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All Journal E-Jurnal Kajian Budaya E-Journal Of Cultural Studies Harmonia: Journal of Research and Education Panggung Acintya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Gelar : Jurnal Seni Budaya Visual Heritage: Jurnal Kreasi Seni dan Budaya Narada : Jurnal Desain dan Seni Melayu Arts and Performance Journal ARTISTIC : International Journal of Creation and Innovation Journal of Research in Social Science and Humanities Srawung: Journal of Social Sciences and Humanities
Pande Made Sukerta, Pande Made
Unknown Affiliation
Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Social Sciences Other

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EARTH'S CREATION STIMULUS: CREATION OF GRAPHIC ARTS WITH USED PLYWOOD MEDIA Adi, Sigit Purnomo; Sukerta, Pande Made; Marianto, M. Dwi; Hadi, Sri
ARTISTIC : International Journal of Creation and Innovation Vol. 2 No. 1 (2021)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v2i1.3634

Abstract

 Natural phenomena, especially climate change, are increasingly worrying lately. Graphic art can be used to express concern for the environment in response to climate change. The creation of this graphic art work uses the concept of the earth's creation stimulus. The creative methods used include: experimentation, contemplation, and formation. Abstract Expressionism was chosen as the style of personal expression in the creation of this work. The creative technique used is high printing technique with used plywood media. The results of the creation process show that the visualization of the concept of the earth's creative stimulus produces the forms of circles and lines. These forms are the main motif in the creation of graphic art with the stimulation of this earth's creativity 
The Concept of Nyarira Lagu in Jineman Maduswara, A New Sindhenan Tradition Composed by Peni Candra Rini Rini, Peni Candra; Sukerta, Pande Made
Gelar: Jurnal Seni Budaya Vol. 20 No. 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i1.4337

Abstract

"Maduswara" is a new musical work whose creation is based on memoirs, or the journey of Peni Candra Rini's in interpreting the sounds she has encountered. The memoir in question is the composer's memory from childhood when he first knew the tembang macapat, which was later termed as wiji tembang. The song continues to develop into a sound journey when the artist grows up, enters a formal karawitan school, and becomes a tembang lecturer in the musical department at the Indonesian Institute of the Arts Surakarta.The method of creation used is through several stages inspired by the composer's personal process, namely (1) reflection, (2) dialectics, (3) giving the tone of expression, (4) determining the form, (5) determining the medium, (6) compiling compositional musical notation, (7) transmedium, (8) practice, (9) improvisation.These steps of creation finally found a concept of nyarira lagu which was built on 5 indicators, namely; (1) language, (2) voice, (3) expression, (4) spirituality, and (5) improvisation
SUNDEL: REINTERPRETASI BUNGA SEDAP MALAM DALAM MOTIF BORDIR DAN SULAM Hidayati, Nurul; Sukerta, Pande Made; Supriyanto, Eko; Pamardi, Silvester
Narada : Jurnal Desain dan Seni Vol 10, No 1 (2023)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2023.v10.i1.006

Abstract

The making of embroidery and needlework motifs on art-wear that inspired from Sedap Malam (Sedap Malam) is the attempt to create an exclusive embroidery and needlework motifs as the identity of Pasuruan Regency, East Java. The creation of this motifs is the response from the need to develop, enrich, and design an embroidery and needlework motifs belongs to Pasuruan that would boost the sustainability of embroidery and needlework industry that is lately decreasing. Therefore, an experiment method in the form of innovative re-production is required to create an art-work with re-interpretation concept. The method in art creation used in this study is artistic research where the artist undergo several practices or creating process in the field study with emic approach, In this case, the process are developing the local potential in Pasuruan Regency (Sedap Malam) and identify what and how meaning inside it. The creation sages consist of data collection from various resources like field data and direct observation on Sedap Malam, literary study, and extensive interview with Tourism and Culture Department of Pasuruan Regency. The next stage is experimenting tuberose motif using reinterpretation concept. The motifs created during the experiment are stillation of Sedap Malam as the main motif, as well as complementary motifs generated from flora in the surrounding such as pandan leaves and rose balsam flower as the flower commodity in Pasuruan Regency. The inspiration in using Sedap Malam in creating embroidery and needlework motif on ready to wear results to ready to wear design with Sedap Malam motif that is made using embroidery and needlework technique, where Sedap Malam is presented as the main motif in the ready to wear.
PENCIPTAAN KARYA-KARYA SENI CETAK SARING DENGAN OBJEK VISUAL YANG BERBASIS KEARIFAN LOKAL Adi, sigit Purnomo; Sukerta, Pande Made; Marianto, Martinus Dwi; Hadi, Sri
Acintya Vol. 13 No. 1 (2021)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v13i1.3824

Abstract

Sablon or screen printing has many functions and is usually more popular in the community for making t-shirts and banners and even batik cloth. The popularity of screen printing or screen printing, which is used by world-class artists, one of them Andy Warhol and also used by Marida Nasution, causes writers to feel inspired to work using this technique, because the technique is already popular in the community, making it easy to get tools and materials. To visualize this work, the author uses an art creation research methodology with an artistic creation process. The artistic creation process requires several stages to be passed, including experimentation, reflection and finally formation. The selection of these objects is indeed very interesting because these objects are increasingly disappearing in our lives. So that in this work, we try to marry or collaborate between modern art represented by graphic art with visual objects based on local wisdom that represent tradition. The paradigm of modern art with a touch of tradition as an effort to find the roots of the characteristics of Indonesia from year to year has begun to be explored by artists in Indonesia as an effort to find Indonesian cultural identity.Keyword: Sablon, Artistic Creative, Printmaking. 
APLIKASI LIMBAH KAYU SEBAGAI MATRIK/ ACUAN PADA PENCIPTAAN KARYA SENI GRAFIS TEKNIK CETAK TINGGI BERBASIS FALSAFAH JAWA adi, sigit purnomo; Sukerta, Pande Made; Marianto, Martinus Dwi; Hadi, Sri
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 14 No. 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.4367

Abstract

Relief print is a printmaking technique that is quite well known among the public. Relief print is considered static. This creation research aims to produce novelty by combining wood waste, references/matrixes in woodcut and Aja Dumeh's Javanese philosophy with artistic creation process methods: experimentation, reflection and creation of works. The creation of this matrix or reference is expected to be able to combine wood waste, reference/matrix in Relief print with Aja Dumeh's Javanese philosophy so that the resulting work is able to campaign about the importance of protecting the environment and also preserving culture, especially Javanese culture, so that it is expected to be able to compete in the international world. The results of this creation research have creations and innovations in the form of references/matrixes used in woodcut which come from Javanese philosophy conceptually and wood waste materially
Dinamika Kehidupan Gong Kebyar Ditinjau dari Perspektif Paradigma Budaya Sukerta, Pande Made; Rochyat, Indra Gunara; Fauzi, Muhammad
PANGGUNG Vol 35 No 4 (2025): Transformasi, Simbolisme, dan Kreativitas dalam Ekspresi Budaya Nusantara: Studi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i4.4285

Abstract

Penelitian ini bertujuan untuk menjelaskan bahwa barungan gamelan gong kebyar hidup dan berkembang di tengah masyarakat. Gong kebyar merupakan salah satu jenis barungan gamelan yang paling berkembang di Bali. Dari segi bentuk gamelan gong kebyar ada dua, yaitu bentuk gamelan gong kebyar Bali Utara dan gong kebyar Bali Selatan, sedangkan secara musikal terdapat empat gaya, yaitu gong kebyar gaya Buleleng, gong kebyar gaya Tabanan, gong kebyar gaya Badung, dan gong kebyar gaya Gianyar yang berkembang di wilayah budayanya masing-masing. Pertumbuhan dan perkembangan barungan gamelan gong kebyar, ditentukan oleh lingkungan dan dinamika masyarakatnya salah satu faktor menarik untuk dikaji dari perspektif paradigma budaya yang terkait dengan bentuk, fungsi, dan makna. Pengumpulan data dilakukan dengan cara observasi, wawancara, studi pustaka, dan dianalisis sesuai dengan tujuan penelitian. Hasil penelitian menunjukkan bahwa realitas kehidupan gong kebyar sekarang cendrung mengarah keseragaman yang merupakan proses untuk mewujudkan kehidupan dan perkembangan gong kebyar di Bali.
Reinterpreting Abu di Ateh Tunggua: Power Relations and Male Responsibility in the Minangkabau Matrilineal System Rozalvino, Rozalvino; Sunarto, Bambang; Indrasastra, Andar; Sukerta, Pande Made
Journal of Research in Social Science and Humanities Vol 6, No 1 (2026): March 2026
Publisher : Utan Kayu Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47679/jrssh.v6i1.552

Abstract

This article examines the concept of Abu di Ateh Tunggua as a relational framework for understanding male position within the Minangkabau matrilineal kinship system. The role of the sumando has frequently been interpreted as a symbol of fragility or marginal status within customary structures. Using a qualitative, literature-based approach and conceptual analysis of customary norms, proverbial expressions, and the sumando typology, this study argues that Abu di Ateh Tunggua functions as an ethical metaphor that signifies responsibility, prudence, and relational awareness rather than structural subordination. In the Minangkabau context, men are not vested with proprietary authority within the wife’s lineage; instead, their legitimacy is grounded in moral obligations toward the nuclear family and the broader kin network. The article further identifies transformations in male roles in response to urbanization, education, and migration, highlighting ongoing negotiations between customary values and contemporary social change. These findings contribute to discussions of masculinity in matrilineal societies by demonstrating that authority may be constructed through social responsibility and collective recognition rather than ownership. The study underscores the importance of interpreting cultural expressions as analytical tools for examining power relations within indigenous kinship systems.
The Narrative Style of Randai in the Film Rantau Yandi, Adri; Sugihartono, Ranang Agung; Sukerta, Pande Made
Melayu Arts and Performance Journal Vol 8, No 2 (2025): Melayu Arts and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v8i2.5185

Abstract

This article investigates the structural translation of the Minangkabau performative tradition of randai into cinematic language through a practice-led research framework. Departing from representational or thematic adaptation, the study positions randai as an organizing principle that shapes the narrative architecture, temporality, and audiovisual rhythm of the film Rantau. Core performative elements, such as dendang, galombang transitions, episodic composition, circular staging, and the mediating function of the Janang, are operationalized as structural devices rather than ethnographic references. The article adopts practice led research approach, a reflective and cyclical creative process integrating observation, interviews, textual study, scripting, performance translation, and editing. Editing is conceptualized as an epistemological site where meaning emerges through montage, temporal layering, and audiovisual juxtaposition. The resulting film employs a dual narrative system, linear within performative segments and non-linear within cinematic sequence, producing stratified temporality that articulates generational reinterpretations of merantau (migration). The findings demonstrate that performative tradition can be translated structurally into contemporary film without hierarchical subordination. The study contributes to discourses on intermediality, artistic research, and decolonial aesthetics by repositioning tradition as a generative epistemic framework within audiovisual production, while proposing a model for culturally grounded cinematic innovation.
Co-Authors Anak Agung Bagus Wirawan Anak Agung Ngurah Anom Kumbara Asep Saepul Haris, Asep Saepul Bambang Sunarto Eko Supriyanto Hananto, Paulus Dwi Harahap, Rina Yanti I Nyoman Sukerna, I Nyoman Indra Gunara Rochyat Indrasastra, Andar Kusumo, Sardono Waluyo M. Dwi Marianto M. Yogi Riyantama Isjoni Nurul Hidayati Rahayu Supanggah, Rahayu Rini, Peni Candra Rozalvino, Rozalvino Saiful, Abizar Algifari sigit purnomo adi Silvester Pamardi, Silvester Soewarlan, Santosa Sri Hadi Sudibya, I Gusti Ngurah Sugihartono, Ranang Agung Yandi, Adri