Claim Missing Document
Check
Articles

Found 5 Documents
Search

KOMPOSISI “CLIMENTALIA” AGUSTINUS WELLY HENDRATMOKO
Harmoni: Jurnal Pemikiran Pendidikan, Penelitian Ilmu-ilmu Seni, Budaya dan Pengajarannya Vol 8, No 1 (2018): HARMONI
Publisher : Program Studi Pendidikan Seni Rupa Fakultas Keguruan dan Ilmu Pendidikan Universitas Muham

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article discusses the process of ‘karawitan’ creation with the title ‘Climentalia’ derived from a combination of words or terms, ‘climen’ and ‘instrumentalia’. ‘Climentalia’ is a composition of ‘karawitan’ with ‘climen’ format, small or incomplete (cokѐkan). This composition is made by combining idioms and different mediums of ‘karawitan’ conventionally in an attempt to discover something new. The basic concept of this composition is the development of musical themes with the initial stimulus motifs of ‘gendѐr’ playing that are processed with various ornamentation of musical elements and vocals. This work is an exploration of the mix between the nuances of jazz music, idiom nuances of ethnic Chinese and the exploration of musical elements that exist in the Javanese musical tradition.
Eksplorasi Bunyi Komposisi Harmonic in Ryoanji: Inovasi dalam Proses Kreatif Hendratmoko, Agustinus Welly; Agung Nugroho, Johanes Kristianto
PROMUSIKA Vol 13, No 1 (2025): April 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v13i1.14988

Abstract

Artikel ini membahas tentang eksplorasi bunyi dalam proses penciptaan karya komposisi musik “Harmonic in Ryoanji”. Proses penggarapan didasarkan pada pengalaman ekstramusikal yang meliputi suasana keindahan dan ketenangan kuil Ryoanji. Eksplorasi bunyi menjadi upaya inovasi dalam proses kreatif. Adapun metode yang digunakan dalam penelitian ini adalah pendekatan kualitatif dengan metode studi kasus. Proses penciptaan karya terdiri dari tiga tahap, yakni eksplorasi, improvisasi, dan komposisi, yang diterapkan secara dinamis dan fleksibel. Hasil eksplorasi bunyi yang telah dilalui menawarkan empat jenis eksplorasi baru, yaitu (1) eksplorasi suasana, (2) eksplorasi teknik dan timbre, (3) eksplorasi instrumen, dan (4) eksplorasi tangga nada. Tawaran tersebut dieksplorasi dengan memadukan alat musik tradisional Indonesia, Jepang, dan alat musik Barat. Proses kreatif dalam hal pencarian elemen musik memberikan kebebasan bagi musisi untuk mengekspresikan gagasan secara autentik, sementara penggabungan skala pentatonis dan diatonis menambah dimensi interaktif dan inovasi. Karya musik “Harmonic in Ryoanji” tidak hanya berfungsi sebagai sarana pertunjukkan, tetapi berkontribusi terhadap perkembangan komposisi musik eksperimental. Selain itu, karya ini juga memperkaya ranah penciptaan musik antarbudaya dan menciptakan ruang ekspresi yang lebih inovatif.Exploration of Harmonic Composition Sounds in Ryoanji: Innovations in the Creative ProcessAbstractThis article discusses the exploration of sound in creating the music composition work “Harmonic in Ryoanji". The composing process is based on extra-musical experiences that include the atmosphere of beauty and tranquility of Ryoanji temple. Sound exploration becomes an innovation effort in the creative process. The method used in this research is a qualitative approach with a case study method. Creating the work consists of three stages, exploration, improvisation, and composition, which are applied dynamically and flexibly. The results of the sound exploration that has been conducted offer four new types of exploration, namely (1) exploration of atmosphere, (2) exploration of technique and timbre, (3) exploration of instruments, and (4) exploration of scales. These were explored by combining traditional Indonesian, Japanese, and Western instruments. The creative process of finding musical elements gives musicians the freedom to express ideas authentically, while incorporating pentatonic and diatonic scales adds an interactive and innovative dimension. The musical work "Harmonic in Ryoanji" not only functions as a performance tool but also contributes to the development of experimental music composition. It also enriches the field of intercultural music creation and creates a more innovative space for expression.Keywords: sound exploration; intercultural music; creative process; experimental composition
KOMPOSISI “CLIMENTALIA” AGUSTINUS WELLY HENDRATMOKO
Harmoni: Jurnal Pemikiran Pendidikan, Penelitian Ilmu-ilmu Seni, Budaya dan Pengajarannya Vol 8 No 1 (2018): HARMONI
Publisher : Program Studi Pendidikan Seni Rupa Fakultas Keguruan dan Ilmu Pendidikan Universitas Muham

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26618/jh.v8i1.11758

Abstract

This article discusses the process of ‘karawitan’ creation with the title ‘Climentalia’ derived from a combination of words or terms, ‘climen’ and ‘instrumentalia’. ‘Climentalia’ is a composition of ‘karawitan’ with ‘climen’ format, small or incomplete (cokѐkan). This composition is made by combining idioms and different mediums of ‘karawitan’ conventionally in an attempt to discover something new. The basic concept of this composition is the development of musical themes with the initial stimulus motifs of ‘gendѐr’ playing that are processed with various ornamentation of musical elements and vocals. This work is an exploration of the mix between the nuances of jazz music, idiom nuances of ethnic Chinese and the exploration of musical elements that exist in the Javanese musical tradition.
Bentuk Penyajian Beksan Lawung Ringgit Keraton Yogyakarta pada Acara Pembukaan Simposium Internasional Busana dan Peradaban Keraton Yogyakarta Tahun 2020 Hendy Hardiawan; Agustinus Welly Hendratmoko
Journal of Mandalika Social Science Vol 3 No 2 (2025): Journal of Mandalika Social Science
Publisher : Mandalika Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59613/jomss.v3i2.491

Abstract

Beksan Lawung Ringgit is one of the dances of the Yogyakarta Palace, created by Sri Sultan Hamengku Buwono I and subsequently reconstructed during the reign of Sri Sultan Hamengku Buwono X. The reconstruction of this dance was based on an ancient manuscript containing limited information; therefore, textual and contextual interpretation was required by adopting an existing choreographic structure and compositional framework. Beksan Lawung Ringgit, which was performed at the opening ceremony of the International Symposium on the Attire and Civilization of the Yogyakarta Palace in 2020, was the second occasion on which the dance was presented for public viewing. Overall, Beksan Lawung Ringgit is performed by six male dancers, each portraying a different character. The presence of characterization in this dance represents a unique and uncommon feature, particularly within the compositional conventions of the Lawung dance tradition. This study employs a textual approach to analyze the form of presentation and the various compositional aspects of Beksan Lawung Ringgit.
Penguatan Kapasitas Kreatif Komunitas Seni Melalui Workshop Penciptaan Tari Kreasi Baru Berbasis Tari Kerakyatan di Yogyakarta Wisnu Dermawan; Yosef Adityanto Aji; Agustinus Welly Hendratmoko
Jurnal Pengabdian Kepada Masyarakat Vol. 6 No. 1 (2026): Volume 6 Nomor 1 Tahun 2026
Publisher : Actual Insight

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56393/jpkm.v6i1.3855

Abstract

Kegiatan Pengabdian Kepada Masyarakat ini dilaksanakan dalam bentuk workshop penciptaan tari kreasi baru berbasis tari kerakyatan yang bertujuan untuk memperkuat kapasitas kreatif komunitas seni dalam mengembangkan karya tari yang berakar dari nilai-nilai estetik tradisi lokal. Kegiatan ini melibatkan 80 peserta yang terdiri atas pelajar, mahasiswa, anggota komunitas seni, dan masyarakat umum yang memiliki minat terhadap seni tari. Workshop dilaksanakan di Pendopo Agung Royal Ambarrukmo, Yogyakarta, pada tanggal 4-5 November 2025. Metode pelaksanaan meliputi pemaparan materi, diskusi, dan pelatihan terbimbing dengan pendampingan narasumber yang berpengalaman di bidang tari tradisi dan koreografi. Materi workshop difokuskan pada pengenalan tari kerakyatan, metode penciptaan tari, serta penerapannya dalam proses eksplorasi, improvisasi, dan pembentukan tari kreasi baru. Penilaian dilakukan dengan mengamati dan mengevaluasi karya tari yang dipresentasikan peserta pada sesi akhir kegiatan. Hasil kegiatan menunjukkan peningkatan pemahaman, keterampilan, dan kreativitas peserta dalam mengolah tari kerakyatan menjadi karya tari kreasi baru. Luaran utama kegiatan ini berupa karya tari kreasi baru yang mendukung pelestarian budaya dan penguatan ekosistem seni pertunjukan di Yogyakarta.