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BUSINESS CANVAS MODEL BAGI UMKM MOMOSUM DALAM PENGEMBANGAN BISNIS Adinda Aulia; Adiska Shabrina; Aulia Nurulita; Maya Malinda
Prosiding Seminar Nasional Teknologi Informasi dan Bisnis Prosiding Seminar Nasional Teknologi Informasi dan Bisnis (SENATIB) 2022
Publisher : Fakultas Ilmu Komputer Universitas Duta Bangsa Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (217.862 KB)

Abstract

Negara Indonesia memiliki jumlah penduduksebanyak 278.752.361 jiwa dan kaya akan sumber daya alamserta budaya. Dengan memiliki jumlah penduduk dan.Keanekaragaman tersebut, daya beli di Indonesia terusmeningkat, khususnya di bidang kuliner. Kota Bandungtermasuk kota yang memiliki keanekaragaman dalam bidangkuliner. Salah satu makanan yang menjadi trend di KotaBandung adalah dimsum. Untuk mempertahankan danmenciptakan kembali trend pada dimsum ini dibutuhkanpengembangan bisnis agar lebih fokus dan menjawabpermasalahan yang ada pada konsumen. Business ModelCanvas (BMC) merupakan salah satu metode yang tepat untukmengembangkan model bisnis. Menciptakan rasa baru dan lebihmemanjakan lidah masyarakat di Indonesia. Dalammengembangkan inovasi ini, penulis memilih satu dari sekianbanyak penjual dimsum yaitu MOMOSUM untuk dapatdikembangkan dan menjadi dimsum terbaik di Indonesia melaluiBusiness Model Canvas (BMC).
Strategi Pelestarian Tari Remo Oleh Sanggar Seni Denandar di Kota Batu Jawa Timur Aulia Nurulita; Lesa Paranti
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 5 No. 2 (2026): Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v5i2.9227

Abstract

T This study aims to examine the preservation strategies of Remo Dance at Denandar Art Studio, Batu City, by referring to the four elements of cultural advancement, namely protection, development, utilization, and documentation. The study employed a qualitative method with a phenomenological approach to understand the experiences and preservation practices carried out by artists at the community level. Data were collected through in-depth interviews, non-participant and direct observations, and documentation studies, and were subsequently analyzed thematically. The findings indicate that preservation through regular training and the transmission of dance techniques constitutes the most dominant element, while documentation and legal protection remain limited. These findings highlight the strategic role of art studios in cultural transmission and demonstrate the need to strengthen documentation and policy support to ensure the sustainability of Remo Dance preservation in a contemporary cultural context. These efforts contribute to the regeneration of young dancers, increased public appreciation, and the strengthening of local cultural identity. Furthermore, the active involvement of studio managers, instructors, and students plays an important role in maintaining the continuity of traditional artistic practices amid the development of popular culture. This study emphasizes the significant role of art studios as cultural preservation institutions, particularly for Remo Dance, within the dynamics of modern society.