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All Journal Wahana : Tridarma Perguruan Tinggi JL3T (Journal of Linguistics, Literature and Language Teaching) Menulis: Jurnal Penelitian Nusantara JEELL (Journal of English Education, Linguistics and Literature) Jurnal Citra Multidisiplin
Rindrah Kartiningsih
Universitas Dr. Soetomo
Agriculture, Biological Sciences & Forestry Humanities Decision Sciences, Operations Research & Management Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Nursing Public Health Social Sciences Other

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Po’s Perseverant Journey in Kung Fu Panda Movie Kusuma Wijaya; Muchammad Daffa Firzatullah; Erlis Hersetya Firda; Rindrah Kartiningsih; Rommel Utungga Pasopati
Wahana : Tridarma Perguruan Tinggi Vol 77 No 1 (2025): Wahana Tridarma Perguruan Tinggi
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/wahana.v77i1.10191

Abstract

This paper examines the theme of perseverance in the animated film Kung Fu Panda (2008), focusing on the journey of the protagonist, Po, as an embodiment of resilience and determination. The story follows Po, an overweight and unskilled panda, who dreams of becoming a kung fu master. Po is unexpectedly chosen as the Dragon Warrior, tasked with protecting the Valley of Peace. Through hard work, belief in himself, and overcoming self-doubt, Po demonstrates that perseverance, rather than natural talent, is the key to success. The purpose of this study is to analyze how Po’s character arc reflects the importance of perseverance in overcoming adversity and achieving personal growth. The research adopts a narrative analysis approach, focusing on Po’s interactions with other characters throughout the film. This paper explores how Po’s perseverant journey aligns with Albert Bandura’s concept of self-efficacy, where persistence, belief in one’s abilities, and overcoming negative feedback led to eventual success. The analysis reveals that Po’s perseverance is key not only to his success as the Dragon Warrior but also to his self-acceptance and personal fulfilment. The conclusion highlights how the film serves as an inspirational narrative, teaching audiences that persistence and belief in oneself are vital components of achieving greatness, regardless of one’s initial circumstances.
The Elucidation of Jennette's Extreme Anxiety in Jennette McCurdy's I'm Glad My Mom Died Rindrah Kartiningsih; Adelia Putri Oktafiani; Rommel Utungga Pasopati; Hariyono Hariyono; Kusuma Wijaya
JL3T (Journal of Linguistics, Literature and Language Teaching) Vol. 11 No. 1 (2025): JL3T Vol. XI No. 1 2025
Publisher : UPT. Pengembangan Bahasa IAIN Zawiyah Cot Kala Langsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32505/jl3t.v11i1.9418

Abstract

This study investigates how the memoir I'm Glad My Mom Died by Jennette McCurdy portrays the characteristics of extreme anxiety in Jennette as the main character. Jennette feels such extreme anxiety due to abundant expectations from her mother to become a successful actress. Through qualitative method and explorative approach, Jennette's extreme anxiety is due to stressful and negative feelings in order to always be the best in front of her mother and other people. She knows that she hates it, but she could not avoid her mother at all. She is also terrified in her self-loathing and self-pity situation that may never meet her mother's demands. In conclusion, Jennette's extreme anxiety is haunting her alongside fear and struggle to be perfect every time.
APPROACHING THE VALUES OF THE MAJAPAHIT KINGDOM: A STUDY OF GANESHA STATUES IN TROWULAN MUSEUM Zahra Pramatatya Soenarko; Izzaditya Dharmaputra Mikail; Rindrah Kartiningsih; Happy Julia Rahmadianti; Rommel Utungga Pasopati
Jurnal Citra Multidisiplin Vol. 1 No. 4 (2026): Jurnal Citra Multidisiplin (April)
Publisher : STKIP Citra Bakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38048/jcm.v1i4.6861

Abstract

This study addresses the tendency to interpret Majapahit artifacts through fixed symbolic meanings without examining how value is constructed through social experience. The research focuses on the Ganesha statue in Trowulan Museum as a cultural artifact situated within a specific historical context. A qualitative interpretive design is employed, using literature-based analysis and symbolic examination guided by the framework of John Dewey’s theory of value. The findings indicate that the Ganesha statue functions not only as a religious representation but as a medium through which values related to knowledge, authority, and social order are organized. Its symbolic attributes are shown to reflect practical concerns within Majapahit society rather than fixed doctrinal meanings. Comparative analysis reveals that differences between Indian and Majapahit representations result from contextual adaptation rather than variation in form alone. The study also demonstrates that the relocation of the statue into a museum context produces a shift in valuation, where its function changes from ritual practice to educational and cultural interpretation. These findings support the view that value emerges through interaction, use, and changing conditions. The study contributes to cultural and educational research by positioning artifacts as active participants in value formation rather than passive carriers of meaning.
Rhetorical Devices In Political Discourse: A Critical Discourse Analysis Of Donald Trump And Volodymyr Zelensky's Dialogue At WSJ News 2025 Rizal Rafiuddin; Suhartawan Budianto; Rindrah Kartiningsih
Menulis: Jurnal Penelitian Nusantara Vol. 2 No. 2 (2026): Menulis - Februari
Publisher : PT. Padang Tekno Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/menulis.v2i2.1057

Abstract

This study analyzes rhetorical devices used by Donald Trump and Volodymyr Zelensky in their spontaneous verbal exchange published by The Wall Street Journal in 2025. This study aims to identify the types of rhetorical devices used by both political leaders and to explain how these devices function as instruments of power negotiation in high-stakes political communication. This research applies Norman Fairclough's Critical Discourse Analysis framework, focusing on textual and sociocultural practice dimensions to examine how language constructs power relations and social meaning. This paper used a descriptive qualitative method. The results show that Trump predominantly uses repetition, metaphor, hyperbole, and sarcasm to assert dominance and construct authority. At the same time, Zelensky employs rhetorical questions, rejection of imposed metaphors, emotional appeals, and ethical positioning to resist dominant framing and maintain credibility. Overall, the findings indicate that rhetorical devices play an important role not only as stylistic choices but also as strategic mechanisms for negotiating power and shaping social meaning in spontaneous international political discourse.
REPRESENTATIVENESS BIAS IN SYLVIA TOWNSEND WARNER’S THE PHOENIX Rommel Utungga Pasopati; Annisa Deby Aulia; Rindrah Kartiningsih; Devito Andharu; Muhammad Reza Ishadi Fadillah
JEELL (Journal of English Education, Linguistics and Literature) Vol. 12 No. 2 (2025): JEELL Volume 12 Number 2 June 2025
Publisher : LPPM Universitas PGRI Jombang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32682/jeell.v12i2.51

Abstract

Representativeness bias occurs when possible similarity of an object shadows the real condition. This mental shortcut, as accentuated by Amos Tversky and Daniel Kahneman, is affiliated with Gambler’s Fallacy. The Phoenix is Sylvia Townsend Warner’s short story released in 1940. This story tells about a phoenix set on a display to the audience. The owner wanted to kill it since its death would show amusement of fire. The phoenix died as the fire came out and burned the place including the owner and the spectators. Then, how is representative bias illustrated on Sylvia Townsend Warner’s The Phoenix? Through qualitative methods on psychological and literary studies, this article asserts the owner’s misconception of the phoenix. The bird’s specialty was its rare exoticness and myth about being immortal. The owner was shadowed with greed by opposing the true state of nature. He then had to accept the bitter truth of death as the pyre burned all out including himself and other persons. In conclusion, the story shows how representative bias accompanied with greedy thought may ignore otherness by accentuating mere profit.
Father Involvement of Joe Warr as a Widowed Single Father in The Boys Are Back (2009):Lamb's Fatherhood Theory Shelly Putri Nur Hidayah; Rindrah Kartiningsih; Hariyono
Menulis: Jurnal Penelitian Nusantara Vol. 2 No. 8 (2026): Menulis - Agustus
Publisher : PT. Padang Tekno Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/menulis.v2i8.1514

Abstract

Father involvement plays an essential role in supporting children's emotional, social, and psychological development, particularly in widowed single-parent families where fathers assume full parenting responsibilities after the death of a spouse. This study aims to analyzed how Joe Warr demonstrates father involvement as a widowed single father in The Boys Are Back (2009) through the dimensions of engagement, accessibility, and responsibility. This research employed a descriptive qualitative method. The primary data consisted of selected dialogues, visual scenes, body movements, and other forms of nonverbal communication from the film. The data were collected through repeated observation, identification of relevant scenes and dialogues, categorization based on Michael E. Lamb's Fatherhood Theory, and organization into analytical tables. The data were analyzed using descriptive qualitative analysis based on the three dimensions of father involvement proposed by Michael E. Lamb (1981): engagement, accessibility, and responsibility. The findings reveal that Joe Warr demonstrates all three dimensions throughout the film. Among them, engagement emerges as the most dominant dimension, reflected in his active participation in his children's daily activities, emotional communication, shared experiences, and continuous efforts to strengthen the father–child relationship. Accessibility and responsibility are also evident through Joe's consistent physical and emotional presence and his commitment to ensuring his children's well-being. The study concludes that father involvement extends beyond financial support and is fundamentally reflected through emotional presence, accessibility, and long-term parental commitment in the context of widowed single fatherhood.
Psychological Trauma and Stress as Factors Influencing Elly Conway's Fluid Identity in Matthew Vaughn's Argylle (2024) Muthiah Qalbu Zhafirah; Rindrah Kartiningsih; Hariyono
Menulis: Jurnal Penelitian Nusantara Vol. 2 No. 8 (2026): Menulis - Agustus
Publisher : PT. Padang Tekno Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/menulis.v2i8.1517

Abstract

This research analyzes the identity fluidity of the character Elly Conway in Matthew Vaughn's movie Argylle (2024). This study aims to identify the evidence of Elly Conway's fluid identity based on Jane Kroger theory, observe the factors that cause Elly to keep changing her identity, and analyze the reasons Elly chooses one dominant identity at the end of the film. This research employs a qualitative descriptive method with data sources consisting of Elly Conway's dialogues throughout the film. The data were analyzed using Jane Kroger identity development theory and James Marcia identity status theory. The findings reveal that Elly Conway experiences fluid identity characterized by changes in personal identity, social identity, and cultural identity. Psychological trauma and stress proved to be the primary drivers of identity change, followed by sociocultural factors and life transitions. By the end of the film, Elly achieves identity achievement by choosing her identity as a novelist who integrates her experiences as a secret agent. This research contributes to the development of identity theory in film and literary studies by demonstrating that identity can be fluid and can be stabilized through processes of exploration and integration.
Community Participation and Collective Action in David Derrick Jr. Moana 2 Movie Script Luke Zefanezra Mulyanto; Hariyono; Rindrah Kartiningsih
Menulis: Jurnal Penelitian Nusantara Vol. 2 No. 8 (2026): Menulis - Agustus
Publisher : PT. Padang Tekno Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/menulis.v2i8.1520

Abstract

This study analyzes community participation and collective action in David Derrick Jr.'s Moana 2 movie script in the context of ecological restoration. The objective of this study is to examine the manner in which community participation and collective action are depicted in the context of ecological restoration in the script. The present study employs a qualitative descriptive method, utilizing Cheryll Glotfelty's (1996) Ecocriticism as the theoretical framework. The data were obtained from dialogues and scene descriptions in the Moana 2 movie script and analyzed through data collection, data condensation, data display, and conclusion drawing. The findings indicate that community participation and collective action are manifested through cooperative behaviors, shared responsibility, collective decision-making processes, and joint efforts aimed at environmental restoration and the revitalization of communal bonds. These representations demonstrate that ecological restoration is achieved through active participation and cooperation among communities. The study posits that Moana 2 presents community participation and collective action as integral components of ecological restoration, underscoring the interconnection between environmental recovery, collective responsibility, and human interaction with nature.
Co-Authors Adelia Putri Oktafiani Annisa Deby Aulia Budianto, Suhartawan Devito Andharu Erlis Hersetya Firda Happy Julia Rahmadianti Hariyono Hariyono Hariyono Izzaditya Dharmaputra Mikail Kusuma Wijaya Luke Zefanezra Mulyanto Muchammad Daffa Firzatullah Muhammad Reza Ishadi Fadillah Muthiah Qalbu Zhafirah Pasopati, Rommel Utungga Rizal Rafiuddin Rommel Utungga Pasopati Shelly Putri Nur Hidayah Zahra Pramatatya Soenarko