I Nyoman Sukerna, I Nyoman
Institut Seni Indonesia Surakarta

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TRANSFORMATION OF TRADITION OF BARONG NGELAWANG IN TOURISM AREA OF UBUD, GIANYAR, BALI Sukerna, I Nyoman; Wirawan, Anak Agung Bagus; Kumbara, Anak Agung Ngurah Anom; Sukerta, Pande Made
E-Jurnal Kajian Budaya (Online Journal of Cultural Studies) Vol 9, No 1 (2016): February 2016
Publisher : E-Jurnal Kajian Budaya (Online Journal of Cultural Studies)

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Abstract

Globalization carries new values and touches all aspects of life, one of which is  the tradition of barong ngelawang. This present study is intended to discuss the pattern of transformation, ideology and meaning of the tradition of barong ngelawang in the tourism area of Ubud, Gianyar, Bali. The study views the tradition of barong ngelawang as a text of which the context, why and how it is performed should be understood. The theory of social practice, the theory of ideology, and the theory of semiotics were used to analyze the data. The descriptive and interpretative method was employed. The result of the study shows that the tradition of barong ngelawang in Ubud was transformed from being a scared performance into a secular performance, and from a secular performance into a sacred performance. The transformation also took place in the space dimension. The ideologies which led to the activity of barong ngelawang were the religious ideology and solidarity ideology. The secular activity of barong ngelawang was dominated by the ideology of creativity and the economic ideology. From the ideological context, the meanings which could be revealed from the activity of barong ngelawang were the religious meaning and artistic meaning. From the superstructure context, the meanings that could be revealed were the social stratification meaning, the job description meaning, and the educational meaning. From the infrastructure context, the meaning which could be revealed was the economic meaning.
TRANSFORMATION OF TRADITION OF BARONG NGELAWANG IN TOURISM AREA OF UBUD, GIANYAR, BALI Sukerna, I Nyoman; Wirawan, A.A Bagus; Kumbara, A.A. Ngurah Anom; Sukerta, Pande Made
E-Journal of Cultural Studies Vol 9 No 1 (2016): Volume 9, Number 1, February 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

Globalization carries new values and touches all aspects of life, one of which is  the tradition of barong ngelawang. This present study is intended to discuss the pattern of transformation, ideology and meaning of the tradition of barong ngelawang in the tourism area of Ubud, Gianyar, Bali. The study views the tradition of barong ngelawang as a text of which the context, why and how it is performed should be understood. The theory of social practice, the theory of ideology, and the theory of semiotics were used to analyze the data. The descriptive and interpretative method was employed. The result of the study shows that the tradition of barong ngelawang in Ubud was transformed from being a scared performance into a secular performance, and from a secular performance into a sacred performance. The transformation also took place in the space dimension. The ideologies which led to the activity of barong ngelawang were the religious ideology and solidarity ideology. The secular activity of barong ngelawang was dominated by the ideology of creativity and the economic ideology. From the ideological context, the meanings which could be revealed from the activity of barong ngelawang were the religious meaning and artistic meaning. From the superstructure context, the meanings that could be revealed were the social stratification meaning, the job description meaning, and the educational meaning. From the infrastructure context, the meaning which could be revealed was the economic meaning.
Keplithet : Sebuah Komposisi Musik Akustik Gamelan Dalam Pertunjukan Virtual Muhammad, Bagas Surya; Sukerna, I Nyoman
JADECS (Journal of Art, Design, Art Education & Cultural Studies) Vol 8, No 2 (2023)
Publisher : Jurusan Seni dan Desain, Fakultas Sastra, Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um037v8i22023p152-163

Abstract

Penelitian ini membedah karya berjudul “Keplithet”, sebuah karya komposisi gamelan ciptaan Setyawan Jayantoro.  Melihat keadaan yang belum memperbolehkan penyelenggarakan konser musik secara langsung, memaksa konser musik dilakukan secara virtual, dengan segala keterbatasaanya.  Untuk itu Setyawan Jayantoro sebagai pengkarya mencoba untuk menghadirkan pengalaman estetika ruang akustik pada video publikasinya, seperti halnya menonton secara langsung.  Penelitian ini bermaksud mengungkap model penuangan ide komposisi musik akustik Gamelan pada pertunjukan Virtual di masa Pandemi Covid-19, kemudian bagaimana Setyawan Jayantoro menghadirkan bunyi dan suasana ruang bunyi yang autentik dalam dokumentasi karyanya. Dalam pengumpulan data, penulis menggunakan metode kualitatif, dengan pengumpulan data melalui wawancara dan sebagai partisipan observer.  Hasil penelitian menunjukan bahwa Setyawan Jayantoro dalam karyanya ingin mengungkap bahwa dalam permainan gamelan Jawa terdapat teba garap bunyi yang luas, ketika keluar dari kebiasaan kebiasaan konvensional yang mengikat, seperti halnnya pithetan yang membatasi bunyi dalam permainan gamelan tradisi.  Dalam menghadirkan ruang akustik, Setyawan Jayantoro sangat memperhatikan integrasi dalam tata ruang, tata suara, dan tata reproduksi suara yang dinyatakan pada dokumentasi karya yang dipublikasikan.  Penelitian ini berkontribusi dalam membuka peluang baru bidang komposisi gamelan yang ditampilkan secara virtual, sehingga pola integrasi estetika ruang akustik sajian pertunjukan gamelan virtual dapat diketahui dan digunakan oleh peneliti lain dalam melakukan kajian sejenis terutama bidang kajian estetika ruang bunyi gamelan dalam format rekaman digital.
Manortor as a Solidarity and Identity Building Media of Mandailing Ethnic Group in Rokan Hulu, Riau Province Novita, Elmi; Soewarlan, Santosa; Sukerna, Nyoman
Harmonia: Journal of Arts Research and Education Vol 22, No 2 (2022): December 2022
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v22i2.36753

Abstract

This study aimed to explore manortors as a medium for building solidarity and identity for the Mandailing community in Rokan Hulu Regency, Riau Province. The research method was carried out through observation of manortor performances in Menaming, Bangun Purba, and Khaiti Villages as Mandailing ethnic dominions in Rokan Hulu. The observation focused on the movement aspect of the manortor. In-depth interviews were conducted to reinforce the data obtained through the observation of the manortor and to explore how aspects of the movement in the manortor build solidarity and identity. The results showed that manortor is a dance that embodies kinship relationships with dalihan na tolu. The form of movement, standing position, and order of performance should be in line with the norms of kinship. The group members dance together with movements representing kinship relationships and strengthening kinship relationships, building solidarity and a strong self-identity.English translation. 
Sacred Dimensions of Barong Ngelawang Sungsungan: Mythology, Process, and Performance Sukerna, I Nyoman; Setiawan, Aris
Harmonia: Journal of Arts Research and Education Vol. 24 No. 2 (2024): December 2024
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v24i2.18558

Abstract

This research aims to explore the sacred dimensions of the Barong Ngelawang Sungsungan based on the interconnectedness of mythology, the process of sacralization, and its sacredness in performance. During religious ceremonies, the Barong symbolizes pride, magical power, grandeur, and divinity. The ethnographic methodology is employed to gain insights into cultural aspects observed, heard, and concluded, thereby understanding cultural knowledge from the perspective of the local community. Research findings indicate that from a mythological perspective, the Barong Ngelawang Sungsungan serves functionally as a sacred symbol, reinforcing the laws of cause and effect that must be obeyed and revered and a tool for creating a harmonious life. In its holy purpose, ngelawang can be manifested as a practice to strengthen fraternal bonds, interpreted as a signal of awareness, and a means of detoxification from the natural environment to eliminate negatively oriented forces..
EKSISTENSI KELOMPOK KARAWITAN CAKRA BASKARA DI KABUPATEN KARANGANYAR Mega Ayu Suryowati; I Nyoman Sukerna
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 17 No. 2 (2017)
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v17i2.2386

Abstract

AbstractThe background to this research is the existence of a karawitan group that began in 2008 when its members were young children and has continued up to the time when they are already young men and women. The involvement of young people, the way in which performances are packaged, and the role of the community have all influenced the development of the Cakra Baskara karawitan group’s existence. The role of this group in the community and its ability to connect with the community are amongst the reasons for its continued existence. Various efforts have been made to preserve the existence of the Cakra Baskara karawitan group. Based on this background, the problems addressed in this research are the form of activities of the Cakra Baskara karawitan group and the factors that have caused the group to exist in its present form. A qualitative research method is used with an analytical descriptive approach. The writer uses Marx’s ideas about sociology, Sedyawati’s ideas of development. Using this method of approach, a picture was obtained about the existence of the Cakra Baskara karawitan group in the Karanganyar Regency and the factors that have caused the continued existence of this group.The involvement of young people in the Cakra Baskara karawitan group and the efforts (series of activities) that have been made to ensure the continued existence of the group include developments to the way in which performances are packaged in the supporting community. These activities include planning, organization, implementation, and management. The efforts to preserve the existence of the Cakra Baskara karawitan group through these activities are based on the motivation of members and stimulation from outside. The members’ motivation includes their desire to express their enjoyment of karawitan, to get together with people with a similar interest in the arts, and to increase their income. External stimulation which influences the continued existence of the Cakra Baskara karawitan group includes the support of the community and the community’s need for the presence of the Cakra Baskara karawitan group. Keywords: Existence, Cakra Baskara, Activities, Young People. AbstrakPenelitian ini dilatarbelakangi oleh keberadaan kelompok karawitan sejak tahun 2008 yang anggotanya masih anak-anak hingga tumbuh menjadi pemuda. Keterlibatan pemuda, kemasan pertunjukan yang disajikan dan peran masyarakat menyebabkan perkembangan terhadap eksitensi kelompok karawitan Cakra Baskara. Peran kelompok karawitan tersebut dalam masyarakat dan menyatu dengan masyarakat menjadikan kelompok tersebut tetap hidup. Upaya-upaya dilakukan untuk tetap mempertahankan eksistensi kelompok karawitan Cakra Baskara. Berdasarkan latar belakang tersebut, permasalahan yang diungkap adalah mengenai bentuk aktivitas kelompok karawitan Cakra Baskara serta faktor yang menyebabkan kelompok karawitan Cakra Baskara dapat menjadi bentuk seperti sekarang.Penelitian ini merupakan penelitian kualitatif dengan menggunakan metode deskriptik analitik. Penulis menggunakan pemikiran Marx mengenai sosiologi, Sedyawati mengenai perkembangan. Melalui pendekatan tersebut, didapatkan gambaran mengenai eksistensi kelompok karawitan Cakra Baskara di Kabupaten Karanganyar dan faktor yang menyebabkan kelompok tersebut tetap eksis.Keterlibatan pemuda di dalam kelompok karawitan Cakra Baskara dan upaya-upaya (serangkaian aktivitas) dilakukan untuk menjaga keeksisan kelompok karawitan tersebut melalui perkembangan kemasan pementasan di masyarakat pendukungnya. Aktivitas tersebut meliputi kegiatan perencanaan, pengorganisasian, pelaksanaan dan pengendalian. Upaya-upaya yang dilakukan untuk mempertahankan eksistensi kelompok karawitan Cakra Baskara melalui aktivitas yang didasari oleh motivasi anggota dan stimulasi dari luar. Motivasi anggota tersebut berupa keinginan untuk mengungkapkan rasa senang terhadap karawitan, berkumpul dengan orang-orang yang mempunyai minat sama dalam bidang seni, dan menambah penghasilan (keuangan). Stimulasi yang berpengaruh terhadap eksistensi karawitan Cakra Baskara tetap berupa dukungan masyarakat dan kebutuhan masyarakat akan kehidaran kelompok karawitan Cakra Baskara. Kata Kunci: Eksistensi, Cakra Baskara, Aktivitas, Pemuda
KEBERADAAN PAGUYUBAN SENI KARAWITAN KANTOR SETDA KABUPATEN BOYOLALI Anggit Larasati; Nyoman Sukerna
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 19 No. 2 (2019)
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v19i2.3079

Abstract

This article is motivated by the employees of the Boyolali District Secretariat who feel bored while working all day at the office. Boredom makes employees not focus on their work. Until in the end they found a solution to solve the problem, namely by having a context. According to them, having charisma can make the mood and mind calm, and from that the Andini Laras community association was formed which consisted of employees of the Boyolali District Secretariat. Based on this background, the problems revealed in this study are (1) How the activities of Setda Boyolali’s gamelan community since it was founded in 1988 until now and (2) Why the Setol regency’s gamelan musical community is still surviving until now. This research is a qualitative research, to answer this question the author uses Marx’s ideas about sociology and Sedyawati’s development. Based on observations, involvement and efforts were made to conduct mental therapy while preserving and preserving Javanese culture. Efforts are made to maintain its existence through activities based on member motivation and external stimulation. The members’ motivation was in the form of a desire to express their joy in music and their desire to do mental therapy. The stimulation that influenced the existence of the musical arts community of the Boyolali District Secretariat office remained in the form of community and government support in Boyolali Regency.Keywords: The existence, Andini Laras, and the Regional Secretariat Staff.
PERAN ENDANG SRI SEDEP DALAM PADEPOKAN SENI PANDHANSARI DI KABUPATEN KARANGANYAR Roni Kesuma; I Nyoman Sukerna; Siswati Siswati
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 23 No. 1 (2023)
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v23i1.4817

Abstract

The journal entitled “The role of Endang Sri Sedepin the Pandhansari Art Padepokan in Karanganyar Regency”, aims to reveal (1) What is the role of Endang Sri Sedep in managing art performance activities at the Pandhansari Art Padepokan? (2) Why and what factors made the Pandhansari Art POPULAR IN Karanganyar Regency? Endang Sri Sedep has a very important role in the Pandhansari Art Padepokan, this cannot be separated fromEndang who is a businessman, artist, and owner of the Pandhansari Art Padepokan. The background of thisresearch is Endang Sri Sedep abilityto manage the activities of the Pandhansari Art Padepokan using financial respurces independenthly, unlike art hermitages in general which raise donors for their activities. Apart from that, the Pandhansari Art Padepokan does not only focus on educationor training, butalso focuseson providingart performance space for the people in Karanganyar Regency both in festivals, competitions or concerts. This research is a qualulative research using analitic descrptive method. The author uses thethoughts of Soerjono Soekanto and Sedyawati. Based on this, it can be seen the role of Endang Sri Sedep in managing art performance activities and factors in the existenceof the popular Pandhansari Art Padepokan in Karanganyar Regency.