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All Journal TRANSFORMATIKA: Jurnal Bahasa, Sastra, dan Pengajarannya
Andi Muhammad Nur
Universitas Pancasakti Makassar
Humanities Languange, Linguistic, Communication & Media Other

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Interferensi Bahasa Daerah Manggarai terhadap Penggunaan Bahasa Indonesia pada Mahasiswa FKIP Prodi Pendidikan Bahasa Indonesia Universitas Pancasakti Makassar : Manggarai Regional Language Interference on Indonesian Language Use among Students FKIP, Indonesian Language Education Study Program Pancasakti University Makassar Fenilia Anul; Nuzul Tenriana; Andi Muhammad Nur; Rusman Latif; Imran Imran
Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 9 No. 4 (2025): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v9i4.3325

Abstract

Regional language interference remains a common issue in the use of Indonesian in higher education, particularly among students who are native speakers of the Manggarai language. This phenomenon appears through the influence of regional linguistic structures and vocabulary on the accuracy of Indonesian sentences. This study aims to identify the forms of Manggarai language interference in the Indonesian used by students of the Indonesian Language Education Study Program, FKIP, Universitas Pancasakti Makassar, and to describe its manifestations in interrogative, exclamatory, and conditional sentences. This research employs a descriptive qualitative approach, with data consisting of utterances obtained from interviews and recorded conversations with students. Data were collected through interviews and participant observation, and analyzed using the Miles and Huberman model. The findings show that interference is most frequently found in interrogative sentences, amounting to 14 out of 23 data (60.87%). Interference in exclamatory sentences appears in 5 data (21.74%), while conditional sentence interference is the least, with 4 data (17.39%). These results indicate that interrogative sentence structures are the most vulnerable to the influence of the Manggarai language. Therefore, greater reinforcement is needed to encourage the consistent use of standard Indonesian, particularly in constructing interrogative sentences.
Analisis Gaya Bahasa dalam Kumpulan Lagu Idgitaf: Suatu Kajian Stilistika: Analysis of Language Style in Idgitaf’s Song Collection: A Stylistic Study Nurfadillah Syahrani Rauf; Rosary Iriany; Rusman Latif; Andi Muhammad Nur; Mansur Ga'ga
Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 10 No. 1 (2026): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v10i1.3469

Abstract

This study aims to determine the linguistic style contained in the Idgitaf song collection. This study is a qualitative study with a descriptive qualitative research design using Geoffrey Leech's stylistic approach, namely cohesion, foregrounding, and cohesion of foregrounding. The object of this study is the songs in the Idgitaf song collection. The main data for this study were sourced from the lyrics of Idgitaf songs, consisting of five songs, namely Terpikat Senyummu, Sekuat Sesakit, Semoga Sembuh, Benar-benar, and Berlagak Bahagia, using observation techniques, namely listening, reading, and note taking. The data analysis technique used the Miles and Huberman model with stages including data collection, data reduction, data presentation, and conclusion drawing. The results of the study show that the language styles found in the Idgitaf song collection include 56 language style data found based on the types of language styles from each song lyric with 5 different titles. The data consisted of 2 simile figures of speech (from the lyrics sekuat sesakit), 3 metaphor figures of speech (1 terpikat senyummu, 1 berlagak bahagia, 1 sekuat sesakit), 7 personification figures of speech (1 terpikat senyummu, 3 berlagak bahagia, 1 benar-benar, 1 semoga sembuh, 1 sekuat sesakit), 3 paradoxes (2 berlagak bahagia, 1 semoga sembuh), 2 hyperboles (1 berlagak bahagia, 1 benar-benar), 18 parallelisms (4 terpikat senyummu, 3 berlagak bahagia, 5 benar-benar, 3 semoga sembuh, and 3 sekuat sesakit), 2 ellipsis styles (1 terpikat senyummu, 1 benar-benar), 14 repetition styles (1 terpikat senyummu, 3 berlagak bahagia, 3 benar-benar, 3 semoga sembuh, and 4 sekuat sesakit), 5 rhetorical style (2 terpikat senyummu, 1 benar-benar, 1 semoga sembuh, and 1 sekuat sesakit).
Antologi Puisi Dayita Karya Rosichin Mansur melalui Pendekatan Struktural : The Dayita Poetry Anthology by Rosichin Mansur: A Structural Approach Haerani Haerani; Rosary Iriany; Imran Imran; Nuzul Tenriana; Andi Muhammad Nur
Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 10 No. 1 (2026): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v10i1.3805

Abstract

This study aims to describe the physical structure and inner structure of women-themed poems in the poetry anthology Dayita by Rosichin Mansur. The research problem focuses on identifying the physical and inner structures contained in the poems and examining their relationship in constructing meaning. This study employed a descriptive qualitative method with a structural approach. The data consisted of words, phrases, lines, and stanzas containing elements of physical and inner structures in five poems, namely “Wanita”, “Ibu”, “Ibu 2”, “Adorasi Ibu”, and “Lembaran Jiwa”. Data were collected through reading and note-taking techniques, while data analysis used structural analysis by identifying typography, diction, imagery, concrete words, figurative language, rhyme and rhythm, as well as theme, feeling, tone, and message. The results show that the physical structure is formed through varied typography, emotive and religious diction, diverse imagery, concrete words clarifying meaning, figurative language enriching expression, and rhyme and rhythm creating musicality. The inner structure reveals themes of women’s dignity and maternal sacrifice with feelings of respect, affection, and emotion, an adoring tone, and messages emphasizing respect for women and appreciation of mothers. Therefore, the physical and inner structures are interconnected in constructing the overall meaning of the poems.
Co-Authors Fenilia Anul Haerani Haerani Imran Imran Mansur Ga'ga Nurfadillah Syahrani Rauf Nuzul Tenriana Rosary Iriany Rusman Latif