2 (2023): Vol 17, No 2 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/idea.v17i2.10727

Abstract

Pada suatu urutan atau struktur penyajian gending dalam karawitan jawa terdapat istilah yaitu suwuk. Suwuk merupakan bagian terakhir pada struktur penyajian gending yang berfungsi untuk menghentikan lagu atau gending. Selain itu juga merupakan kode atau aksen yang disepakati untuk menghentikan lagu. Suwuk ini memiliki pola kendhangan yang menonjol yang merupakan pola kendhangan yang berbeda dari kendhangan gendingnya, pola tersebut seperti kode yang diberikan oleh ricikan pamurba irama kepada ricikan lain sebagai tanda untuk berhenti. Metode yang digunakan dalam penelitian ini ialah practice as research trough performance (Praktik sebagai Penelitian melalui Pertunjukan), yang terdiri dari pra garap (observasi, studi Pustaka, wawancara, diskografi, analisis sumber terkait), garap (instrumentasi, tafsir garap, ekplorasi, penotasian, tahap latihan, presentasi musikal), dan pasca garap. Karya ini menggunakan medium tradisi dan idiom baru. Tujuan karya ini adalah menafsirkan dan mengembangkan kendhangan suwuk ladrang, ketawang, lancaran dan bubaran dalam karya komposisi karawitan. Karya komposisi “Hop” merupakan karya komposisi karawitan yang mengambil subtansi dasar karawitan tradisi sebagai ide dasar penciptaan komposisi karawitan. Karya ini menginterpretasi dan mengembangakan kendhangan suwuk sebagai tema penciptaan dengan mengolah unsur musikal seperti melodi, ritme, dan dinamika.HOP: INTERPRETATION OF SUWUK IN KARAWITAN COMPOSITION In a sequence or structure for the presentation of gending in Javanese karawitan, there is a term, namely suwuk. Suwuk is the last part of the musical presentation structure which functions to stop the song or piece. Besides that, it is also the agreed code or accent to stop the song. This suwuk has a prominent kendhangan pattern which is a different kendhangan pattern from the kendhangan gending, this pattern is like the code given by ricikan pamurba rhythm to other rickan as a sign to stop. The method used in this study is practice as research through performance (Practice as Research through Performance), which consists of pre-work (observation, literature study, interviews, discography, analysis of related sources), work on (instrumentation, interpretation, exploration, notation , rehearsal stages, musical presentations), and post-work. This work uses the medium of tradition and new idioms. The purpose of this work is to interpret and develop the kendhangan suwuk ladrang, ketawang, smoothness and dissolution in musical composition works. The compositional work "Hop" is a musical composition work that takes the basic substance of traditional karawitan as the basic idea for the creation of musical compositions. This work interprets and develops kendhangan suwuk as a theme of creation by processing musical elements such as melody, rhythm and dynamics.
PEMBUATAN GAMELAN MOULDING JENIS BONANG BARUNG DI PT. YPTI KALASAN YOGYAKARTA Rahman, Nur Setyo; Jatilinuar, Setya Rahdiyatmi Kurnia; Marsudi, Marsudi
IDEA: Jurnal Ilmiah Seni Pertunjukan Vol 17, No 2 (2023): Vol 17, No 2 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/idea.v17i2.10717

Abstract

Penelitian ini berjudul “Pembuatan Gamelan Moulding Jenis Bonang Barung. Gamelan moulding adalah gamelan yang menggunakan teknik moulding (cor) dalam pembuatannya sehingga memiliki rangkaian khusus pada proses pembuatan maupun pelarasan yang berbeda dengan gamelan pada umumnya. Berdasarkan latar belakang tersebut penelitian ini bertujuan untuk mengetahui proses pembuatan dan pelarasan bonang barung moulding di PT. YPTI Kalasan Yogyakarta. Metode penelitian yang digunakan adalah penelitian kualitatif dengan pendekatan deskriptif analisis. Data penelitian didapatkan dari observasi dan praktik langsung di lapangan maupun wawancara dengan narasumber. Data yang didapatkan kemudian dianalisis dan dideskripsikan secara rinci. Hasil penelitian ini antara lain 1) bonang barung moulding di PT. YPTI menunjukkan produktivitas dan efisiensi dalam pembuatan gamelan, baik dari aspek bahan maupun waktu; 2) bahan yang digunakan untuk membuat bonang barung moulding berupa perunggu dan kuningan dengan ketebalan 3ml; 3) pembuatan gamelan moulding jenis bonang barung di PT. YPTI menggunakan teknik cor atau gravity casting yang didukung penggunaan alat modern; 4) metode dalam pelarasan bonang barung hanya diatur ketebalannya menggunakan gerinda untuk meninggikan maupun merendahkan disesuaikan frekuensi nada yang sudah ditentukan. Untuk mengetahui nadanya frekuensi sebagai tolak ukur melalui proses perekaman terlebih dahulu.MAKING OF BONANG BARUNG GAMELAN MOULDING AT PT. YPTI KALASAN YOGYAKARTAThis research is entitled "Making Gamelan Molding Bonang Barung Type. Gamelan molding is a gamelan that uses molding techniques (casting) in its manufacture so that it has a special sequence in the manufacturing process and tuning that is different from gamelan in general. Based on this background, this study aims to determine the process of making and adjusting bonang barung molding at PT. YPTI Kalasan Yogyakarta. The research method used is qualitative research with a descriptive analysis approach. Research data were obtained from direct observation and practice in the field as well as interviews with informants. The data obtained is then analyzed and described in detail. The results of this study include 1) bonang barung molding at PT. YPTI shows productivity and efficiency in making gamelan, both from the material and time aspects; 2) the materials used to make bonang barung molding are bronze and brass with a thickness of 3 ml; 3) making gamelan molding of the bonang barung type at PT. YPTI uses cast or gravity casting techniques supported by the use of modern tools; 4) the method of tuning the bonang barung is only to adjust the thickness using a grinder to raise or lower it according to a predetermined tone frequency. To find out the tone frequency as a benchmark through the recording process first. YPTI uses cast or gravity casting techniques supported by the use of modern tools; 4) the method of tuning the bonang barung is only to adjust the thickness using a grinder to raise or lower it according to a predetermined tone frequency. To find out the tone frequency as a benchmark through the recording process first. YPTI uses cast or gravity casting techniques supported by the use of modern tools; 4) the method of tuning the bonang barung is only to adjust the thickness using a grinder to raise or lower it according to a predetermined tone frequency. To find out the tone frequency as a benchmark through the recording process first. This research is expected to be able to provide benefits to the wider community regarding how to process waste into goods that have a myriad of benefits.
PEMETAAN POLA TABUHAN BONANG PENERUS: SEBUAH UPAYA PELESTARIAN KARAWITAN GAYA YOGYAKARTA Tri Suhatmini Rokhayatun; Setya Rahdiyatmi Kurnia Jatilinuar
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 22 No. 1 (2022)
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v22i1.4146

Abstract

Bonang is one of the essential instruments in the Yogyakarta-style musical, especially in strengthening the Yogyakarta-style musical wasp pattern. There are no notes or special learning modules for the bonang Yogyakarta style, so that indirectly there is a problem in the bonang transmission process in the education process. First, it complicates the teaching and learning process. Second, the learning process becomes ineffective. Third, minimal reading materials impact the lack of literature for students, which results in the method of transmitting working patterns not running optimally. Therefore, to compile a definite way of Yogyakarta-style bonang, it is necessary to make an effort to map various models of Yogyakarta-style garap bonang interpretations as writing or treatise, which later becomes material in lectures on the practice of karawitan style. Yogyakarta. The specific purpose of this study was to record and document the work of the Yogyakarta-style wasp bonang. The method used in this study is a qualitative method with data collection techniques of observation, literature study, questionnaires, and interviews. While the data analysis techniques used are data reduction, data presentation, data verification. The results of this study are in the form of reports, journals, and Yogyakarta-style bonang learning modules.
Co-Authors Anon Suneko Arya Dani, Setyawan Asep Saepudin Atmojo, R. Bambang Sri Bagas Arga Saputra Dedi Ahmad Fahrudin Ditya Yulia Kurnia Enggar Kartikasari, Enggar Farid Azzani Prasanaya Gangsar Yogi Armansyah Ipuk Widyastuti Marsudi Marsudi Marsudi Marsudi Rahman, Nur Setyo Reinardus Banyu Tegar Suhardjono Suhardjono Tri Suhatmini Rokhayatun Widyastuti, Ipuk wisesa, Wiku