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All Journal The Journal of Educational Development Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Jermias Hartes Van Harling, Jermias Hartes
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Arts Humanities Education

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MUSIC AS A MEANS OF THERAPY FOR ELDERS Van Harling, Jermias Hartes; Wibowo, Mungin Eddy; Ganap, Victor
The Journal of Educational Development Vol 5 No 2 (2017): June 2017
Publisher : The Journal of Educational Development

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Abstract

Music no longer blends in the public space as simply a construction of sounds through elaborations of melody, rhythm, and harmony that adorn public spaces, but is now also used as a means of therapy to influence the listeners’ cognitive and emotional state. This study is meant to investigate the procedure of using music as a means of therapy and to examine the effect of music on elders’ emotional state and mood disorders. A mixed method approach was used, with a sequential exploratory design. This study used purposive sampling. Qualitative data was analyzed with psychoanalysis technique, while quantitative data was by t-test. The results show that the procedure of using music as a means of therapy for elders consist of three stages, i.e assessment, treatment, and evaluation and termination.  The effect of music on the emotional state of elders was determined by three main factors, namely social-cultural factor, familiarity, and habits. The hypothesis test upon elders’ mood disorders revealed that music can reduce the quality of negative moods. A significant difference was found in the mean difference of the elders’ mood disorders before and after therapy, with a significant decrease in score from 107.36 to 51.9.
MUSIC AS A MEANS OF THERAPY FOR ELDERS Van Harling, Jermias Hartes; Wibowo, Mungin Eddy; Ganap, Victor
The Journal of Educational Development Vol 5 No 2 (2017): June 2017
Publisher : Universitas Negeri Semarang

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Abstract

Music no longer blends in the public space as simply a construction of sounds through elaborations of melody, rhythm, and harmony that adorn public spaces, but is now also used as a means of therapy to influence the listeners’ cognitive and emotional state. This study is meant to investigate the procedure of using music as a means of therapy and to examine the effect of music on elders’ emotional state and mood disorders. A mixed method approach was used, with a sequential exploratory design. This study used purposive sampling. Qualitative data was analyzed with psychoanalysis technique, while quantitative data was by t-test. The results show that the procedure of using music as a means of therapy for elders consist of three stages, i.e assessment, treatment, and evaluation and termination. The effect of music on the emotional state of elders was determined by three main factors, namely social-cultural factor, familiarity, and habits. The hypothesis test upon elders’ mood disorders revealed that music can reduce the quality of negative moods. A significant difference was found in the mean difference of the elders’ mood disorders before and after therapy, with a significant decrease in score from 107.36 to 51.9.
Te’o Renda: Its History, Meaning, and Function for the Rotenese Community in the Past and the Present Tafuakan, Philby; Lestari, Dewi Tika; Van Harling, Jermias Hartes
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 1 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i1.4890

Abstract

This research aims to examine traditional te'o renda music from an ethnomusicological perspective. Using Ethnomusicology theories by Sri Hastanto that are relevant to those of Mantle Hood, the study explores changes and continuities in the presentation of te'o renda in Rote society. Conducted using qualitative methods, focusing on the discipline of ethnomusicology to understand the meaning and function of traditional music within cultural contexts, the research found that te'o renda and sasandu gong have undergone significant changes. In the past, sasandu and te'o renda played crucial roles in wedding ceremonies, particularly in traditional engagement rituals. However, their current usage has diminished, indicating a decline in their essence and sacredness. Other findings include the history, meanings, and functions of te'o renda for Rote communities past and present, as well as the construction of emic notations applied in te'o renda performances. This approach enables accurate and authentic documentation of traditional music, which is expected to contribute to the preservation and revitalization of Rote music culture. Thus, this research not only enhances theoretical understanding but also provides a foundation for efforts to conserve traditional music through emic notation methods.
Co-Authors Lestari, Dewi Tika mungin eddy wibowo, mungin eddy Tafuakan, Philby Victor Ganap