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All Journal Corak : Jurnal Seni Kriya ANDHARUPA Batoboh : Jurnal Pengabdian Pada Masyarakat Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Studi Budaya Nusantara Warta Pengabdian Andalas: Jurnal Ilmiah Pengembangan Dan Penerapan Ipteks ARTCHIVE: Indonesia Journal of Visual Art and Design Jurnal Abdi Masyarakat Indonesia Style : Journal of Fashion Design Aurelia: Jurnal Penelitian dan Pengabdian Masyarakat Indonesia Ezra Science Bulletin Runtas: Journal of Arts and Culture VisArt: Jurnal Seni Rupa dan Design
Dini Yanuarmi
Fakultas Seni Rupa Dan Disain Institut Seni Indonesia Padang Panjang
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Public Health Social Sciences Other

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TENUN KUBANG: SEMANGAT MEMPERTAHANKAN SENI TRADISI DARI PENGARUH MODERNITAS Dini Yanuarmi; Widdiyanti Widdiyanti
Corak : Jurnal Seni Kriya Vol 5, No 1 (2016): MEI 2016
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (661.793 KB) | DOI: 10.24821/corak.v5i1.2374

Abstract

This research is aimed at analysing the preservation and harmonisation Kubang weavinginto development of technology and modernisation. Tenunan Kubang (Kubang weaving) as atraditional art does not necessarily mean as a piece of cloth woven from threads with certaindesigns, colours, and motives, yet it also contain the socio-cultural values of the area where itoriginates and develops. As a traditional art, every cloth possesses splendidly woven motives.The motives are used to be seamlessly woven with some certain, seemingly-tough level ofdifficulty by using the manual-traditional weaving equipment. The influences of modernisationare considered as an effort to preserve a sustainable tradition of Kubang weaving art. TheApproaches in the analysis is emphasied on sociological aspects of Kubang weaving products.The data for the analysis are collected by using both the library research and field observation.The results indicated that the long run of the Kubang weaving had always been simultaneous tothe change and development of the ages. Under the circumstances, Kubang weaving appearedas a creative, innovative, and competitive product that maintained cultural and traditionalvalues. Without those values, Kubang weaving shall loose its identity and at the same time, shallbe meaningless and abandoned by the society.Keywords: Kubang Weaving, Traditional Art, Motives, Minangkabau
Membatik sebagai Wujud Kreatifitas Siswa SLB N 1 Ampek Angkek Kabupaten Agam Dini Yanuarmi; Yunis Muler; Widdiyanti Widdiyanti
Warta Pengabdian Andalas Vol 26 No 4.a (2019)
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPM) Universitas Andalas

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Abstract

Making batik workshop was one of the Community Partnership Program conducted at a school for children with special needs known as SLB N 1 Ampek Angkek of Agam Regency. The workshop was participated by middle school and higher school students who are physically and mentally disadvantages, in order to develop their knowledge and skill. The students were given the skill of making batik to help improving and developing their attitude and awareness as individual and member of their society. Having such skills will allow them to make mutual contribution in their social, cultural and everyday life. This activity can also preserve the batik as traditional art and cultural heritage which worth protection and preservation. The workshop was conducted in two steps; knowledge presentations and practices. The practices were started by making the batik motives (patterns) of their own creations which convey the local genius. It was continued by making the canting cap (printing mold) from a cardboard and practicing the batik making by using printing method. The colors were made of natural and synthetic materials. The natural colors were extracted from the jengkol bean skin and tea powder. The batik was made on a scarf and long cloth. Their physical and mental disadvantages were not stopping the participants in expressing their creativity. It, on the other hand, allowed them to develop their skills, creativities and senses. Those can be concluded from the batik cloth which they produced which captured their creativity and innovations.
APLIKASI MOTIF MANUSKRIP PADA BATIK: Pewarisan Budaya melalui Proses Pembelajaran terhadap Mahasiswa ISI Padangpanjang dini yanuarmi
Studi Budaya Nusantara Vol 4, No 1 (2020)
Publisher : Studi Budaya Nusantara

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Abstract

ABSTRACTThis paper describes the motives found in manuscripts or ancient manuscripts are tangible cultural heritage, which can be categorized as visual culture. Its presence can be seen in plain view and all the time. A noble and monumental cultural heritage, can be threatened by extinction due to human activities and natural disasters. It is fitting for the cultural heritage of the heritage of the past to be preserved and maintained. To maintain the sustainability of these motifs can be revitalized and applied to various media and techniques, such as batik. Batik in the form of one technique in decorating the fabric surface with the application of motifs found in the manuscript. More than that, the existing motives can be developed by creating without changing the original shape. The Craft Art Study Program at the Indonesian Art Institute in Padangpanjang after collaborating with the Regional Literature Study Program of Andalas University, tried to maintain the historical heritage by applying manuscript motifs to batik. The motive that has been applied is the manuscript motif found in the Pakandangan area of Padangpariaman district and Lunang Silaut in the South Coast district. Some works designed by students interested in textiles are made using natural and synthetic coloring. So that batik illumination is born that is creative, innovative and competitive.Tulisan ini memaparkan  tentang motif yang terdapat pada manuskrip atau naskah-naskah kuno merupakan warisan budaya tangible, yang dapat dikategorikan sebagai budaya visual. Kehadirannya dapat dilihat secara kasat mata dan sepanjang waktu. Warisan budaya yang adiluhung dan monumental, dapat terancam kepunahannya dikarenakan ulah manusia dan terjadinya bencana alam.        Sudah sepatutnya warisan budaya tradisi peninggalan masa lampau dijaga dan dipertahankan keberadaannya. Untuk menjaga kelestariannya, motif tersebut dapat direvitalisasi dan diaplikasikan pada berbagai media dan teknik, seperti pada batik. Batik berupa salah satu teknik dalam menghias permukaan kain dengan aplikasi motif yang terdapat pada manuskrip. Lebih dari itu, motif yang ada dapat dikembangkan dengan cara dikreasikan tanpa merubah bentuk aslinya. Program Studi Seni Kriya pada Institut Seni Indonesia Padangpanjang setelah menjalin kerjasama dengan Program Studi Sastra Daerah Universitas Andalas, mencoba menjaga peninggalan sejarah tersebut dengan menerapkan motif-motif manuskrip pada batik. Motif yang sudah diaplikasikan adalah motif manuskrip yang terdapat di daerah Pakandangan kabupaten Padangpariaman dan Lunang Silaut kabupaten Pesisir Selatan. Beberapa karya yang didesain oleh mahasiswa minat tekstil dibuat dengan menggunakan pewarnaan alami dan sintetis. Sehingga lahir batik iluminasi yang kreatif, inovatif dan kompetitif.
DAMPAK SENI BORDIR KOMPUTER DI BUKITTINGGI SUMATERA BARAT Dini Yanuarmi
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 17, No 2 (2015): Ekspresi Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (881.616 KB) | DOI: 10.26887/ekse.v17i2.110

Abstract

Artikel ini menyajikan tentang dampak dari penggunaan mesin bordir yangdilakukan oleh pelaku usaha bordir di kota Bukittinggi. Mesin bordir komputermemiliki keunggulan dari segi kapasitas produksi. Bordir komputer memilikinilai strategis dalam sistem budaya dan perekonomian sebagian masyarakat.Menggunakan data kualitatif yang menekankan para pelaku usaha bordir yangtersebar di Pasar Aur Kuning, Bukittinggi, maka data tersebut disajikan secaradeskriptif menggunakan teori bentuk dan sosiologi. Dari hasil penelitianditemukan bahwa Usaha bordir komputer dikembangkan di daerah Bukittinggiberdampak terhadap faktor ekonomi, banyak pengusaha membuka jenis usaha inidengan merekrut pekerja. Jenis usaha tersebut diyakini menjanjikan dikarenakankota Bukittinggi sebagai kota wisata, banyak wisatawan tertarik dengan hasilkerajinan ini.
Pelatihan Shibori bagi Siswa SMAN 1 Lubuk Alung Kabupaten Padang Pariaman Dini Yanuarmi; Nofi Rahmanita; Mega Kencana; Desra Imelda; Taufik Akbar
Jurnal Abdi Masyarakat Indonesia Vol 2 No 5 (2022): JAMSI - September 2022
Publisher : CV Firmos

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54082/jamsi.454

Abstract

Salah satu seni kriya sederhana yang memiliki nilai estetika tinggi adalah shibori. Walaupun begitu shibori belum banyak diketahui oleh masyarakat terutama para pelajar, padahal jika ditekuni teknik ini dapat menjadi salah satu keterampilan yang menjanjikan dari segi seni, budaya bahan ekonomi. Kegiatan pelatihan Shibori bagi SMA N 1 Lubuk Alung Kabupaten Padang Pariaman Propinsi Sumatera Barat bertujuan untuk memperkenalkan, dan memberikan keterampilan seni kerajinan shibori bagi pelajar tingkat SMA. Hal ini sejalan dengan kurikulum pendidikan melalui mata pelajaran Seni Budaya yang substansinya adalah proses pembentukan manusia (peserta didik) melalui seni. Metode pengabdian masyarakat yang dilakukan adalah dengan ceramah, demosntrasi dan pelatihan. Hasil dari kegiatan pelatihan ini adalah peserta memiliki keterampilan membuat itajime shibori dengan karya berupa syal. Kegiatan pengabdian masyarakat ini secara umum berjalan sesuai harapan yang dibuktikan dengan ragam motif syal warna shibori yang dihasilkan peserta.
Nareh Pariaman Embroidery In Fashion As Creative Industry Development Nofi Rahmanita Nofi Rahmanita; Dini Yanuarmi; Desra Imelda
Corak Vol 11, No 1 (2022): MAY 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v11i1.6463

Abstract

The aisle in Minangkabau is where the bride (anak daro) sits while waiting for the groom (marapulai) to sit side by side (basandiang) after the marital consent testimony (ijab kabul). In addition to Minangkabau decorations, there are also Chinese and Gujarati motifs. As a creative economic development, the application of aisle embroidery to fashion is related to the creation of economic, social, and environmental added value. The researchers conducted this applied research by innovating the product design through the designing of embroidered fashion. The research employed the participatory observation method, which is also known as active observation. In making a fashion design for aisle embroidery to meet the problems and research objectives, effective steps were taken in several stages, namely: a survey of aisle embroidery craft centers; exploration; analysis, and synthesis; design; and then realization into a fashion work.
KREASI DAUN PISANG PADA BAJU KURUNG BASIBA Tastail Amelia; Dini Yanuarmi; Taufik Akbar; Mega Kencana
Style : Journal of Fashion Design Vol 2, No 1 (2022): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v2i2.3269

Abstract

The banana plant is a fruit plant consisting of roots, stems, leaves, a banana heart and fruit. Banana leaves are often used to wrap food. Banana leaves consist of a petiole, leaf blade and midrib in the middle of the leaf. Banana leaves were created as a motif in the creation of the kuruang basiba shirt. The concept of creating a banana leaf shape creation through a study of the shape of a banana leaf which is realized in the design of textile craft works as a kuruang basiba shirt. The creation method begins with the exploration stage, the planning stage, and the embodiment stage. The creation of artwork uses the theoretical basis of form, function, aesthetics, creation, motif, and colour. This work is done with Mayang embroidery techniques and ribbon and thread embroidery, which is used to unite all pieces of cloth into a kuruang basiba shirt with the motif applied to the work, namely the creation of a banana leaf shape. The result of the product of embroidery work with the motif of the banana leaf shape is manifested on the kuruang basiba shirt.
MOTIF TANAMAN KOPI PADA BAJU TALUAK BALANGO Indah Erda Ningsih; Dini Yanuarmi; Rahmad Washinton; Mirda Aryadi; Fadri Rahmat
Style : Journal of Fashion Design Vol 2, No 1 (2022): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v2i2.3267

Abstract

The coffee plant has a taproot, straight down, short and strong. The taproot is approximately 45-50 cm long, which basically has 4-8 side roots that descend down 23 cm. Coffee leaves are long, striped to the sides, wavy, dark green, and tapered at the ends. Leaves grow and are arranged side by side in the armpits of the stems, branches and twigs. A pair of leaves located in the same plane and branches that grow horizontally.The shape of the coffee plant that has been described, the creators make it as a source of ideas as an ornamental motif. The coffee plants that are used as motifs are the flower parts, leaves, fruit, and twigs that are applied to the balango taluak. Taluak balango is clothing for men in Minangkabau, the hallmark of the taluak balango shirt is using seams on the side of the shirt where there is a siba with a length below the waist, a round neck without a collar and slightly slit to the chest. The balango taluak shirt is usually worn with a trouser suit, worn in events, traditional ceremonies, religious and other formal events. The method used in the creation of this work is the method of exploration, design and embodiment with an aesthetic approach. This work is expected to be able to contribute to the wider community, by introducing the depiction of coffee plant motifs on balango taluak. The balango taluak used and used in the Minangkabau area does not have specific provisions related to its decorative motifs.
KREASI BURUNG BEO NIAS SEBAGAI MOTIF KEMEJA BATIK Anisa Giantari; Dini Yanuarmi; Taufik Akbar; Wirma Surya
Style : Journal of Fashion Design Vol 2, No 1 (2022): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v2i2.3268

Abstract

The Nias parrot is an endangered species native to Nias, North Sumatra. The body of the Nias parrot is black, a little white on the wings, earlobes and legs are yellow. The distinctive features of the Nias parrot with other parrots are its larger body size and united earlobes. The concept of the creation of the Nias parrot is taken from the life of this animal, in the form of freedom to fly in nature because many Nias parrots are caught, this concept also tells about the activity of tree branches. The production process of this work uses a theoretical basis that includes form, function, motif, creation and colour. The process of producing this work goes through three stages which are the exploration stage which is finding sources of ideas through library sources or interviews, designing which is pouring ideas into alternative sketches which then become the chosen design, the embodiment stage which is the process. the embodiment of the work that has been designed, the technique used is the batik technique, with silk cotton fabric and using reactive dyes, after the batik process is completed, the material is sewn into men's clothes.
JAKET PULLOVER HOODIE DENGAN MOTIF ISTANA SIAK RIAU Rahmayani Rahmayani; Dini Yanuarmi; Hendratno Hendratno
Style : Journal of Fashion Design Vol 2, No 2 (2023): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v2i2.3719

Abstract

       Siak Palace is a sturdy rectangular building, decorated at the gate with a pair of hawks striking with sharp eyes and consists of two floors. Siak Palace is located in the city of Siak Sri Indrapura, Riau Province. The creation of this work was inspired by the beautiful visual form of the Siak Palace and then created at each end of the pillars of the building. The form of work created is in the form of an L-sized jacket using a written batik technique. The function of this jacket is outerwear that is used to protect from cold weather or fashion. The creation method in this work goes through three stages, namely the exploration stage which is field observation activities, source excavation and data collection. Exploration begins with going to the field to see and observe the shape of the Siak Palace. The design stage is pouring ideas through several alternative sketches, then from several alternative sketches it is determined to be the selected design as a reference in the process of making works. The embodiment stage uses a written batik technique with reactive coloring which is applied to a pullover hoodie jacket. The creation of works uses a theoretical basis of form, function, color, motif, creation and aesthetics. The results of the process of making this work created the Siak Palace motif in the form of five works with the titles "Kenyamanan", "Gugur" and "Bangkit".
Co-Authors Anggara, Egi Anin Ditto Anisa Giantari Desra Imelda Desra Imelda Dinda Atthia Maharani Lubis Fadri Rahmat Harahap, Mai Yusnanda Hendratno Hendratno Humaera, Ririn Imelda, Desra Indah Erda Ningsih Irja Izan Qomarats Kencana, Mega Mega Kencana Mirda Aryadi Nofi Rahmanita Nofi Rahmanita Nofi Rahmanita Nofi Rahmanita Novesar, Muhammad Refki Nur Aini Prastawa, Wisnu Putri, Geby Mareta Rahmayani Rahmayani Salsabila Sephiani sudiani, yoni Sundari, Sri Tastail Amelia Taufik Akbar Washinton, Rahmad Widdiyanti Widdiyanti Widdiyanti, Widdiyanti Wirma Surya Yetty Oktayanty Yulia Fitri Yunis Muler