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All Journal Jurnal Komunikasi specta: Journal of Photography, Arts, and Media Visual Heritage: Jurnal Kreasi Seni dan Budaya Jurnal Bahasa Rupa
Novan Jemmi Andrea, Novan Jemmi
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Arts Humanities Education Languange, Linguistic, Communication & Media

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Photobook Sebagai Implementasi Arsip Pelestarian Situs Liyangan Andrea, Novan Jemmi
Visual Heritage: Jurnal Kreasi Seni dan Budaya Vol 6, No 3 (2024): Visual Heritage: Jurnal Kreasi Seni Dan Budaya
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/vh.v6i3.8462

Abstract

Situs Liyangan merupakan komplek pemukiman dan peribadatan kuno yang terletak di Desa Purbosari, Kecamatan Ngadirejo, Kabupaten Temanggung, Jawa Tengah. Situs ini dihuni pada dekade awal masehi dan menjadi salah satu sumber pengetahuan sejarah peradaban manusia di Indonesia. Berkaitan dengan hal tersebut, maka keberadaan arsip kontekstual terhadap upaya-upaya pelestarian Situs Liyangan sangat dibutuhkan. Penelitian ini bertujuan untuk mengimplementasikan arsip visual dalam bentuk buku foto yang memuat konteks pelestarian. Metode pembuatan buku foto dilakukan melalui empat tahap yaitu tahapan persiapan, inkubasi, iluminasi, dan verifikasi. Data berupa aset foto tentang Situs Liyangan dikelompokkan dalam kategori suasana dan kondisi situs, kategori aktivitas pemugaran bangunan kuno, kategori pemeliharaan yang menggambarkan kerja berbagai pihak untuk menjaga dan melestarikan situs, dan ketegori Tim Peduli Liyangan, berupa portrait warga sekitar yang terlibat secara langsung sejak penemuan situs, penyelamatan artefak dan pemeliharaan situs. Hasil penelitian ini adalah buku foto berukuran 210mmx297mm sebanyak 39 halaman yang menunjukkan kolaborasi antar Lembaga dan masyarakat dalam pelestarian Situs Liyangan. Setiap bab kategori dilengkapi narasi yang berfungsi menambatkan pemahaman pembaca mengenai foto yang ada dalam kategori tersebut. 
METODOLOGI PENELITIAN DALAM MELAKUKAN STUDI FOTOGRAFI TERAPEUTIK Muslim Tan, Dr, Ellyana Mohd; Andrea, Novan Jemmi; Ishak, Siti Norfatulhana
specta Vol 9, No 1 (2025): Specta: Journal of Photography, Arts, and Media
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/specta.v9i1.15550

Abstract

Makalah ini secara umum menjelaskan proses mengidentifikasi metode alternatif dalam penelitian Fotografi Terapi. Pembahasannya mengikuti penjelasan singkat tentang dasar-dasar fotografi terapi, berbagai pendekatan metode, dan perbandingan singkat fotografi terapi dengan komunikasi visual.  
METODOLOGI PENELITIAN DALAM MELAKUKAN STUDI FOTOGRAFI TERAPEUTIK Mohd Muslim Tan, Ts.Ellyana; Andrea, Novan Jemmi; Ishak, Siti Norfatulhana
specta Vol 9, No 1 (2025): Specta: Journal of Photography, Arts, and Media
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/specta.v9i1.16721

Abstract

Tujuan dari penelitian Fotografi Terapi adalah untuk menganalisis dan menjelaskan proses untuk menemukan metode alternatif.   Persuasif bukan hanya visual.   Dalam konteks nilai, konsep non-verbal memiliki relevansi dengan bahasa tubuh seperti ekspresi wajah, gerakan, isyarat, atau keheningan.   Perbedaan antara komunikasi verbal dan non-verbal adalah bahwa tahap diskusi menuju komunikasi yang efektif terjadi ketika lapisan verbal dan non-verbal saling berhubungan. Komunikasi non-verbal mencakup elemen seperti gambar, teks, desain, dan rancangan visual, yang membantu menjelaskan pembuatan visual.   Ini akan menggabungkan makna dan hasil dalam bentuk komunikasi visual yang bermanfaat.Research Methodology in Conducting Therapeutic Photography Studies. The goal of the research on therapeutic photography is to examine and clarify the procedure in order to identify substitute techniques. Persuasive is more than just images. The term "non-verbal" refers to body language, including gestures, facial expressions, and silence, in relation to values. The distinction between verbal and nonverbal communication is that when the verbal and nonverbal layers are united, the discussion stage of effective communication takes place. Images, language, design, and visual design are examples of nonverbal communication components that aid in elucidating the process of visual production. This will provide a useful visual communication that combines meaning and outcomes. 
Photography and urban space: Representations of class and women in Erik Prasetya's work Aji, Daru Tunggul; Mohd Shuib, Ahmad Sofiyuddin bin; Chindany, Amar Leina; Andrea, Novan Jemmi
Jurnal Komunikasi Vol. 19 No. 3 (2025): VOLUME 19 NO 3 OKTOBER 2025
Publisher : Program Studi Ilmu Komunikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/komunikasi.vol19.iss3.art4

Abstract

Through photography, the city is not merely a spatial space, but also positioned as a medium. The subjects of the photographs are presented in a political context to depict the reality between humans and the city. This article investigates the relationship between photography and urban space through Erik Prasetya's photographic works, which are divided into two forms. First, the visual representation of workers on the street. Second, the representation of women in relation to the image of modernity. Using Gillian Rose's visual methodology, visual data is analyzed to show the representation of the working class on the one hand, and women on the other. The results of the study indicate a gap between the image of modernity and the working class. The working class in Jakarta struggles to experience modernity fully. Meanwhile, in the second classification, the visual analysis reveals that metropolitan women are portrayed as having freedom in private spaces (malls with all their modernity), even though what is actually represented is the bondage to the pressures of modernity itself.
FOTOGRAFI DOKUMENTER DESKRIPTIF PENAMBANGAN TIMAH DI PULAU BANGKA Gilisua, Febra; Andrea, Novan Jemmi
specta Vol 8, No 1 (2024): Specta: Journal of Photography, Arts, and Media
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/specta.v8i1.10595

Abstract

Timah menjadi salah satu sumber daya istimewa yang dimiliki oleh Pulau Bangka. Aktivitas penambangan timah telah terjadi secara turun menurun secara inkonvensional oleh masyarakat Pulau Bangka kemudian disebut sebagai tambang rakyat. Penambangan timah menjadi pencaharian masyarakat untuk memenuhi kebutuhan hidupnya, secara langsung adanya dampak ekonomi dan lingkungan yang ditimbulkan. Aktivitas penambangan timah tersebut menjadi ide penciptaan karya seni fotografi yang dimuat ke dalam jenis fotografi dokumenter dibentuk dengan konsep penyajian deskripsi yang menyajikan tentang aktivitas penambangan timah tambang rakyat yang beroperasi di daratan Pulau Bangka. Metode yang dipakai menggunakan ide penciptaan, pengumpulan data yang terdiri dari studi pustaka, wawancara, observasi, selanjutnya pengkaryaan atau proses pembuatan karya. Hasil dari penciptaan foto dapat bernilai menjadi arsip dan pengetahuan tentang penambangan timah tambang rakyat di Pulau Bangka sebagai upaya untuk memberikan informasi dalam bentuk karya fotografi dokumenter dengan penyajian deskripsi. Tin Mining on Bangka Island in Documentary Photography.  Tin is one of the unique resources owned by Bangka Island. Tin mining activities have been going on unconventionally for generations by the people of Bangka Island and are then referred to as people's mine. Tin mining is a livelihood for the community to fulfill their needs, there is a direct economic and environmental impact. The objective of this documentary photo works is to visualize the tin mining in Bangka Island. This tin mining activity became the idea of creating a photographic work of art in a type of documentary photography formed with the concept of presenting a description that presents the activities of people's mine tin mining of Bangka Island. The methods used were the idea of creation, data collection consisting of literary studies, interviews, observations, then the creation or process of making photo works. The results of creating photos can be valuable as archives and knowledge about people's tin mining on Bangka Island as an effort to provide information in the form of documentary photography with presentation of descriptions.
NARASI LIRIS FOTOGRAFI JURNALISTIK PADA MASA PANDEMI COVID-19: STUDI KASUS PROYEK FOTOGRAFI “STILL LIVES” OLEH THE NEW YORK TIMES Purnomo, Aji Susanto Anom; Andrea, Novan Jemmi; Kusuma, Monica Revias Purwa
Jurnal Bahasa Rupa Vol. 4 No. 2 (2021): Jurnal Bahasa Rupa April 2021
Publisher : Institut Bisnis dan Teknologi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v4i2.714

Abstract

2020 is the year when the world is faced with a health crisis, namely the Covid-19 pandemic or also known as the Corona Virus. All aspects of life are affected by this crisis, the joints of humanity are faced with limitations. The mass media are intensively reporting various incidents regarding the Covid-19 pandemic. The stories are often accompanied by journalistic photos. One of the functions of photojournalism is to strengthen the story of what the media wants to convey. Journalistic photos during this pandemic usually feature scenes from medical activities, government policies and large narratives that are cold on empathetic human relations. However, different from most photojournalism in most mass media, The New York Times publishes "Still Lives" photography projects that are done by its photographers. The project presents a different narrative from this time of the pandemic. The “Still Lives” photography project is important because it presents journalistic photos that tell a domestic narrative that is close to the sides of universal humanity, namely the stories of the photographers' homes and families. This study aims to describe and interpret the “Still Lives” photography project as an alternative in creating a different narrative from photojournalism during the pandemic. This study used a descriptive qualitative research method based on phenomenology with Roland Barthes' main theory of semiotics and supported by journalistic photography theory and representation theory. The research results obtained a complete explanation and meaning of the “Still Lives” Project from The New York Times. The project according to the theory of photo journalistic is photo story based on personal experiences. From the analysis through the theory of semiotics from Roland Barthes and representation theory successfully obtained a result that basically projects “Still Lives” can be understood as a representation of the universal experience and feeling by mankind. Project “Still Lives” provides the representation of covid-19 pandemic through the mass media journalistic that show an alternative offer to journalistic practice to use lyrical narratives and personal experience in the story and more empathy in the mass publication of pandemic covid-19.
Co-Authors Aji Susanto Anom Purnomo Aji, Daru Tunggul Chindany, Amar Leina Gilisua, Febra Ishak, Siti Norfatulhana Mohd Muslim Tan, Ts.Ellyana Mohd Shuib, Ahmad Sofiyuddin bin Monica Revias Purwa Kusuma Muslim Tan, Dr, Ellyana Mohd