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Etnisitas, teologi, dan musik dalam nyanyian gereja: sketsa awal studi etnoteomusikologi nyanyian Gereja Protestan Maluku Lestari, Dewi Tika
KURIOS (Jurnal Teologi dan Pendidikan Agama Kristen) Vol 7, No 1: April 2021
Publisher : Sekolah Tinggi Teologi Pelita Bangsa, Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30995/kur.v7i1.259

Church music is an essential part of Christian worship. The primary source to create Church music is commonly from the Bible, Christian tradition, and believers' experience. Yet, in the church music of the Protestant Church in the Moluccas (GPM), there is harmony between some elements such as ethnicity, theology, and music. In ethnicity, there is some local cultural tradition derived from the old local religion, which Christianity contextualizes. Using a descriptive qualitative research method, the harmony of all elements, ethnicity, theology, and music result in a new perspective, namely ethno-theo-musicology, to analyze and understand the church music existence. This research found that the Protestant Church member in the Moluccas appreciates all church music substances, which led them not only to praise God but also to experience God in their cultural experience in Maluku. Abstrak Musik gereja merupakan salah satu unsur penting dalam peribadahan Kristen. Musik gereja umumnya diciptakan bersumber dari kesaksian Alkitab, tradisi atau ajaran gereja tertentu, dan pengalaman iman orang percaya. Namun, dalam nyanyian Gereja Protestan Maluku (GPM), musik gereja bersumber dari harmonisasi unsur budaya lokal, teologi, dan musik. Dalam unsur budaya lokal juga ditemukan proses kontekstualisasi narasi-narasi mistik dari kepercayaan asli masyarakat sebelum menjadi Kristen. Dengan penelitian deskriptif kualitatif, artikel ini menjelaskan adanya perpaduan unsur etnisitas, teologis, dan musik yang kemudian menghasilkan suatu pendekatan etnoteomusikologis dalam mengartikan suatu nyanyian gereja. Penelitian ini menemukan bahwa Warga Gereja Protestan Maluku sebagai pemilik dari Nyanyian GPM, sangat mengapresiasi pendekatan etnotheomusikologis sebab dirasakan bahwa musik gereja selain memuliakan Allah juga mengantarkan mereka mengalami kehadiran Allah di dalam pengalaman-pengalaman budaya yang mereka miliki

The music of topada tindo: the musical composition from the history of Toraja Nobility Toding, Vernando; Lestari, Dewi Tika; Picanussa, Branckly Egbert
Gelar: Jurnal Seni Budaya Vol. 22 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i2.6055

This article aims to explore the history of the struggle of the Toraja nobility as a source for the composition of Topada Tindo musical composition. Reviving the history of Topada Tindo through musical compositions has an important meaning for the Torajan people's struggle to dare fighting against every tyrannical power that oppresses the people. Musical compositions that originate from the history of people's struggles can also functionally continue to revive and preserve positive historical values for each generation. This research uses an art composition method starting from the stage of building ideas from the history of Toraja nobility, exploring themes and theoretical concepts of the work, as well as forming the composition of Topada Tindo musical works. The authors argue that the history of the Topada Tindo struggle is not only a source for the musical composition but can also provide inspiration and guidance for the Torajan people today to faight and kee struggling for well-being. Topada Tindo's musical composition consists of four parts as a description of the musical situation, namely the peaceful situation (part one), the situation of the entry of external cultural influences (part two), the situation of the arrival of Arung Palakka troops (part three), ending with Topada Tindo's resistance (part four). This composition uses the basic notes Bm and C#m, with multimetric 4/4 and 6/8.

Merawat Damai Antar Umat Beragama Melalui Memori Kolektif dan Identitas Kultural Masyarakat Maluku Lestari, Dewi Tika; Parihala, Yohanes
Hanifiya: Jurnal Studi Agama-Agama Vol 3, No 1 (2020): Hanifiya: Jurnal Studi Agama-Agama
Publisher : Program Studi Studi Agama-Agama Pascasarjana UIN Sunan Gunung Djati Bandung

This study aims to explain that the process of building and maintaining peace in the context of a plural society can be carried out by reactivating the collective memory and cultural identity of the community. Cultural memory and cultural identity that are based on historical-cultural experience are a social capital that nurtures harmony between communities. Qualitatively this study uses a literature study and field research approach. To explore the concepts of collective memory and cultural identity, author uses the concept from Edwards Shils, Maurice Halbwachs, and Paul Gilbert. The field study was obtained through a process of in-depth interviews with key informants, including religious leaders such as the Pastor and Imam of the Mosque, facilitators and community leaders in Batumerah from two communities, Islam and Christianity. Finally, the authors found that the collective memory of the cultural identity of Maluku people as brother people (orang basudara) is a strong social capital to transform conflict, and maintain peace among post-conflict communities. This can be a theoretical foothold in managing the diversity of peaceful lives as fellow brothers in Indonesia.

JEJAK MAJAPAHIT: KOMPOSISI MUSIK PROGRAMA BERDASARKAN CERITA LEGENDA AIR MAJAPAHIT DI NEGERI EMA Maitimu, Frengky; Lestari, Dewi Tika
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5651

The history of Air Majapahit is one of the events of the arrival of Princess Majapahit in Negeri Ema which has been told orally from generation to generation. The history of Majapahit Water can be proven true by the existence of Majapahit kingdom relics in the form of heirloom spears, Gamelan, Betel places and Majapahit springs which are still well preserved in Negeri Ema. Based on this phenomenon, it was then used as a nonmusical concept to work on a musical composition. The composition of Traces of Majapahit is a narrative program musical work which contains elements of the history of Air Majapahit, which was created in the form of varied music and using western instruments. The process of creating the musical composition Traces of Majapahit went through several stages, namely (1) exploration of literature regarding musical disciplines and observation of Majapahit water history; (2) processing the relationship between musical elements and nonmusical concepts as a basis for the construction of musical compositions; (3) cultivating musical elements into variations using the main theme development procedure from Leon Stein’s theory; (4) presentation of the work in orchestra format. This work contains cultural value in the almost forgotten relationship between the Majapahit kingdom and Negeri Ema, so that through this work it is hoped that the history of Air Majapahit will be preserved.

Te’o Renda: Its History, Meaning, and Function for the Rotenese Community in the Past and the Present Tafuakan, Philby; Lestari, Dewi Tika; Van Harling, Jermias Hartes
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 1 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i1.4890

This research aims to examine traditional te'o renda music from an ethnomusicological perspective. Using Ethnomusicology theories by Sri Hastanto that are relevant to those of Mantle Hood, the study explores changes and continuities in the presentation of te'o renda in Rote society. Conducted using qualitative methods, focusing on the discipline of ethnomusicology to understand the meaning and function of traditional music within cultural contexts, the research found that te'o renda and sasandu gong have undergone significant changes. In the past, sasandu and te'o renda played crucial roles in wedding ceremonies, particularly in traditional engagement rituals. However, their current usage has diminished, indicating a decline in their essence and sacredness. Other findings include the history, meanings, and functions of te'o renda for Rote communities past and present, as well as the construction of emic notations applied in te'o renda performances. This approach enables accurate and authentic documentation of traditional music, which is expected to contribute to the preservation and revitalization of Rote music culture. Thus, this research not only enhances theoretical understanding but also provides a foundation for efforts to conserve traditional music through emic notation methods.

Daralo Song Composition: Mebawalase Mesampere Style Lawendatu, Frangky; Batubara, Junita; Lestari, Dewi Tika
Jurnal Riset Ilmu Pendidikan Vol. 5 No. 3 (2025): Jurnal Riset Ilmu Pendidikan
Publisher : Lembaga Riset Mutiara Akbar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56495/jrip.v5i3.1182

This study highlights the culture of the Sangihe Talaud community, regarding the M?samper? song. M?samper? is the ancestral culture of the Sangihe community which has been passed down from generation to generation until now. The Sangihe Islands are one of the islands located in North Sulawesi Province. The term Mebawalase Mesampere means to reply in the Sangihe language, which is a singing style where the singers will reply to each other's songs (like replying to pantun). Daralo is a song composition inspired by Mebawalase Mesampere. Researchers found several styles of Mebawalase Mesampere singing in the work of daralo. Researchers also found that the creators of Mebawalase Mesampere songs did not include their names or were anonymous, so that the Mebawalase Mesampere-style songs that were created will gradually become extinct. This study uses qualitative methods with data analysis and interviews. In terms of the creation of Daralo, the style of the song Mebawalase Mesampere is performed using western musical instruments, so that the nuances of the song that characterize Mebawalase Mesampere are more creative and innovative. The results of the study have been performed at STT Jaffray Makassar in a recital as a requirement for the final exam for the concentration of church music.

Hubungan Aransemen Musik dan Pesan Teologis dalam Lagu “Nyatakan Kasih-Nya” Karya Eko Agus Kandung P Sipahelut, Leo Michs de Bles; Batubara, Junita; Lestari, Dewi Tika
Innovative: Journal Of Social Science Research Vol. 5 No. 4 (2025): Innovative: Journal Of Social Science Research
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/innovative.v5i4.20275

Lagu Nyatakan KasihNya, karya Eko Agus Kandung P. dan diaransemen oleh Leo Michs de Bles Sipahelut, merupakan karya musik yang mengintegrasikan estetika musik dengan elemen-elemen pesan teologis yang kuat. Lagu ini menyuarakan kebesaran kasih Allah serta pesan kepada umat manusia. Penelitian ini bertujuan untuk menganalisis bagaimana aransemen musik mendukung dan memperkuat penyampaian pesan teologis tersebut. Metodologi yang digunakan bersifat kualitatif deskripsi yang memadukan analisis musik dan refleksi teologi dimana teori yang digunakan adalah dengan pendekatan Hermeneutik untuk menganalisa teks lagu Nyatakan KasihNya. Untuk merangkul data-data yang digunakan, maka partitur lagu dan rekaman audio-visual dari ajang PESPARAWI sebagai data penelitian secara objektif. Analisa yang digunakan dalam analisis struktural musik yang mencakup unsur tempo, harmoni, instrumen, dan dinamika. Selain itu, Teks lagu dianalisis secara teologis dengan pendekatan hermeneutik. Hasil penelitian menunjukkan bahwa aransemen musik memainkan peran penting dalam memperdalam pesan spiritual lagu. Penggunaan tempo lambat menghadirkan nuansa reflektif; harmoni minor mencerminkan perasaan miris terhadap sikap dan perbuatan manusia dalam menjaga alam dan lingkungan; penggunaan instrumen modern menciptakan kedekatan kontekstual dengan audiens masa kini; dan dinamika lagu merepresentasikan perasaan yang digambarka secara implisit lewat teks lagu. Kesimpulannya, Nyatakan KasihNya merupakan contoh bagaimana musik gerejawi dapat menjadi medium efektif dalam menyampaikan narasi iman secara kontekstual. Melalui sensitivitas musikal dan teologis, lagu ini menghidupkan kembali peran musik sebagai sarana pewartaan dan refleksi iman di tengah realitas umat masa kini.

The Intertwining of Cultural Identity and Religious Identity in Church Musical Harmony for Social Harmony in Multicultural Societies Lestari, Dewi Tika
Journal of Contemporary Rituals and Traditions Vol. 3 No. 1 (2025)
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/jcrt.1391

Purpose: This study aims to show a creative approach to uniting the diversity of cultural and religious identities in musical harmony for efforts to build social harmony between multicultural and multireligious societies. Methodology: With an art-based qualitative analysis approach, this study analyzes elements of religious, cultural, and musical identities in the traditions and songs of the Maluku Protestant Church (GPM). Findings: This study found that GPM Songs have offered a new treasure in the tradition of religious songs by creatively and harmoniously combining elements of the cultural identity of the Maluku people who embrace all different religious identities through the shared language of pela-gandong, ain ni ain, kalwedo, in musical harmony for efforts to build and maintain social harmony in multicultural and multireligious societies. Implications: The findings of this study provide a new insight that can be applied to preserving peace in multicultural societies, namely that diverse cultural and religious identities can be harmonized through musical harmonization. Originality and Value: This study contributes to the discourse of music, rituals, and tradition studies, as well as multicultural and multireligious identities, and offers a new insight into creative diplomacy by using musical harmony in church song for social harmony.

Unveiling the melodic traditions of Mahzani: an ethnomusicological investigation of Tombulu music in Indonesia's Minahasa region Pogalin, Deny V. R.; Lestari, Dewi Tika
Gelar: Jurnal Seni Budaya Vol. 21 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i1.5282

This research explores the Mahzani ethnic music tradition, which holds significance among the Tombulu sub-ethnic group of the Minahasa region. As an expression of their cultural identity, Mahzani encapsulates the richness of Tombulu music, encompassing artistic diversity, spiritual values, and the philosophy of life cherished by the Tombulu people. The aim of this study is to analyze the distinctive musical elements that contribute to the unique atmosphere of the Mahzani tradition. This study uses an ethnomusicological approach. This approach collects and analyzes data, namely the melodies of traditional Mahzani music in the cultural context of the Tombulu people as the owners of the music. The ethnomusicological analysis is carried out by analyzing the physical and non-physical forms of Mahzani music to reveal its melodic richness and its aesthetic and philosophical meanings. This comprehensive approach ensures a thorough examination of the musical elements and their cultural implications within the context of the Mahzani tradition. In the end, the result of this research is that the combination of poetry and melody in a single unit of Mahzani's expression at the time has unveiled a unique and mystical atmosphere. At this level, the Tombulu people believe that music has vibrations that are connected to nature and the creator. Music is no longer just a medium for expressing itself, but it is the intention of the expression of human life in relation to their living environment.

The music of topada tindo: the musical composition from the history of Toraja Nobility Toding, Vernando; Lestari, Dewi Tika; Picanussa, Branckly Egbert
Gelar: Jurnal Seni Budaya Vol. 22 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i2.6055

This article aims to explore the history of the struggle of the Toraja nobility as a source for the composition of Topada Tindo musical composition. Reviving the history of Topada Tindo through musical compositions has an important meaning for the Torajan people's struggle to dare fighting against every tyrannical power that oppresses the people. Musical compositions that originate from the history of people's struggles can also functionally continue to revive and preserve positive historical values for each generation. This research uses an art composition method starting from the stage of building ideas from the history of Toraja nobility, exploring themes and theoretical concepts of the work, as well as forming the composition of Topada Tindo musical works. The authors argue that the history of the Topada Tindo struggle is not only a source for the musical composition but can also provide inspiration and guidance for the Torajan people today to faight and kee struggling for well-being. Topada Tindo's musical composition consists of four parts as a description of the musical situation, namely the peaceful situation (part one), the situation of the entry of external cultural influences (part two), the situation of the arrival of Arung Palakka troops (part three), ending with Topada Tindo's resistance (part four). This composition uses the basic notes Bm and C#m, with multimetric 4/4 and 6/8.

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