Articles
<![CDATA[Relasi Kuasa dan Pertautan Identitas dalam Novel Entrok dan Maryam Karya Okky Madasari: sebuah Kajian Interseksionalitas ]]>
<![CDATA[Khumaid Akhyat Sulkhan]]>
<![CDATA[ Jurnal Kawistara Vol 11, No 3 (2021) ]]>
Publisher : <![CDATA[Universitas Gadjah Mada ]]>
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DOI: 10.22146/kawistara.v11i3.70244
<![CDATA[Sastra, dalam berbagai wujudnya, seringkali menjadi instrumen bagi seorang pengarang untuk menyuarakan perlawanan terhadap struktur kekuasaan sekaligus membidik relasi identitas yang tidak setara di tengah masyarakat. Selama satu dekade terakhir, salah satu sosok yang dikenal oleh para aktivis, pelajar, maupun media di Indonesia, sebagai pengarang dengan narasi-narasi perlawanan serta potret sosial dari masyarakat yang diwarnai konflik identitas adalah Okky Madasari. Berkaitan dengan hal itu, penelitian ini hendak mengkaji ide relasi kuasa dan identitas yang ada di dua Novel karya Okky Madasari, Entrok (2010) dan Maryam (2012). Studi ini menggunakan pembacaan interseksionalitas dan serta metode pendekatan naratif dengan tujuan untuk memahami bagaimana sekaligus mengapa Okky menarasikan konflik berbalut persimpangan identitas yang tidak setara dan bagaimana ia menawarkan menawarkan konsep kebebasan dalam kedua novel tersebut sebagai bagian dari ideologi pengarangnya. Hasil penelitian ini menunjukkan bahwa ketidaksetaraan identitas para tokoh dalam kedua novel itu dipengaruhi oleh tingkat pendidikan serta perbedaan kelas yang mewakili kekuatan ekonomi, sehingga bentuk konfliknya bisa berubah pada situasi dan waktu tertentu. Sementara itu, ia menawarkan kebebasan dari segala bentuk intervensi terhadap subjektivitas manusia sebagai jalan keluar. Namun demikian, orang-orang yang digambarkan memiliki kesempatan untuk memperjuangkan kebebasan atau bernegosiasi dengan persoalan identitas serta struktur kekuasaan yang ada, hanyalah mereka yang berpendidikan tinggi dan kuat secara ekonomi.]]>
<![CDATA[Mitos Good Influencer dan Politik citra Awkarin dalam Pusaran Demonstrasi Mahasiswa Menolak RKUHP ]]>
<![CDATA[Khumaid Akhyat Sulkhan]]>
<![CDATA[ Jurnal Komunikasi Vol. 15 No. 1 (2020): VOLUME 15 NO 1 OKTOBER 2020 ]]>
Publisher : <![CDATA[Program Studi Ilmu Komunikasi ]]>
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DOI: 10.20885/komunikasi.vol15.iss1.art2
<![CDATA[This paper discusses how Awkarin reproduces the myth of good influencers as part of her political image in the student action against the RKUHP on September 24, 2019. With the semiotic method developed by Roland Barthes, the author examines the meaning of denotation and connotation in Awkarin's Instagram photos that record her involvement in the action at Senayan. As a result, the authors found that Awkarin built the image of an influencer who cares about social and political issues and mobilizes all their potential to help the public. However, the myth of the good influencer Awkarin is problematic, because she only involves herself in issues that are popular in society without going into further detail Keywords : Good Influencer, Politics of Image, Awkarin, Student Demonstration.]]>
<![CDATA[Environmental Journalism in the Environmental Conflict: A Case Study of Mainstream and Alternative Media Discourse on the Conflict of Cement Factory Construction in Rembang, Indonesia ]]>
<![CDATA[Khumaid Akhyat Sulkhan]]>
<![CDATA[ Asian Journal of Media and Communication Vol. 6 No. 2 (2022): Volume 6, Number 2, 2022 ]]>
Publisher : <![CDATA[Department of Communications, Universitas Islam Indonesia ]]>
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DOI: 10.20885/asjmc.vol6.iss2.art3
<![CDATA[This paper aims to reveal the discourse produced by mainstream and alternative media about the conflict of the cement factory construction of PT Semen Indonesia in Rembang, Central Java, Indonesia. This study has applied critical discourse methods proposed by Norman Fairclough, focusing on three discourse levels: texts, discursive practices, and socio-cultural practices. The analyses were conducted on the selected texts from June 2014 to December 2015 in Liputan6.com as the mainstream media category and Selamatkanbumi.com as the example of alternative media. This study found that Liputan6.com lacks environmental and biocentric values. It tends to support the discourse of ‘mining for welfare’. Liputan6.com has marginalized the arguments of the factory repellent by contrasting them with the experts’ and politicians’ statements without in-depth investigations on the impact of cement factory construction on the local environment. The news tends to be a one-sided reportage. Meanwhile, Selamatkanbumi.com quite aggressively publishes news about this conflict, framed with the discourse of ‘mining destroys the environment’. Selamatkanbumi.com has shown its alignment with the environmental crisis and has practiced the principal attitudes of environmental journalism, except professionalism. They were lack of professionalism since they often just published press releases or opinions that met with their interest, not processes with proper journalistic works.]]>
<![CDATA[Environmental Journalism in the Environmental Conflict: A Case Study of Mainstream and Alternative Media Discourse on the Conflict of Cement Factory Construction in Rembang, Indonesia ]]>
<![CDATA[Khumaid Akhyat Sulkhan]]>
<![CDATA[ Asian Journal of Media and Communication Vol. 6 No. 2 (2022): Volume 6, Number 2, 2022 ]]>
Publisher : <![CDATA[Department of Communications, Universitas Islam Indonesia ]]>
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DOI: 10.20885/asjmc.vol6.iss2.art3
<![CDATA[This paper aims to reveal the discourse produced by mainstream and alternative media about the conflict of the cement factory construction of PT Semen Indonesia in Rembang, Central Java, Indonesia. This study has applied critical discourse methods proposed by Norman Fairclough, focusing on three discourse levels: texts, discursive practices, and socio-cultural practices. The analyses were conducted on the selected texts from June 2014 to December 2015 in Liputan6.com as the mainstream media category and Selamatkanbumi.com as the example of alternative media. This study found that Liputan6.com lacks environmental and biocentric values. It tends to support the discourse of ‘mining for welfare’. Liputan6.com has marginalized the arguments of the factory repellent by contrasting them with the experts’ and politicians’ statements without in-depth investigations on the impact of cement factory construction on the local environment. The news tends to be a one-sided reportage. Meanwhile, Selamatkanbumi.com quite aggressively publishes news about this conflict, framed with the discourse of ‘mining destroys the environment’. Selamatkanbumi.com has shown its alignment with the environmental crisis and has practiced the principal attitudes of environmental journalism, except professionalism. They were lack of professionalism since they often just published press releases or opinions that met with their interest, not processes with proper journalistic works.]]>
<![CDATA[Vaksinasi COVID-19 dan Polemik Raffi Ahmad dalam Framing Pemberitaan Media Tirto.id dan Detik.com ]]>
<![CDATA[Khumaid Akhyat Sulkhan]]>
<![CDATA[ Calathu: Jurnal Ilmu Komunikasi Vol. 3 No. 1 (2021): Calathu: Jurnal Ilmu Komunikasi ]]>
Publisher : <![CDATA[School of Communication Science and Media Business ]]>
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DOI: 10.37715/calathu.v3i1.1897
<![CDATA[This study aims to analyze how the media Tirto.id and Detik.com frame the violation of Raffi Ahmad's health protocol after receiving the first batch of Covid-19 vaccinations, using the framing analysis approach developed by Robert N. Entman. The concept of Entman framing analysis is often used to examine how the media selects and accentuates certain realities before publishing them as news. Entman has four approaches in the concept of analysis to study news as text, namely by looking at how the media defines problems, diagnosing causes, then making moral decisions, and offering treatment recommendations. In this study, researchers found that Tirto.id not only troublesome Raffi Ahmad for violating health protocols after being vaccinated, but also troublesome President Joko Widodo era, which still uses celebrities or influencers to support its policies, even though it has resulted in weaknesses. Meanwhile, Detik.com tends to inflict all problems on Raffi Ahmad and has so far stopped on emphasizing social sanctions against these celebrities as punishment. Keywords: framing analysis, Covid-19 vaccine, Raffi Ahmad, media construction]]>
<![CDATA[HIDUP DALAM KOMUNITAS VIRTUAL: STUDI ETNOGRAFI PEREMPUAN BERTATO DI RUANG SIBER ]]>
<![CDATA[Andreas, Rino]]>;
<![CDATA[Akhyat Sulkhan, Khumaid]]>;
<![CDATA[Rizki Rosidah, Dede]]>;
<![CDATA[Yaqi, Yu]]>
<![CDATA[ JURNAL ILMU BUDAYA Vol. 11 No. 1 (2023): Jurnal Ilmu Budaya ]]>
Publisher : <![CDATA[Universitas Hasanuddin ]]>
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DOI: 10.34050/jib.v11i1.25946
<![CDATA[ This study aims to look at the construction of tattooed bodies in cyberspace and explain gender relations in the Indonesian Tattoo Women's (PTI) virtual community. This qualitative research uses a virtual ethnographic method that involves the participation of researchers in a community. As a result, the PTI community has a style of interaction that shapes culture in cyberspace. PTI is a place for tattoo lovers, both "women" and "men, to express themselves by uploading photos of tattoos on their body parts. The embodied body, which was originally considered something permanent and natural, has turned into a hybrid body, becoming a cyberbody. Thus, the tattoo phenomenon in cyberspace goes beyond the rigid construction of male/female or feminine/masculine identity issues in real space. Because body identity in the context of cyberspace is fluid, it can be changed, shaped, and even duplicated.]]>
<![CDATA[Cancel Culture: Mempromosikan Keadilan ataukah Pembungkaman Kebebasan Berpendapat? Budaya Pembatalan: Mempromosikan Keadilan ataukah Penindasan? ]]>
<![CDATA[Rianto, Puji]]>;
<![CDATA[Sulkhan, Khumaid Akhyat]]>;
<![CDATA[Marantika, Nurhana]]>
<![CDATA[ ETTISAL : Journal of Communication Vol. 8 No. 2 (2023): ETTISAL : Journal of Communication ]]>
Publisher : <![CDATA[Universitas Darussalam Gontor collaboration with ISKI (Ikatan Sarjana Ilmu Komunikasi Indo ]]>
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DOI: 10.21111/ejoc.v8i2.10844
<![CDATA[Budaya pembatalan (cancel culture) telah menjadi perhatian di antara ilmuwan sosial dalam lebih satu dekade belakangan, dan telah menimbulkan perdebatan luas di antara ilmuwan sosial. Di Indonesia, fenomena ini telah sering terjadi, tetapi sayangnya belum diinvestigasi secara mendalam. Pengetahuan tentangnya juga masih sangat terbatas. Penelitian ini dilakukan untuk mengkaji fenomena cancel culture dan dampaknya bagi kebebasan berpendapat. Penelitian ini dilakukan secara kualitatif dengan menggunakan netnografi. Hasil penelitian ini menunjukkan bahwa dampak-dampak budaya pembatalan terhadap kebebasan berpendapat sangatlah kontekstual. Dalam kasus Lutfi Agizal, budaya pembatalan mempunyai dampak negatif bagi kebebasan berpendapat. Emosionalitas lebih mengemuka dibandingkan debat rasional. Sebaliknya, dalam kasus Gofar Hilman, jika kekerasan seksual memang terjadi maka budaya pembatalan memberikan kontribusi positif dalam memperjuangkan keadilan. Sebaliknya, jika kekerasan seksual tidak terjadi, maka budaya pembatalan menciptakan pembungkaman dan pengucilan. Cancel culture berdampak negatif terhadap Arawinda Kirana karena tiadanya budaya reflektif di antara para netizen. Oleh karena itu, penelitian ini menyarankan pentingnya melihat kasus demi kasus dalam melihat dampak-dampak budaya pembatalan.]]>
<![CDATA[Relasi Kuasa dan Pertautan Identitas dalam Novel Entrok dan Maryam Karya Okky Madasari: sebuah Kajian Interseksionalitas ]]>
<![CDATA[Khumaid Akhyat Sulkhan]]>
<![CDATA[ Jurnal Kawistara Vol 11, No 3 (2021) ]]>
Publisher : <![CDATA[Universitas Gadjah Mada ]]>
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DOI: 10.22146/kawistara.v11i3.70244
<![CDATA[Sastra, dalam berbagai wujudnya, seringkali menjadi instrumen bagi seorang pengarang untuk menyuarakan perlawanan terhadap struktur kekuasaan sekaligus membidik relasi identitas yang tidak setara di tengah masyarakat. Selama satu dekade terakhir, salah satu sosok yang dikenal oleh para aktivis, pelajar, maupun media di Indonesia, sebagai pengarang dengan narasi-narasi perlawanan serta potret sosial dari masyarakat yang diwarnai konflik identitas adalah Okky Madasari. Berkaitan dengan hal itu, penelitian ini hendak mengkaji ide relasi kuasa dan identitas yang ada di dua Novel karya Okky Madasari, Entrok (2010) dan Maryam (2012). Studi ini menggunakan pembacaan interseksionalitas dan serta metode pendekatan naratif dengan tujuan untuk memahami bagaimana sekaligus mengapa Okky menarasikan konflik berbalut persimpangan identitas yang tidak setara dan bagaimana ia menawarkan menawarkan konsep kebebasan dalam kedua novel tersebut sebagai bagian dari ideologi pengarangnya. Hasil penelitian ini menunjukkan bahwa ketidaksetaraan identitas para tokoh dalam kedua novel itu dipengaruhi oleh tingkat pendidikan serta perbedaan kelas yang mewakili kekuatan ekonomi, sehingga bentuk konfliknya bisa berubah pada situasi dan waktu tertentu. Sementara itu, ia menawarkan kebebasan dari segala bentuk intervensi terhadap subjektivitas manusia sebagai jalan keluar. Namun demikian, orang-orang yang digambarkan memiliki kesempatan untuk memperjuangkan kebebasan atau bernegosiasi dengan persoalan identitas serta struktur kekuasaan yang ada, hanyalah mereka yang berpendidikan tinggi dan kuat secara ekonomi.]]>
<![CDATA[Commodification of Advertorials in Tribun Sumsel’s 2024 Palembang Election Campaign ]]>
<![CDATA[Desmalinda]]>;
<![CDATA[Sulkhan, Khumaid Akhyat]]>
<![CDATA[ Mediator: Jurnal Komunikasi Vol. 18 No. 1 (2025): Mediator: Jurnal Komunikasi (Sinta 2) ]]>
Publisher : <![CDATA[UPT Publikasi Ilmiah UNISBA ]]>
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DOI: 10.29313/mediator.v18i1.5567
<![CDATA[This study examines the phenomenon of content commodification in digital media, especially in advertorial practices that appear on the online media of the Tribun Sumsel during the 2024 Palembang Mayor Election campaign. The primary focus of the study is how advertorials, which are supposed to be a transparent form of advertising, further blur the line between news and advertising, which risks undermining journalistic objectivity. This study uses qualitative descriptive methods through in-depth interviews and content analysis to explore the dynamics of implementing journalistic firewall boundaries between the newsroom and the business space in the media. The findings show that the media is increasingly prioritizing commercial and political interests by producing content that cannot be distinguished from news and advertorial. This practice has the potential to reduce the credibility of the media and obscure the function of the press as an agent of power supervision. This study shows the importance of maintaining the difference in quality of the content of news texts and editorial texts to avoid information ambiguity by improving the quality of journalistic work. Because journalistic firewalls do not only refer to technical restrictions by emphasizing advertorial columns with news alone, but also by differentiating the writing quality of both. Maintaining journalistic firewalls is essential to ensuring that the media remains an objective and independent source of information for the public.]]>
<![CDATA[Takbiran Festival: Cultural Public Sphere and its Contribution in The Social Media Era ]]>
<![CDATA[Rianto, Puji]]>;
<![CDATA[Sulkhan, Khumaid Akhyat]]>;
<![CDATA[Setiawati, Titin]]>
<![CDATA[ KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 19 No. 1 (2025) ]]>
Publisher : <![CDATA[Fakultas Dakwah UIN Saizu Purwokerto ]]>
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DOI: 10.24090/komunika.v19i1.12249
<![CDATA[The Takbir festival has become an annual ritual for Muslims in Yogyakarta. Festivals are held in many places and organized by local communities. This research was conducted to investigate the Takbir festival by seeing it as a cultural public sphere and how it contributes in the era of digital media. The research used a qualitative field research approach. Data was collected through interviews, observation, and documentation. The research results show that the Takbir festival has exceeded its traditional function as a broadcast medium of Islam. On the contrary, the takbir festival has presented itself as a cultural public sphere where various cultures are displayed through various elements such as mascots, traditional clothing, musical instruments, and other ornaments used by each participant. These cultural expressions are the participants' interpretations in translating the festival theme, namely Caring for The World and Civilization. Participants translated the interpretation into various cultural expressions. These expressions basically display a political articulation of certain events, which are linked to their interpretation of the festival theme. There are two political positions that can be identified from the way the festival participants interpret the theme, namely Caring for the Nature Conservation and Maintaining the Cultural Pluralism. This research also found that festivals are an important medium for cultural learning between generations and contribute to building social integration. Through meetings between spectators and participants, the Takbiran festival can erode conflict and social divisions, especially those resulting from the spread of hatred on social media.]]>
