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All Journal Jurnal Media Hukum MUDRA Jurnal Seni Budaya Panggung Jurnal ULTIMA Computing Kosmik Hukum Waca Cipta Ruang: Jurnal Ilmiah Desain Interior Atrat: Jurnal Seni Rupa Mediator: Jurnal Komunikasi Panggung
Komarudin Kudiya, Komarudin
Universitas Muhammadiyah Bandung
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Education Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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“Taman Telaga Teratai” Batik Motif as a Traditional Aesthetic Visual Communication Media Kudiya, Komarudin; Ken Atik, Saftiyaningsih
Mediator: Jurnal Komunikasi Vol. 16 No. 1 (2023): Mediator: Jurnal Komunikasi
Publisher : UPT Publikasi Ilmiah UNISBA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29313/mediator.v16i1.2344

Abstract

This research aims to obtain a relationship between the aesthetic visual communication media and the functional relationship between phenomena that is more accurate and definite from the traditional batik motif of Taman Telaga Teratai in the Cirebon Palace. The Cirebon Keraton batik and its decorative styles have distinctive differences in the three palaces and one unique Peguron. The diversity of these ornamental styles is characteristic and unique within the Kasepuhan Palace, Kanoman Palace, Kacirebonan Palace, and Peguron Kaprabonan. The method used is a qualitative approach combined with an analytical descriptive method in the form of observations and interviews with cultural stakeholders of the Cirebon palace. This research resulted in the finding that Cirebon batik artisans have the courage and flexibility to realize self-expression and the consistency of producing traditional batik by giving symbolic meaning, as well as adding to the depth of philosophical meaning in the Cirebon royal batik genre. The conclusion of this study is that attractive and patterned aesthetic visual communication in the Cirebon traditional batik artisan community can contribute to the emergence of new traditional batik motifs with the Cirebon palace batik genre, which contain symbolic and philosophical values ​​of the Cirebon Palace cultural tradition.
Revitalisasi Ragam Hias Batik Keraton Cirebon dalam Desain Baru Kreatif Komarudin Kudiya; Setiawan Sabana; Agus Sachari
PANGGUNG Vol 24 No 2 (2014): Modifikasi, Rekonstruksi, Revitalisasi, dan Visualisasi Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v24i2.116

Abstract

ABSTRACT Respecting traditions of the nation, which is preserving a batik tradition. Cirebon is the region that has a rich cultural treasures batik varied. Given its development, with a variety of Cirebon Kraton, Kraton Batik Cirebon products nowadays have more characteristics, e.g.: (1) Kasepuhan Kraton on Singa Barong’s ornament; (2) Kanoman Kraton on Paksi Naga Liman’s ornament; (3) Kacirebonan Kraton on Bintulu’s ornament and (4) Kaprabonan on Dalung’s ornament and motif without pictures of animals.This research needs to exploring, discovering, and formulating design elements (ornament, mate- rial, and color). This study used ethnographic method and experimental visuals method for ornaments on Kraton Batik Kasepuhan, Kanoman, Kaprabonan, and Kacirebonan based on historical cultural influences from Hinduism, Islam, China, and Europe.As long batik owned by all Cirebon Kraton which is available during this condition can not be iden- tified and their physical condition is damage. Thus in order to preserving the old batiks, it is necessary to reproduce a creative new batik designs with any dimensional aspects. Keywords: Revitalization, Kraton Batik Cirebon, Creative,    ABSTRAK Dalam kerangka menghargai tradisi suatu bangsa, yaitu melestarikan sebuah tradisi di an- taranya berkarya batik, yang merupakan warisan budaya Indonesia. Cirebon adalah wilayah yang memiliki kekayaan khasanah budaya batik yang variatif, baik yang masih tetap ada hing- ga kini, maupun yang sudah punah. Mengingat di dalam perkembangannya, Keraton Cirebon dengan aneka produk Batik Keraton Cirebon kini terbagi dalam tiga keraton dan satu peguron yang mempunyai ciri khas, antara lain: (1) Keraton Kasepuhan pada ragam hias Singa Barong; (2) Keraton Kanoman pada ragam hias Paksi Naga Liman; (3) Keraton Kacirebonan pada ra- gam hias Bintulu; (4) Peguron Kaprabonan pada ragam hias Dalung dan motif tanpa gambar hewan.Perlu dilakukan penelitian untuk menggali, menemukan, dan memformulasikan khusus- nya unsur teraga (ragam hias termasuk di dalamnya corak, bahan, dan warna). Penelitian ini menggunakan metode etnografi dan eksperimen visual terhadap ragam hias Batik Keraton Kasepuhan, Kanoman, Keprabonan, dan Kacirebonan yang berlandaskan pada kesejarahan mulai dari pengaruh budaya Hindu, Islam, Cina, dan Eropa.Adapun batik-batik lama yang dimiliki oleh seluruh Keraton Cirebon yang ada selama ini kondisinya tidak bisa dikenali secara umum dan kondisi fisiknya sudah rapuh menuju kondisi rusak. Dengan demikian guna menjaga kelestarian batik-batik lama tersebut maka diperlukan penelitian agar bisa dibuat reproduksinya menjadi desain batik baru kreatif. Kata kunci: Revitalisasi, Batik Keraton Cirebon, Kreatif,
Akselerasi Produksi Kain Batik di Musim Penghujan dengan Menggunakan Mesin Fotonik Komarudin Kudiya; Husen Hendriyana; Eko Mursito Budi
PANGGUNG Vol 31 No 2 (2021): Estetika Dalam Keberagaman Fungsi, Makna, dan Nilai Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v31i2.1575

Abstract

Industri batik tradisional di Indonesia, sebagian besar masih menggunakan teknik pewarnaan menggunakan sinar matahari langsung, sedangkan di musim penghujan perajin secara rutin masih harus tetap memproduksi kain batik untuk memenuhi target dari berbagai penanan. Artikel ini bertujuan menguatkan keberlangsungan industri kecil dan mengah perajin batik di musim penghujan, maka diperlukan langkah strategis dalam menghadirkan solusi yang lebih efektif. Metode yang digunakan dari penelitian ini yaitu Participation Action Research (PAR) dengan paradigma practice-led reseach dan pendekatan strategi kreatif industry design. Kelompok perajin home industry batik sebagai populasi, dan Batik Komar sebagai sampel pada penelitian ini. Instrumen penelitian melalui beberapa elemen dan prinsip desain, teknologi dan industri. Adapun prosedur penelitian melalui tahapan design thinking. Hasil penelitian ini yaitu produk kain batik dengan teknik pewarnaan sinar ultraviolet melalui mesin fotonik. Mesin fotonik batik merupakan salah satu solusi strategis dalam mengatasi langkanya sinar matahari pada musim penghujan sebagai energi penguat proses pewarnaan batik. Dengan kata lain, Mesin fotonik batik sangat membantu akselerasi kapasitas produksi batik yang menggunakan pewarna jenis indigosol. KataKunci: Pewarnaan Batik; Fotonik Batik; Musim Penghujan; Fotokimia; Sinar Ultraviolet
PERANCANGAN TEKSTIL DENGAN TEKNIK MARBLING DAN BATIK TULIS UNTUK BUSANA CASUAL Amelia, Neneng Dela; Falah, Asep Miftahul; Atik, Saftiyaningsih Ken; Kudiya, Komarudin
ATRAT: Jurnal Seni Rupa Vol 12 No 1 (2024): TRADISI KARYA RUPA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i1.3515

Abstract

This research presents an innovation in textile design for casual wear by combining marbling and batik techniques. The state of the art of the problem involves the need for unique and different casual wear, along with the increasing public interest in environmentally friendly and sustainable products. This research aims to produce interesting and unique textile designs and introduce traditional techniques such as batik tulis into casual wear. The method used is IDEO Method Cards, with the stages of Learn to learn marbling and batik tulis techniques, Look to see design inspiration, Ask to ask experts, and Try to try the techniques. The result is a casual fashion collection that is unique, artistic, and environmentally friendly. The recommendation of this research is to encourage further development in the use of traditional techniques in the modern fashion industry.
Kekuatan Desain Motif Batik Cirebon sebagai Ruang Identitas Indikasi Geografis Indonesia Kudiya, Komarudin; Atik, Saftiyaningsih Ken
Waca Cipta Ruang Vol. 6 No. 1 (2020): Waca Cipta Ruang : Jurnal Ilmiah Desain Interior
Publisher : Program Studi Desain Interior Unikom

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/wcr.v6i1.4192

Abstract

Dalam sejarah batik di Indonesia, sering kali kita mendengar bahwa batik diidentikan dengan budaya masyarakat Jawa. Selain itu penggunaan kain batik pada awalnya terbatas hanya pada golongan ningrat keraton dengan berbagai aturan yang melingkupinya. Namun pada perkembangannya, batik bukan lagi dimiliki oleh masyarakat Jawa, kini produk batik tradisional telah menjadi busana Indonesia yang dipakai oleh bangsa Indonesia di seluruh Nusantara dalam berbagai kesempatan. Di Jawa Barat batik telah tumbuh dan berkembang di 27 kabupaten/kota yang tersebar dari belahan timur kabupaten Cirebon hingga di ujung sebelah barat Jawa Barat yaitu kotamadya Depok. Pada tiap-tiap daerah di Jawa Barat yang menghasilkan batik terdapat potensi karakteristik dan keunggulan teknik produksi, corak dan motif yang tidak terdapat di daerah lainnya. Keunikan dan karakteristik batik Cirebon merupakan bagian dari ruang identitas bagi masyarakat Cirebon serta layak mendapatkan Indikasi Geografis guna memberikan nilai-nilai ekonomi yang berdampak pada pelestarian tradisi batik Indonesia pada umumnya. Perlindungan Indikasi Geografis (IG) merupakan hal yang sangat penting mengingat aneka desain motif batik di Jawa Barat memiliki potensi yang sangat besar yang dapat dilindungi sebagai bagian dari Indikasi Geografis (IG) yang dapat digunakan sebagai alat pemasaran dalam dunia transaksi perdagangan, dalam kancah regional, nasional bahkan internasional.
Corak Dan Warna Batik Penunjang Elemen Estetik Ruang Terbuka Hijau Di Kafe Pecah Kopi Bandung Kudiya, Komarudin; Atik, Saftiyaningsih Ken
Waca Cipta Ruang Vol. 9 No. 1 (2023): Waca Cipta Ruang : Jurnal Ilmiah Desain Interior
Publisher : Program Studi Desain Interior Unikom

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/wcr.v9i1.9546

Abstract

Since 2010, the city of Bandung has undergone a strong growth spurt due to the expansion of cafes from the city center to the city's outskirts. The café is an alternate location for social contact among family members, friends, or professionals. To attract visitors, the cafe management must consider the ambient interior, which strives to provide visitor comfort by paying attention to lighting, interior design, music sound, and temperature as a preference for the purpose of selecting the cafe. The limitation of this research is that it is limited to green open spaces, whereas the goal is to find a correlation between batik patterns, which are used as supporting aesthetic elements, and the need for interior ambience that is unique, aesthetic, and provides a sense of comfort, which will have an impact on increasing visitor traffic or making them return the next time. The analytical descriptive and ethnographic methods were applied in this study. The findings of this study demonstrate that partnership between the batik showroom and the Pecah Kopi Bandung cafe can give benefits and value to both. This study's objective is to present real-world ideas and examples in the management of cafés that use green open spaces and can interact with managers in the arts and crafts industry to provide a sense of comfort and aesthetic value to their environment.
Trajectory Planning of Spherical Pendulum Pattern for Application in Creating Batik Patterns Putri, Indah Radityo; Ekawati, Estiyanti; Budi, Eko Mursito; Juwandana, Alfisena; Mulyawan, Naufan Aurezan; Kho, Philip Inarta; Kudiya, Komarudin
ULTIMA Computing Vol 15 No 2 (2023): Ultima Computing : Jurnal Sistem Komputer
Publisher : Faculty of Engineering and Informatics, Universitas Multimedia Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31937/sk.v15i2.3425

Abstract

Batik Pendulum is a new batik pattern created by Rumah Batik Komar using a single-string pendulum filled with wax. However, current production is still manual, so it is impossible to re-manufacture in large quantities. This research is part of a machine and software development project to produce Batik Pendulum, where this research will only focus on software development. The designed software will have a spherical pendulum trajectory planning feature through parameter changes. The spherical pendulum path was chosen because it has the same pattern as the currently produced Batik Pendulum. In planning the spherical pendulum trajectory, an algorithm that receives input in the form of parameters to produce a spherical pendulum pattern has been designed. From these inputs, it is proven that the proposed parameters can provide a variety of spherical pendulum patterns. Implementing the spherical pendulum trajectory planning in the software shows that the time required to change parameters until the output trajectory is generated is 1 – 2 seconds. So, there is no need for any feedback to the user.
Co-Authors Agus Sachari Agus Sachari Amelia, Neneng Dela Asep Miftahul Falah Atik, Saftiyaningsih Ken Atik, Saftiyaningsih S. Ken Ekawati, Estiyanti Eko Mursito Budi Eko Mursito Budi Husen Hendriyana Juwandana, Alfisena Ken Atik, Saftiyaningsih Kho, Philip Inarta Miranda Risang Ayu Palar Mulyawan, Naufan Aurezan Neneng Dela Amelia Putri, Indah Radityo Saftiyaningsih Ken Atik Saftiyaningsih S. Ken Atik Setiawan Sabana Setiawan Sabana