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All Journal Pioneer: Journal of Language and Literature JEELL (Journal of English Education, Linguistics and Literature)
Annisa Deby Aulia
Universitas Dr. Soetomo
Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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The Language of Cyber Gender Anonymity on Hololive Virtual Youtubers Kusuma Wijaya; Axlinabila Annisa Annasai; Annisa Deby Aulia; Rommel Utungga Pasopati
Pioneer: Journal of Language and Literature Vol 15 No 1 (2023)
Publisher : Faculty of Letters, Universitas Abdurachman Saleh Situbondo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36841/pioneer.v15i1.2683

Abstract

Hololive Production is a virtual YouTuber agency which accommodates 71 active talents (VTubers) with 65 million subscribers on YouTube. Hololive protects its talents’ privacy by giving them unreal names and avatars. Some viewers intend to find real identities of the talents, some others ignore the real personalities, while many of them keep secret although they know the real person behind the unreal avatar. Then, how is cyber gender anonymity characterized on the privacy of Hololive Virtual Youtubers? Using qualitative method, this article indicates necessity of cyber gender anonymity to keep Hololive’s talents’ identities safe. This is supported by Judith Butler’s posture of gender and Philip Zimbardo’s deindividuation. Unreal characters and names for VTubers are for anonymities but some viewers are doxing and making fun of them. Viewers want the streamers to be open and clear, but Hololive VTubers want to be anonymous and opaque. That idea contradicts sexual differences and gender anonymities that include tensions of being rigid and flexible. In conclusion, Hololive does not live static condition, but moves through ambiguous avatar of cyber anonymity. Anonymity could always be endangered; laws protect them but attacks to psychological condition is inevitable.
REPRESENTATIVENESS BIAS IN SYLVIA TOWNSEND WARNER’S THE PHOENIX Rommel Utungga Pasopati; Annisa Deby Aulia; Rindrah Kartiningsih; Devito Andharu; Muhammad Reza Ishadi Fadillah
JEELL (Journal of English Education, Linguistics and Literature) Vol. 12 No. 2 (2025): JEELL Volume 12 Number 2 June 2025
Publisher : LPPM Universitas PGRI Jombang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32682/jeell.v12i2.51

Abstract

Representativeness bias occurs when possible similarity of an object shadows the real condition. This mental shortcut, as accentuated by Amos Tversky and Daniel Kahneman, is affiliated with Gambler’s Fallacy. The Phoenix is Sylvia Townsend Warner’s short story released in 1940. This story tells about a phoenix set on a display to the audience. The owner wanted to kill it since its death would show amusement of fire. The phoenix died as the fire came out and burned the place including the owner and the spectators. Then, how is representative bias illustrated on Sylvia Townsend Warner’s The Phoenix? Through qualitative methods on psychological and literary studies, this article asserts the owner’s misconception of the phoenix. The bird’s specialty was its rare exoticness and myth about being immortal. The owner was shadowed with greed by opposing the true state of nature. He then had to accept the bitter truth of death as the pyre burned all out including himself and other persons. In conclusion, the story shows how representative bias accompanied with greedy thought may ignore otherness by accentuating mere profit.
Co-Authors Axlinabila Annisa Annasai Devito Andharu Kusuma Wijaya Muhammad Reza Ishadi Fadillah Pasopati, Rommel Utungga Rindrah Kartiningsih