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All Journal Wahana : Tridarma Perguruan Tinggi Pioneer: Journal of Language and Literature Jurnal Adijaya Multidisiplin
Kusuma Wijaya
Universitas Dr. Soetomo
Religion Agriculture, Biological Sciences & Forestry Humanities Computer Science & IT Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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The Representations of Inferiority Complex as Depicted on Virginia Woolf's 'The Duchess and The Jeweller' Falsyawal Galang Smarandreetha; Fatimah Nurunnada Attamimi; Kusuma Wijaya; Rommel Utungga Pasopati
Jurnal Adijaya Multidisplin Vol 1 No 01 (2023): Jurnal Adijaya Multidisiplin (JAM)
Publisher : PT Naureen Digital Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (312.182 KB)

Abstract

Virginia Woolf's short story entitled The Duchess and The Jeweller was first published in 1938. This short story reflects the England society era of significant change in the social class that brings many problems, especially in terms of social and economic statuses. Oliver Bacon, the main character, was born in poverty. Then, after working his way up, he eventually became the wealthiest jeweller in England. He also obsessed to move among aristocrats' circles just to satisfy his inferior feelings. Inferiority complex is a condition in which a person feels unable to do something valuable that makes the person feel inferior as stated by Alfred Adler. Then, how is the inferiority complex depicted in Oliver Bacon's character from Virginia Woolf's The Duchess and The Jeweller? Through qualitative method, this paper uses the perspective of inferiority complex to analyze Oliver Bacon’s problems when he climbs up to the social class and to demonstrate his inferiority complex because of his bad foretime. In conclusion, this paper gives proof that an inferiority complex can happen due to economic factors and make someone become a social climber.
The Language of Cyber Gender Anonymity on Hololive Virtual Youtubers Kusuma Wijaya; Axlinabila Annisa Annasai; Annisa Deby Aulia; Rommel Utungga Pasopati
Pioneer: Journal of Language and Literature Vol 15 No 1 (2023)
Publisher : Faculty of Letters, Universitas Abdurachman Saleh Situbondo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36841/pioneer.v15i1.2683

Abstract

Hololive Production is a virtual YouTuber agency which accommodates 71 active talents (VTubers) with 65 million subscribers on YouTube. Hololive protects its talents’ privacy by giving them unreal names and avatars. Some viewers intend to find real identities of the talents, some others ignore the real personalities, while many of them keep secret although they know the real person behind the unreal avatar. Then, how is cyber gender anonymity characterized on the privacy of Hololive Virtual Youtubers? Using qualitative method, this article indicates necessity of cyber gender anonymity to keep Hololive’s talents’ identities safe. This is supported by Judith Butler’s posture of gender and Philip Zimbardo’s deindividuation. Unreal characters and names for VTubers are for anonymities but some viewers are doxing and making fun of them. Viewers want the streamers to be open and clear, but Hololive VTubers want to be anonymous and opaque. That idea contradicts sexual differences and gender anonymities that include tensions of being rigid and flexible. In conclusion, Hololive does not live static condition, but moves through ambiguous avatar of cyber anonymity. Anonymity could always be endangered; laws protect them but attacks to psychological condition is inevitable.
Archetype of Male Supernatural Power in Pararaton and Babad Giri Kedhaton Putut Handoko; Hariyono Hariyono; Kusuma Wijaya
Pioneer: Journal of Language and Literature Vol 15 No 1 (2023)
Publisher : Faculty of Letters, Universitas Abdurachman Saleh Situbondo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36841/pioneer.v15i1.2941

Abstract

Abstract: The research deals with the archetype of supernatural power in Pararaton and Babad Giri Kedhaton. How are the supernatural power archetypes portrayed in Pararaton and Babad Giri Kedhaton? The theory of archetype, Pararaton, supernatural power, and a qualitative research design are applied to answer that research problem. The Morphology discussed focuses on the difference between Hindu and Islamic traditions. The finding shows that Pararaton and Babad Giri Kedathon show male-dominated figures. The archetype of male supernatural power in Pararaton and Babad Giri Kedhaton is portrayed as shining, disciplined, and a great achievement as a king. To sum up, the two stories reflect that the heroes (Propp’s idea of a hero) are male holy figures having supernatural power as miracles. Therefore, the fabula of stories has many similarities. However, both books have different traditions so the differences influence how stories are told as the suzhet.
Po’s Perseverant Journey in Kung Fu Panda Movie Kusuma Wijaya; Muchammad Daffa Firzatullah; Erlis Hersetya Firda; Rindrah Kartiningsih; Rommel Utungga Pasopati
Wahana Vol 77 No 1 (2025): Wahana Tridarma Perguruan Tinggi
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/wahana.v77i1.10191

Abstract

This paper examines the theme of perseverance in the animated film Kung Fu Panda (2008), focusing on the journey of the protagonist, Po, as an embodiment of resilience and determination. The story follows Po, an overweight and unskilled panda, who dreams of becoming a kung fu master. Po is unexpectedly chosen as the Dragon Warrior, tasked with protecting the Valley of Peace. Through hard work, belief in himself, and overcoming self-doubt, Po demonstrates that perseverance, rather than natural talent, is the key to success. The purpose of this study is to analyze how Po’s character arc reflects the importance of perseverance in overcoming adversity and achieving personal growth. The research adopts a narrative analysis approach, focusing on Po’s interactions with other characters throughout the film. This paper explores how Po’s perseverant journey aligns with Albert Bandura’s concept of self-efficacy, where persistence, belief in one’s abilities, and overcoming negative feedback led to eventual success. The analysis reveals that Po’s perseverance is key not only to his success as the Dragon Warrior but also to his self-acceptance and personal fulfilment. The conclusion highlights how the film serves as an inspirational narrative, teaching audiences that persistence and belief in oneself are vital components of achieving greatness, regardless of one’s initial circumstances.
Co-Authors Annisa Deby Aulia Axlinabila Annisa Annasai Erlis Hersetya Firda Falsyawal Galang Smarandreetha Fatimah Nurunnada Attamimi Hariyono Hariyono Muchammad Daffa Firzatullah Pasopati, Rommel Utungga Putut Handoko Rindrah Kartiningsih