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All Journal TOTOBUANG Enggang: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Jurnal Bastra (Bahasa dan Sastra)
I Wayan Letreng
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Arts Humanities Education Languange, Linguistic, Communication & Media

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PERBANDINGAN TINDAK ILOKUSI DALAM TUTURAN KOMENTATOR SEPAK BOLA LIGA INGGRIS DAN LIGA INDONESIA: KAJIAN PRAGMATIK LINTAS BUDAYA: Ilocutionary Act in The Speech of The Indonesian League and English League Football Spectator: A Cross-cultural Pragmatic Study Salimulloh Tegar Sanubarianto; Sri Yanuarsih; I Wayan Letreng; M. Imron Abadi
TOTOBUANG Vol. 11 No. 1 (2023): TOTOBUANG: EDISI JUNI 2023
Publisher : Kantor Bahasa Provinsi Maluku

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/totobuang.v11i1.462

Abstract

Abstract This study aims to compare the speeches of football commentators in the English and Indonesian Leagues through a pragmatic theory of cross-cultural. The researcher chooses the English Premier League as the subject of comparison to the Indonesian League due to the FIFA datum, Premier League is the football league with the most spectators in the world. The researcher observes the illocutionary acts that appear in the speeches of the commentators between the two leagues. The researcher used a documentative data collection method. The researcher transcribed the video as the data source and analyzed it using Searle's speech act theory. The results showed that the types of illocutionary acts in both data were the same, assertive, expressive, and declarative . It's just that the difference appears at the level of detail function. The Indonesian League commentator's speech has more specific function. Apart from that, the speeches of Indonesian League football commentators were dominantly expressive speeches praising (31.15%), while for English League commentators were assertive in informing (41.05%). A comparison of the two cross-cultural commentators' speech data can reflect the speech habits of each community.Keywords: illocutionary acts, football commentators, cross-cultural pragmatics   Abstrak Penelitian ini bertujuan untuk membandingkan tuturan komentator sepak bola Liga Inggris dan Liga Indonesia dalam kajian pragmatik lintas budaya. Liga Inggris dipilih sebagai subjek pembanding Liga Indonesia karena sesuai data FIFA Liga Inggris adalah liga sepak bola dengan penonton paling banyak di dunia. Penelitian ini mengamati tindak ilokusi yang muncul pada tuturan komentator dua liga tersebut. Metode pengumpulan data dilakukan secara dokumentatif. Peneliti melakukan transkripsi terhadap video sumber data kemudian menganalisisnya dengan teori tindak tutur Searle. Hasil penelitian menunjukkan tipe tindak ilokusi yang muncul pada kedua data ternyata sama, yaitu tipe asertif, ekspresif, dan deklaratif. Hanya saja, perbedaan muncul pada tingkat detail fungsi. Tuturan komentator Liga Indonesia memiliki detail fungsi lebih banyak. Selain itu, yang dominan muncul dalam tuturan komentator sepak bola Liga Indonesia adalah tuturan ekspresif memuji (31,15%), sedangkan untuk tuturan komentator Liga Inggris adalah asertif menginfomasikan (41,05%). Perbandingan dua data tuturan komentator lintas budaya ini mampu merefleksikan kebiasaan tutur masing- masing masyarakatnya. Kata Kunci: tindak ilokusi, komentator sepak bola, pragmatik lintas budaya
Interaksi dan Nilai Sosial dalam Novel Bumi Karya Tere Liye Ahmad Khoirul Umam; Sri Yanuarsih; I Wayan Letreng
ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Vol. 5 No. 1 (2024): Desember : ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya
Publisher : FKIP, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37304/enggang.v5i1.10395

Abstract

Literary works are in the form of language-based works of art with aesthetic elements. The form of literary works includes the novel, which is a work of fiction that expresses aspects of humanity more broadly. Social interaction is a dynamic social bond involving individuals and groups of people. Social value is a measure or assessment of the appropriateness of behavior in people's lives. This study uses a literary sociology approach to describe forms of interaction and social values. The formulations discussed are (1) cooperation (2) accommodation (3) assimilation (4) competition (5) contradiction (6) conflict (7) affection (8) responsibility (9) harmony in life. The aim of the research is to objectively describe and describe social interactions and values. The method used is descriptive literature. The subject is the novel Bumi by Tere Liye. Data collection techniques (1) reading (2) marking (3) recording (4) data corpus. The results of the research are (1) cooperation, Papa and Mama look for Raib (2) accommodation, Papa stabilizes Mama and Raib's conflict (3) assimilation, Ali receives strange clothes (4) competition, Ali takes part in the Physics Olympiad (5) contravention, The Black betrays the Putih (6) conflict, Tamus threatens Raib (7) love, Mama advises Raib (8) responsibility, Ilo provides facilities to Raib, Seli and Ali (9) harmony in life, Ilo helps Raib, Seli and Ali.
DISFEMIA DALAM KOLOM KOMENTAR AKUN INSTAGRAM LUCINTA LUNA Khoiriyah, Imarotul; Sri Yanuarsih; I Wayan Letreng
Jurnal Bastra (Bahasa dan Sastra) Vol. 10 No. 4 (2025): JURNAL BASTRA EDISI OKTOBER 2025
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v10i4.1922

Abstract

The social media comment column is an indirect interaction between netizens and public figures who are active on social media. Everyone is free to express their opinion in the comments column they write, but there are some comments that contain elements of dysphemia. The aim of this research is to find out the language policies in Indonesian netizens' social media and to analyze the presence of elements of dysphemia in the comments written by these netizens. Dysphemia is an attempt to change a good meaning into a bad, rude and mocking meaning. This aims to bring down the victim and is an expression of someone's hatred, annoyance and dislike. Dysphemia is closely related to language politeness in terms of aspects of social media policy. There are 3 forms of dysphemia that will be analyzed in this article, namely, 1) Dysphemia in the form of physical insults, 2) Dysphemia in the form of gender insults, 3) Dysphemia in the form of praising to put down. Research data was taken over a certain period of time directly from the comments column of Lucinta Luna's Instagram account using quantitative descriptive methods with advanced note-taking techniques.
TINDAK TUTUR ESKPRESIF DALAM FILM SEKAWAN LIMO KARYA BAYU SKAK (KAJIAN PRAGMATIK) Melanise, Dista; I Wayan Letreng; Sri Yanuarsih
Jurnal Bastra (Bahasa dan Sastra) Vol. 10 No. 4 (2025): JURNAL BASTRA EDISI OKTOBER 2025
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v10i4.1927

Abstract

Speech acts are part of the study of pragmatics, which discusses how utterances not only convey information but also act as social actions. One such form is expressive speech acts, which are utterances used to express the speaker’s feelings or attitudes toward a situation. Film, as a communication medium that combines visual and verbal elements, is a relevant tool for analyzing language use in real life contexts. This study examines the forms of expressive speech acts in Bayu Skak’s film Sekawan Limo, which tells the story of five friends Bagas, Lenni, Juna, Dicky, and Andrew as they experience a terrifying experience while climbing Mount Madyopuro and debunking local myths. The method used is descriptive qualitative, with data collection techniques including documentation, literature review, reading, and recording techniques. The primary data consists of dialogues between characters containing three types of expressive speech acts: sarcasm, mockery, and complaint. The results show that these six forms appear in various conversational contexts, reflecting the emotional expressions and social relationships between characters, which are communicatively represented in the film.
PENERAPAN MODE LINGUISTIK DALAM VIDEO KANAL YOUTUBE KINDERFLIX: KAJIAN SEMIOTIKA Indriana Sulistyo Rini; I Wayan Letreng; Sri Yanuarsih
Jurnal Bastra (Bahasa dan Sastra) Vol. 10 No. 4 (2025): JURNAL BASTRA EDISI OKTOBER 2025
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v10i4.1928

Abstract

This study aims to examine the application of the linguistic mode in educational videos on the Kinderflix YouTube channel using a social semiotic approach. The linguistic mode refers to the use of spoken language as a primary tool for delivering messages, building interaction, and shaping meaning. In the context of educational videos, the linguistic mode is applied through narration, invitations, questions, and verbal praise delivered by the narrator. This research employs a descriptive qualitative method with observation and note-taking techniques to collect data from two Kinderflix videos. The data were analyzed using Kress and van Leeuwen’s theory of multimodality and Halliday’s systemic functional linguistics. The findings show that the linguistic mode in Kinderflix videos not only conveys information explicitly but also functions as a visual guide, a cognitive stimulus, and a medium for fostering social interaction with child audiences. Verbal language works integratively with other modes such as visual, auditory, and gestural to create an interactive and educational multimodal communication experience.
AFFILIATIVE HUMOR DALAM DIALOG FILM CEK TOKO SEBELAH KARYA ERNEST PRAKASA: KAJIAN PRAGMATIK Nur Eka Zulfina Maulida; Sri Yanuarsih; I Wayan Letreng
Jurnal Bastra (Bahasa dan Sastra) Vol. 10 No. 4 (2025): JURNAL BASTRA EDISI OKTOBER 2025
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v10i4.1929

Abstract

This article examines the characteristics of humor, specifically affiliative humor, found in the dialogue of the film Cek Toko Sebelah directed by Ernest Prakasa. The study employs a pragmatic approach based on Rod A. Martin’s (2021) theory, which defines affiliative humor as a type of humor intended to strengthen social bonds through light, non-offensive jokes. The findings reveal that affiliative humor appears in various interactions between characters through spontaneous conversations, everyday jokes, and witty responses to social situations. This type of humor functions not only as an element of entertainment but also as a communicative tool to foster closeness and comfort in social interaction. These findings emphasize that humor in film is not merely a form of entertainment, but also carries profound pragmatic functions. In the context of Indonesian culture, affiliative humor serves as a communicative bridge that reflects values of togetherness, solidarity, and emotional intimacy. Therefore, the analysis of this humor style is not only relevant to linguistic and pragmatic studies, but also essential in understanding social representations in popular media.       
WACANA KRITIS CELAAN FISIK DALAM FILM IMPERFECT: ANALISIS STRUKTUR TEKS, KOGNISI SOSIAL, DAN KONTEKS SOSIAL Aisyah, Siti; I Wayan Letreng; Sri Yanuarsih
Jurnal Bastra (Bahasa dan Sastra) Vol. 10 No. 4 (2025): JURNAL BASTRA EDISI OKTOBER 2025
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v10i4.1930

Abstract

This study aims to analyze the discourse of physical abuse against women in Ernest Prakasa's film This study aims to examine the critical discourse of physical abuse in the film Imperfect using Teun A. van Dijk's Critical Discourse Analysis (CDA) approach. The study focuses on three main dimensions: text structure, social cognition, and social context. The film Imperfect was chosen because it represents social issues such as body shaming, pressures of beauty standards, and the physical marginalization experienced by female characters. The research method used is descriptive qualitative, with data collection techniques consisting of observation and documentation of the film's dialogues. The results show that: (1) Structurally, the discourse of physical abuse in the film is constructed through word choice, narrative structure, and the use of verbal expressions that depict physical stereotypes. (2) Social cognition in the film shows how social actors understand and reproduce the ideology of beauty rooted in society. (3) The social context shows that the discourse of physical abuse arises due to the influence of popular culture, the beauty industry, and the dominant patriarchal system. This study concludes that language in the film Imperfect is not only a means of communication, but also a means of reproducing ideology and power over women's bodies.
KAJIAN MORFOLOGI PADA ASPEK MORFEM DALAM TEKS BERITA INFO TUBAN DI INSTAGRAM A. Alfin Fatkhur Rohim; Sri Yanuarsih; I Wayan Letreng
Jurnal Bastra (Bahasa dan Sastra) Vol. 10 No. 4 (2025): JURNAL BASTRA EDISI OKTOBER 2025
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v10i4.1936

Abstract

This research focuses on the study of morphology in news texts published on the Info Tuban Instagram account. The purpose of this study is to describe the morphological processes contained in the news texts, including the use of morphemes, affixation, and reduplication. The research method used is descriptive qualitative with data collection techniques in the form of documentation of news posts from the Info Tuban account. The collected data were then analyzed based on morphological theory to identify word forms, structures, and formation processes. The results show that the Info Tuban news texts contain various morphological forms including prefixes, suffixes, confixes, and the use of word reduplication that serves to clarify meaning and provide emphasis on information. This study is expected to contribute to understanding the characteristics of language on social media and become a reference for linguistic research, especially in the field of morphology.
HEGEMONI IDIOLOGIS TOTAL DALAM FILM ALIF LAM MIM KARYA ANGGY UMBARA Doni Purnawan; Sri Yanuarsih; I Wayan Letreng
Jurnal Bastra (Bahasa dan Sastra) Vol. 10 No. 4 (2025): JURNAL BASTRA EDISI OKTOBER 2025
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v10i4.1939

Abstract

This study examines the representation of ideological hegemony in the film Alif Lam Mim by Anggy Umbara, which reflects the socio-political dynamics of Indonesia in the future. As a mass communication medium, film not only functions as entertainment but also serves as a means of education and social criticism. This film depicts the dominance of military and religious institutions in restricting individual freedoms through a hegemonic system of power. This research uses a descriptive qualitative approach with Antonio Gramsci’s theory of hegemony as the analytical framework. Gramsci classifies hegemony into three forms: total hegemony, declining hegemony, and minimal hegemony. Total hegemony is seen through state domination that is voluntarily accepted by society without significant resistance. This is reflected in news broadcasts that normalize violence and obscure its structural roots. Declining hegemony emerges when characters in the film begin to question the system and show inner resistance, although not yet openly. Meanwhile, minimal hegemony is marked by explicit resistance to power, rejection of media manipulation, and the emergence of conflict between personal awareness and dominant ideology. Data were collected through observation and documentation of the film’s dialogues, then analyzed using the Gramscian model. The results show that this film is a critique of ideological domination through popular media, illustrating power relations between the dominant class and the subaltern. Alif Lam Mim represents forms of ideological hegemony that are relevant to the contemporary socio-political realities in Indonesia.
PSIKOANALISIS SIGMUND FREUD DALAM ANIME ONE PIECE KARYA EIICHIRO ODA Mukhlas, Moch; Sri Yanuarsih; I Wayan Letreng
Jurnal Bastra (Bahasa dan Sastra) Vol. 10 No. 4 (2025): JURNAL BASTRA EDISI OKTOBER 2025
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v10i4.1941

Abstract

This study investigates the internal psychological composition of key characters in the anime One Piece, focusing on the Skypiea arc, by employing Sigmund Freud’s psychoanalytic theory. Utilizing a qualitative descriptive method, the research centers on five major characters: Monkey D. Luffy, Enel, Nami, Sanji, and Gan Fall. These figures were chosen due to their significant influence on the plot and the evident psychological complexity they display throughout the storyline. The data were collected through non-intrusive observation of episodes 185 to 192, emphasizing character dialogue, behavior, and interactions that represent the Freudian personality structures of Id, Ego, and Superego. The analysis shows that Enel predominantly operates under the influence of the Id, marked by his selfish desires, aggressive tendencies, and disregard for ethical boundaries. On the other hand, Luffy and Usopp are characterized by their use of the Ego, navigating challenging situations with rational judgment and emotional control. Meanwhile, Nami and Gan Fall exemplify the Superego, guided by moral values, compassion, and a strong sense of duty. These portrayals underline the psychological depth embedded in the anime’s narrative. The research highlights the potential of anime as a medium for scholarly exploration, particularly within literary and psychological studies. It affirms that popular visual culture, such as One Piece, can reflect intricate human behavior and mental processes. Therefore, this study contributes to expanding the academic scope of literary psychology and invites further interdisciplinary investigation.
Co-Authors A. Alfin Fatkhur Rohim Abadi, M. Imron Ahmad Khoirul Umam Doni Purnawan Indriana Sulistyo Rini Khoiriyah, Imarotul Melanise, Dista Mukhlas, Moch Nur Eka Zulfina Maulida Salimulloh Tegar Sanubarianto Siti Aisyah Sri Yanuarsih