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All Journal Dialektika Jurnal Onoma: Pendidikan, Bahasa, dan Sastra DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA
Teguh Prasetyo
Universitas Kristen Indonesia
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Representasi Identitas Masyarakat Laut dalam Kumpulan Cerita Pendek Nelayan Itu Berhenti Melaut Mike Wijaya Saragih; Teguh Prasetyo
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 9 No. 2 (2023)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v9i2.2958

Abstract

Kumpulan cerpen Nelayan itu Berhenti Melaut karya Safar Banggai merupakan kumpulan dari 12 cerpen yang hampir seluruhnya erat dengan latar laut dan kemaritiman. Penceritaan yang diusung pun beragam dari beberapa sudut pandang di masing-masing cerpen. Namun demikian, hampir seluruhnya menyinggung perihal masyarakat laut yang dalam beberapa cerpen disebut sebagai masyarakat Bajo. Tulisan ini bertujuan untuk menunjukkan bentuk-bentuk representasi identitas masyarakat laut khususnya masyarakat Bajo yang digambarkan dalam kumpulan cerpen Nelayan itu Berhenti Melaut karya Safar Banggai. Buku ini merupakan kumpulan cerita pendek yang mendefinisikan kembali masyarakat laut dengan narasi dikotomis untuk melihat kehidupan masyarakat laut dan peradabannya. Melalui analisis struktural serta penggunaan konsep identitas dan pendekatan sosiologis, dikotomi tersebut digunakan untuk merumuskan representasi identitas masyarakat laut. Hasil penelitian ini menunjukkan bahwa ditemukannya lima bentuk representasi identitas masyarakat laut di dalam kumpulan cerpen ini, seperti masyarakat laut sebagai penghuni laut; masyarakat laut menjaga laut dan tradisi laut; masyarakat laut selalu setia terhadap laut; masyarakat laut dan tradisi mistik; serta masyarakat laut tidak tunduk pada batasan daratan.
Semaoen dalam Catatan Sejarah Sastra Indonesia Teguh Prasetyo
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 10 No. 2 (2023): Desember
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v10i2.5408

Abstract

Abstrak Periode awal abad ke-20 merupakan tonggak penting dalam sejarah kesusastraan Indonesia. Pada periode ini, muncul pula karya-karya sastra yang kemudian diberi label “bacaan liar”. Salah satu pengarang yang sangat penting dari tulisan-tulisan yang dicap “bacaan liar” tersebut adalah Semaoen, dengan Hikayat Kadiroen-nya. Semaoen sendiri merupakan pemikir kiri sekaligus ketua Partai Komunis Indonesia yang pertama pada 1920-an. Hikayat Kadiroen menjadi novelnya yang memiliki bentuk penceritaan yang menarik. Sebagai penelitian sejarah sastra dengan pengumpulan data melalui studi pustaka, tulisan ini mencoba untuk memaparkan posisi dan sejarah kepengarangan Semaoen di tengah-tengah sejarah kesusastraan Indonesia. Dapat disimpulkan kemudian, dalam artikel ini, Semaoen dan Hikayat Kadiroen menjadi penting dalam khazanah sastra Indonesia modern. Selain menandai kekhasanan perlawanan melalui karya sastra di awal Abad ke-20, Semaoen dan karyanya ini juga menjadi menarik karena gaya penceritaan yang berbeda dengan beberapa karya sastra mayor pada zamannya, dengan menunjukkan ciri aliran Realisme-sosialis. Kata Kunci: Hikayat Kadiroen, Sastra Indonesia, Semaoen, Abstract The early 20th century is an important milestone in the history of Indonesian literature. During this period, literary works emerged that were later labeled "wild readings". One of the most important authors of these writings labeled as "wild reading" was Semaoen, with his Hikayat Kadiroen. Semaoen himself was a leftist thinker and the first chair of the Indonesian Communist Party in the 1920s. Hikayat Kadiroen is his novel that has an interesting form of storytelling. As a literary history research with data collection through literature study, this paper tries to explain the position and history of Semaoen's authorship in the midst of Indonesian literary history. It can be concluded then, in this article, that Semaoen and Hikayat Kadiroen are important in the treasury of modern Indonesian literature. In addition to marking the distinctiveness of resistance through literature in the early 20th century, Semaoen and his work are also interesting because of the style of storytelling that differs from some of the major literary works of his day, by showing the characteristics of Socialist-Realism works. keywords: Hikayat Kadiroen, Indonesian Literature, Semaoen,
MANIFESTASI LAKU DALAM KAWRUH: TINJAUAN DESKRIPTIF PADA CERPEN “MEGURU” KARYA SENGKUNI Teguh Prasetyo
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 11 No. 1 (2024): JUNI
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v11i1.6021

Abstract

Abstrak Dalam budaya Jawa, dikenal berbagai macam konsep-konsep religi. Konsep-konsep tersebut mengarah kepada perilaku mistik. Perilaku-perilaku tersebut biasanya terwujud dalam laku. Laku, dalam konteks budaya Jawa atau manusia Indonesia, merupakan sebuah upaya mencapai suatu tujuan yaitu kesempurnaan. Kawruh merupakan salah satu bentuk perilaku mencari tahu dengan berguru pada orang lain atau buku. Dalam kawruh sebagai sebuah kegiatan mencari tahu/berguru, terdapat bentuk-bentuk tindakan yang dapat dikategorikan sebagai laku. Cerpen berjudul “Meguru” karya Sengkuni memperlihatkan kelindan laku dan kawruh di dalam gambaran kehidupan masyarakat Jawa tradisional. Artikel ini akan membedah bentuk-bentuk laku yang merupakan manifestasi dari kawruh yang termuat dalam cerpen “Meguru” karya Sengkuni tersebut. Artikel ini menggunakan metode kualitatif dan teknik pembacaan dekat. Untuk menelaah lebih jauh kelindan laku dan kawruh tersebut akan dirujuk konsep-konsep religi Jawa yang relevan. Dari pembacaan dekat ini, ditemukan bahwa laku-laku dalam cerpen “Meguru” ini diwujudkan dalam bentuk-bentuk seperti lelana brata, ritual dialog dengan guru, dan tindakan-tindakan asketis yang menjadi ciri keseharian tokoh yang merepresentasikan filosofi masyarakat Jawa tradisional. Kata kunci: kawruh, laku, kanoman, kasepuhan. Abstract In Javanese culture, there are various religious concepts. These concepts lead to mystical behaviors. These behaviors are usually manifested in practices. Laku, in the context of Javanese culture or Indonesian humans, is an effort to achieve a goal of perfection. Kawruh is a form of behavior to find out by studying with other people or books. In kawruh as an activity of finding out/teaching, there are forms of action that can be categorized as practice. The short story "Meguru" by Sengkuni shows the intertwining of laku and kawruh in the life of traditional Javanese society. This article will dissect the forms of laku that are manifestations of kawruh contained in the short story "Meguru" by Sengkuni. This article uses qualitative methods and close reading techniques. To further examine the intertwining of laku and kawruh, relevant Javanese religious concepts will be referred to. From this close reading, it is found that the practices in the short story "Meguru" are manifested in forms such as lelana brata, ritual dialogue with the teacher, and ascetic actions that characterize the daily life of the characters who represent the philosophy of traditional Javanese society. Keywords: kawruh, laku, kanoman, kasepuhan.
NPD DEPICTION ON DONALD TRUMP IN THE DEBATE WITH KAMALA HARRIS: CONTENT ANALYSIS DESIGN Yules Sianipar; Megarizky Hotmauli; Gunawan Tambunsaribu; Teguh Prasetyo
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 12 No. 1 (2025): JUNI
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v12i1.6850

Abstract

Narcissistic Personality Disorder (NPD) is a symptom of someone considering themselves superior to others, thirsting for praise from others, and having little or no empathy for others. we can use the acronym SPECIAL ME to remember the nine traits of NPD: Sense of self-importance, Preoccupation with power, beauty, or success, Entitled, Can only be around important people, Interpersonally exploitative for their gain, Arrogant, Lack empathy, Must be admired, Envious of others or believe that others are envious of them. Many psychoanalytically oriented clinicians consider it a product of the current era and value system (A. W. Lestari, 2023). The research method used in this study is qualitative. The approach used in this study is phenomenological. Phenomenology; seeks to uncover, study, and understand phenomena and their unique contexts experienced by individuals to the level of beliefs of the individual concerned (Fadli, 2021). This study analyzes the transcript data of the debate between Trump and Harris using a content analysis design. According to Holsti, the content analysis method is a technique for concluding by objectively, systematically, and generally identifying various specific characteristics of a message (Astuti et al., 2023). The data source used is the script of the US presidential campaign debate between Donald Trump and Kamila Harris. From 110 data collected, 64 of Donald Trump's statements contain elements of a lack of empathy and arrogance. 47 data of Donald Trump's statements contain an exaggerated sense of self-importance, a need for admiration, Preoccupation with power, beauty, or success, Entitled, Arrogant, and Must be admired. This tendency can be seen in Donald Trump's statements during the presidential debate with Kamala Harris, either in answering questions from the host or responding to statements from Kamala Harris.
Narasi Komodifikasi dan Relasi Kuasa pada Kumpulan Cerpen “Nelayan Itu Berhenti Melaut” Karya Safar Banggai Mike Wijaya Saragih; Teguh Prasetyo; Febrimarini Sinulingga; Gabriella Ndoen
Dialektika: Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia Vol. 12 No. 1 (2025)
Publisher : Department of Indonesia Language and Literature Teaching, UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/dialektika.v12i1.42343

Abstract

  Semenjak digaungkannya kebijakan “kembali ke laut”, ada banyak hal yang menjadi perhatian pemerintah Indonesia untuk mendulang pendapatan dari sumber daya laut Indonesia, termasuk potensi pariwisatanya. Dalam pelaksanaan program tersebut, ada beberapa isu yang muncul terkait kesejahteraan dari masyarakat maritim/laut itu sendiri. Dalam kumpulan cerpen “Nelayan itu Berhenti Melaut” karya Safar Banggai, isu-isu tersebut diangkat sebagai narasi utama. Isu tentang objektifikasi masyarakat laut yang berkait dengan komodifikasi laut dan perkampungannya disampaikan dengan penyajian yang menarik, dengan menempatkan masyarakat pada relasi kuasa yang ironis. Oleh karena itu, artikel ini akan mencoba untuk membedah isu tentang narasi komodifikasi dan relasi kuasa dalam beberapa cerpen di kumpulan cerpen tersebut. Analisis dalam artikel ini akan menggunakan pendekatan sosiologis, dengan meminjam teori-teori kritis yang berpusat pada konsep komodifikasi dan relasi-kuasa. Hasil dari analisis ini menunjukkan bahwa masyarakat laut yang dinarasikan pada beberapa cerpen terikat pada relasi kuasa yang membuat suara-suara mereka redup dan membuat mereka tereifikasi sebagai objek. Bentuk komodifikasi tersebut tidak hanya terbaca pada bentuk objektifikasi masyarakat dan perkampungannya yang dianggap eksotik saja, tetapi juga praktik-praktik sosial budaya yang berubah karena tradisi masyarakat yang tergadaikan. Kata kunci: komodifikasi, masyarakat laut, objektifikasi, relasi kuasa.  
THE PERSPECTIVE OF THE STUDENTS OF UNIVERSITAS KRISTEN INDONESIA REGARDING ONLINE LEARNING METHOD DURING THE COVID-19 PANDEMIC Gunawan Tambunsaribu; Yules Orlando Sianipar; Teguh Prasetyo
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 12 No. 2 (2025): DECEMBER
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v12i2.7524

Abstract

The COVID-19 pandemic forced educational institutions worldwide to rapidly transition from traditional face-to-face learning to online learning systems. This qualitative study aims to explore the perspectives of English Literature students at Universitas Kristen Indonesia regarding their experiences with online learning methods during the pandemic. Data were collected through interviews and field notes from 23 active students who experienced full online learning from 2020 until 2023. Using purposive sampling, the research focused on student responses to four main questions addressing their likes, dislikes, encountered barriers, and suggestions for improving online learning methods. The findings revealed that while students appreciated the flexibility, varied learning media, and opportunities for independent study, they also encountered numerous challenges, including internet connection problems, device limitations, excessive workloads, concentration difficulties, and monotonous teaching methods. The research highlights the importance of integrating interactive, flexible, and creative teaching approaches, improving digital literacy for both lecturers and students, and fostering positive lecturer-student interactions. This study contributes uniquely by providing in-depth qualitative insights from students within a specific program and institutional setting in Indonesia. It offers valuable recommendations for teaching practitioners and educational institutions to enhance the effectiveness and engagement of online learning systems, especially in similar crises or blended learning environments in the future.
TOTEM DAN EKOKRITIK PADA TIGA CERPEN SENO GUMIRA AJIDARMA Teguh Prasetyo; Anggino Tambunan
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 12 No. 2 (2025): DECEMBER
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v12i2.7805

Abstract

Abstract The exploitation of nature and its impact on animal extinction is a common occurrence due to excessive modernization. However, this issue is sometimes overlooked by the mainstream media and public discourse. In this case, literature often emerges to document or even voice criticism of the phenomenon of environmental destruction. Several works that voice criticism of the phenomenon of ecosystem destruction and animal extinction due to modern culture are the short stories of Seno Gumira Ajidarma (SGA). In this study, the author takes three SGA short stories entitled “Macan” (Tiger), “Cintaku Jauh di Pulau Komodo” (My Love is Far Away on Komodo Island), and “Badak Kencana” (Golden Rhinoceros). This study will be conducted using an ecocriticism approach, focusing on the examination of totems as key symbols in the three short stories. To dissect the meaning of totems, the concepts of totems, archetypes, and other concepts in Carl Gustav Jung's analytical psychology are also used. The findings of this study are that totems and their symbolism are narratives in short stories that voice criticism of the exploitation of nature and excessive hunting, which destroy the balance and culture of environmental preservation in the settings of the three short stories.  
DEATH AS RESISTANCE IN MARIANNE KATOPPO’S RAUMANEN (1977) Alwin Firdaus Wallidaeny; Teguh Prasetyo
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 13 No. 1 (2026): JUNI
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v13i1.8199

Abstract

This paper aims to expand on the reading of suicide in Marianne Katoppo’s Raumanen (1977). Building from a long-established trope of female suicide in tragic fiction, the martyrdom was usually read as a form of loss or madness. However, using the synthesis of Elaine Showalter’s Gynocriticism and Hélène Cixous’ concept of écriture féminine to understand how women own their bodies through writing. I want to argue that by narrating her own life in the novel, Raumanen, the narrator, reclaims her own body and voice. Consequently, this reading will provoke a critical reading of how suicide in fiction, especially conducted by women.
Co-Authors Alwin Firdaus Wallidaeny Anggino Tambunan Febrimarini Sinulingga Gabriella Ndoen Gunawan Tambunsaribu Megarizky Hotmauli Mike Wijaya Saragih Yules Orlando Sianipar Yules Sianipar