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All Journal Perspektif Komunikasi; Jurnal Ilmu Komunikasi dan Komunikasi Bisnis I-Pop: International Journal of Indonesian Popular Culture and Communication
Rizky Hafiz Chaniago, Rizky Hafiz
Unknown Affiliation
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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Women and Hijab in the Arms of Media, Popular Culture, and Globalization Chaniago, Rizky Hafiz; Yusuf, Sarina; Mubin, Nur Nadia; Hassan, Mohd Sufiean
I-Pop: International Journal of Indonesian Popular Culture and Communication Vol. 3 No. 1 (2022): I-POP Vol 3 No 1 (January-June 2022)
Publisher : Program Studi Ilmu Komunikasi Universitas Bakrie

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36782/i-pop.v3i1.159

Abstract

In essence, Islam was revealed to elevate the dignity of every woman who was previously oppressed by the tradition of the Jahiliya community before the 6th century AD. In the context of humanities, Islam does not justify discrimination between men and women. One form of anti-discrimination against women is the recommendation to wear the hijab (the use of a veil). The presence of the hijab is intended to safeguard the respect of women but raises another issue, namely the right to freedom. However, the purpose of hijab for Muslim women has almost always been problematic due to their position in two circumstances: benefited or harmed. The hijab is often understood as an attempt to suppress women's lives. The role of hijab in the era of globalization today is still relatively small; the powerlessness of women in the industrial world is influenced by the social construction that tends to represent women who are only suitable for the domestic sector. The influences of the mass media on the image of women who wear the hijab also cover the voices of the group so that public perceptions generally believe that this condition is proper. As a conceptual study, this article examines the position of the hijab in the current era of globalization and its relationship to media and popular culture. This study uses a document analysis method. The data collected are excerpts from document manuscripts, research journals, and scientific articles.
HIJAB, PUNK, AND THE USE OF NEW TECHNOLOGIES IN COMMUNICATION Chaniago, Rizky Hafiz; Hassan, Mohd Sufiean; Kussin, Haddi Junaidi; Handoko, Daniel
Perspektif Komunikasi: Jurnal Ilmu Komunikasi Politik dan Komunikasi Bisnis Vol. 9 No. 1 (2025): Perspektif Komunikasi
Publisher : Universitas Muhammadiyah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24853/pk.9.1.89-100

Abstract

To date, the role of women in the world of subcultures, especially Punk, is still considered small, especially in eastern countries where the majority of the population is Muslim, such as Indonesia. The influence of the mainstream media on negative images seems to cover up the small voices of women who are in the Punk subculture environment so that the general public does not know about their involvement in the arena. The negative image is getting stronger when women wearing hijab participate in this culture. Another reason that might be related to this rejection is that the image of a woman wearing a hijab with an elegant and respectable class is very different from the image of the Punk subculture, which is full of nuances of resistance/rebellion. As time goes by, with the development of the world, which is changing rapidly due to the influence of technology, the cultural space of subcultures also participates in the flow of globalization organically. The rapid advancement of new media such as social media opens up opportunities for women wearing hijab to be involved in the Punk subculture and more actively voice their ideology and talents. The main aim of the study is to analyze how women who wear the hijab communicate their voices through new technology. This study uses qualitative research with ethnographic methods. With the advent of new media, women wearing the hijab can freely present information related to the image of women in order to counteract the negative image of the Punk subculture in the eyes of the public.
Co-Authors Handoko, Daniel Hassan, Mohd Sufiean Kussin, Haddi Junaidi Mubin, Nur Nadia Yusuf, Sarina