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All Journal Humaniora Lingua Didaktika: Jurnal Bahasa dan Pembelajaran Bahasa Grenek: Jurnal Seni Musik Language Circle : Journal of Language and Literature Lingua Cultura ATAVISME JURNAL ILMIAH KAJIAN SASTRA al-Uqud : Journal of Islamic Economics k@ta Adabiyyat: Jurnal Bahasa dan Sastra Gelar : Jurnal Seni Budaya International Journal of Visual and Performing Arts El-kahfi : Journal of Islamic economics International Journal on Social Science, Economics and Art Jurnal Ekonomi Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Jurnal Pendidikan dan Pengabdian Masyarakat BAHASTRA MAPAN: Jurnal Manajemen Akuntansi Palapa Nusantara KONTAN: Jurnal Ekonomi, Manajemen dan Bisnis

faruk faruk

Unknown Affiliation

Author-ID : 264147

Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

Published : 24 Documents Claim Missing Document

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Hegemonic Culture and Subaltern: A Compromised Veil in Indonesian Islamic Popular Novel Tami, Rosmah; Faruk, Faruk; Adi, Ida Rochani
Lingua Cultura Vol 11, No 1 (2017): Lingua Cultura Vol. 11 No. 1
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v11i1.1729

This research was based on the powerful function of the aesthetics in the society. Novel as an art work also functioned as an arena in which ideologies contest and negotiate. The research intended to show a mechanism underlining novel to have a significant hegemonic role. The material object was taken from Islamic popular novel namely â€œKetika Mas Gagah Pergi dan Kembaliâ€. The formal object was the negotiation of ideology which focused on the contact between intellectual and subaltern leading to the formation of a new compromised cultural practice. By applying the theory of hegemony in discussing the contestation and negotiation of ideologies in the novel, it is found that the contestation and negotiation between hegemonic and subaltern ideology lead to the occurrence of a compromise between the interest of the intellectual and the subaltern. The interest of the subaltern is based on the nostalgia of the past and fear or uncertain condition of future which lay in the domain of imagination that structures the novel.

SI BULUS-BULUS SI RUMBUK-RUMBUK SEBAGAI TEKS YANG HEGEMONIK Harahap, Muharrina; Faruk, Faruk; Salam, Aprinus
ATAVISME Vol 22, No 1 (2019): ATAVISME
Publisher : Balai Bahasa Jawa Timur

Artikel ini membahas tentang karya sastra Mandailing yang berjudul Si Bulus-Bulus Si Rumbuk-Rumbuk karya Willem Iskander pada era kolonial. Tinjauan ini dimulai dengan melihat fenomena yang terjadi dalam penciptaan dan penerbitan teks tersebut. Teks Si Bulus-Bulus Si Rumbuk-Rumbuk dan kehidupan pengarangnya sangat kontradiktif dan paradoks. Di satu sisi mewacanakan resistensi namun di sisi lain mewacanakan konstruksi kolonial. Untuk mengkaji fenomena tersebut, penulis menggunakan pendekatan pascakolonial dan metode diskursif. Penulis menggunakan diskursus yang dibangun oleh dua orang pakar yang fokus meneliti tentang teks Si Bulus-Bulus Si Rumbuk-Rumbuk dan Willem Iskander. Kedua pakar tersebut yaitu, Rodgers dan Harahap. Melalui metode diskursif ini, penulis mengkonstruksi ulang pendapat kedua pakar tersebut dengan menggunakan perspektif pascakolonial. Selain melihat teks, penulis juga melihat konteks sosial, politik, dan budaya orang Mandailing sebagai pendukungnya. Hasil dari penelitian ini menunjukkan bahwa Willem Iskander merupakan tokoh yang ambivalen. Tokoh yang menyuarakan resistensi dan tokoh yang patuh pada konstruksi kolonial.

RESENSI BUKU PEREMPUAN PALA Faruk, Faruk
ATAVISME Vol 11, No 2 (2008): ATAVISME, EDISI DESEMBER 2008
Publisher : Balai Bahasa Jawa Timur

Perempuan Pala oleh Azhari. AKY: Yogyakarta. 2004.

MODERN RACISM: BINARY OPPOSITION OF BLACK AND WHITE IN THE NOVELS OF JACQUELINE WOODSON Al-Hafizh, Muhammad; Faruk, Faruk; Juliasih, Juliasih
Lingua Didaktika: Jurnal Bahasa dan Pembelajaran Bahasa Vol 10, No 1 (2016)
Publisher : English Department FBS UNP

The meaning of thing in a discourse is potentially determined by soemoene who has the power. In this case, a discourse is purposely designed and conditioned by dominan institution. Through the language in a discourse, some bad characters or images can be attributed to someone such as subversive, fundamentalist, terrorist, and so on. Such phenomena also can be found in the terminology of black and white in the discourse about racism. Black is identical as the opposition of white. Whereas black is bad, white always has connotation with good things, such as purity, God, excellence, etc. Binary opposition of white and black is continously produced in the discourse about racism. Black people (negroid) are assumed inferior toward white (caucasoid). At the same time, language also contribute positive image toward people who have the authority. In that case, language is not only a grammatical system, but it leads to the conflict of interest. This paper is a result of library research toward a discourse about racism in the novels of Jacqueline Woodson. The research was conducted by using poscolonialism and deconstruction approach. This reserach is aimed at revealing: (1) how are the image about black and white are constructed in the novels of Jacqueline Woodson. (2) What are the binary opposition, decentering and fixasion aspects in that novels. The conclusion of this research shows that language is still powerfull in shaping ideas about racism, especially in keeping the issues of black and white as binary opposition.Â Â Key words: discourse, binary opposition, power, racism

Selayang Pandang Reproduksi Gender di Indonesia Faruk Faruk
Humaniora No 6 (1997)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Masih terdapat banyak persoalan lain yang dihadapi oleh wanita,yang menunjukkan betapa konsep kesetaraan yang dinyatakan secara ideal dalam Undang-Undang Dasar 1945 di atas, masihlah amat jauh dan kenyataan. Ada persoalan masih amat rendahnya tingkat upah yang diberikan pada pekerja wanita, ada soal masih amat rendahnya tingkat kenyataan wanita untuk banyak bidang pekerjaan di sektor publik, ada persoalan kekerasan yang selalu mengancam dan ditimpakan pada wanita, dan banyak lagi yang lainnya. Kenyataan ketimpangan di atas dapat saja dikembalikan kepada faktor historis, yaitu bahwa titik berangkat wanita dalam melaksanakan hak-hak kesetaraannya seperti yang diimperatifkan oleh Undang-Undang Dasar di atas tidak sama dengan laki-laki.

Memasuki Dunia Imajiner: Soal Sastra Mutakhir dan Kritiknya Faruk Faruk
Humaniora No 4 (1997)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Sastra Indonesia di awal perkembangannya dapat digolongkan sebagai sastra yang terus-menerus merepresentasikan hasrat-hasrat manusiaakan sebuah dunia lain, dunia yang dibayangkan sebagai sebuah situasi dan kondisi sorgawi, yang memungkinkan orang memperoleh kesenangan dan kebahagiaan yang sejati, sempurna, lengkap. Sebaliknya, dunia ini, kehidupan di sini dan kini dipahami sebagai kehidupan yang hanya berisi penderitaan meskipun mengandung harapan. Itulah sebabnya, karya-karya sastra Indonesia yang awal itu dapat pula disebut sebagai karya-karya realisme idealistis meski sering disebut hanya sebagai karya-karyaromantik (lihat Faruk 1994).

"Aku" dalam Semiotika Riffaterre Semiotika Riffaterre dalam "Aku" Faruk Faruk
Humaniora No 3 (1996)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Tak dapat di ragukan lagi Chairil Anwar adalah seorang penyair besar. Setiap tahun, hingga sekarang, karya-karyanya masih terus diperingati, direproduksi, dibaca, dan direpresentasikan. Yang akan dibicarakan dalam makalah ini hanya salah satu puisi penyair tersebut, yaitu "Aku" yang terhimpun dalam kumpulan Deru Campur Debu (1965). Pilihan atas "Aku" ini dapat dianggap semaunya, tetapi dapat pula atas dasar tingkat popularitasnya yang cukup tinggi. Yang mendorong pemahaman kembali puisi-puisi lama seperti karya Chairil di atas bukan semata-mata kenyataan subjektifnya. Apabila dilihat dari caranya, kedua pembacaan mengenai karya-karya Chairil di atas tidak hanya terjadi karena kualitas internal karya-karya penyair itu sendiri, melainkan juga karena terjadinya perubahan cara pandang terhadap estetika dan bahkan kehidupan secara keseluruhan.

The Contestation of Magic in the Adaptation of a Fairy Tale into a Film: Snow White to Snow White and the Huntsman Pujiati, Hat; Faruk, Faruk; Salam, Aprinus
Language Circle: Journal of Language and Literature Vol 18, No 1 (2023): October 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/lc.v18i1.47868

Fairy tales are considered stories for children because of magical events in them. The consideration is based on assumptions that children's rationality is not well-developed yet. However, adaptation of fairy tales continues in the time when people do not believe in magic anymore, even they multiply the magical elements in the works of adaptation. This article analyses positions of magical and real elements in a fairy tale entitled ‘Snow White’ by Brothers Grimm and a film directed by Rupert Sanders called Snow White and the Huntsman. We apply theory of Adaptation by Linda Hutcheon to recognize the adaptation as a product, process, and context while to map the magical elements in the two stories we apply magical realism by Wendy B. Faris. To explore the context of adaptation of the magical elements, constructionism by Vivien Burr is also applied. The results of this paper analysis show the position of magical element in the adaptation varies. The variation become possible First, the magical element is dominant in Snow White by Grimm but logic invades the magical element. Second, the adaptation of Snow white in the form of film shows the dominance of magical element in a hyper-contestation of magic. Third, both works are not magical realism works which support the same agenda in different ways. Grimm’s version supports colonialization discourse with the logic of the post-enlightenment paradigm, and the film version supports re-colonialization discourse through the contestation of magic that is technological rather than ideological.

ANALYSIS OF ARABIC BANKING TERMINOLOGY ON SHARIA BANK SAVING CUSTOMERS IN SURABAYA Faruk, Faruk
KONTAN: Jurnal Ekonomi, Manajemen dan Bisnis Vol 2, No 1 (2023): KONTAN: Jurnal Ekonomi, Manajemen dan Bisnis
Publisher : CV Widina Media Utama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59818/kontan.v2i1.427

Since there was a merger one year ago, the world of Islamic banking has a new power to increase the attractiveness of prospective customers to join as customers for both savings and financing. However, if we look back, sometimes there is an obstacle to the Arabic term which they (customers) are ambiguous about, so this is the reason for this research. The purpose of this study is to determine the customer's understanding of Arabic terminology.This research is in the form of a field research with a descriptive qualitative approach, meaning that the research goes down to the field to find, explore and analyze the results of the field. Then analysis is carried out until the validity of the data results in accountable credibility.The results of the research are according to several informants from 3 customers of Islamic banks that Arabic terminology is a way that Islam has regulated the correct banking transactions and further said by other informants that the lack of understanding of Arabic terminology becomes an understanding when becoming a customer and the last is that Arabic terminology becomes an alloy that Islam and banking transactions have clear rules so that they can be safe from ribawi transactions.ABSTRAKSemenjak adanya merger satu tahun yang lalu, dunia perbankan syariah memiliki kekuatan baru untuk meningkatkan daya tarik calon nasabah untuk bergabung menjadi nasabah baik untuk tabungan maupun pembiayaan. Namun, jika kita lihat kembali, terkadang ada kendala pada istilah bahasa Arab yang mereka (nasabah) rancu memahaminya, sehingga hal inilah yang menjadi alasan dilakukannya penelitian ini. Tujuan dari penelitian ini adalah untuk mengetahui pemahaman nasabah terhadap istilah-istilah bahasa Arab Penelitian ini berbentuk penelitian lapangan (field research) dengan pendekatan kualitatif deskriptif, artinya penelitian turun ke lapangan untuk menemukan, menggali dan menganalisis hasil lapangan. Hasil dari penelitian ini adalah menurut beberapa informan dari 3 nasabah bank syariah bahwa terminologi Arab merupakan cara Islam mengatur transaksi perbankan yang benar dan lebih lanjut dikatakan oleh informan lain bahwa kurangnya pemahaman terhadap terminologi Arab menjadi sebuah pemahaman ketika menjadi nasabah dan yang terakhir adalah terminologi Arab menjadi sebuah paduan bahwa Islam dan transaksi perbankan memiliki aturan yang jelas sehingga bisa aman dari transaksi ribawi.

Aesthetic hegemony of the new order: A critical review of cultural politics in Indonesia (1966-1998) Novianto, Wahyu; Guntur, Guntur; Faruk, Faruk; Simatupang, Lono
International Journal of Visual and Performing Arts Vol 6, No 2 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i2.1715

This research studies the aesthetic hegemony of the New Order in Indonesia. Thus far, the understanding has been that aesthetic matters are not related to the capital and feudal assets that construct them. To the contrary, this research analyzes how these two assets played a strategic role in establishing the aesthetic hegemony of the New Order. The research is conducted in the qualitative tradition, through a content analysis with a critical paradigm perspective. The data include documents in the form of literature, government policies, and the results of interviews. The results show that the United States of America, through the Ford Foundation, played an active role and contributed significantly to the establishment of aesthetic hegemony in the New Order. The United States was an agent that provided scholarships for art academics, young scientists, and artists to study art and philosophy in America and Europe. The style of abstract expressionism and the philosophy of absurdism were developed in Indonesia as a result of the active role of the United States of America. On the other hand, the New Order also built cultural centers on a central and regional level, including cultural parks and arts councils that were used as tools of cooptation. Through the function of â€œmentoring and developmentâ€, the role of cultural parks was to control the aesthetic activities of Indonesian citizens to suit the tastes of the ruler. The research results show that the aesthetic hegemony of the New Order had a double face, one with a character of modernism based on Western aesthetics, and the other with a noble adiluhung character of traditionalism based on traditional art.

Co-Authors Abdul Aziz Abdulloh, Hanif Aprinus Salam Chung, Ji Tae Fadlil Munawwar Manshur Fauziyah, Alvi Guntur Guntur Hary Sulistyo Hat Pujiati Ida Rochani Adi Joko Santoso Juliasih Juliasih Kussuji Indrastuti , Novi Siti Mahmudah Mahmudah Majid Toyyibi, Abdul Muhammad Al-Hafizh MUHARRINA HARAHAP, MUHARRINA Oki Rahadianto Sutopo Rahmawati, Risma Nur Rina Indra Sabella Rosmah Tami, Rosmah Simatupang, Lono Sudibyo Sudibyo Sugeng, Santoso Wening Udasmoro Zurmailis Zurmailis

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