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All Journal Jurnal Ide Bahasa Jejak digital: Jurnal Ilmiah Multidisiplin
Mirda Aryadi
Institut Seni Indonesia Padang Panjang
Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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THE ANALYSIS OF DEATH THEME IN “THE FAULT IN OUR STAR” STORY BY JOHN GREEN Syielvi Dwi Febrianty; Tomi Arianto; Nitasri Murawaty Girsang; Mirda Aryadi
IdeBahasa Vol 5 No 1 (2023): JURNAL IDEBAHASA Vol. 5 No. 1 Juni 2023
Publisher : Asosiasi dosen IDEBAHASA KEPRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/idebahasa.v5i1.111

Abstract

This research aimed to reveal the phenomenon of death in literary work. The theme of death is sometimes ignored by literary critics because it is often seen as a spice in the story. In fact, the narrative of death has a very significant that determines the plot in the story. Ross (2009) a French psychologist put forward the theoretical concept of this phenomenon with the theory of death and dying. Psychologically, there are several stages that are experienced by people who are facing terminal illness or people who are left behind in the face of death. Departing from several conceptual deaths, the researchers determined the research data source in the form of a story by John Green entitled "The Fault in Our Stars". This phenomenal story is very well known among teenagers and has even been encrypted in the form of a movie. This story received various awards both in the form of a printed narrative and after being filmed. The story of this story is dominated by teenage romance and the struggle with cancer. However, it is interesting to study how the attitude of the people around them, including the main characters in dealing with death. By using Kubler Ross theory, there are two variables that would be found. First, the phenomenon of death and dying as the general perception in dealing with death and dying reflected in the story The Fault in Our Stars . Second, the psychological stages experienced by the character in facing death in the story.
De Stijl Busana Classic Elegant Silwi Azizah; Mega Kencana; Mirda Aryadi; Fadri Rahmat
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/ahf44018

Abstract

final project entitled “Grid in Motion: De Stijl Classic elegant Fashion” is a fashion design project that adopts De Stijl as the primary source of inspiration. De Stijl is a modern art movement that emphasizes simplicity through the use of horizontal and vertical lines, geometric forms, and a combination of primary and neutral colors. This concept is combined with the characteristics of classic elegant fashion, which is known for its neat, graceful, sophisticated, and timeless appearance. This project presents three categories of garments: ready to wear, ready to wear deluxe, and haute couture. These garments are created using semi-wool and lurik gerimis fabrics. The De Stijl concept is implemented through patchwork techniques to create geometric compositions, which are further enhanced using quilting  techniques and bead embellishments arranged along horizontal and vertical lines. The creative process consists of three stages: exploration, design development, and realization. The resulting collection, Grid in Motion, consists of three designs: Linear Motion, Framed Rhythm, and Dynamic Composition. This project aims to create aesthetically pleasing and functional garments while demonstrating that the visual principles of De Stijl can be successfully applied to classic elegant fashion without diminishing its elegant and modern character.
Aplikasi Warna Marawa pada Busana Kontemporer Azka Haniyah Putri; Mirda Aryadi; Nofi Rahmanita; Dini Yanuarmi
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/y7h0qw39

Abstract

The work entitled "Application of Marawa Colors in Contemporary Fashion" is inspired by the colors of the Marawa, a traditional cultural symbol of the Minangkabau community. The contemporary garments feature asymmetric silhouettes designed with a simple yet elegant appearance. The arrangement of the Marawa colors is visually represented through the composition of fringes made from yarn, creating a distinctive decorative element. The designs incorporate layered contemporary garments combined with Silungkang woven songket fabric. The color palette follows the traditional Marawa colors black, red, and yellow using cotton drill, premium cotton, Ima cotton, and Silungkang songket as the primary materials. The creative process began with collecting references related to the design concept, followed by concept development, field observation, and the formulation of the creative idea. This collection was developed based on the Trend Forecasting 2026/2027 theme "Fringe", which emphasizes garments featuring fringe details. The use of materials such as strands of yarn, cords, tassels, and similar decorative elements characterizes this trend. In this collection, fringe is interpreted through the application of fringes and tassel embellishments combined with dangling beads, and further enriched with sashiko embroidery and bead embroidery techniques
Art of Beat Style dengan Teknik Cut Out Dinda Dinda; Fadri Rahmat; Desra Imelda; Mirda Aryadi
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/cva77b34

Abstract

This fashion work is based on the development of fashion that increasingly emphasizes freedom of expression and the exploration of form in design. The Art of beatstyle was chosen as the source of inspiration due to its eccentric, creative, and unconventional visual characteristics. The purpose of this creation is to produce fashion designs that represent freedom of expression through the application of fabric manipulation techniques, particularly the cut-out technique, combined with Sashiko as a decorative element. The creation process consists of several stages, including idea exploration, design development, technical experimentation, pattern making, production, and presentation. Visual inspiration is realized through organic forms applied to the cut-out technique, creating the interplay of space, texture, and visual dimensions within the garments. The Sashiko technique is utilized to enrich surface details and enhance the aesthetic value of the designs. The final collection consists of three fashion categories: Ready-to-Wear entitled “Ruang Celah” (The Space of Gaps), Ready-to-Wear Deluxe entitled “Ruang Tumbuh” (The Growing Space), and Haute Couture entitled “Ruang Antara” (The Space Between). These three works embody the characteristics of Art of beatthrough the use of contrasting colors, organic forms, and increasingly complex cut-out explorations in each category. The collection demonstrates that the cut-out technique functions not only as a decorative element but also as a means of creating an expressive, dynamic, and artistic visual identity in fashion design.
Busana Kontemporer Terinspirasi  dari Bentuk Angsa Vina Okta Sari; Mirda Aryadi; Nofi Rahmanita3; Fadri Rahmat
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/cgtrpg88

Abstract

The creation of this work was inspired by the beauty of the swan's form, which possesses distinctive visual characteristics such as a long curved neck, layered feathers, and graceful movements. These characteristics were used as the main source of inspiration in designing contemporary fashion through the application of embroidery techniques as the primary decorative element. The objectives of this project were to design, realize, and present a contemporary fashion collection inspired by the form of a swan. The creation method consisted of three stages: exploration, design, and realization. The exploration stage was conducted through direct observation of swans and literature studies related to the topic. The design stage included trend analysis, moodboard development, alternative sketch creation, and design selection. The realization stage involved the process of garment construction by applying embroidery and beadwork techniques. The materials used included satin bridal fabric, Angso Duo batik fabric, organza, and other supporting materials.The final works consisted of three fashion categories: Ready-to-Wear, Ready-to-Wear Deluxe, and Haute Couture. The characteristics of the swan were represented through embroidered motifs, wing- and feather-inspired garment details, and the use of earth-tone colors such as dark brown, mocha, and cream. The resulting collection combines traditional and modern elements, creating contemporary fashion pieces that are unique, aesthetically appealing, and possess strong artistic value.
Co-Authors Arianto, Tomi Azka Haniyah Putri Desra Imelda Dinda Dinda Dini Yanuarmi Fadri Rahmat Mega Kencana Nitasri Murawaty Girsang Nofi Rahmanita Nofi Rahmanita3 Silwi Azizah Syielvi Dwi Febrianty Vina Okta Sari