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All Journal INFORMASI Jurnal Komunikasi Interaksi : Jurnal Ilmu Komunikasi Jurnal Studi Komunikasi ARISTO Anterior Jurnal Jurnal Atma Inovasia SENAPAS
Irene Santika Vidiadari, Irene Santika
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Journal : ARISTO

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Relasi Gender dalam Kolom Humor “Si Palui” di Banjarmasin Post (Analisis Wacana Kritis Norman Fairclough pada Kolom Humor Si Palui di Banjarmasin Post) Vidiadari, Irene Santika
ARISTO Vol 5 No 2 (2017): July
Publisher : Universitas Muhammadiyah Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24269/ars.v5i2.488

Abstract

As well as a result of cultural perception, humour can also be seen as a kind of text representing the culture of society which produces it. The humour column of “Si Palui” in Banjarmasin Post is not an exception. Reflecting the culture of the people of Banjar, the stories in Si Palui are strongly related to women and how men, as the dominant gender in Banjar culture, deal with women in daily life. Inasmuchas text is firmly connected with discourse, using Norman Fairclough’s Critical Discourse Analysis, in this paper I will see the discourse of gender relation in Si Palui on three levels—micro (text), mezzo (text producent), and macro (sociocultural). On micro level the representation is seen from the using of language. On the second level, mezzo, how women are represented is studied from the view point of the text producent, namely Banjarmasin Post. Meanwhile on the third level which is macro, the representation of women in Si Palui is comprehended from broader perspective, namely the Banjar culture which can not be separated from Islam Banjar. It is concluded from this research that: (1) On micro level men are always more dominant than women, (2) on mezzo level the sexist humor of Si Palui is strongly related to the fact that all of the writer of Si Palui are men, and (3) on macro level, the gender relation narrated on Si Palui is firmly connected with patriarchal ideology adopted by the people of Banjar, which is legitimated by Islam Banjar.
Bridal Shower in Yogyakarta: The Shifting of Meaning and the Shaping of Social Class Vidiadari, Irene Santika; Rismayanti, Rebekka
ARISTO Vol 10 No 1 (2022): January
Publisher : Universitas Muhammadiyah Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24269/ars.v10i1.4044

Abstract

Bridal shower, a modern ritual of Indonesia modern society, has as well been practiced by people living in Yogyakarta. The adopted “American bridal shower” had been the representation of high-class society for it emphasized on luxurious symbols. Now, the trend has spread to the middle-class and has become a part of pre-wedding events. Yet, although people have started making the bridal shower ritual, they seem to be reluctant to abandon the Javanese bridal showers.  This study finds that the bridal shower trend is shaped and maintained continuously by party planners, parallel with the growth of the trend in other big cities in Indonesia. Interestingly, among the middle-class society, an image of becoming a part of a higher social class is produced when they throw a bridal shower and publish the event on social media.  The findings of this research also indicate that the meaning and the values of bridal shower in Yogyakarta have shifted, which is believed to be the result of the misunderstanding of the very origin of the bridal shower Bridal shower, sebuah ritual modern pada masyarakat Indonesia, juga dipraktikkan oleh masyarakat di Yogyakarta. Ritual ini mengadopsi praktik ritual ‘American bridal shower’ yang merupakan representasi dari kehidupan kelas atas dan ditunjukkan dengan menggunakan simbol kemewahan-tempat acara, dekorasi, akesoris, dan lainnya. Saat ini, praktiknya juga merambah kelas menengah. Acara ini menjadi bagian dari rangkaian acara menjelang pernikahan. Tulisan ini melihat bahwa tren bridal shower dibentuk dan dipelihara oleh penyedia jasa party planner. Seiring dengan berkembangnya ritual ini di kota besar lainnya- Jakarta, Bandung dan Surabaya. Bridal shower yang meriah merupakan simbol kemewahan. Bagi kelas menengah, citra untuk menjadi bagian dari kelas atas diproduksi melalui acara bridal shower dan mempublikasikannya melalui sosial media. Temuan penelitian ini menunjukkan adanya pergeseran makna dan nilai tentang bridal shower di Indonesia, yang dikarenakan adanya perbedaan pemahaman mengenai bridal shower di negara asalnya.    
Co-Authors Astuti, R.A. Vita Dhyah Ayu Retno Widyastuti Dina Listiorini Ispandriarno, Lukas Suryanto Jati, Birgitta Bestari Puspita Rebekka Rismayanti, Rebekka