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All Journal JURNAL BAHASA, SASTRA DAN PEMBELAJARANNYA Pioneer: Journal of Language and Literature JL3T (Journal of Linguistics, Literature and Language Teaching)
Hariyono Hariyono
Universitas Dr. Soetomo
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Archetype of Male Supernatural Power in Pararaton and Babad Giri Kedhaton Putut Handoko; Hariyono Hariyono; Kusuma Wijaya
Pioneer: Journal of Language and Literature Vol 15 No 1 (2023)
Publisher : Faculty of Letters, Universitas Abdurachman Saleh Situbondo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36841/pioneer.v15i1.2941

Abstract

Abstract: The research deals with the archetype of supernatural power in Pararaton and Babad Giri Kedhaton. How are the supernatural power archetypes portrayed in Pararaton and Babad Giri Kedhaton? The theory of archetype, Pararaton, supernatural power, and a qualitative research design are applied to answer that research problem. The Morphology discussed focuses on the difference between Hindu and Islamic traditions. The finding shows that Pararaton and Babad Giri Kedathon show male-dominated figures. The archetype of male supernatural power in Pararaton and Babad Giri Kedhaton is portrayed as shining, disciplined, and a great achievement as a king. To sum up, the two stories reflect that the heroes (Propp’s idea of a hero) are male holy figures having supernatural power as miracles. Therefore, the fabula of stories has many similarities. However, both books have different traditions so the differences influence how stories are told as the suzhet.
The Elucidation of Jennette's Extreme Anxiety in Jennette McCurdy's I'm Glad My Mom Died Rindrah Kartiningsih; Adelia Putri Oktafiani; Rommel Utungga Pasopati; Hariyono Hariyono; Kusuma Wijaya
JL3T (Journal of Linguistics, Literature and Language Teaching) Vol. 11 No. 1 (2025): JL3T Vol. XI No. 1 2025
Publisher : UPT. Pengembangan Bahasa IAIN Zawiyah Cot Kala Langsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32505/jl3t.v11i1.9418

Abstract

This study investigates how the memoir I'm Glad My Mom Died by Jennette McCurdy portrays the characteristics of extreme anxiety in Jennette as the main character. Jennette feels such extreme anxiety due to abundant expectations from her mother to become a successful actress. Through qualitative method and explorative approach, Jennette's extreme anxiety is due to stressful and negative feelings in order to always be the best in front of her mother and other people. She knows that she hates it, but she could not avoid her mother at all. She is also terrified in her self-loathing and self-pity situation that may never meet her mother's demands. In conclusion, Jennette's extreme anxiety is haunting her alongside fear and struggle to be perfect every time.
Representation of an Exotic Girl in Conrad’s An Outcast of the Islands: A Postcolonial Study Hariyono Hariyono; Achmad Choiron; Imron Amrullah; Cicilia Tantri Suryawati
JURNAL BAHASA, SASTRA, DAN PEMBELAJARANNYA (JBSP) Vol 16, No 1 (2026): JURNAL BAHASA, SASTRA, DAN PEMBELAJARANNYA (JBSP)
Publisher : Universitas Lambung Mangkurat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20527/jbsp.v16i1.25208

Abstract

This study examines the representation of an exotic girl in Joseph Conrad’s An Outcast of the Islands. It analyzes how a Western author portrays Aissa, a girl from the Dutch East Indies, whose dark brown skin and physical appearance are constructed through the author’s discourse of exoticism. The analysis focuses specifically on Aissa as the object of exoticism, rather than on the fertility of the land of Borneo or the culture of the natives. The term “exotic,” historically constructed through colonial discourse, is therefore examined through the portrayal of Aissa as a native girl from the Dutch East Indies.  The study explores how Conrad’s representation aligns with colonial stereotypes, emphasizing power relations between the colonizer and the colonized. The research applies Tyson’s postcolonial reading strategies and Huggan’s concept of postcolonial exoticism. The method used is descriptive qualitative analysis with textual examination. The findings reveal that Aissa functions as a literary construct that reinforces colonial imagination: exoticism as a commodity, marginal discourse, a literary representation strategy, and the construction of authenticity. This research contributes to understanding how cultural bias and gendered colonial perspectives remain embedded in modern Indonesian cultural perception. The implication highlights the need to deconstruct internalized colonial stereotypes still influencing cultural identity today.
Co-Authors Achmad Choiron Adelia Putri Oktafiani Cicilia Tantri Suryawati Imron Amrullah Kusuma Wijaya Putut Handoko Rindrah Kartiningsih Rommel Utungga Pasopati