Garuda - Garba Rujukan Digital

Lontar Roga Sanghara Bhumi: Ritual Referention for Natural Balancing in Bali Jirnaya, I Ketut
International Research Journal of Management, IT & Social Sciences Vol 3 No 7: July 2016
Publisher : International Journal of College and University (IJCU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21744/irjmis.v3i7.111

Lontar Roga Sanghara Bhumi was a script about natural disasters that occurred in the world, natural disaster signs, natural phenomenon unlike good and bad signs, as well the forecast towards earthquake impact based on sasih (month of Bali) the earthquake occurrence. The signs were analyzed of eco-semiotic and meaning was knowable behind it. Balinese society trust that peace and harmony in life happened if it was occurred Tri Hita Karana (there was a balance correlated between human and God, human and fellow human beings, and human beings with bhutakala/Balinese term of evil). Conversely, natural disasters was occurred due to human activity that has soiled the world so that the Gods was angry. The bhutakala was instructed to make a disaster by the Gods. In order to anticipate and naturalize natural disasters occurrence, Balinese society regularly performed rituals of salvation as a means of communication apologize to God. The ritual has its level i.e. prayascita, guru piduka, labuh gentuh.

The Process Of Transforming The Mahabharata Literary Work Written In The Old Javanese Into Geguritan Sarpayajnya And Geguritan Kicaka Written In The Balinese Language Suastika, I Made; Jirnaya, I Ketut; Sukersa, I Wayan; Puspawati, Luh Putu
Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Vol 1, No 2 (2017)
Publisher : Institut Hindu Dharma Negeri Denpasar

The story of the Pandawas and their wife in Wirata was used as the plot of the geguritan Kicakawhich was initially transformed from Wirataparwa in the form of Parwa. The only episode which was transformed into geguritan written in the Balinese language is the one narrating when the Pandawas were in disguise for one year. In this episode the love story of their wife, Drupadi, who was disguised as Sairindriis also narrated. In this episode it is also narrated that the Chief Minister, Kicaka, would like to have her as his wife. However, the Chief Minister, Kicaka, was killed by Bima, who was disguised as Ballawa, meaning that the love story came to an end. From the language point of view, the episode telling that the Pandawas were in Wirata was transformed into Geguritan Kicaka written in the Balinese language. In addition, although the text was dynamically translated, many Old Javanese words are still used in the Balinese version.Similarly, geguritan Sarpayajaya adopted the episode of Sarpayajnya of Adiparwa; however, the plot was modified again using thestrophes pangkur, dangdanggula, sinom and durma and was introduced using the Balinese language. It is narrated that King Parikesit was bitten and killed by a snake named Taksaka. Consequently, his son, Janamejaya, performed a ritual known as Sarpayajaya, causing all the snakes to die. From the cultural point of view, the text is recited as part of the performing art and the art of music ‘magegitan’ in Bali. The text Sarpayajayaisrecited as part of the cremation ceremony ‘ngaben’ known as mamutru.

WACANA SEWAKA DHARMA DALAMGEGURITAN BHIMA SWARGA KAJIAN; SEMIOTIKA Swastya Darma Pradnyan, I Gusti Made; Suastika, I Made; Jirnaya, I Ketut
JOURNAL OF LANGUAGE AND TRANSLATION STUDIES Vol 2 No 2 (2016) (Sept 2016)
Publisher : S2 Ilmu Linguistik Fakultas Ilmu Budaya Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (316.515 KB)

AbstractThis research is analysis of semiotic about the Sewaka Dharma discourse that contained implicitly and explicitly in Geguritan Bhima Swarga(GBS). Sewaka Dharma Constitute a dedication who do sincerely, 1) Restore the essence of understanding discourse in the literary creation so it doesn’t make miss understanding between discourse in the literary creation with art staging literary creation that identicaly Ruatan discourse in the human community, 2) Give a comprehension to the reader a illustration of discourse Sewaka Dharma in the literary creation, 3) Give a contribution to reaserch substantione specially about analysis of semiotic’s Peirce.The analysis result showing that, GBS was only contained a discourse ruatan in the human community, be evidenced by two formation of Sewaka Dharma discourse that is Madhawa SewaandManawa Sewa, from the function side basicly bay the six language function’s Roman Jakobson Such as, emotif function, konatif, referensial, fatic, metalingual and puitic. With the significant side, GBS contained diverse of significant refer’s to Madhawa Sewa and Manawa Sewa such as, The God significant, environment, individual, family, culture sociality, and country.ABSTRAKPenelitian ini merupakan kajian Semiotika tentang Wacana Sewaka Dharma yang terkandung secara implisit dan eksplisit dalam Geguritan Bhima Swarga(GBS).Sewaka Dharma merupakan sebuah pengabdian yang dilakukan secara tulus ikhlas. Tujuan penelitian ini adalah 1) Mengembalikan esensi pemahaman wacana yang terdapat dalam karya sastra sehingga tidak terjadi kerancuan antara wacana dalam karya sastra yang diidentikan dengan wacana ruatan dimasyarakat, 2) Memberikan pemahaman terhadap pembaca mengenai gambaran Wacana Sewaka Dharma dalam karya sastra, 3) Memberi sumbangan terhadap khasanah penelitian khususnya mengenai penerapan kajian semiotika Peirce.Hasil analisis menunjukan bahwa, Geguritan Bhima Swarga yang pada awalnya hanya terkandung sebuah Wacana Ruatan di Masyarakat,terbukti terdapat dua bentuk Wacana Sewaka Dharma yaitu Madhawa Sewa dan Manawa Sewa, selanjutnya dari segi fungsi mengacu pada enam fungsi bahasa Roman Jakobson yaitu, fungsi Emotif, Konatif, Refrensial, Fatik, Metalinguistik dan Puitik. Terkait dengan makna, dalam Geguritan Bhima Swarga terkadung beragam makna yang mengacu pada Madhawa Sewa dan Manawa Sewa diantaranya, Ruang Lingkup Ketuhanan, Lingkungan, Individu, Keluarga, Sosial Budaya, dan Negara.

The Process Of Transforming The Mahabharata Literary Work Written In The Old Javanese Into Geguritan Sarpayajnya And Geguritan Kicaka Written In The Balinese Language I Made Suastika; I Ketut Jirnaya; I Wayan Sukersa; Luh Putu Puspawati
Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Vol 1, No 2 (2017)
Publisher : Institut Hindu Dharma Negeri Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/ijhsrs.v1i2.314

The story of the Pandawas and their wife in Wirata was used as the plot of the geguritan Kicakawhich was initially transformed from Wirataparwa in the form of Parwa. The only episode which was transformed into geguritan written in the Balinese language is the one narrating when the Pandawas were in disguise for one year. In this episode the love story of their wife, Drupadi, who was disguised as Sairindriis also narrated. In this episode it is also narrated that the Chief Minister, Kicaka, would like to have her as his wife. However, the Chief Minister, Kicaka, was killed by Bima, who was disguised as Ballawa, meaning that the love story came to an end. From the language point of view, the episode telling that the Pandawas were in Wirata was transformed into Geguritan Kicaka written in the Balinese language. In addition, although the text was dynamically translated, many Old Javanese words are still used in the Balinese version.Similarly, geguritan Sarpayajaya adopted the episode of Sarpayajnya of Adiparwa; however, the plot was modified again using thestrophes pangkur, dangdanggula, sinom and durma and was introduced using the Balinese language. It is narrated that King Parikesit was bitten and killed by a snake named Taksaka. Consequently, his son, Janamejaya, performed a ritual known as Sarpayajaya, causing all the snakes to die. From the cultural point of view, the text is recited as part of the performing art and the art of music ‘magegitan’ in Bali. The text Sarpayajayaisrecited as part of the cremation ceremony ‘ngaben’ known as mamutru.

USADA BHUDA KACAPI: BALINESE TRADITIONAL THERAPY (USADA) LITERARY TEXT I Ketut Jirnaya; I Made Suastika; I Wayan Cika; I Nyoman Weda Kusuma
e-Journal of Linguistics Vol. 5. Juli 2011 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (49.153 KB)

Usada Budha Kacapi (abbreviated to UBK) text, which contains the basic Balinese traditional therapy, is a text which is in the form of narration. The Balinese traditional therapy (usada) texts generally contain collections of names of diseases, medicinal substances, and how to cure such diseases; however, the UBK is in the form of narration, containing characters, setting, themes, and literary language. The UBK text, after being edited, is recorded in a number of palm-leaf manuscripts. The title is the same but the content varies. Budha Kecapi is the main character, which has inspired many other writers; therefore, the works produced still use the same language units as used by Budha Kacapi. Such works are Budha Kacapi Cemeng, Budha Kacapi Putih, and Budha Kacapi Sastrasanga . It is this which has inspired the researcher to explore the UBK in order to know who and what Budha Kacapi is. In order to be able to identify the message transmitted to the reader or the community, and its totality, it is necessary to know, understand, and analyze the signs it contains. Therefore, two theories are used in this study; they are the theory of intertextuality and the theory of semiotics. The results of analysis show that the writers wish to teach and guide those who desire to be professional indigenous medical practitioners ‘dukun’, namely, the ones who are highly knowledgeable of traditional therapy, ethical and not easily defeated by diseases. That, according to Budha Kacapi, can be achieved through ‘yogasastra’. The indigenous medical practitioners should improve their quality through yoga (meditation) and aksara suci (holy scripts) as the means. A set of learning materials related to the basic knowledge needed by the indigenous medical practitioners are systematically organized, starting from how to recruit the prospective learners, the learning method, how to diagnose (nenger), the philosophy of life and death, the philosophy of diseases, the concept of being healthy and sick, the compensation, types of diseases, and how to cure diseases. As a whole, the UBK text contains the basic and advanced levels of learning materials for indigenous medical practitioners. The advanced level means that if they study the UBK text and are able to apply it properly, they will not by all means be defeated by diseases.

SINKRETISME HINDU-ISLAM DALAM MANTRA: SEBUAH KASUS DALAM TEKS USADA MANAK I Ketut Jirnaya
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 14, No 2 (2015)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

The Moslem society has lived in Bali since the 14th century during the reign of Dalem Waturenggong. They have been as the minority community within the Balinese society. Among the Islamic-Balinese literary works are the Kidung of Rumaksa ing wengi, Geguritan Amad Muhammad, Geguritan Siti Badariah, and Aji Pangukiran. Another text, which is found later, is Usada Manak. This text is about Balinese traditional treatment for illness in Bali. It contains the treatment which is related to reproduction. The analysis of this text showed that this text is a result of the syncretism between Hindu and Islam in that the holy mantra of the supreme God. Om, is compiled and made parallel with the word Allah. The opening sentence of the text which expresses the request for safety, Om Awighnamastu nama siddam is made parallel with Bismillah irahman irahim. This syncretism showed that Moslem community is accepted by the majority of Balinese community. This indicates that there has been a mutual understanding between Moslem and Hindu in Bali. Both share resemblances in divine philosophy with different expressions. It is functionally also believed that the God will give his blessing for all human beings and all sickness can be cured because of his blessing.

Wacana Metta dalam Kakawin Ananda Bhuwana Dewa Sangkaryang; I Wayan Cika; I Ketut Jirnaya
Humanis Vol 26 No 3 (2022)
Publisher : Udayana University

Kakawin Ananda Bhuwana is an Old Javanese literary work that describes a character's journey in search of happiness (metta). The creativity and imaginative power of the author in compiling the story and giving the title to this literary work is a unique and special attraction. The theory used is the discourse theory proposed by Van Dijk. The analysis results of Kakawin Ananda Bhuwana's text show Kakawin Ananda Bhuwana as a constructor of metta discourse formed from a formal structure consisting of a macrostructure, a superstructure, and a microstructure.

EMPAT BERSAUDARA DALAM UTTARAKĀṆḌA: SEBUAH KAJIAN PSIKOLOGI SASTRA Mamluatun Mamluatun Ni'mah; I Ketut Jirnaya; Komang Paramartha
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol. 13 No. 1 (2023): Vol 13 No. 1 Tahun 2023
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

This study examines the Uttarakāṇḍa text which tells the life of Rawana's family and his three brothers who have different characters. The aim is to obtain a clear picture of personality through the four brothers in Uttarakāṇḍa through the id, ego, and superego in the theory of Literary Psychology. This research is a qualitative literature study, using observation and descriptive methods, and presented with informal methods. Furthermore, Rawana has the desire to marry Sita, looking for a way to seduce Sita to become his wife, Rawana controls his emotions when Sita does not answer his question. Furthermore, the character Kumbakarna has the desire to ask for a gift from the gods in the form of eternal sleep, he worships and obeys the orders of the gods, Kumbakarna also looks for ways to have a place to sleep. Furthermore, Surpanaka's character has the desire to cry because he is sad because his husband died, he looks for a way to complain to Rawana which makes him a widow. After getting an explanation from Rawana, he controlled the emotions he felt over the death of his lover. Furthermore, Wibhisana desired to ask for a gift from the gods in the form of the glory of knowledge, so he worshiped and obeyed the orders of the gods. When there was a meeting with Rama, Wibhisana took Rama's orders to leave the meeting place and go to Lengka.

MAKAR DALAM TEKS SATUA I GLIJAH ANALISIS WACANA KRITIS Bagus Wahyu Sudhyatmika; I Nyoman Suarka; I Ketut Jirnaya
Subasita: Jurnal Sastra Agama dan Pendidikan Bahasa Bali Vol 1, No 2 (2020)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/subasita.v1i2.878

This research examines the Satua (story) of I Glijah. This elder tells the story of a people who come into conflict with a king who likes to oppress the people. The people succeeded in killing the king in various ways. Finally the people were appointed to be the new king. This study uses Van Dijk's critical discourse analysis theory. This research will look at the form of treason, and its context. As a result, this story depicted a hidden form of treason with the king. This story context is a form of protest against closed social stratification.Key words: story, text, context

KONSEP AGURUWAKTRA: SEBUAH METODE BELAJAR SECARA TRADISIONAL DALAM SASTRA USADA Jirnaya, I Ketut; Paramartha, Komang
Prosiding Seminar Nasional dan Internasional HISKI 2024: Konferensi Internasional Kesusastraan XXXII HISKI (Maret 2024)
Publisher : Himpunan Sarjana-Kesusastraan Indonesia (HISKI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/psni.v1i0.133

Di dalam proses pengajaran diperlukan metode mengajar yang tepat sehingga keberhasilan pendidikan itu akan lebih optimal. Salah satu karya sastra usada, yaitu Usada Budha Kacapi memuat tentang pendekatan aguruwaktra ketika mendidik siswanya untuk mencapai target sebagai dukun yang sakti (sidhi wak bajra). Sebagai sebuah karya sastra sangat berdampak pada pembaca atau masyarakat terkait dengan pola sistem pengajaran. Untuk mengkaji lebih jauh dampak karya sastra terhadap pembaca, maka akan dipakai teori dampak dan juga estetika resepsi (Dwi Susanto, 2015). Setelah diadakan penelitian tentang konsep aguruwaktra dalam Usada Budha Kacapi, dapat diketahui bahwa aguruwaktra merupakan metode pembelajaran yang efektif. Dimulai dari wawancara dengan calon untuk mengetahui keseriusannya. proses belajar dengan proses pendampingan karena akan bermanfaat bagi pengajar. Guru dapat mengetahui siswanya secara mendetail, termasuk aspek kejiwaan. Guru berposisi sebagai orang tua dan siswa sebagai anak. Ada keterjalinan emosional, Situasi belajar tidak tegang karena diselipi guyonan. Siswa lebih leluasa menyampaikan semua permasalahannya, terutama pada tahap diskusi dan praktek (Jirnaya, dkk. 2022).

Title

Found 10 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 10 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 10 Documents
Search