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All Journal Corak : Jurnal Seni Kriya SOSIOHUMANIORA: Jurnal Ilmiah Ilmu Sosial dan Humaniora Sureq: Jurnal Pengabdian Masyarakat Berbasis Seni dan Desain
Pratita Rara Raina
Institut Seni Indonesia Surakarta
Arts Humanities Education Social Sciences

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PELATIHAN PRODUKSI BAJU BATIK CARNIVAL 2023 SEBAGAI SARANA PENGEMBANGAN EKONOMI KREATIF KABUPATEN BLITAR Syarifah Nur Hajja; Novita Dwi Wulandari; Pratita Rara Raina; Arifin Manggau; Hilmi Khoirul Fikri
Sureq: Jurnal Pengabdian Masyarakat Berbasis Seni dan Desain Vol 2, No 1 (2023): Januari-Juni
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/srq.v2i1.47564

Abstract

Dinas Kebudayaan dan Pariwisata Kabupaten Blitar peka terhadap kebutuhan masyarakat yang sering kali kesulitan untuk mendapatkan baju Carnival untuk ditampilkan atau dipentaskan. Berangkat dari kondisi ini kemudian Dinas Kebudayaan dan Pariwisata Kabupaten Blitar berinisiatif untuk memberikan pelatihan kepada masyarakat Blitar, khususnya masyarakat dari Desa Kesamben dan Desa Bumirejo sebagai sarana pengembangan ekonomi kreatif. Metode yang digunakan; 1. Tahap Persiapan: tahap ini dilaksanakan dengan melakukan observasi dan diskusi dengan Pemerintah Daerah untuk memahami dan mengidentifikasi kebutuhan mitra. 2. Tahap Perencanaan: hasil pengamatan yang dilakukan pada tahap sebelumnya, kemudian dirumuskan menjadi rumusan masalah agar lebih mudah dalam membuat kerangka pelaksanaan. 3. Tahap Pelaksanaan: Kegiatan kegiatan Pengabdian Kepada Masyarakat Pelatihan Produksi Baju Batik Carnival 2023 Sebagai Sarana Pengembangan Ekonomi Kreatif Kabupaten Blitar ini berlangsung selama dua hari yaitu pada hari Selasa – Rabu, 14 – 15 Maret 2023 Kegiatan ini diselenggarakan selama dua hari dengan tujuan agar teori dan praktik yang dilakukan oleh masyarakat Desa Kesamben dan Desa Bumirejo, Kabupaten Blitar dapat maksimal meskipun pelaksanaan kegiatan singkat dan padat.
Exploration of Glow-in-the-Dark Pigment and Resin Materials in Relation to Types and Illumination Duration in Craft Products Chici Yuliana Nadi; Sri Marwati; Pratita Rara Raina
Corak Vol 15, No 1 (2026): Corak : Jurnal Seni Kriya
Publisher : Corak

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v15i1.17783

Abstract

This research was motivated by the limited availability of structured experimental data on innovative materials in the fields of craft and art. Glow-in-the-dark pigments and resin were chosen as the main focus due to their potential in experimental and contemporary creation. The purpose of this study is to explore the characteristics of glow-in-the-dark pigments and resin, and to examine the effects of light type and exposure duration on the visual quality of craft products produced. The approach used is practice-led research, positioning the creation process as the primary source of knowledge. The results show that epoxy resin has advantages over polyester and UV resin, while strontium aluminate–based pigments produce higher light intensity and longer afterglow duration than zinc sulfide. The experiments indicate that CAST R-GID and TOP R-GID samples produce similar luminescence after UV LED and white LED exposure, while ART R-GID shows dimmer and shorter-lasting luminescence due to uneven pigment distribution caused by longer curing times. In addition, UV LED illumination produces brighter and more durable luminescence compared to white LED. Longer exposure time results in more persistent afterglow
Konstruksi citra positif perusahaan rokok melalui film bertema batik Novita Dwi Wulandari; Pratita Rara Raina
SOSIOHUMANIORA: Jurnal Ilmiah Ilmu Sosial dan Humaniora Vol 11 No 1 (2025): February 2025
Publisher : LP2M Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/sosio.v11i1.18901

Abstract

Indonesia Kaya, initiated by a cigarette company, uploaded a batik-themed film in 2018 on the IndonesiaKaya YouTube account. The author sees indications that there is a construction of a positive image of a cigarette company through the representation presented in the film, so the purpose of this study is to reveal how the positive image of a cigarette company is displayed in a batik-themed film. The research method used is a qualitative method with representation by Stuart Hall as its main analysis tool. The result is a positive image of a cigarette company displayed in a batik-themed film through the representation presented in the film, namely Intentional Representation and Constructionist Representation. The positive image that appears in the scene in the film is that the existence of a cigarette company is no longer in doubt and is a local product that has been attached to the Indonesian nation; the cigarette company has preserved traditional products; the cigarette company has a winding journey story until now it has succeeded; the cigarette company cares about the environment, culture, and the Indonesian nation; inspiration for all cigarette factories; and is used as a role model for other cigarette factories because of its success. In this case, batik is positioned as a commodity that can generate profit for cigarette companies, namely by constructing a positive image of cigarette companies. Not only commodifying batik, but as a product of a media, in the film there is also commodification of content, audience, and labor.
Co-Authors Arifin Manggau, Arifin Chici Yuliana Nadi Hilmi Khoirul Fikri Sri Marwati Syarifah Nur Hajja Wulandari, Novita Dwi