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<![CDATA[Analisis Perancangan Sistem Tata Udara dan Pendingin Ruangan pada Data Center untuk Mengurangi Resiko Down Time Menggunakan PPDIOO Network Life-Cycle: (Studi Kasus di Universitas Krisnadwipayana) ]]>
<![CDATA[Abdul Sodiq Amrulloh]]>;
<![CDATA[Ayub Muktiono]]>;
<![CDATA[Jenni Ria Rajagukguk]]>
<![CDATA[ Venus: Jurnal Publikasi Rumpun Ilmu Teknik Vol. 3 No. 2 (2025): Venus: Jurnal Publikasi Rumpun Ilmu Teknik ]]>
Publisher : <![CDATA[Asosiasi Riset Ilmu Teknik Indonesia ]]>
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DOI: 10.61132/venus.v3i2.784
<![CDATA[The reliability of a data center is highly dependent on its air conditioning and cooling system. This research evaluates the existing cooling system of Universitas Krisnadwipayana’s data center using the PPDIOO Network Life-Cycle approach. The study finds that the current cooling system, which relies on AC Split, fails to meet TIA-942 standards, posing significant overheating risks and increasing downtime probability. Observational analysis shows that the cooling distribution is inefficient due to inadequate airflow and the absence of a structured cooling layout. To address these issues, this research proposes an optimized cooling system design that incorporates Computer Room Air Conditioning (CRAC), hot aisle-cold aisle arrangement, and raised floor implementation. The recommended improvements also include installing temperature and humidity sensors for real-time environmental monitoring and implementing N+1 redundancy for enhanced system reliability. These solutions are expected to improve cooling efficiency, reduce energy consumption, and mitigate downtime risks. Future research should focus on evaluating the practical impact of this design by conducting real-world trials and exploring liquid cooling technology as a potential alternative for further efficiency improvements.]]>
<![CDATA[Architecture as a beauty of art and culture in Indonesia ]]>
<![CDATA[Ayub Muktiono]]>
<![CDATA[ Jurnal Ilmiah Multidisiplin Indonesia (JIM-ID) Vol. 3 No. 01 (2024): Jurnal Ilmiah Multidisiplin Indonesia (JIM-ID), January ]]>
Publisher : <![CDATA[Sean Institute ]]>
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DOI: 10.58471/esaprom.v3i01.3902
<![CDATA[Architecture is not only understood as the physical form of buildings, but also as a manifestation of community creativity in responding to cultural and historical values. Architecture is not only understood as the physical form of buildings, but also as a manifestation of community creativity in responding to cultural and historical values. This research uses a qualitative approach with descriptive methods. The research results show that architecture in Indonesia is not only a physical structure, but also a three-dimensional expression of human behavior which is reflected in its physical form. Architecture plays a central role in reflecting and shaping human daily life, becoming a visual narrative that represents identity and cultural values. The selection of traditional elements, the use of local materials, and the concept of sustainability are the keys to creating architecture that is not only aesthetic but also celebrates the richness of Indonesian art and culture. With the intelligent integration of these elements, architecture becomes an authentic form of artistic and cultural identity, creating spaces that combine practical function with the beauty and diversity of Indonesia's cultural heritage.]]>
<![CDATA[Modern Architecture: Reading Signs and Symbols in a Technological Environment ]]>
<![CDATA[Ayub Muktiono]]>
<![CDATA[ Jurnal Sosial Sains dan Komunikasi Vol. 2 No. 1 (2023): Jurnal Sosial Sains dan Komunikasi (Ju-SoSak), December 2023 ]]>
Publisher : <![CDATA[SEAN Institute ]]>
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DOI: 10.58471/ju-sosak.v2i1.497
<![CDATA[In an era where technology continues to develop rapidly, modern architects are faced with the challenge of creating buildings that are not only aesthetically pleasing, but also able to communicate with their occupants through an effective visual language. This research aims to explore an in-depth understanding of how modern architecture interacts with the technological environment through the use of signs and symbols. This research method involves literature analysis to investigate the role of signs and symbols in modern architecture using a qualitative approach. The research results show that the use of signs and symbols in modern architecture, especially in the context of a technological environment, has a significant impact. Signs and symbols not only function as visual communication tools, but also as aesthetic elements that can increase the artistic value of a building. Through intelligent integration, symbols form a visual identity, create a sense of connection with technological advancements, and provide an immersive, holistic experience for residents. The implication is that the wise use of signs and symbols can guide architectural designers in creating buildings that not only combine aesthetics and technology, but also provide deeper meaning and value for the people who inhabit the building.]]>
<![CDATA[Exploring the Potential of Architectural Semiotic in Realizing the Smart City Concept ]]>
<![CDATA[Muktiono, Ayub]]>
<![CDATA[ Neo Journal of economy and social humanities Vol 3 No 1 (2024): Neo Journal of Economy and Social Humanities, March 2024 ]]>
Publisher : <![CDATA[International Publisher (YAPENBI) ]]>
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DOI: 10.56403/nejesh.v3i1.170
<![CDATA[Smart City is an urban development paradigm that integrates information and communication technology to improve the quality of life of residents, efficient resource management and environmental sustainability. Architectural semiotic, as the embodiment of visual language in architecture, has an important role in creating a smart and sustainable environment. This research aims to explore the potential of architectural semiotic in realizing the Smart City concept. This research uses a qualitative approach with descriptive methods. The results of this research reveal that the potential of architectural semiotic in the Smart City concept can be optimized through steps such as literature study and concept analysis, use of modern technology, interdisciplinary collaboration, community participation, and development of design guidelines. By engaging architects, data scientists, engineers, and the public, and creating practical guidance, this research details how architectural semiotic can be effectively integrated in smart city development. It is hoped that these results will make a significant contribution in creating a smart, efficient, aesthetic and sustainable urban environment in accordance with Smart City principles.]]>
<![CDATA[Public Space Semiotics: Reading Visual Language in City Park Design ]]>
<![CDATA[Muktiono, Ayub]]>
<![CDATA[ International Journal of Science and Society Vol 6 No 1 (2024): International Journal of Science and Society (IJSOC) ]]>
Publisher : <![CDATA[GoAcademica Research & Publishing ]]>
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DOI: 10.54783/ijsoc.v6i1.1042
<![CDATA[This research explores the semiotic dimensions of public space, specifically focusing on visual language in urban park design. The main aim of this research is to understand how visual elements in city parks can be interpreted as signs that create meaning in the context of public space. This research uses a qualitative approach with descriptive methods. The results of this research reveal that urban park designs that utilize a semiotic approach in analyzing design elements can create spatial experiences that are rich in meaning for visitors. The use of local and traditional symbols, plants native to the region, as well as modern or innovative architectural elements provide an additional dimension that goes beyond the purely physical aspects. Design that accommodates community diversity, pays attention to functionality, and shows concern for environmental sustainability creates public spaces that are inclusive and relevant to community needs. Thus, a semiotic approach not only helps understand the meaning behind urban park design, but also becomes a valuable guide for designing open spaces that are more meaningful and closely connected to the values and cultural identity of local communities.]]>
<![CDATA[Revealing city identity through a semiotic approach: analysis of city elements ]]>
<![CDATA[Ayub Muktiono]]>
<![CDATA[ Journal Of Data Science Vol. 2 No. 01 (2024): Journal Of Data Science, March 2024 ]]>
Publisher : <![CDATA[Sean Institute ]]>
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DOI: 10.58471/jds.v2i01.3919
<![CDATA[There is generalization and uniformity in the form of development and visuals of the city, so that the city becomes increasingly foreign to society, especially in recognizing and exploring the potential of one's identity to fulfill one's life needs. A city as a complex entity is not only a physical collection of buildings, but also a system of meaning that can be described through a semiotic approach. This research aims to reveal the identity of a city through analyzing city elements using semiotic theory as a basis. A semiotic approach allows us to understand the way symbols and signs within a city contribute to the formation of its identity. The results of this research reveal that city architecture is not just a physical structure, but rather a reflection of the city's identity which is formed through careful planning, taking into account historical, local, rarity, socio-cultural, aesthetic and harmony values. Green and non-green open spaces in urban areas display various forms that reflect social interaction, providing a place for people to communicate, share experiences and build relationships. Apart from its ecological function, open space also has an important role in the social, architectural and economic aspects of cities. Thus, this research highlights the complexity of city elements and symbols in shaping identity as well as the role of open spaces as centers of social interaction, providing insights for holistic and sustainable urban planning.]]>
<![CDATA[TINJAUAN MAKNA BENTUK DAN HIASAN VIHARA DHANAGUN BOGOR ]]>
<![CDATA[Helsa Fadilah]]>;
<![CDATA[Muktiono, Ayub]]>
<![CDATA[ Jurnal Ilmiah Arjouna: Architecture and Environment Journal of Krisnadwipayana Vol 4 No 1 (2020): ARJOUNA : Archtecture and Environment Journal of Krisnadwipayana ]]>
Publisher : <![CDATA[Universitas Krisnadwipayana, Fakultas Teknik Program Studi Arsitektur ]]>
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DOI: 10.61488/jia.v4i1.681
<![CDATA[The history of the development of architecture in West Java, especially the city of Bogor, is very much influencedby several cultures of other countries. Chinese culture has inherited the heterogeneity of unique and philosophicaloriental architectural decorations. This design style can be found in the design of residential and worship buildings, oneof which is the space in the Dhanagun Temple building which is filled with a variety of ornaments that have very sacredphilosophical and religious values. Research on the object of this building aims to examine the various ornaments andsymbolic meanings contained in the Dhanagun Temple and the architectural styles in every corner of the building.Dhanagun Temple has the characteristics of Chinese architecture. The frame uses a multilevel beam structuralsystem and a beam bond structure system. The shape of the roof stands out with a frame structure system made of wood.This monastery is decorated with ornaments that can be grouped into five categories, namely animals (fauna), plants(flora), nature (universes such as fire, water and sun), geometric, and legends, especially about gods. From the results ofthis study is expected]]>
<![CDATA[KAJIAN PEMBENTUK EKSPRESI PADA BANGUNAN MASJID AGUNG KABUPATEN TEGAL ]]>
<![CDATA[Essa A’la Izzal Afif]]>;
<![CDATA[Muktiono, Ayub]]>
<![CDATA[ Jurnal Ilmiah Arjouna: Architecture and Environment Journal of Krisnadwipayana Vol 4 No 2 (2020): ARJOUNA : Archtecture and Environment Journal of Krisnadwipayana ]]>
Publisher : <![CDATA[Universitas Krisnadwipayana, Fakultas Teknik Program Studi Arsitektur ]]>
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DOI: 10.61488/jia.v4i2.689
<![CDATA[The Great Mosque of Tegal Regency is a mosque located in Tegal Regency. This mosque stands on Ahmad Yani StreetNumber 54 Procot Urban Village, Slawi District. The location of the mosque is in a strategic place, which is on the edge of thesouthern route of Tegal - Purwokerto and facing the Tugu Poci and the GBN Slawi Monument. The current mosque building isthe result of renovations carried out in 2007 to 2010. This mosque can accommodate around 600 worshipers. The mosqueconsists of two floors where the main prayer room is on the second floor. The beauty of this mosque is visible on the dome roofthat blends with the meru roof base. On the four side corners there is also a small dome in the same style as the main dome. Thismosque is the best place of worship for Muslims in Tegal Regency. This mosque is now an icon or characteristic of TegalRegency. The beauty of form is based on the application of aesthetic principles including: unity, balance, rhythm, proportion,scale, sequences, and pressure. The beauty of form can produce the beauty of expression. The beauty of expression is subjectivedepending on the perception of each observer. The beauty of expression can also become an architectural image. The beauty ofexpression can be seen from the elements in the expression, among others: character, color, style / style and material. Overall,the aesthetic value of a building can be achieved through research on the aesthetics of form which includes the beauty of itsshape and expression.]]>
<![CDATA[TINJAUAN ARSITEKTUR SEMIOTIKA MASJID RAMLIE MUSOFA ]]>
<![CDATA[Mustawa, Bagas]]>;
<![CDATA[Muktiono, Ayub]]>
<![CDATA[ Jurnal Ilmiah Arjouna: Architecture and Environment Journal of Krisnadwipayana Vol 5 No 2 (2021): ARJOUNA : Archtecture and Environment Journal of Krisnadwipayana ]]>
Publisher : <![CDATA[Universitas Krisnadwipayana, Fakultas Teknik Program Studi Arsitektur ]]>
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DOI: 10.61488/jia.v5i2.709
<![CDATA[Semiotics in architecture is a sign or symbol that aims to provide information to observers throughcertain forms. Thus, the process of interpreting a building that the architect wants to convey canbe lived by each individual building user. The meaning of an architectural object is not only limitedto the shape or appearance but is expected to be able to interpret the essential things hidden in aform that can be identified through in-depth observation.One of the places of worship, the mosque is a building that is very rich in meaning or message,because it has deep meaning for the beliefs of the people and their followers. The mosque is oneof the architectural works that composes beauty or aesthetic values with (spiritual) beliefs. This isreflected in the form, layout, and architectural elements of the building]]>
<![CDATA[MAKNA SIMBOL BENTUK BANGUNAN ARSITEKTUR (MUSEUM PURNA BHAKTI PERTIWI) ]]>
<![CDATA[Suryana, Fajar]]>;
<![CDATA[Muktiono, Ayub]]>
<![CDATA[ Jurnal Ilmiah Arjouna: Architecture and Environment Journal of Krisnadwipayana Vol 6 No 1 (2022): ARJOUNA : Architecture and Environment Journal of Krisnadwipayana ]]>
Publisher : <![CDATA[Universitas Krisnadwipayana, Fakultas Teknik Program Studi Arsitektur ]]>
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DOI: 10.61488/jia.v6i1.717
<![CDATA[A museum is a storage place for historical objects, and works of art that have other educational values, the architectural concept in the Museum building adapts from philosophy or environmental conditions to semiotic architecture, Semiotic architecture which is an architectural theory used to determine the meaning to be conveyed in architectural works. Meaning in architecture itself is divided into connotative meanings and denotative meanings. It can be interpreted that an architectural work is the same as a work of art in which it contains the meaning conveyed. So that the theory of semiotic architecture is very suitable to be used as an approach used in designing buildings that accommodate artistic activities and creativity. Creative meaning means having creativity, which is human nature that encourages people to discover new things. Creativity comes from intangible ideas and ideas that are developed and produced into something that we can feel, feel, see and enjoy. At this stage, creativity has become a product. Carrying the concept of "Semiotics" is expected to present the museum building as a place of historical heritage, especially the Heroes' Struggle. , by designing with a meaning that contains elements of independence, then applied into a building. It can be seen from the style of the building and the function of the building that both of them should be preserved and introduced to the public to know and understand that Indonesia has many interesting historical heritages, especially in Independence.]]>
