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All Journal Sevanam: Jurnal Pengabdian Masyarakat Dharma Acariya Nusantara: Jurnal Pendidikan, Bahasa dan Budaya
I Made Wiradnyana
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Koservasi dan Identifikasi Naskah Lontar Di Griya Agung Puri Tegaltamu Kabupaten Gianyar Ni Nyoman Perni; I Made Dian Saputra; I Nengah Duija; I Wayan Sugita; I Made Wiradnyana; I Nyoman Temon Astawa; Made Iwan Indrawan Jendra; I Komang Aryadi Arnata; Ni Wayan Anik Ardiningsih; Luh Made Wardyaningsih; I Wayan Mardana Putra; Ni Ketut Yoni Riskayanti; Dewa Ayu Putu Winda Suari; Gusti Ayu Ary Purnami; Gede Rama Sudarsana; Ni Luh Putu Juliastini; Ni Putu Sumariani; I Kadek Nuryawan; I Wayan Putu Yasa; Putu Adi Darma Putra; I Ketut Putra Adi Utama
Sevanam: Jurnal Pengabdian Masyarakat Vol 1 No 1 (2022): Maret
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sevanam.v1i1.2590

Abstract

Lontar is one form of ancient manuscripts (manuscripts) that exist in the archipelago. Lontar is commonly found on the island of Bali, especially in Griya Agung Puri Tegaltamu, Br. Tegaltamu, Batubulan Village, Sukawati District, Gianyar Regency is a priceless heritage. Therefore, it is necessary to preserve the manuscript through conservation activities and identification of both physical and content. Based on the results of the activities carried out on 49 lontar manuscripts. The identified characters can be classified into several types of text groups. Identification is obtained after all the lontar manuscripts are preserved and can be read clearly.
Campur Kode pada Lagu Pop Bali Karya Kroncong Jancuk : (Kajian Sosiolinguistik) Ni Wayan Hari Santi Setya Negara; I Made Wiradnyana; I Made Luwih
Dharma Acariya Nusantara Jurnal Pendidikan Bahasa dan Budaya Vol. 4 No. 1 (2026): Jurnal Pendidikan, Bahasa dan Budaya
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/jdan.v4i1.2269

Abstract

Code-mixing is the use of more than one language in a single utterance to enrich the style or variety of language, whether in the form of words, clauses, or idioms. Code-mixing is commonly found in oral works in the form of songs, especially Balinese pop songs by Kroncong Jancuk. The problem formulations that will be discussed in this study are: 1) The forms of code-mixing found in songs by Kroncong Jancuk 2) The functions of code-mixing found in songs by Kroncong Jancuk 3) The impact of code-mixing found in songs by Kroncong Jancuk on the use of the Balinese language. The theories used to examine the above problems are code-mixing theory, borrowing typology theory, M.A.K. Halliday's language function theory, and Dell Hathaway Hymes' language choice theory. The data analysis used includes documentation and literature study with three stages, namely data reduction, presentation, and conclusion. The research results show that 1) the forms of code-mixing found in Kroncong Jancuk's Balinese pop songs include root words, affixed words, phrases, and clauses. 2) The functions of code-mixing in Kroncong's Balinese pop songs include ideational, interactional, imaginative, informative, and poetic functions. 3) The impacts found in Kroncong's Balinese pop songs include positive impacts such as maintaining the existence of the Balinese language in the modern era, clarifying meaning, and expanding listeners' understanding, as well as negative impacts such as the reduced use of the Balinese language in its entirety.
Co-Authors Dewa Ayu Putu Winda Suari Gede Rama Sudarsana Gusti Ayu Ary Purnami I Kadek Nuryawan I Ketut Putra Adi Utama I Komang Aryadi Arnata I Made Dian Saputra I Made Luwih I Nengah Duija I Nyoman Temon Astawa I Wayan Mardana Putra I Wayan Putu Yasa I Wayan Sugita Luh Made Wardyaningsih Made Iwan Indrawan Jendra Ni Ketut Yoni Riskayanti Ni Luh Putu Juliastini Ni Nyoman Perni Ni Putu Sumariani Ni Wayan Ardini, Ni Wayan Ni Wayan Hari Santi Setya Negara Putu Adi Darma Putra