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All Journal Lingua Cultura Jurnal Adabiyah English and Literature Journal Loghat Arabi: Jurnal Bahasa Arab & Pendidikan Bahasa Arab
Rosmah Tami
UIN ALauddin Makassar
Arts Humanities Education Languange, Linguistic, Communication & Media

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Hegemonic Culture and Subaltern: A Compromised Veil in Indonesian Islamic Popular Novel Tami, Rosmah; Faruk, Faruk; Adi, Ida Rochani
Lingua Cultura Vol 11, No 1 (2017): Lingua Cultura Vol. 11 No. 1
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v11i1.1729

Abstract

This research was based on the powerful function of the aesthetics in the society. Novel as an art work also functioned as an arena in which ideologies contest and negotiate. The research intended to show a mechanism underlining novel to have a significant hegemonic role. The material object was taken from Islamic popular novel namely “Ketika Mas Gagah Pergi dan Kembali”. The formal object was the negotiation of ideology which focused on the contact between intellectual and subaltern leading to the formation of a new compromised cultural practice. By applying the theory of hegemony in discussing the contestation and negotiation of ideologies in the novel, it is found that the contestation and negotiation between hegemonic and subaltern ideology lead to the occurrence of a compromise between the interest of the intellectual and the subaltern. The interest of the subaltern is based on the nostalgia of the past and fear or uncertain condition of future which lay in the domain of imagination that structures the novel.
THE REPRESENTATION OF THE ISLAMIC VEIL IN INDONESIAN CONTEMPORARY ART: A FEMINIST POSTSTRUCTURALIST APPROACH Rosmah Tami
Elite : English and Literature Journal Vol 1 No 1 (2013): June
Publisher : UIN Alauddin Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (375.533 KB)

Abstract

AbstractVeiling in Indonesia is a unique phenomenon. Once it was banned in the public arena and has a negative menaing, yet several uears later its meaning was changed into more positive meanings. this article explores a poen published in the transition era when the meaning of the veil had been undergoing some changes. Syair LautanaJilbab is written by MH Ainun Najib, a most famous religious leader in Indonesia. This article shows how poemproduced new meaning dispalyed by the poem, and how people respond to the new meanings. The veil new meanings have influenced large people to adopt veiling as a religious symbol of their spiritual awareness.
Memory and the Construction of Perseption toward Magic Call in the novel The First Phone Call From Heaven by Mitch Albom Rosmah Tami
Jurnal Adabiyah: Humanities and Islamic Studies Vol 16 No 1 (2016): Jurnal Adabiyah
Publisher : Faculty of Adab and Humanities - Alauddin State Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/JAd.v17i116i1a1

Abstract

Artikel ini bertujuan untuk mengungkapkan persepsi penerima telepon magis dari surga tentang kebenaran sebuah peristiwa magis dalam novel The First Phone Call from Heaven karya Mitch Albom. Novel ini dianggap menggunakan format realisme magis yang mencampurkan antara kenyataan dan fantasi. Pergerakan persepsi karakter novel dari tidak mempercayainya sebagai kebenaran menjadi sebagai kebenaran yang mutlak menjadi fokus penelitian ini. Permasalahan yang diangkat dalam penelitian ini ditelusuri dengan menggunakan kerangka teori yang dikemukakan oleh Linda Hutcheon tentang representasikan masa lalu dalam narasi. Penelitian ini menemukan bahwa penerimaan tokoh dalam novel terhadap kejadian magis yang tidak dapat dipercaya menjadi sebuah kemutlakan yang tak terbantahkan melalui proses dialektika yang logis melalui ingatan masa lalu yang kemudian membangkitkan perasaan tokoh. Ketidakrasionalan suatu peristiwa dapat dirasionalkan dan diterima oleh akal dengan menampilkan masa lalu melalui ingatan tokoh. Ingatan memancing sentimental sehingga peristiwa yang rasional dapat diterima karena dukungan dari domain rasa bukan nalar. Sentimentalitas adalah strategi dalam narasi untuk mengaburkan antara real dan yang tidak real.
The Character Alteration of Maleficent From Sleeping Beauty into Maleficent Movie Nurhalidasia Nurhalidasia; Rosmah Tami; Nasrum Nasrum
Jurnal Adabiyah: Humanities and Islamic Studies Vol 16 No 2 (2016): Jurnal Adabiyah
Publisher : Faculty of Adab and Humanities - Alauddin State Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/JAd.v17i116i2a4

Abstract

This thesis studied about postmodernism from Sleeping Beauty movie into Maleficent movie. The objective of the research was to analyze the alteration of Maleficent in both movies. The writers conducted the research by using descriptive comparative method. Technique of data collection used note taking technique with theory of postmodernism by Linda Hutcheon. The writers found that there is a way that might others see character Maleficent movie is different from earlier in the Sleeping Beauty movie. It is in Historical Representation.
Hegemonic Culture and Subaltern: A Compromised Veil in Indonesian Islamic Popular Novel Rosmah Tami; Faruk Faruk; Ida Rochani Adi
Lingua Cultura Vol. 11 No. 1 (2017): Lingua Cultura Vol. 11 No. 1
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v11i1.1729

Abstract

This research was based on the powerful function of the aesthetics in the society. Novel as an art work also functioned as an arena in which ideologies contest and negotiate. The research intended to show a mechanism underlining novel to have a significant hegemonic role. The material object was taken from Islamic popular novel namely “Ketika Mas Gagah Pergi dan Kembali”. The formal object was the negotiation of ideology which focused on the contact between intellectual and subaltern leading to the formation of a new compromised cultural practice. By applying the theory of hegemony in discussing the contestation and negotiation of ideologies in the novel, it is found that the contestation and negotiation between hegemonic and subaltern ideology lead to the occurrence of a compromise between the interest of the intellectual and the subaltern. The interest of the subaltern is based on the nostalgia of the past and fear or uncertain condition of future which lay in the domain of imagination that structures the novel.
PENILAIAN KUALITAS TERJEMAHAN IDIOM BAHASA INGGRIS KE DALAM BAHASA INDONESIA PADA BUKU HARRY POTTER AND THE CURSED CHILD Syah, Zul Kaisar Aimar; Rasyid, Muhammad Nur Akbar; Tami, Rosmah
Elite : English and Literature Journal Vol 10 No 1 (2023): June : Linguistic and ELT
Publisher : UIN Alauddin Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/elite.v10i1.32125

Abstract

This study aims to determine the quality of idiom translation and identify strategies applied by the translator in translating English idiomatic expressions into Indonesian in Harry Potter and the Cursed Child by Jack Thorne, J.K. Rowling, and John Tiffany. In achieving these goals, this research uses mixed-method approaches. It is analyzed based on the Translation Quality Assessment (TQA) model by Nababan et al. (2012) and Baker’s theory about strategies for translating idioms (2018). Meanwhile, the data was collected through questionnaires distributed to the informants. The research finding showed that the translator applies five idiom translation strategies in 70 data. Based on the frequency, the idiom translation strategies are translation by paraphrase (58.6%), literal translation (27.1%), using the idiom with similar meaning but the dissimilar form (8.6%), using an idiom with similar meaning and form (4.3%), and translation by the omission of play of idiom (1.4%). Meanwhile, the average score for the accuracy of the translation is 2.8. The average score for the acceptability of the translation is 2,8, and the average score for readability is 2.8. Overall, the average score of the English idiom translation quality in Harry Potter and the Cursed Child books is 2,8, which indicates that the translation has good quality, in other words, most of the translation is accurate, acceptable, and easily understood by the target readers
Phallocentrism of Pemmali in the Daily Conversation of People in Manorang Salo, Marioriawa Soppeng Musyarif, Musyarif; Tami, Rosmah; Riska, Riska; Jamaluddin, Ahdar
Jurnal Adabiyah Vol 25 No 2 (2025): December (Islamic Humanities)
Publisher : Faculty of Adab and Humanities - Alauddin State Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/jad.v25i2a2

Abstract

This study explores the phallocentric dimensions of pemmali—a traditional system of prohibitions and taboos—in the everyday conversations of the Bugis community in Manorang Salo, Marioriawa Subdistrict, Soppeng Regency. Utilizing a qualitative approach and deconstructive analysis grounded in Luce Irigaray’s concept of the symbolic order, the research examines how pemmali functions not only as a cultural moral code but also as a discursive mechanism that reinforces patriarchal norms. Data were collected through in-depth interviews and participant observation, and analyzed using a phallocentric deconstructive framework. The findings reveal that pemmali expressions frequently carry implicit gendered meanings, regulating behavior—especially of women and younger generations—under the guise of communal discipline and moral responsibility. These expressions are deeply embedded in everyday language and serve to uphold a symbolic order centered on male authority and social control. The study concludes that pemmali language constitutes a cultural product designed to maintain the Bugis cultural order, including the concept of siri, which forms a core part of the Bugis worldview. الملخص تقليدي من المحظورات والقيود — في المحادثات اليومية لمجتمع البوجيس في منطقة مانورانج سالو، مقاطعة ماروراو، محافظة سوبانغ. باستخدام نهج نوعي وتحليل تفكيكي استنادًا إلى مفهوم النظام الرمزي وفقًا لـ Luce Irigaray، تبحث هذه الدراسة كيف يعمل pemmali ليس فقط كرمز أخلاقي ثقافي، ولكن أيضًا كآلية بلاغية تعزز المعايير الأبوية. تم جمع البيانات من خلال المقابلات المعمقة والملاحظة الميدانية، وتم تحليلها باستخدام إطار تفكيكي من منظور فاليوسنتري. أظهرت نتائج البحث أن تعبيرات بيمالي غالبًا ما تحتوي على معانٍ جندرية ضمنية، والتي تتحكم في السلوك — خاصةً لدى النساء والشباب — باسم الانضباط الجماعي والمسؤولية الأخلاقية. هذه التعبيرات متأصلة في اللغة اليومية وتعمل على دعم النظام الرمزي الذي يركز على سلطة الذكور والرقابة الاجتماعية. تخلصت الدراسة إلى أن لغة بيمالي هي أحد المنتجات الثقافية التي تهدف إلى الحفاظ على النظام الثقافي البوجيسي، بما في ذلك مفهوم السيري الذي يعد جزءًا أساسيًا من نظرة المجتمع البوجيسي للعالم. Abstrak Penelitian ini mengeksplorasi dimensi falosentris (phallocentric) dari pemmali—sistem larangan dan pantangan tradisional—dalam percakapan sehari-hari masyarakat Bugis di Manorang Salo, Kecamatan Marioriawa, Kabupaten Soppeng. Dengan pendekatan kualitatif dan analisis dekonstruktif yang merujuk pada konsep symbolic order dari Luce Irigaray, penelitian ini menelaah bagaimana pemmali berfungsi tidak hanya sebagai kode moral budaya, tetapi juga sebagai mekanisme wacana yang memperkuat norma-norma patriarkal. Data dikumpulkan melalui wawancara mendalam, observasi yang dianalisis dengan pendekatan dekonstruktif falusentris. Temuan menunjukkan bahwa ungkapan-ungkapan pemmali sering memuat makna gender yang tersirat, yang mengatur perilaku—terutama perempuan dan generasi muda—atas nama kedisiplinan komunal dan tanggung jawab moral. Ungkapan tersebut tertanam kuat dalam bahasa sehari-hari dan berfungsi untuk mempertahankan tatanan simbolik yang berpusat pada otoritas laki-laki dan kontrol sosial. Studi ini menunjukkan bahwa bahasa pemali menjadi salah satu bagian dari produk budaya yang bertujuan untuk menjaga tatanan budaya termasuk siri yang menjadi pandangan dunia orang-orang Bugis.
Tahlil al-Qiyam al-Akhlaqiyyah fi Asy’ar Qashr al-Malik Banggai li Habib Aydarus: Dirasah Simiya’iyyah ʻInda Michael Riffatere/ Analysis of Moral Values in the Poem Qashr al-Malik Banggai by Habib Idrus: A Semiotic Study by Michael Riffatere Sahupala, Qadhil Amin; Ahmad, Muhsin; Tami, Rosmah
Loghat Arabi : Jurnal Bahasa Arab dan Pendidikan Bahasa Arab VOL 6, NO 2 (DESEMBER 2025): LOGHAT ARABI
Publisher : Universitas Islam DDI AGH Abdurrahman Ambo Dalle Polewali Mandar, Sulawesi Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36915/la.v6i2.513

Abstract

This study examines the moral values in Habib Aidarus bin Salem Al-Jufri's poem "Qashr al-Malik Banggai" using Michel Riffaterre's semiotic theory. Through library research analyzing primary and secondary sources, the poem reveals profound spiritual and ethical messages. It promotes virtues like tolerance, honesty, loyalty, and gratitude while condemning materialism and hypocrisy, asserting that knowledge and righteous deeds are life's only lasting virtues. The poem also emphasizes trust in God, repentance, and acceptance of divine will, contrasting worldly transience with the hereafter's permanence. Rich in literary devices metaphors, paradoxes, and symbolism, the poem contains 36 instances of indirect expression. It frames an eternal struggle between good and evil, centering on a core motif: "Knowledge is an adornment and the greatest good or is it wealth?" This unfolds into three dimensions: (1) the immortality of knowledge, (2) critique of materialism, and (3) reinforcement of religious teachings. The hypogram splits into two layers: a realistic layer addressing the poet's rebuttal of accusations, and an interpretive layer linking the text to the Quran, Hadith, and other poets' works.هدف هذه الدراسة إلى تحليل القيم الأخلاقية في أشعار "قصر الملك بنقاي" للحبيب عيدروس بن سالم الجفري باستخدام النظرية السيميائية لميشال ريفاتير. اعتمد البحث على المنهج المكتبي من خلال تحليل المصادر الأولية والثانوية، حيث كشفت القصيدة عن رسائل روحية وأخلاقية عميقة. تؤكد القصيدة على تعزيز القيم النبيلة مثل التسامح والصدق والوفاء والشكر، بينما تنتقد المادية والنفاق، مؤكدة أن العلم والعمل الصالح هما الفضيلتان الدائمتان في الحياة. كما تركز القصيدة على أهمية التوكل على الله والتوبة والقبول بالقدر الإلهي، مع المقارنة بين زوال الدنيا وخلود الآخرة. تزخر القصيدة بالأساليب الأدبية من استعارات ومفارقات ورموز، حيث تحتوي على 36 حالة من التعبير غير المباشر. تصور القصيدة الصراع الأبدي بين الخير والشر، مركزة على الفكرة المحورية: "العلم زينة والخير الأعظم - أم هو المال" والتي تتطور إلى ثلاثة أبعاد: (1) خلود العلم، (2) نقد المادية، و(3) تعزيز التعاليم الدينية. ينقسم الهيبوجرام إلى طبقتين: طبقة واقعية تتناول رد الشاعر على الاتهامات الموجهة إليه، وطبقة تفسيرية تربط النص بالقرآن الكريم والحديث النبوي وأعمال الشعراء الآخرين. 
MONSTROUS-FEMALE OF THREE SOUTHEAST ASIAN HORROR MOVIES Tami, Rosmah; Yulianeta
Elite : English and Literature Journal Vol 12 No 2 (2025): December : Literature
Publisher : UIN Alauddin Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/elite.v12i2.63559

Abstract

This article studies the dynamic changes of two beautiful women into fearful, monstrous females experienced by characters in Indonesian ghost movies such as Sundelbolong, Setan Sumiati, Kuntilanak, Suster Ngesot from Indonesia. This study argues that the changes into ghost pictures represent the reorientation of the earth into a dreadful, hostile nature. The balance of the condition of the narrative describes the harmonic union of the feminine and the masculine in marriage; the break and the loss of equilibrium indicate the grief, rape, and robbery caused by the separation of the feminine from the masculine and the presence of other masculine invaders. The rape and robbery symbolize the invasion and exploitation, and the rage of ghosts signifies the rage of the earth to the invasion and exploitation of unattended land, nature. Yet, they have different structures when narrating the goal of the ghost returning to the world and being forced back to the underworld. These similar structures are influenced by the cultural and political history of the society in which the story belongs. It also unveils how they (the land) deal with colonialization and exploitation. 
Co-Authors Ahmad, Muhsin Faruk Faruk faruk faruk Ida Rochani Adi Ida Rochani Adi Jamaluddin, Ahdar Muhammad Nur Akbar Rasyid Musyarif Musyarif, Musyarif Nasrum Nasrum Nurhalidasia Nurhalidasia Riska Riska Sahupala, Qadhil Amin Syah, Zul Kaisar Aimar Yulianeta