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All Journal JURNAL PENDIDIKAN TAMBUSAI Jurnal Review Pendidikan dan Pengajaran (JRPP) Jurnal Visi Pengabdian Kepada Masyarakat PROFICIO: Jurnal Pengabdian Masyarakat Jurnal Kajian Seni Mamangan Social Science Journal Innovative: Journal Of Social Science Research
Hendrik Leonard Simanjuntak
Prodi Seni Musik, Fakultas Bahasa Dan Seni, Universitas HKBP Nommensen, Medan, Indonesia
Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Mechanical Engineering Public Health Social Sciences Other

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Journal : Mamangan Social Science Journal

 1 
Indonesian Folk Music In Piano Compositions: Rapsodia By Jaya Suprana And Ananda Sukarlan Hendrik L. Simanjuntak; Baharui Halawa; Aryadi Simamora
Jurnal Ilmu Sosial Mamangan Vol 12, No 3 (2024): Jurnal Ilmu Sosial Mamangan Accredited 3 (SK Dirjen Ristek Dikti No. 158/E/KPT/
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/mamangan.v12i03.7922

Abstract

Conditions in Indonesia are actually inversely proportional to the existence of composers in Europe, such as; Bach, Handel, Haydn, Mozart, Beethoven, Listz, Schumann, Schubert, Debussy, Verdi, Ravel, Rachmaninoff, etc. The research explores Indonesian folk music which has become a source of inspiration for Jaya Suprana and Ananda Sukarlan in composing the piano composition Rapsodia. This research also prioritizes musicological studies to see their mindset in 'capturing' or manifesting Indonesian folk music which gives a 'magical touch' in their work. Research uses a qualitative approach with musicological studies. Qualitative research understands what the research subjects experience holistically and by means of descriptions in the form of words and language in a natural context. Based on the results of the musical analysis, it was found that the musical educational background they had taken for decades as well as the various musical activities they had carried out had made a big contribution in terms of considering the musical style they discussed in the musical works they composed. Ananda Sukarlan and Jaya Suprana's musical language still uses traditional musical notation, which means that all their musical ideas and ideas can still be manifested in traditional musical notation without having to provide certain symbols in the work
Diding Musuh Suka Arrangements Tipan Sembiring Works Ranita Br. Sitepu; Hendrik L. Simanjuntak; Kartini R.M. Manalu
Jurnal Ilmu Sosial Mamangan Vol 12, No 2 (2023): Jurnal Ilmu Sosial Mamangan Accredited 3 (SK Dirjen Ristek Dikti No. 158/E/KPT/
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/mamangan.v12i2.6508

Abstract

Tipan Sembiring was a Karo artist, but he was better known as a perkolong-kolong (Karo singer) around 1930-1970. Tipan Sembiring is also one of the women's groups who compose songs with quite poetic lyrics. This research aims to arrange musical arrangements for the diding enemy like the work of Tipan Sembiring. The method approach used to identify the study of the arrangement of the song Diding Musuh Suka by Tipang Sembiring is qualitative research. As for changes within the song, namely those resulting from the accumulated creative efforts of individuals or groups; and there is a change in the entire structure of tradition, as a result of internal or external pressures. The song Diding Musuh Suka by Tipan Sembiring has an interesting history related to the agreement between two singers which culminated in Tipan Sembiring's marriage to Sayang Barus, in 1937. The musical composition of this song still uses traditional musical instruments and has no variations or modulations. Even though it is said that the production was 'simple', it still took into consideration musical elements such as; tempo, rhythm, dynamics, melody, and intro. The Karo singing style is part of what is put forward as a form of cultural richness that cannot be separated from where musical activity grows and develops. The method of transcribing the song Diding Musuh Suka shows how Tipan Sembiring composed his work by prioritizing musical experience. Of course, the composition of the work is more 'tinged' with Karo culture by accommodating the Western music system
Co-Authors Aryadi Simamora Baharui Halawa Banjarnahor, Fitria Domilika Panggabean Emmi Simangunsong Galingging, Kamaluddin Gulo, Merdiani Gultom, Prayer Junita Batubara, Junita Kammer Tuahman Sipayung Kartini Ruth Maduma Manalu Karunia Debora Claudia Manullang, Kathleen Phoibe Nurani, Hati Ranita Br. Sitepu Sagala, Yeremia Sella Noviyanti Saragih Sidabutar, Regina Halmin Br Sihombing, Nielson Dimpu Silalahi, Teddy Nicolas Situmorang, Yulia Tampubolon, Anggie Zai, Berkat Syukur