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All Journal MUDRA Jurnal Seni Budaya Jurnal Profetik Global South Review BUANA GENDER : Jurnal Studi Gender dan Anak Journal of Innovative and Creativity Jurnal Komunikasi Indonesia Jurnal Abdi Karya Sipil
Ambar Alimatur Rosyidah
Universitas Pembangunan Nasional Veteran Jawa Timur
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Education Environmental Science Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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Narrative Policy Framework (NFP) Electronic System Operator Policy: Surveillance and Cyber Security Ambar Alimatur Rosyidah; Farah Fajriyah
Global South Review Vol 4, No 1 (2022): Global South Review
Publisher : Institute of International Studies

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/globalsouth.81057

Abstract

Indonesia, as one of the Global South countries, has responded to digital transformation by launching the policy of the Minister of Communication and Information Technology Number 5 of 2020 concerning the Implementation of Private Electronic Systems (ESO) for the realization of digital sovereignty. The policy reaped negative sentiments from the public. Several articles considered ‘rubber articles’ indicated to weaken human rights in obtaining and conveying information, as stated in Article 28F of the 1945 Constitution. This study aims to understand the narrative of digital sovereignty built by Kominfo in the ESO policy and strategies to strengthen that narrative. The research method uses a qualitative approach to the Narrative Policy Framework (NFP) by collecting reliable online data from the official Kominfo website, online media, and press conference videos. This study was studied using Agency Theory, where the Indonesian people, as the principal, delegate authority to the agent, Kominfo, related to ESO policies. The results of the NPF found economic narration from the Ministry of Communication and Information Technology. This narration contradicts the narrative of ESO’s policy with the goal of its existence, which is the realization of digital sovereignty. This study also underscores the importance of co-regulation with ESO to strengthen the narrative of digital sovereignty.
Whose Women's Bodies Belong to: FemTech's Feminist Political Economy (FPE) and Potential Risks: FemTech's Feminist Political Economy (FPE) and Potential Risks Farah Fajriyah; Ambar Alimatur Rosyidah; Syfa Amelia
BUANA GENDER : Jurnal Studi Gender dan Anak Vol. 8 No. 1 (2023)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/bg.v8i1.6622

Abstract

Femtech opens space to fulfill women's right to information on sexual and reproductive health and raises the potential for control over women's bodies. This study aims to explore the potential risks of FemTech related to women's bodies in cyberspace and uncover the exploitation and misuse of women's data. Women as users in an organized manner are seen as commodity objects, which indirectly makes women digital laborers. This study uses analysis of the Feminist Political Economy (FPE) lens from Bezanson & Luxton in three conceptual areas, namely the expansion of production models, the sex/gender system, and the analysis of domestic labor as a contribution to labor reproduction. This article develops an FPE analytical framework for studies of technology-related reproductive health. The researcher summarizes user data collected in Indonesia's top ten FemTech applications by entering the keyword' menstrual calendar' in the iOS App Store and Android Play Store. This research finds that women as Femtech users are shackled in the reality of hegemonic masculinity and lack of reproductive freedom, are in a commodity circle, and are exposed to risks as digital workers. Keyword: FemTech, Feminist Political Economy, Digital Labor, Social Reproduction
Becoming an Active Subject: Women's Art Collective Eco-Artivism for Ecological Sustainability in Indonesia Ambar Alimatur Rosyidah; Sahara Ulfa, Dhiya; Hermin Indah Wahyuni
Mudra Jurnal Seni Budaya Vol 39 No 2 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i2.2688

Abstract

This study explores the eco-artivism of women's art collectives for ecological sustainability by looking at actor-networks, eco-art as a non-human actor, and women's art collective negotiations. In Indonesia, eco-artivism is used to raise ecological awareness and strengthen socio-environmental protests in the ecological crisis. To explain the relationship of ecological sustainability in the artistic works of women's art collectives, we underline the connection between ecofeminism and Actor-Network Theory (ANT). We used a case study method with the Perempuan Pengkaji Seni (PPS) community, an art collective of female artists, workers, and researchers based in East Java, Indonesia. We find that the eco-artivism of women’s art collectives is an attempt to make women and nature become active subjects. These efforts can be seen in three resulting themes: the PPS network as a women's art collective, eco-art from the scars left by natural disasters to the impact of industrialization, and the negotiation of PPS as a women’s art collective for environmental sustainability.
Cyber Crime Against Women's Personal Data on Online Platforms and The Role of PDP Laws Rosyidah, Ambar Alimatur; Fajriyah, Farah; Rahayu, Rahayu
JURNAL KOMUNIKASI INDONESIA Vol. 13, No. 2
Publisher : UI Scholars Hub

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Abstract

The presence of online platforms such as financial technology lending platforms is like a double-edged knife for women. These platforms pave the way for restrictions on women accessing loans. However, the use of fintech poses risks to women. They become victims of cybercrime with the existence of desk collectors who collect online loans and the third party who use the women's data. This study aims to examine the cybercrime implications of using fintech experienced by women related to fintech lending and then explore the role, data protection, and scope of the PDP Law as a solution. This study uses Qualitative Content Analysis (QCA) with the Tripartite Cybercrime Framework (TCF) from Ibrahim (2019) and Lazarus (2022) to analyze the problem. According to the author's criteria, the research data is from 15 women's complaint letters against fintech lending platforms that we obtained through the mediakonsumen.com website from 12 September 2020 to 8 November 2022. The PDP law, LBH reports, press releases, and relevant news media complement the data. These letters show five categories of women's experiences with online loan desk collector billing: online fraud, unauthorized transmission and use of personal data, identity theft, cyberbullying, and online harassment. This research also obtains socio-economic and psychosocial blending motives from online loan desk collectors. The core problem in online loan cases is ownership and access to personal data. Nevertheless, the PDP Law does not cover fundamental rights to data security, namely privacy rights and the victim's right to recovery.
Exploring Misinformation and Disinformation Towards 2024 Election: Patterns and Policy Recommendations Rosyidah, Ambar Alimatur; Fajriyah, Farah; Galuh, Elisabeth Adventa; Ulfa, Dhiya Sahara
Profetik: Jurnal Komunikasi Vol. 17 No. 2 (2024)
Publisher : Faculty of Social Sciences and Humanities Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/pjk.v17i2.2973

Abstract

Ahead of the 2024 election, social media offers ease of production and access to its information. On the other hand, it also encourages the spread of misinformation and disinformation and has the potential to influence democracy in Indonesia. This research aims to investigate misinformation and disinformation on social media and provide policy recommendations. The researchers analyzed mis/disinformation content from the turnbackhoax.id site from 18 July - 26 September 2023 by using qualitative content analysis methods to identify patterns of spreading misinformation and disinformation content on social media. Thisresearch identified the dominance of hoax and clickbait content types and personal and social content topics. There are similar patterns of mis/disinformation on every social media; its content is the result of digital reproduction from social media, online media, and microstock sites. The researchers provide content moderation policy recommendations using the reeve model of the regulatory pyramid, which consists of regulatory laws, standards, and co-regulation through independent institutions.
Inovasi Food Technology : Pengolahan Cangkang Telur Menjadi Tepung untuk Kewirausahaan Produk “Egg Rolls “ Lina Nasehatun Nafidah; Galuh Pratama; Gideon Setyo Budiwitjaksono; Ambar Alimatur Rosyidah; Lisana  Shidqina; Miguel Felix Wijaya
Jurnal Abdi Karya Sipil Vol. 1 No. 2: Oktober 2025
Publisher : Program Studi Teknik Sipil, Fakultas Teknik dan Sains, Universitas Pembangunan Nasional "Veteran" Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33005/jaksi.v1i2.6

Abstract

Kegiatan pengabdian kepada masyarakat (PKM) ini bertujuan untuk mengatasi masalah penumpukan limbah cangkang telur yang dihasilkan oleh usaha industry rumah tangga di Gebang Putih Sukolilo, Surabaya. Selain itu, kegiatan ini juga bertujuan untuk mengembangkan keterampilan kewirausahaan di kalangan ibu rumah tangga di daerah tersebut. Metode pelaksanaan terdiri dari beberapa tahap: (1) melakukan survei awal, (2) menerapkan teknologi untuk mengubah cangkang telur menjadi tepung dengan melalui proses sterilisasi, dan (3) menyelenggarakan pelatihan tentang pembuatan produk inovatif yang berupa egg rolls. Penelitian menunjukkan bahwa mitra telah berhasil memproduksi tepung dari cangkang telur yang bersih dan higienis. Tepung ini kemudian digunakan dalam pembuatan produk makanan bernama "egg rolls". Dari aspek kewirausahaan, program ini berhasil mengganti cara pandang mitra, yang awalnya hanya sebagai pengumpul limbah, menjadi produsen barang yang bermanfaat. Kegiatan ini berkontribusi pada pencapaian SDGs serta Indikator Kinerja Utama (IKU) Perguruan Tinggi.
The Evolution of Women’s Representation in Indonesian Film: A Narrative Review Ambar Alimatur Rosyidah
Journal of Innovative and Creativity Vol. 6 No. 1 (2026)
Publisher : Fakultas Ilmu Pendidikan Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/joecy.v6i1.6976

Abstract

The representation of women as the main characters in the film has a significant inequality with the male characters. Women are often portrayed as passive characters and become sexually objectified. The portrayal is inseparable from the patriarchal culture that has taken root in Indonesia. This kind of representation will affect how women, especially teenagers, think, identify, and make decisions. The purpose of this study is to examine the evolution of women’s representation in Indonesian films across the Old Order, New Order, and contemporary periods. Materials and methods. The author used a narrative review research design, which allows describing what is known about a topic while conducting a subjective examination and critique of the entire literature. This type aims to identify and summarize previously published articles, avoid duplication of research, and explore new, under-researched areas of study. Results. The findings in this study are three phases of film development in Indonesia, namely the Old Order phase (1950-1965), where women are underrepresented; the New Order phase (1966-1998), where we would find commodification of women's sensuality; and the Contemporary phase (1998-present), where women are trying to cope with the patriarchal culture. Conclusions. Feminist ideology in films has emerged since the fall of the Soeharto regime, showcasing a diverse range of female characters and their struggles against patriarchal culture. However, the film industry remains male-dominated, and the lack of women behind the scenes certainly impacts how women’s voices are heard.
Co-Authors Budiwitjaksono, Gideon Setyo Fajriyah, Farah Farah Fajriyah Farah Fajriyah Galuh Pratama Galuh, Elisabeth Adventa Hermin Indah Wahyuni Lina Nasehatun Nafidah Lisana  Shidqina Miguel Felix Wijaya Rahayu Rahayu Sahara Ulfa, Dhiya Syfa Amelia Ulfa, Dhiya Sahara