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All Journal E-Jurnal Kajian Budaya E-Journal Of Cultural Studies SELONDING PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Harmonia: Journal of Research and Education MUDRA Jurnal Seni Budaya Panggung Acintya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya International Journal of Visual and Performing Arts PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Aksara: Jurnal Ilmu Pendidikan Nonformal Visual Heritage: Jurnal Kreasi Seni dan Budaya Narada : Jurnal Desain dan Seni Melayu Arts and Performance Journal ARTISTIC : International Journal of Creation and Innovation Moda: The Fashion Journal Journal of Research in Social Science and Humanities Jurnal Kajian Seni Srawung: Journal of Social Sciences and Humanities Terob : Jurnal Pengkajian dan Penciptaan Seni Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Social Science Academic Panggung

Pande Made Sukerta

Unknown Affiliation

Author-ID : 554403

Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Social Sciences Other

Published : 39 Documents Claim Missing Document

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“BE YOURSELF” (The Creation of a Music Composition) Asep Saepul Haris; Rahayu Supanggah; Pande Made Sukerta; Bambang Sunarto
PANGGUNG Vol 27, No 4 (2017): Comparison and Development in Visual Arts, Performing Arts, and Education in Co
Publisher : LP2M ISBI Bandung

AbstractAn artistic workmanship is a creative work process of an artist in creating artworks. Artwork meant by the writer is "Be Yourself", which is related to the establishment of his self-characters that grown up in Sundanese culture. Life journey was a dynamic process and became the will of the Almighty. God's destiny and life journey made the writer as “urangsumando” (people related by marriage) in Minangkabau. Cross-cultural was a life journey to be (yourself) and the destiny he should do – being in two different culture positions. Such differences did not automatically make the writer soluble in integration – he existed in two conceptions. In the realization, how the concepts are able to deliver other offers which have contribution to the development of artistic creation. The discussion in this article is the artistic forms as the exploration, working material, and forms of performance.Keywords: artistic, workmanship, music work

Eternal: Interpretasi Puisi Simbol “Q” Karya Sutardji Calzoum Bachri Abizar Algifari Saiful; Pande Made Sukerta
Jurnal Kajian Seni Vol 7, No 2 (2021): Jurnal Kajian Seni Vol 7 No 2 April 2021
Publisher : Universitas Gadjah Mada

ABSTRACTThe work "Eternal" is a musical composition performance that adopts the meaning and significance of Sutardji Calzoum Bachri's symbolic poem "Q" as the base idea. The results of an in-depth observation of Sutardji Calzoum Bachri's symbolic poem "Q" are five main points which are derived from the interpretation of the author. The five points are (1) We (humans) and God have different positions, different substances and different characteristics, unimaginably different, so humans need guidance ('Q' = al-Quran) in order to reach Him; (2) Humans will always be limited in any ways as 'humans’, in contrast to creators and beings who are assigned the title alif, lam, mim; (3) As human beings who have reason and sense, we’ll always look for meanings and be side by side with the universe (habluminallah and habluminannas); (4) Confusion makes people speculate on everything; and (5) In the end, questions will end in questions again. These points are used as the basis for the theme or the atmospheric description for creating the materials for the musical and working on each of the musical compositions in "Eternal". The musical compositions are as follows: "Aku", "Q", "Seru!", "Alif Lam Mim", and "Tanya". The composition of the musical "Eternal" goes through three stages, namely the preparation of content ideas, the preparation of the composition ideas, and the actual composing. Keywords: Eternal, Music Analyzer, The Symbolic Poem “Q” ABSTRAKKarya “Eternal” adalah pertunjukan komposisi musik yang mengangkat arti dan makna puisi simbol “Q” karya Sutardji Calzoum Bachri sebagai ide gagasannya. Hasil pengamatan mendalam terhadap puisi simbol “Q” karya Sutardji Calzoum Bachri dapat ditemukan lima poin utama yang berasal dari hasil interpretasi pengkarya. Kelima poin tersebut yaitu (1) Kita (manusia) dan Tuhan memiliki perbedaan posisi, perbedaan zat dan perbedaan sifat, jauh tak terbayangkan, maka manusia butuh pedoman (‘Q’=al Quran) untuk sampai pada-Nya; (2) Manusia akan selalu terbatas dalam kadarnya sebagai ‘manusia’, berbeda dengan pencipta dan makhluk yang diberi predikat alif, lam, mim; (3) Sebagai manusia yang memiliki akal senantiasa mentadaburi (mencari makna) dan bersanding dengan alam semesta (habluminallah dan habluminannas); (4) Kebingungan membuat manusia berspekulasi terhadap segala hal; dan (5) Pada akhirnya pertanyaan akan berakhir pada pertanyaan kembali. Poin-poin tersebut digunakan sebagai titik pijak tema atau penggambaran suasana untuk menyusun materi musikal dan garap masing-masing komposisi musik dalam karya “Eternal”. Adapun komposisi musik tersebut sebagai berikut. “Aku”, “Q”, “Seru!”, “Alif Lam Mim”, dan “Tanya”. Penyusunan karya musik “Eternal” menggunakan tiga tahapan, yaitu penyusunan gagasan isi, penyusunan ide garapan, dan penuangan ide garapan. Kata kunci: Eternal, Analisa Musik, Puisi Simbol “Q”

Celeng Ngelumbar Metafor Penambangan Eksploitatif Pasir I Wayan Setem; Pande Made Sukerta; Sardono W Kusomo; Dwi M Marianto
Mudra Jurnal Seni Budaya Vol 33 No 2 (2018): Mei
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v33i2.350

Aktivitas penambangan eksploitatif pasir di Kecamatan Selat telah memicu peningkatan pertumbuhan sektor ekonomi, namun masyarakat tampaknya tidak pernah sadar dengan dampak kerusakan lingkungan yang ditimbulkan. Fenomena penambangan eksploitatif pasir tersebut menjadi thema dan subject matter kekaryaan. Dari pengamatan mendalam pengkarya mendapat pemahaman dan insight yang menjadi pemicu proses kreatif. Problimatikanya dinyatakan ke dalam bentuk bahasa rupa menggunakan metode penyangatan/hiperbola. Untuk mewujudkan kekaryaan mengunakan metode pendekatan dan langkah-langkah kreatif melalui tahapan terstruktur, spontan dan intuitif. Metode ini telah menghasilkan elaborasi yang unik dari semua komponen imajirial sehingga melahirkan gagasan dan metafor yang kreatif. Karya-karya dibuat atau digagas di studio dan pindahkan ke, atau dirangkai di sekitar wilayah areal penambangan. Hubungan antara lokasi presentasi dan masyarakat mampu menjadi sebuah kekuatan tersendiri karena sesuai dengan konteks persoalan. Target kekaryaan tidak hanya sebagai ekspresi individual yang terbatas pada persoalan estetika namun menjadi cara atau alat untuk menyebrangkan (mengkampanyekan) isu lingkungan. Penciptaan seni adalah sebagai modus yang mampu untuk menginspirasi masyarakat agar tergugah secara kolektif maupun individual untuk berpartisipasi dalam upaya pelestarian eco-system.The exploitative sand mining in Selat District contributed to the economic growth; however, the local people were never aware that it had caused the environment to be degraded. The phenomenon of the exploitative sand mining is used as the theme and subject matter of an art creation. From what was observed by the artist, an insight into something contributed to a creative process. The problem was reflected in the form of language using the method of hyperbole. The art creation was created using the structured, spontaneous and intuitive creative steps and method which led to a unique elaboration of all the imaginary components and a creative metaphor and concept. The creation was designed in a studio before it was moved to or arranged around the mining area. The relation between the location of presentation and people could become a specific strength as it was in accordance with the context of the subject matter. The target of the art work did not only constitute an individual expression which was limited to the matter of common aesthetics but it was also used as the way of and the tool for transmitting (campaigning) an environmental issue. The art creation could be used to inspire people, as individuals and groups, to participate in the attempt made to preserve the eco-system

Fungsi dan Peran Api dalam Seni dan Kehidupan Masyarakat Bali I Gusti Ngurah Sudibya; Pande Made Sukerta; Sardono Waluyo Kusumo; Eko Supriyanto
PANGGUNG Vol 28, No 2 (2018): Dinamika Keilmuan Seni Budaya dalam Inovasi Bentuk dan Fungsi
Publisher : LP2M ISBI Bandung

ABSTRACTFire is made up of three elements, such as heat, combustible materials and oxygen. A fire has heat and light. Fire is used in real life in various human life from cooking, to marriage and to burning dead bodies. Fire is available in space, on earth, and in oneself. Symbolically the fire is employed as a symbol of spirit, a sanctification, a destruction, enlightenment, heating temperatures, fire of romance, and fire of revenge. Overheated is possible when one ignores norms, ethics, and rules. Library studies, interviews, observations, and experiments are the methods used in this compilation. Fire both as symbol and text, functioned according to the capacity/role of each, both in and outside themselves, the use of it must be controlled for the harmony of the macrocosms and microcosms, when is the right time is to use small, medium and large fire, because all of them is important.Keywords: function, fire, symbol, harmonic.ABSTRAKApi terbentuk dari tiga elemen yakni, panas, bahan mudah terbakar dan oksigen. Api memiliki panas dan cahaya. Api digunakan dalam kehidupan manusia dari memasak, penerangan, perkawinan sampai pembakaran jenazah. Api terletak di angkasa, di bumi, dalam diri. Api dijadikan simbol semangat, penyucian, peleburan, pencerahan, api asmara, api dendam. Terjadi over heated/panas berlebih yang tidak lagi mengindahkan norma, etika, aturan. Studi kepustakaan, wawancara, observasi, dan percobaan merupakan metode yang digunakan dalam penyusunan ini. Seyogyanya api baik sebagai simbol maupun teks, difungsikan sesuai kapasitas/perannya masing-masing, baik dalam diri maupun diluar diri, semua itu harus dikendalikan penggunaannya, agar keharmonisan bhuana alit dan bhuana agung dapat terwujud, kapan menggunakan api kecil, sedang maupun besar, karena semuanya penting.Kata kunci: fungsi, api, simbol, harmonis.

The Concept of Nyarira Lagu in Jineman Maduswara, A New Sindhenan Tradition Composed by Peni Candra Rini Peni Candra Rini; Pande Made Sukerta
Gelar : Jurnal Seni Budaya Vol 20, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i1.4337

"Maduswara" is a new musical work whose creation is based on memoirs, or the journey of Peni Candra Rini's in interpreting the sounds she has encountered. The memoir in question is the composer's memory from childhood when he first knew the tembang macapat, which was later termed as wiji tembang. The song continues to develop into a sound journey when the artist grows up, enters a formal karawitan school, and becomes a tembang lecturer in the musical department at the Indonesian Institute of the Arts Surakarta.The method of creation used is through several stages inspired by the composer's personal process, namely (1) reflection, (2) dialectics, (3) giving the tone of expression, (4) determining the form, (5) determining the medium, (6) compiling compositional musical notation, (7) transmedium, (8) practice, (9) improvisation.These steps of creation finally found a concept of nyarira lagu which was built on 5 indicators, namely; (1) language, (2) voice, (3) expression, (4) spirituality, and (5) improvisation

Pelatihan Teknik Cetak Tinggi dengan Format Mini Sebagai Hiasan di Café-Café Kekinian Pada Komunitas Grafis Makmur Sukoharjo Sigit Purnomo Adi; Pande Made Sukerta; Martinus Dwi Marianto; Sri Hadi; Ariesa Pandanwangi
Aksara: Jurnal Ilmu Pendidikan Nonformal Vol 8, No 3 (2022): September 2022
Publisher : Magister Pendidikan Nonformal Pascasarjana Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/aksara.8.3.2387-2396.2022

The proliferation of contemporary cafes in the Surakarta area and its surroundings has added to the increasing wheel of the economy. It is recognized that during the Covid 19 pandemic these efforts were somewhat dimmed, but after or after the Covid 19 pandemic, these efforts continued to increase. Contemporary cafe businesses, especially those that open coffee shops, mostly require something artistic, it can be in the form of decoration, appearance in arranging the room to other things. Decorations or cool language, aesthetic elements are needed to make these cafes more attractive to visitors, especially young people. Young people or children today need places to gather or hang out as well as places for selvi or making stories. Seeing this very promising business opportunity makes the author quite intrigued by this problem. Business opportunities, especially those engaged in making aesthetic elements on the walls of contemporary cafes. Based on the experience gained by the author as a graphic artist, it encourages the author to find suitable partners to be trained in the creation of graphic art works in the form of aesthetic elements, especially those using high and mini-sized printing techniques. The author finally chose the Makmur Graphic Community. This community is a community engaged in graphic studios, exhibition venues and also a place for graphic art work. The purpose of this PKM is to train and assist the Makmoer Graphic Community so that they can produce high-tech graphic art products in a mini format, as an aesthetic element in contemporary cafes in the Surakarta area and its surroundings. The choice of the Makmur Graphic Community as a partner is because this community is inhabited by very young members, besides that this community is already very present in the graphic arts arena, especially in the Surakarta area and its surroundings. Many events have been held both online and offline, it's just that this community has shortcomings, especially in the products produced. For the methodology, Asset Based Community Development (ABCD). The impact is clear that the Makmur Graphic Community is now not only able to produce works of graphic art as a medium of expression, but can also produce decorative works or aesthetic elements. The second clearly produces a significant impact in the economy because the demand for these crafts from time to time has increased. And this is very supportive of the theme of this national seminar, namely the role of universities in community empowerment in supporting progress after the Covid 19 pandemic.

Komposisi Musik Tetabuhan Sandikala sebagai Interpretasi Suasana Siang Menuju Malam di Yogyakarta Yanuar Danan Jaya; Pande Made Sukerta
PROMUSIKA Vol 10, No 2 (2022): Oktober 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v10i2.8157

Pada masyaraat Bali berkembang mitos larangan beraktivitas saat perpindahan waktu dari sore ke malam yang dipercaya sebagai terbukanya gerbang alam nyata dan ghaib. Penciptaan komposisi musik Tetabuhan Sandikala adalah wujud doa persembahan yang disajikan pada waktu sakral tersebut untuk mengekspresikan kesatuan kekuatan harmoni jiwa dan raga. Tujuan penciptaan karya ini adalah untuk mengungkap dan menginterpretasikan perubahan waktu tersebut sebagai Sang Waktu. Metode penciptaan karya menggunakan teori Niteni-Niroke-Nambahi (3N). Proses penciptaan meliputi tiga tahap garapan, yaitu penyusunan ide, penyusunan gagasan isi, dan implementasi serta penuangan ide. Pada tahap pertama kegiatan meliputi pengamatan lapangan, studi pustaka, diskusi dan kontemplasi. Pada tahap kedua dilakukan perancangan isi garapan, penerapan susunan instrument musik, dan menerapkan teori. Tahap ketiga adalah penuangan penggambaran suasana keramat peralihan waktu dari sore ke petang, ke dalam karya musik baru, dan tahap akhir adalah membuktikannya dalam pertunjukan langsung. Hasil penciptaan karya berjudul Tetabuhan Sandikala ini ialah penyajian komposisi musik instrumental yang memiliki tiga gerakan, yaitu siang, sandikala, dan malam. Penelitian ini memberikan kontribusi terhadap pengayaan bidang penciptaan musik dalam bentuk kolaborasi di antara musik pentatonis dan diatonis.Abstract‘Tetabuhan Sandikala’ Music Composition as an Interpretation of Day to Night Changing Athmpsphere in Yogyakarta. In the Balinese community, there is a myth about activities prohibited during the changing of time from afternoon to night. The changing time has been believed to be the gates opening of the real world and the unseen. The creation of the musical composition of Tetabuhan Sandikala is a form of offering prayer presented at that sacred time to express the unity and harmonic power of soul and body. The purpose of composing this work is to uncover and interpret the time changing as The Time. The creation method of the works uses the theory of Niteni-Niroke-Nambahi (3N). The composition process includes three stages, namely the preparation of ideas, the preparation of content ideas, and the implementation and pouring of ideas. The first stage of activities included field observations, literature studies, discussions and contemplation. In the second stage, the content design of the work is carried out, including the application of musical instruments orchestration, and the application of theory. The third stage is the pouring out of the depiction of the sacred atmosphere of the transition of time from afternoon to evening, into a new piece of music, and the final stage is to prove it in a live performance. The result of the creation of this work entitled Tetabuhan Sandikala is the presentation of instrumental music compositions that have three movements, namely day, sandikala, and night. This research contributes to the enrichment of the field of music creation in the form of collaboration between pentatonic and diatonic music.Keywords: composition; interpretation; Sandikala

Workshop Mix Media Print (Cetak Tinggi dan Kolase Digital) Seni Kaligrafi Arab di The Park Mall Sukoharjo Sigit Purnomo Adi; Pande Made Sukerta; Martinus Dwi Marianto; Sri Hadi; Fuad Safrudin
Aksara: Jurnal Ilmu Pendidikan Nonformal Vol 9, No 1 (2023): January 2023
Publisher : Magister Pendidikan Nonformal Pascasarjana Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/aksara.9.1.75-82.2023

Arabic calligraphy can be an art medium for da'wah, it can also be an aesthetic medium at home or in a mosque or otherwise. The arts-based activities are no exception. One of them is the art of Arabic calligraphy, the art of Arabic calligraphy itself is taught from elementary to high school based on Islamic schools. Calligraphy is indeed very interesting to teach, because it can be used as a medium to instill an attitude of religiosity and devotion to God Almighty through the media of art. Based on the experience that has been experienced by the author both as a creator of Arabic calligraphy works and also as a graphic artist, the author and the PKM TEAM are trying to find partners, especially schools that are suitable to be trained in the creation of calligraphy works by combining graphic art and collage techniques. The author considers the importance of inculcating religiosity among junior high school students with a touch of art and entrepreneurship. The purpose of this community service (PKM) is to train and assist students of SMP Muhammadiyah 9 Jaten, Karanganyar, especially in Arabic calligraphy art lessons so that they can progress and develop. The second is so that the work produced is not only an educational medium but can be a business opportunity in the arts, especially calligraphy. So that the resulting calligraphy works can be sold at art exhibitions, online stores and others. The training process went through several stages, including 1. Problem identification stage at the location 2. Training and mentoring stage at The Park Mall, Sukoharjo 3. Participants evaluation stage and the work produced.

WORKSHOP SENI KALIGRAFI DENGAN TEKNIK CETAK TINGGI DENGAN PUBLIKASI VIA YOUTUBE Sigit Purnomo Adi; Pande Made Sukerta; Martinus Dwi Marianto; Sri Hadi
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 5 (2022): Seni, Tenologi, dan Masyarakat #7
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v5i1.169

Abstract The purpose of this community service is to provide application and understanding of the importance of making publications via YouTube, as a means of introducing that documentation is not only for individuals or institutions, but can be disseminated throughout the world through online media. The problem regarding the publication of works is indeed very vital, for that apart from the workshop technically the creation, it is also supported by publication via YouTube. This high-print technique calligraphy art workshop also uses YouTube publications, so that the workshop process and its work or results can be widely enjoyed and appreciated. This workshop or community service uses 3 stages, namely location identification, training and also work evaluation. The impact of this community service is that this workshop is able to educate and also inspire people who see it, because it is disseminated through online media, namely uploading workshop documentation videos via the Makmoer channel Art project.

“ALONE” REINTERPRETASI FENOMENA DEPRESI DALAM KOMPOSISI MUSIK Agung Wira Setika Cahya; Pande Made Sukerta
SELONDING Vol 19, No 1 (2023): : Maret 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/sl.v19i1.7806

Depresi adalah satu di antara keadaan emosi dimana kondisi psikologis, ditandai dengan banyak rasa kehilangan dan kekecewaan yang terjadi selama masa hidup normal. Fenomena depresi ini yang menjadi riset komposisi musik melalui suatu pemikiran, sehingga karya yang diberikan sesuai dengan sumber sebagai acuan utama dan keinginan pengkarya dalam memperkenalkan karya melalui dua media karya musik sebagai estetika dan wahana artikulasi dalam karya seni. Reinterpretasi pengkarya atas fenomena depresi menghasilkan karya berbentuk instrumen artifisial yang diberi nama Qalaba dan karya pertunjukan musik dengan judul Alone. Penciptaan dan penyusunan karya Alone dilakukan dengan tahapan observasi pembuatan instrumen dan observasi aspek musikal yang berikutnya dipraktekan dengan metode psikologis. Dalam penyusunan karya musik Alone, pengkarya menerjemahkan fenomena depresi ke dalam musik, menjadikan karya “Alone” sebagai cara alternatif dalam penyusunan instrumen dan elemen musik. Pengkarya menerjemahkan fenomena depresi ini ke dalam improvisasi bebas dan terkonsep, dengan mengeksplorasi nada instrumen menggunakan teknik modifikasi.

Co-Authors Abizar Algifari Saiful Agung Wira Setika Cahya Anak Agung Bagus Wirawan Anak Agung Ngurah Anom Kumbara Andar Indra Sastra Ariesa Pandanwangi Asep Saepul Haris, Asep Saepul Bambang Sunarto Bani Sudardi Eko Supriyanto Eko Supriyanto Fredy, Catur Fuad Safrudin Hananto, Paulus Dwi Harahap, Rina Yanti I Nyoman Sukerna, I Nyoman I Wayan Setem, I Wayan Indra Gunara Rochyat Indrasastra, Andar Kusumo, Sardono Waluyo M. Dwi Marianto M. Yogi Riyantama Isjoni Muhammad, Nabila Alifah Nurul Hidayati Peni Candra Rini Rahayu Supanggah Rahayu Supanggah, Rahayu Rini, Peni Candra Ronaldi Ronaldi Rozalvino, Rozalvino Saiful, Abizar Algifari Sardono W Kusomo Sardono Waluyo Kusumo Sigit Purnomo Adi sigit purnomo adi Silvester Pamardi, Silvester Soewarlan, Santosa Sri Hadi Sri Hadi Sri Hadi Sri Hadi Sudibya, I Gusti Ngurah Sugihartono, Ranang Agung Sunarmi Sunarmi Syamsul Barry T Slamet Suparno Titis Srimuda Pitana Yandi, Adri Yanuar Danan Jaya

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