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All Journal Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora JPW (Jurnal Politik Walisongo) Jurnal Al Azhar Indonesia Seri Ilmu Sosial BUANA GENDER : Jurnal Studi Gender dan Anak Nalar: Jurnal Pendidikan dan Kebudayaan Jurnal Kawistara CHANNEL: Jurnal Komunikasi Ulil Albab
Syfa Amelia
Unknown Affiliation
Religion Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Whose Women's Bodies Belong to: FemTech's Feminist Political Economy (FPE) and Potential Risks: FemTech's Feminist Political Economy (FPE) and Potential Risks Farah Fajriyah; Ambar Alimatur Rosyidah; Syfa Amelia
BUANA GENDER : Jurnal Studi Gender dan Anak Vol. 8 No. 1 (2023)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/bg.v8i1.6622

Abstract

Femtech opens space to fulfill women's right to information on sexual and reproductive health and raises the potential for control over women's bodies. This study aims to explore the potential risks of FemTech related to women's bodies in cyberspace and uncover the exploitation and misuse of women's data. Women as users in an organized manner are seen as commodity objects, which indirectly makes women digital laborers. This study uses analysis of the Feminist Political Economy (FPE) lens from Bezanson & Luxton in three conceptual areas, namely the expansion of production models, the sex/gender system, and the analysis of domestic labor as a contribution to labor reproduction. This article develops an FPE analytical framework for studies of technology-related reproductive health. The researcher summarizes user data collected in Indonesia's top ten FemTech applications by entering the keyword' menstrual calendar' in the iOS App Store and Android Play Store. This research finds that women as Femtech users are shackled in the reality of hegemonic masculinity and lack of reproductive freedom, are in a commodity circle, and are exposed to risks as digital workers. Keyword: FemTech, Feminist Political Economy, Digital Labor, Social Reproduction
TRANSMEDIA EDUCATION: MASCULINITY IN TIKTOK WITHIN TRADITIONAL DANCE Syfa Amelia; Farah Fajriyah; Dhiya Sahara Ulfa; Denis Hida Lutfiani Stefani
NALAR: Jurnal Pendidikan dan Kebudayaan Vol. 2 No. 2 (2023): Oktober, NALAR: Jurnal Pendidikan dan Kebudayaan
Publisher : Universitas 17 Agustus 1945 Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The advent of internet and the proliferation of social media change the way teachers and students consume and create educational learning content, such as Java traditional dance. Men traditional dancers get bullied because they are considered less masculine where it happens in the education sector, school or dance studio. TikTok in the transmedia era known as an entertainment, expression and education space. TikTok’s content creators (Abing, Fahrul, BM) actively post to preserve culture. This research examines TikTok as an education and expression’s medium, challenges the gender dichotomy in Indonesia’s new masculinity. This research uses the case study, interview art activists, finding audience's reception from the comments, documents, relevant preliminary research. The results show male traditional dancers use TikTok to express themselves and preserve local culture. TikTok’s existence also shifts masculinity where it is not only interpreted as a form of virility, but also contains tenderness and femininity in traditional dance.
TRANSMEDIA EDUCATION: MASCULINITY IN TIKTOK WITHIN TRADITIONAL DANCE Syfa Amelia; Farah Fajriyah; Dhiya Sahara Ulfa; Denis Hida Lutfiani Stefani
NALAR: Jurnal Pendidikan dan Kebudayaan Vol. 2 No. 2 (2023): Oktober, NALAR: Jurnal Pendidikan dan Kebudayaan
Publisher : Universitas 17 Agustus 1945 Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56444/nalar.v2i2.707

Abstract

The advent of internet and the proliferation of social media change the way teachers and students consume and create educational learning content, such as Java traditional dance. Men traditional dancers get bullied because they are considered less masculine where it happens in the education sector, school or dance studio. TikTok in the transmedia era known as an entertainment, expression and education space. TikTok’s content creators (Abing, Fahrul, BM) actively post to preserve culture. This research examines TikTok as an education and expression’s medium, challenges the gender dichotomy in Indonesia’s new masculinity. This research uses the case study, interview art activists, finding audience's reception from the comments, documents, relevant preliminary research. The results show male traditional dancers use TikTok to express themselves and preserve local culture. TikTok’s existence also shifts masculinity where it is not only interpreted as a form of virility, but also contains tenderness and femininity in traditional dance.
Participatory Online News Expertise and Credibility: A Study on Visual Citizen in TikTok bikini.bottom.news Amelia, Syfa; Wibowo, Arif Ardy
Jurnal Kawistara Vol 14, No 2 (2024)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.82284

Abstract

TikTok already has the power to spread news apart from providing entertainment content. The emergence of TikTok is very massive and is used by many groups. TikTok brings a novelty with its content which is not only entertaining like lots of challenge videos and also often informative because many news channels have started to use TikTok as their media platform. One of them is the Bikini Bottom News TikTok account which actively reports the latest information on both socio-political issues and issues of international celebrities. The expertise of journalists and the credibility of TikTok, which started as an entertainment platform, come into question when we talk about news. This study analyzes the expertise and credibility of participatory online news in the visual community or citizens. Using case studies by conducting literature reviews and discussions with informants who have the same background, namely students regarding the bikini.bottom.news account, the authors obtain data that the TikTok platform, especially on the bikini.bottom.news account has two acceptances, which are considered to have met the skill requirements of a journalist to be trusted for the credibility of the news content and are considered not in accordance with the provisions of the expertise of a journalist and the content is considered not credible.
Exploring Online-to-Offline Friendships: A Netnographic Study of Interpersonal Communication, Trust, and Privacy in Online Social Networks Amelia, Syfa; Wibowo, Arif Ardy
CHANNEL: Jurnal Komunikasi Vol. 11 No. 1 (2023): CHANNEL: Jurnal Komunikasi 22nd Edition
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/channel.v11i1.310

Abstract

Online friendship has become common between generations, especially among Gen Z and Millennials, and some friendships transition from online to offline, which requires disclosing their offline identities. Despite the risks involved, Online Social Networks (OSNs) are essential daily and provide self-expression, social pleasure, and networking opportunities. Privacy is a complex concept with different definitions, and interpersonal communication can be private but can become public depending on the context. Self-disclosure and trust are essential factors in online friendships. This study used netnography to study online consumer-based communities, particularly volleyball fans. We conducted observations, literature reviews, and interviews with informants who had experienced shifting from online friendships to offline ones. We analyzed the data descriptively using the theories of trust and self-disclosure. Participants connect with others who share the same interest in volleyball. They both use pseudonyms to protect their privacy but occasionally post pictures with censorship on their faces due to anxiety over privacy and online crime. They both establish trust with their online friends by analyzing their reputation, performance, mutual friends, interaction, and persona before extending their friendship from online to offline. The study found eight communication patterns that create trust, such as talking about common interests and exchanging personal information, and suggests opportunities for further research on comparing different age and gender groups and exploring communication patterns in other social media platforms.
TRANSMEDIA EDUCATION: MASCULINITY IN TIKTOK WITHIN TRADITIONAL DANCE Syfa Amelia; Farah Fajriyah; Dhiya Sahara Ulfa; Denis Hida Lutfiani Stefani
NALAR: Jurnal Pendidikan dan Kebudayaan Vol. 2 No. 2 (2023): Oktober, NALAR: Jurnal Pendidikan dan Kebudayaan
Publisher : Universitas 17 Agustus 1945 Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56444/nalar.v2i2.707

Abstract

The advent of internet and the proliferation of social media change the way teachers and students consume and create educational learning content, such as Java traditional dance. Men traditional dancers get bullied because they are considered less masculine where it happens in the education sector, school or dance studio. TikTok in the transmedia era known as an entertainment, expression and education space. TikTok’s content creators (Abing, Fahrul, BM) actively post to preserve culture. This research examines TikTok as an education and expression’s medium, challenges the gender dichotomy in Indonesia’s new masculinity. This research uses the case study, interview art activists, finding audience's reception from the comments, documents, relevant preliminary research. The results show male traditional dancers use TikTok to express themselves and preserve local culture. TikTok’s existence also shifts masculinity where it is not only interpreted as a form of virility, but also contains tenderness and femininity in traditional dance.
If I was the Director: Breaking the Eurocentric in Postcolonialism and Transnational of Film De Oost (The East) Amelia, Syfa
Jurnal Al Azhar Indonesia Seri Ilmu Sosial Vol 4, No 1 (2023): Februari 2023
Publisher : Universitas Al Azhar Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36722/jaiss.v4i1.1847

Abstract

De Oost adalah film tentang perang di Indonesia antara Belanda dan Indonesia setelah Perang Dunia II yang dibuat oleh sutradara dari Belanda. Film ini mengangkat isu tentang dampak buruk pertempuran seperti biasanya film dengan genre postkolonialisme atau perang dengan beberapa tambahan cerita tentang romansa dan pengkhianatan. Sutradara De Oost, menggunakan perspektif kulit putihnya untuk mengeksplorasi pengalaman perang di negara terjajah. Dia merilis film ini pada tahun 2020 dan diputar di Netherland Film Festival, juga diambil oleh OTT Prime Video dan MolaTV untuk diputar secara internasional. Sayangnya menurut saya plot dan eksekusinya tidak memberi tahu kita bagaimana sebenarnya perang antara Indonesia dan Belanda terjadi di masa lalu. Juga, ada banyak stereotip tentang bagaimana Barat dan Eropa melihat Indonesia. Sudut pandang yang berbeda menjadi dasar permasalahan saya dalam memulai penelitian ini. Melalui analisis isi, saya akan memaparkan bagaimana De Oost secara teoritis terkait dengan perspektif Postkolonialisme dan kritik Transnasional di abad ke-20 ketika migrasi konten sinema dapat dilakukan dengan mudah dan bagaimana hal itu dapat mempengaruhi khalayak global dalam membentuk pandangan mereka tentang kolonialisme yang terjadi di Indonesia dan bagaimana masyarakat diaspora mempengaruhi proses produksi hingga pembingkaian makna film.Kata Kunci: De Oost, Film, Transnasionalisme, Poskolonialisme
Participatory Online News Expertise and Credibility: A Study on Visual Citizen in TikTok bikini.bottom.news Amelia, Syfa; Wibowo, Arif Ardy
Jurnal Kawistara Vol 14, No 2 (2024)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.82284

Abstract

TikTok already has the power to spread news apart from providing entertainment content. The emergence of TikTok is very massive and is used by many groups. TikTok brings a novelty with its content which is not only entertaining like lots of challenge videos and also often informative because many news channels have started to use TikTok as their media platform. One of them is the Bikini Bottom News TikTok account which actively reports the latest information on both socio-political issues and issues of international celebrities. The expertise of journalists and the credibility of TikTok, which started as an entertainment platform, come into question when we talk about news. This study analyzes the expertise and credibility of participatory online news in the visual community or citizens. Using case studies by conducting literature reviews and discussions with informants who have the same background, namely students regarding the bikini.bottom.news account, the authors obtain data that the TikTok platform, especially on the bikini.bottom.news account has two acceptances, which are considered to have met the skill requirements of a journalist to be trusted for the credibility of the news content and are considered not in accordance with the provisions of the expertise of a journalist and the content is considered not credible.
Excelling on Campus, Lagging in the Workplace: The Paradox of Gender Equality in Indonesia Wicaksana, Hendika Dwinanda; Rahmat AP, Surfian; Amelia, Syfa; Haikal, Muhammad; Hady, Ahmad Prasetya
JPW (Jurnal Politik Walisongo) Vol. 7 No. 2 (2025)
Publisher : Fakultas Ilmu Sosial dan Ilmu Politik (FISIP) UIN Walisongo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21580/jpw.v7i2.30810

Abstract

Despite significant advancements in women's higher education in Indonesia, where female enrolment now surpasses that of men, major gender disparities persist in the labor market. This paper investigates the enduring paradox of "Excelling on Campus, Lagging in the Workplace," wherein higher educational attainment for women does not translate into equitable outcomes in labor force participation, remuneration, and career advancement. Employing a qualitative methodology through a systematic literature review, this study synthesizes and critically analyzes existing national data, institutional reports, and academic literature. The analysis is framed by the Feminist Critique of Human Capital Theory, arguing that conventional economic models fail because they ignore the entire sphere of social reproduction the unpaid domestic and caregiving labor that is disproportionately shouldered by women. The findings demonstrate that the participation gap, wage disparities, and the "glass ceiling" are not separate issues but are interconnected manifestations of a system that structurally penalizes women for their socially-mandated reproductive roles. The study concludes that achieving substantive gender equality in Indonesia requires a policy shift beyond merely promoting education, necessitating a fundamental re-evaluation of the value of reproductive labor and the implementation of policies that directly address these structural barriers.
Indonesian Migrant Workers, Double Job Double Risk: Commodification of Life Content Amelia, Syfa; Elisabeth Adventa Galuh
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 5 No. 2: Januari 2026
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v5i2.14849

Abstract

Indonesian migrant workers currently have a new trend as part-timer content creators in social media, documenting their life and making videos or live videos about their life in a new country. This is common thing between the diaspora to document their lives in a different country, but there is a gap that differentiates between diaspora or white-collar immigrants from Indonesian migrant workers who commonly work as unskilled laborers. As we already know how policies that protect immigrants do not really work because of the high case of immigrant abuse, intimidation, persecution, low welfare, etc. Immigrants seeing the potential of being content creators in social media will give them better welfare and life quality when actually they become new commodities by creating content about their life. Using Pierre Bourdieu theory of modal commodification, we conduct exploratory research to investigate problems about commodification content that is not clearly defined. The first step we do is doing observations of migrant workers content creators and then we do online research and literature research to strengthen our research on a specific case that is Zhiee Leely and Maybe Memeyon Youtube. The results show us that Indonesian migrants worker are unconsciously being commodified in a habitus that leads them to get financial modal by-product daily content on Youtube and it is mean they need to do a double job, longer working hours, more risks, without government social security because only being migrants worker for them did not guarantee them better life better welfare. Keywords: migrant workers, double commodification, welfare, social media, content creator.
Co-Authors Ahmad Prasetya Hady Ambar Alimatur Rosyidah Denis Hida Lutfiani Stefani Denis Hida Lutfiani Stefani Dhiya Sahara Ulfa Dhiya Sahara Ulfa Elisabeth Adventa Galuh Farah Fajriyah Farah Fajriyah Muhammad Haikal Rahmat AP, Surfian Wibowo, Arif Ardy Wicaksana, Hendika Dwinanda