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KOMUNIKASI INTERPERSONAL DALAM SINETRON (Tinjauan Mengenai Romantic Relationship dalam Sinetron Si Doel Anak Sekolahan) Yuliarti, Monika Sri
KOMUNITAS Vol 1, No 1: Komunintas Vol 1 Num 1
Publisher : KOMUNITAS

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Soap opera is one of the the most popular products of mass media (television). âSi Doel Anak SekolahanâÂ isÂ oneÂ ofÂ theÂ mostÂ famousÂ IndonesiaÂ soap opera.Â Meanwhile,Â oneÂ ofÂ theÂ mass mediaÂ functionÂ isÂ socialization/Â transmissionÂ ofÂ socialÂ valuesÂ function,Â inÂ whichÂ theÂ mass media display the values held by certain people inÂ itâs program, which later, audiences will adopt them into their daily lives. Romantic relationship is one the relationship that is created from the process of interpersonal communication between people. On the other hand, soap opera consists of many values of the romantic relationship. This study findings are: there are 4Â valuesÂ ofÂ romanticÂ relationshipÂ whichÂ isÂ shownÂ in thisÂ soapÂ opera,Â whichÂ isÂ love, commitment, passion constructive, and intimacy. Those values tend to embodied in non verbal language,Â andÂ theÂ trendÂ isÂ stillÂ withinÂ inÂ theÂ limitsÂ basedÂ onÂ eastÂ cultureÂ ofÂ Indonesia. Meanwhile, from three main characters involved in alove triangle story, a character who is described tends to apply romantic relationship values is Zaenab. Keywords: romantic relationship, si Doel, sinetron,interpersonal communication

Komunikasi Musik: Pesan Nilai-Nilai Cinta dalam Lagu Indonesia Yuliarti, Monika Sri
Jurnal ILMU KOMUNIKASI Vol 12, No 2 (2015)
Publisher : FISIP Universitas Atma Jaya Yogyakarta

Industri rekaman di Indonesia makin berkembang. Produk yang dihasilkan makin banyak dan dapat dinikmati oleh masyarakat melalui media massa maupun media lainnya. Lagu-lagu yang dihasilkan dari industri rekaman mengandung pesan tertentu, salah satu pesannya adalah nilai cinta. Di dalam lagu terkandung fungsi komunikasi massa yaitu sosialisasi atau transfer nilai-nilai tertentu dari satu generasi ke generasi lain. Nilai-nilai yang terkandung dalam lagu merupakanrealitas media. Di sisi lain, realitas media tidak selalu sejalan dengan realitas objektif. Paper ini akan mengulas mengenai nilai cinta dalam lagu serta mengelaborasi kesenjangan dan beberapa rekomendasi terkait dengan kesenjangan tersebut.

Media and environment: how indonesia online news portal frames biodegradable issue? Yuliarti, Monika Sri; Jatimurti, Wikan
Jurnal Studi Komunikasi Vol 3, No 2 (2019)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Environmental problems are still an important issue and cannot be resolved completely until now, even after the 1970s the United Nations established a world environmental day. Plastic waste is considered the most responsible for the problems of environmental damage today. Therefore, an innovation that comes from biodegradable material, with its biodegradable product is considered to be the answer to this environmental problem. This study examines how reporting on the environment is framed in online mass media, especially in relation to biodegradable material and biodegradable products. This is qualitative research, with the object of two Indonesian online news sites, namely www.detik.com and www.okezone.com. Data collection techniques used is document studies and data analysis techniques employed is Robert N. Entman's Framing analysis model which involves four elements, namely: define problems, diagnose causes, make moral judgment, and treatment recommendation. The findings of this study are that environmental issues have not dominated online media coverage, and the biodegradable issue has not been framed thoroughly by online media.

Media and environment: how indonesia online news portal frames biodegradable issue? Yuliarti, Monika Sri; Jatimurti, Wikan
Jurnal Studi Komunikasi Vol. 3 No. 2 (2019)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v3i2.1586

Environmental problems are still an important issue and cannot be resolved completely until now, even after the 1970s the United Nations established a world environmental day. Plastic waste is considered the most responsible for the problems of environmental damage today. Therefore, an innovation that comes from biodegradable material, with its biodegradable product is considered to be the answer to this environmental problem. This study examines how reporting on the environment is framed in online mass media, especially in relation to biodegradable material and biodegradable products. This is qualitative research, with the object of two Indonesian online news sites, namely www.detik.com and www.okezone.com. Data collection techniques used is document studies and data analysis techniques employed is Robert N. Entman's Framing analysis model which involves four elements, namely: define problems, diagnose causes, make moral judgment, and treatment recommendation. The findings of this study are that environmental issues have not dominated online media coverage, and the biodegradable issue has not been framed thoroughly by online media.

The Shift of University Students’ Communication Ethics in Post-COVID-19 Pandemic Learning Martini, Endang; Yuliarti, Monika Sri; Prakoso, Septyanto Galan; Budiwati, Christiyaningsih
Lentera: Jurnal Ilmu Dakwah dan Komunikasi VOL 7, No 01 (2023): LENTERA
Publisher : Fakultas Ushuluddin, Adab dan Dakwah, Universitas Islam Negeri Sultan Aji Muhammad Idris Samarinda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21093/lentera.v7i1.7706

The COVID-19 pandemic has left behind a wide range of effects. As a potential future learning paradigm, one of them is the hybrid learning model. In terms of appearance during lectures, whether directly or indirectly through the use of post-COVID-19 pandemic media, this study attempts to characterize the communication ethics of generation Z students at Sebelas Maret University Vocational School in Surakarta. The quantitative descriptive method is thought to be the most appropriate approach to use in addressing the study objectives. Secondary data is derived from internal data in the education sector, publications, books, and other documentation, while primary data is collected online using semi-open questions in addition to observation. It is possible to conclude that there is a lack of good student communication ethics when it comes to appearance during online learning because not all students have turned on their cameras, not all of them are dressed collared, and not all of them follow the dress code that has been established in accordance with previous agreements in a number of courses.

Female Fandom in The Digital Era: ‘Alternative Universe’ for Promoting Thai Boys Love Drama Yuliarti, Monika Sri
JURNAL KOMUNIKASI INDONESIA Vol. 13, No. 2
Publisher : UI Scholars Hub

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Digital era has changed human’s life, including in the practice of fandom. It results in a much broader dissemination of fans-related products produced by the fans, such as alternative universe (AU) as part of fan fiction. In addition, nowadays, Thailand popular culture is rising, especially with the boys’ love drama series (Thai BL drama) which caught foreign viewers’ interest, including Indonesians. This study explores how AU can be considered as a tool for promoting Thai BL drama which goes to fandom actively involvement in the promotion of a foreign country's cultural product with taboo value. It is a qualitative content analysis of online texts which focuses on three female AU author accounts on X with more than 5,000 followers. It is found that AU does not directly impact on the promotion of Thai BL drama, considering the massive modification on the character, setting, plot, and language due to the creativity of AU authors. It is a unique finding that makes it possible to promote Thai BL actors. Finally, it will promote Thai BL drama which the actors are part of, which can be understood from the replies and quotes of X users as AU readers

Dramaturgy of identity and K-Pop's fan community communication behaviour in Bone Regency Wandi, Wandi; Marta, Rustono Farady; Qudratullah, Qudratullah; Yuliarti, Monika Sri; Nisa, Ainun
Jurnal Studi Komunikasi Vol. 9 No. 2 (2025)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v9i2.10174

The Korean Wave (Hallyu) phenomenon has formed a new communication pattern among K-Pop fans in Indonesia, including the ARMY Bone community in Bone Regency. This study examined the communication behaviour of the ARMY Bone community through Erving Goffman's Dramaturgy Theory, focusing on the formation of formalist and ritualistic impressions, as well as identity dynamics through the concept of front stage and backstage. This study used a qualitative method of a phenomenological approach, with observation techniques, in-depth interviews, and documentation of seven informants selected purposively. The results of the study show that ARMY Bone's communication behaviour is formed through verbal symbols (Korean terms, BTS songs, the word ‘Borahae’) and nonverbal (dress style, dance, facial expressions) that form a collective identity and impression as loyal fans. In the public space (front stage), members present themselves according to the role of the community, while in the private space (backstage) they show a more authentic personal identity. These findings strengthened the concept of dramaturgy that social identity is formed through performative and contextual self-presentation strategies, along with the dynamics of the community and popular culture they adopt. The implications of these findings suggest that fan communities such as ARMY Bone play a role in shaping young people's social identities through symbolic communication and self-presentation strategies, while also being social spaces that support local expressions of global culture.

Infodemic, Health Promotion Efforts, and Preventive Behavior During the COVID-19 Pandemic in Indonesia: A Quantitative Analysis Study Kurniati, Desak Putu Y; Indrayathi, Putu Ayu; Pradnyani, Putu Erma; Ulandari, Luh Putu S; Januraga, Pande Putu; Yuliarti, Monika Sri; Santosa, Karina Samaria
Kesmas Vol. 18, No. 5
Publisher : UI Scholars Hub

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The coronavirus disease 2019 (COVID-19) is the first pandemic in history where technologies and social media are used on a large scale to make people safe, informed, productive, and connected. At the same time, these technologies enabled the rise of the infodemic, which endangered pandemic control. This study aimed to assess COVID-19 information exposure in the community, the efforts to find related information in online media, and COVID-19 preventive behavior. A cross-sectional study was conducted with 909 participants in Indonesia using the consecutive sampling technique. Data were collected using a questionnaire distributed through social media (WhatsApp, Instagram, and Facebook) and analyzed using univariate analysis, bivariate analysis (Chi-square test), and multivariate analysis (multiple logistic regression). The results showed that about 838 (92.2%) participants said they often or always obtain information about COVID-19 online, 662 (72.8%) participants stated that information from online sources increased their knowledge of the disease, and 728 (80.1%) said that online information enabled them to make preventive efforts. Marital status (AOR: 1.81, p-value = 0.002) and perceived susceptibility (AOR: 1.42, p-value= 0.011) were the most influential factors for COVID-19 preventive behaviors. Information sources and channels frequently accessed by the community must be professionally managed by the government as valuable tools for mitigating an epidemic or pandemic.

Optimalisasi Kegiatan Online dan Offline dalam Kampanye Pencegahan COVID-19 Yuliarti, Monika Sri
Jurnal ABDINUS : Jurnal Pengabdian Nusantara Vol 5 No 1 (2021): Volume 5 Nomor 1 Tahun 2021
Publisher : Universitas Nusantara PGRI Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29407/ja.v5i1.14912

The COVID-19 pandemic has an effect on all countries, including Indonesia. Universitas Sebelas Maret (UNS) Surakarta sees this phenomenon as a condition that should be able to become a forum for students to take part in prevention efforts, through the Community Service Program for COVID-19. Eight students from the department of Communication Science of UNS are members of the COVID-19 KKN group under the guidance of a lecturer to apply knowledge and skills from the campus to the community in the environment where they live. With data on COVID-19 cases that are still increasing, the KKN COVID-19 team plays an important role in their respective neighborhoods (Jakarta, Surakarta, Sukoharjo, and Wonogiri areas). Apart from data on positive cases of COVID-19 which is still high, the background for this activity is that the people in the target areas are still not optimally running the new normal protocol. The KKN COVID activities are carried out both offline and online, with the majority of activities online considering physical distancing. From this activity, public awareness can increase, and knowledge and information related to COVID-19 will also increase.

Digital Resilience Construction in Indonesian Cinema: Victims' Perspective on Gender-Based Online Violence in "Budi Pekerti" (2023) Surwati, Chatarina Heny Dwi; Pitaloka, Desas Noel; Yuliarti, Monika Sri; Haryanti, Rina Herlina; Andayani, Tri Rejeki
Jurnal Lingua Idea Vol 16 No 2 (2025): December 2025
Publisher : Faculty of Humanities, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jli.2025.16.2.18389

This paper used the construction of digitally-mediated resilience embedded in culture of Indonesian cinema through a case study of gender-based online violence in “Budi Pekerti” (2023). Using qualitative critical analysis of 16 scenes, the paper showed how the film navigates digital harm and the strategies of digital resilience through the lens of gendered resistance and collective familial response. The paper critically examined the Western-centric model of digital resilience as an individual habitus, and instead studied resilience as a hybrid practice that involves geographically displaced, nurturing ritual and culturally embedded (e.g., Javanese language, food/symbolism). The paper claimed that digitally-mediated resilience for women in Indonesia is embedded in the nation’s collectivist ethos and, hence, in the film resilience was practiced and represented by men and women. As a performance, female characters challenged the digital harm by seeking the truth, correcting in language, and media activism whereas the male characters in the film maintained their reputation. By giving resilience in the film, the paper consequently claimed that institutional systemic barriers and media economy are among the structural conditions that make women’s justice inaccessible in professional space. The film, hence, argued for a culturally-embracing intervention to tackle techno-facilitated violence in the nation’s digital public sphere. By contrasting gendered power and the cultural context, the paper contributes to the media studies’ discourse about digital citizenship, and thereupon offers an insight for policy and community-based intervention regarding the evolving digital public sphere in Indonesia.

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