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All Journal Journal of Scientific Research, Education, and Technology Ezra Science Bulletin Psychosocia : Journal of Applied Psychology and Social Psychology
Rustim
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THE CHARACTER OF BU PRANI IN THE FILM “BUDI PEKERTI”: A SEMIOTIC ANALYSIS STUDY BY CHARLES SANDERS PEIRCE Rizki Wahyu Arif Hidayatulloh; Rustim; Choiru Pradhono
EZRA SCIENCE BULLETIN Vol. 2 No. 1 (2024): January-June 2024
Publisher : Kirana Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/ezrasciencebulletin.v2i1.129

Abstract

This study aims to reveal the signs of Mrs. Prani's character in the film 'Budi Pekerti' using Charles Sanders Peirce's semiotic analysis. The research method used is descriptive qualitative with an in-depth case study. Data collection techniques include observation, interviews, and documentation. The results of the study show that there are 27 signs that depict the four main characteristics of Mrs. Prani: honest, patient, intelligent, and responsible. These signs were identified through visual and audio analysis of scenes in the film. Peirce's semiotic approach is effective in understanding how visual and audio signs are used to build character and convey moral messages in the film. This research contributes to a deeper understanding of the use of semiotics in film analysis, particularly in analyzing characters and conveying moral messages through visual and audio signs.
Talkpod Program Broadcasting Diversification Program on Net Tv Through Digital Platform Raudhatul Fitri; Rustim; Dynia Fitri; FX. Yatno Karyadi
Journal of Scientific Research, Education, and Technology (JSRET) Vol. 3 No. 2 (2024): Vol. 3 No. 2 2024
Publisher : Kirana Publisher (KNPub)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/jsret.v3i2.427

Abstract

This research is to reveal that broadcasting diversification is an important strategy for television stations in facing the development of broadcasting technology platforms and changes in social media consumption patterns of android-based communities. The "Talkpod" program is one of NET TV's innovations that combines the concepts of talk shows and podcasts, which are then distributed through digital platforms. The research method used is a qualitative method and data collection techniques by conducting interviews, observations, and document studies. This research approach focuses on television program broadcasting strategies in expanding audience reach.The results show that the diversification of broadcasting the "Talkpod" program through digital platforms provides several strategic advantages for Net Tv. First, expanding audience reach, especially among millennials and Gen Z who are more active on digital platforms. Second, increasing interaction and engagement with the audience through interactive features offered by digital platforms. Third, opening up new opportunities for monetization through digital advertising and collaboration with various brands.
The Application of Patriarchal Culture in the Scenes of the Film Nanti Kita Cerita Tentang Hari Ini Desti Rahmadhini; Rustim; Edy Suisno
Journal of Scientific Research, Education, and Technology (JSRET) Vol. 3 No. 2 (2024): Vol. 3 No. 2 2024
Publisher : Kirana Publisher (KNPub)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/jsret.v3i2.428

Abstract

This research reveals the practice of patriarchal culture through narrative and cinematic character scenes in the film Nanti Kita Cerita Tentang Hari Ini, namely the character Narendra as a father who dominates women in domestic life. The purpose of this research is to find scenes of Narendra's character in dominating domestic life which is a representation of patriarchal culture. This research method uses a qualitative method with an interpretation approach to the patriarchal culture depicted by the director through narrative and cinematic aspects. Data collection techniques were carried out by observation, interviews and documentation. The results of this study show that the scenes built by the director through narrative and cinematic aspects show the practice of patriarchal culture and domination of women in domestic life. This research can contribute to how the director's experience of reading patriarchal culture and applying it in filmmakers' work practices in film language. Keywords: Patriarchy, Domination, Narrative, Cinematic.
Directing My Life Fiction Film Using Mise En Scene Implementation to Realise Realism Style Pratama, Ferli Mulianto; Rustim; Abidin, Zainal
Journal of Scientific Research, Education, and Technology (JSRET) Vol. 4 No. 1 (2025): Vol. 4 No. 1 2025
Publisher : Kirana Publisher (KNPub)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/jsret.v4i1.644

Abstract

The fictional film My life tells the story of a young child forced to work due to economic hardship. Through this narrative, the filmmakers aim to convey an important lesson to the audience: children, especially those underage, should not be subjected to labour. The film adopts a Realist style of direction to enhance its portrayal, ensuring that the narrative feels as authentic and true to life as possible. The Realist approach focuses on presenting reality as it is, minimising artistic manipulation to maintain the integrity of the events depicted. This approach is reinforced by the mise en scene, a key element under the director's responsibility. Mise en scene encompasses all visual components within the frame, such as acting, costumes, settings, makeup, and the performance of the actors. Through this, My life serves as both an artistic piece and a social commentary, highlighting the harsh realities of child labour while urging reflection on societal issues. The film's direction emphasises realism by capturing the emotional and physical truths of the characters' experiences, making it a poignant portrayal of the struggles faced by underprivileged children in Indonesia.
SEMIOTIKA ROLAND BARTHES PADA FILM RANAH 3 WARNA Sri Yosfia, Nadia; Rustim; Maisaratun Najmi
EZRA SCIENCE BULLETIN Vol. 3 No. 1 (2025): January-June 2025
Publisher : Kirana Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/ezrasciencebulletin.v3i1.242

Abstract

Penelitian ini menganalisis film Ranah 3 Warna melalui Semiotika Roland Barthes untuk mengungkapkan makna denotatif dan makna konotatif yang terkandung dalam unsur naratif dan sinematik film. Ranah 3 Warna, yang diadaptasi dari novel karya A. Fuadi, menceritakan perjuangan seorang pemuda dalam meraih impiannya meskipun menghadapi berbagai tantangan. Metode penelitian yang digunakan adalah metode penelitian kualitatif dengan pendekatan deskriptif. Objek yang dipilih yaitu film Ranah 3 Warna (2022) yang disutradarai oleh Guntur Soeharjanto. Data pada penelitian didapatkan dari Film dan Transkrip Film Ranah 3 Warna. Penelitian ini mengidentifikasi tanda-tanda visual dan verbal dalam film serta bagaimana makna terbentuk melalui sistem semiotik Barthes. Hasil penelitian ini menunjukkan bahwa pesan yang disampaikan dalam film Ranah 3 Warna melalui tanda-tanda yang terkandung dalam unsur naratif film terdapat simbol-simbol perjuangan, ketekunan, dan nilai-nilai religius tentang kesuksesan melalui kerja keras dan doa. Penelitian ini berperan dalam memahami bagaimana sebuah film dapat menyampaikan pesan sosial dan budaya melalui tanda-tanda yang dibangun secara sinematik.
PENATAAN SUARA SURREALIST DENGAN INTERNAL DIEGETIC SOUND PADA FILM LABYRINTH OF MIND Fadhillah Camaylia Yeffri Dewi; Rustim
EZRA SCIENCE BULLETIN Vol. 3 No. 1 (2025): January-June 2025
Publisher : Kirana Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/ezrasciencebulletin.v3i1.252

Abstract

Film Film Labyrinth Of Mind bergenre thriller pshycology menceritakan tentang Chira, seorang wanita berusia 20 tahun memiliki karakter unik yang suka membuat konten vlog, tetapi menderita skizofrenia paranoid yang dipicu oleh faktor genetik dan pengalaman traumatis saat menyaksikan ayahnya yang stres setelah kematian tragis ibunya. Dalam upaya mencari ketenangan, Chira pergi ke sebuah villa di pegunungan. Namun, ketenangan yang diharapkannya berubah menjadi mimpi buruk ketika dia mulai mendengar bisikan-bisikan dan mengalami halusinasi tentang ayah dan ibunya yang telah meninggal. Di villa tersebut, Chira menemukan selendang merah dalam sebuah peti, yang membawa serangkaian kejadian aneh dan menakutkan. Setelah berlari panik dan bersembunyi di hutan, Chira terus dihantui oleh suara-suara dan bayangan hitam yang menakutkan. Ketika akhirnya terbangun di rumah sakit, dia menyadari bahwa barang-barang yang ada disebuah villa seperti peti, selendang merah, dan surat kabar semuanya nyata, mencerminkan kondisi mentalnya yang semakin parah. Konsep tata suara yang digunakan pada film Labyrinth Of Mind adalah penataan suara suurealist dengan internal diegetic sound pada film labyrinth of mind. Suara surrealist yang diciptakan bertujuan untuk menciptakan pendengaran yang unik dan menarik untuk penonton dengan menggabungkan elemen-elemen suara yang mengungkapkan pikiran dan emosi dalam karakter. Pengkarya menghubungkannya untuk memberikan perbedaan antara realistas dan halusinasi pada film Labyrinth Of Mind.
FUNGSI PENATAAN SUARA NON DIEGETIC DALAM MEMBANGUN MOOD PADA FILM ADA APA SUTRADARA RUDI SOEDJARWO Fernando, Nico; Hamzaini; Rustim
EZRA SCIENCE BULLETIN Vol. 3 No. 1 (2025): January-June 2025
Publisher : Kirana Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/ezrasciencebulletin.v3i1.256

Abstract

Penelitian ini bertujuan untuk mengetahui bagaimana penggunaan musik dan efek suara non diegetik berperan penting dalam menciptakan suasana emosional yang mendalam sepanjang cerita. Musik yang tidak berasal dari dunia film (non diegetik) seringkali digunakan untuk memperkuat perasaan yang dirasakan oleh karakter atau mengarahkan emosi penonton. Dalam film ini, komposer musik dan tim produksi menggunakan musik untuk membangun mood yang sesuai dengan perkembangan hubungan antara Cinta dan Rangga, serta menciptakan kontras antara momen romantis dan dramatis. Metode Penelitian yang bersifat kualitatif yang menghasilkan data deskriptif mengenai Fungsi Penataan Non Diegetic Sound Dalam Membangun Mood Pada Film Ada Apa Dengan Cinta. Sedangkan hasil penelitian ini menunjukkan bahwa fungsi utama dari non diegetik sound dalam film ini adalah untuk memperkuat mood dan perasaan yang ingin disampaikan, seperti kebahagiaan, kerinduan, atau ketegangan, tanpa harus tergantung pada dialog. Musik ini juga mempertegas tema-tema seperti cinta, pencarian jati diri, dan konflik batin, serta menambah kedalaman pengalaman emosional yang dirasakan oleh penonton.
Representation of Depression Sufferers in Short Films Using 360⁰ Virtual Reality Al Hafiz, Ahmad; Rustim; Pratama, Ferli Mulianto
Journal of Scientific Research, Education, and Technology (JSRET) Vol. 4 No. 3 (2025): Vol. 4 No. 3 2025
Publisher : Kirana Publisher (KNPub)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/jsret.v4i3.873

Abstract

Mental disorders, especially depression, are becoming increasingly common in society, but are often underestimated because they are not physically visible. Depression is characterized by deep sadness, loss of hope, helplessness, difficulty concentrating, and even thoughts of suicide. This phenomenon inspired the creation of Kecil?, an experimental fiction work based on 360⁰ Virtual Reality (VR), which aims to convey the emotional experiences of people with depression in an immersive way. The film tells the story of an individual who personifies his internal conflicts through imaginary characters, depicting an inner struggle related to existential questions about birth, life, and death. The film creation process was carried out systematically through the stages of development, preproduction, production, and post-production, including idea development, visual observation, concept design, location selection, casting, controlled improvisation staging, lighting arrangements, and shooting using the point of view (POV) technique with an Insta360 X3 camera. The post-production stage involves editing long takes and using visual effects such as Content-Aware Fill and Masking to maintain visual continuity and enhance the film's aesthetics. The results of the study show that Kecil? successfully represents the emotional experiences of people with depression in depth. The careful use of mise-en-scène, cinematography, lighting, sound, and staging allows the audience to feel the main character's cathartic process and understand the complexity of the feelings of individuals with depression. The 360⁰ VR approach increases audience engagement directly, opens up space for dialogue, reduces stigma, and emphasizes the importance of community support for mental health. This film proves that film media can be an effective educational tool and mental health campaign, highlighting that mental health issues, though seemingly minor, have a significant impact if ignored.
Women's Social Construction In Tradition Hunting Pig At Tanah Datar District Syukri, Alfi; Rustim
Psychosocia : Journal of Applied Psychology and Social Psychology Vol. 1 No. 1 (2023): October 2023
Publisher : Indonesian Scientific Publication

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61978/psychosocia.v1i1.7

Abstract

This paper aims to discuss the involvement of women in the tradition of hunting pigs at Tanah Datar District. Pig hunting in West Sumatra is a hereditary tradition carried out by the Minangkabau people which aims to eradicate pig pests that damage people's crops and plantations. Pig hunting is generally carried out by adult men in Minangkabau, where hunting is also an identity for men. adults in Minangkabau. However, since the last 10 years Minangkabau women have started to get involved in pig hunting. This research is a case study of Minangkabau women involved in the present tradition of hunting pigs. The method used in this research is a qualitative method where this research intends to understand what phenomena are experienced by research subjects, for example behavior, perceptions, motivations, actions holistically. For this reason, steps and research techniques were carried out such as Observation Techniques, Interview Techniques and Data Analysis, and Literature Studies. The theories used are Social Construction theory, Gender theory. Gender theory identifies the involvement of women in hunting pigs at Tanah Datar District.
Mise-en-Scène Strengthens Conflict in the Film God Allows Me to Sin by Hanung Bramantyo Haditya, Reksa; Rustim
Journal of Scientific Research, Education, and Technology (JSRET) Vol. 4 No. 4 (2025): Vol. 4 No. 4 2025
Publisher : Kirana Publisher (KNPub)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/jsret.v4i4.894

Abstract

This research analyzes how mise en scene, particularly setting, acting, and properties, reinforces narrative conflict in Hanung Bramantyo’s film Tuhan, Izinkan Aku Berdosa. Using a qualitative descriptive method, data were collected through repeated film observation, script analysis, documentation of key scenes, and interviews with the art director. Findings show that mise en scene elements such as narrow and dim pesantren spaces, symbolic properties like reports, phones, and hidden cameras, as well as the main actor’s emotional expressions, function as visual language that conveys tension and trauma. Properties are not mere complements but narrative triggers symbolizing oppression, manipulation, and resistance, while acting bridges the emotional depth of characters without relying on dialogue. The study concludes that mise en scene effectively intensifies both internal and external conflicts, demonstrating how Indonesian cinema communicates social and spiritual issues through visual storytelling.
Co-Authors Al Hafiz, Ahmad Choiru Pradhono Desti Rahmadhini Dynia Fitri Edy Suisno Ernawita Fadhillah Camaylia Yeffri Dewi Fernando, Nico FX. Yatno Karyadi Haditya, Reksa Hamzaini Ilfilia, Amanda Tiara Irwan Maisaratun Najmi Pratama, Ferli Mulianto Raudhatul Fitri Rizki Wahyu Arif Hidayatulloh Sri Yosfia, Nadia Syukri, Alfi Yusnelli Zainal Abidin