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All Journal Dialektika Journal of Language and Literature Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Jurnal Seni Nasional Cikini Jurnal ComunitA Servizio Jurnal PkM (Pengabdian kepada Masyarakat) Prosiding Seminar Nasional Pengabdian Masyarakat DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA
Mike Wijaya Saragih
Universitas Kristen Indonesia
Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Library & Information Science Medicine & Pharmacology Nursing Social Sciences

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Membangun Karakter Anak Melalui Dongeng Srisna J. Lahay; Mike Wijaya Saragih; Susanne Sitohang
Prosiding Seminar Nasional Pengabdian Masyarakat Universitas Ma Chung 2020: Prosiding Seminar Nasional Pengabdian Masyarakat (SENAM) 2020
Publisher : Ma Chung Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (869.463 KB)

Abstract

Dongeng adalah karya sastra yang berupa cerita rekaan, memuat nilai dan pesan moral, dan diturunkan dari satu generasi ke generasi yang lain. Dongeng terbagi atas dua kelompok, yaitu dongeng tradisional dan dongeng fantasi modern. Dongeng mengandung nilai-nilai moral, yaitu nilai moral individual, sosial, dan religi. Mendongeng adalah kegiatan menyampaikan cerita lisan yang menyenangkan dan bertujuan untuk berbagi pengalaman dan pengetahuan serta membangun karakter. Mendongeng dapat dilakukan dengan dua cara, yaitu dengan atau tanpa alat peraga. Mendongeng memiliki beberapa manfaat, antara lain, adalah menumbuhkan sikap proaktif, menambah pengetahuan, melatih daya konsentrasi, meningkatkan keterampilan berbahasa, menumbuhkan minat baca, memicu daya pikir kritis, merangsang imajinasi, fantasi, dan kreativitas, meningkatkan kemampuan kognitif, sosial dan emosi, memberi pelajaran tanpa menggurui, serta mempererat hubungan anak dan orang tua. Program Studi Sastra Inggris, Fakultas Sastra, Universitas Kristen Indonesia ikut membentuk karakter anak dan menanamkan nilai moral kepada anak melalui dongeng dalam kegiatan pengabdian kepada masyarakat untuk siswa/i SD di RW 4 dan RW 8, Kelurahan Cawang, Jakarta Timur. Kegiatan mendongeng Cerita Rakyat “Danau Toba” ini dilakukan dengan imrovisasi cerita dan permainan peran. Setelah sesi tanya-jawab tentang dongeng, siswa/i yang dibagi ke dalam beberapa kelompok mempresentasikan pesan moral yang diperoleh dalam bentuk gambar. Dari 15 gambar, diperoleh 10 pesan moral yang terbagi ke dalam dua kelompok, yaitu pesan moral yang bertema lingkungan atau sosial dan yang bertema karakter atau individual. Diperoleh juga delapan hal yang berkaitan dengan karakter anak dari kegiatan mendongeng ini, yaitu kepekaan sosial terhadap lingkungan serta terhadap kebaikan dan kebenaran dalam bertindak dan kemampuan dan keberanian untuk mengungkapkan perasaan dan pendapat di depan umum, mengembangkan daya imajinasi dan kreatif, bekerja sama dalam kelompok yang heterogen, dan mengapresiasi pencapaian orang lain dan bertindak suportif.
Representation of Feminism In The Film Samjin Company English Class (2020): A Semiotic Analysis Esteria Ernawati Hutauruk; Mike Wijaya Saragih
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 9 No. 1 (2023)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v9i1.2243

Abstract

This paper aims to find the representation of feminism in the film Samjin Company English Class (2020). This film was written by Lee Jong-pil and set in 1995. This film tells the story of three girlfriends working for eight years in a large company in South Korea. Even though they have worked for a long time, the three of them are still treated differently. This film shows how female employees who only graduated from high school are able to prove their strengths by figuring out some cases of company waste leakage and corruption committed by company officials. They also fight for equal rights in their work. Their efforts, struggles, and courage are finally not in vain. The method used in this paper is a descriptive method. This research uses Roland Barthes’ semiotic theory to analyze the representation of feminism in the film. Signs and meanings are analyzed through some scenes and dialogues in the film showing the struggles of the three friends. The result of this research is the finding of 13 scenes that represent feminism which can be seen from the female characters’ struggle to grab their dreams.
Postcolonial Discourse Reflected Through Magical Realism in Tess Uriza Holthe’s When the Elephants Dance Gabriella Immanuel Ndoen; Mike Wijaya Saragih
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 9 No. 1 (2023)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v9i1.2247

Abstract

This article aims to show the postcolonial discourse of the Philippines through the utilization of magical realism in the novel When the Elephants Dance (2002) by Tess Uriza Holthe. When the Elephants Dance is intrinsically structured into four main sections which describe the events leading up to Japan’s surrender. Inside these four sections, the story is integrated with five sub-stories from accompanying characters which are A Cure for Happiness, Mang Minno, Ghost Children, The Twilight People, and The Portrait of an Aristocrat. These sub-stories act as one of the highlights of the novel since they are utilized by the characters as a way to retain their sanity and cope with the tragic experiences of living in the middle of a war. The characters’ coping mechanism of telling their life stories that are filled with Filipino mythology reflects the postcolonial discourse of the Philippines prior to and during World War II. With the research limitation of analyzing the story of Mang Minno, this research will use the theory of magical realism by Wendy B. Faris to see the presence of magical realism, as well as the utilization of New Historicism as a bridge to analyze the postcolonial discourse. The results show that by integrating magical realism and history, Holthe was successful in depicting historical events that occurred in the Philippines under the fictional aspect of the novel. Holthe used magical realism to conceal the postcolonial discourse of alterity and emphasize the magnificence of Catholicism in the Philippines.
Driven Towards Death – A Psychoanalysis Approach In Interpreting The Novel Kokoro By Natsumi Soseki Jordan Marelino Parsaulian Naibaho; Mike Wijaya Saragih
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 9 No. 2 (2023)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v9i2.2566

Abstract

This paper aims to attest the author's interpretation that Sensei's character in the novel "Kokoro" by Natsume Soseki, fits into the category of individuals who are driven to death. Through Sigmund Freud's psychoanalytic approach, the writer is expected to prove his interpretation through an integrated analysis. Psychoanalytic elements contained in the novel include instincts, structure of personality and death drive. According to Freud, human instincts are divided into two: life instincts and death instincts. In Freud’s structure of personality, the discussed topic will be focused on the id, ego, and superego. Id, ego, and superego will be the subject of how Sensei's character falls into the category of individuals who are driven to death. The method used in answering the research problems is by using close reading, focalization, and data collection. The novel "Kokoro" tells the characters of I and Sensei. I and Sensei are two people met just by chance, unrelated to each other. This paper focuses on Sensei’s part where he tells his past to I. At the end of the contents of the letter, Sensei stated that he had committed suicide. The letter turns out to be Sensei’s testament. The results of this paper are, in the novel "Kokoro", Sensei's character is an individual who: 1) has a life instinct and a death instinct in different periods of time, 2) has an id, ego, and superego which is proof that Sensei has the trait of being driven to death.
Representasi Identitas Masyarakat Laut dalam Kumpulan Cerita Pendek Nelayan Itu Berhenti Melaut Mike Wijaya Saragih; Teguh Prasetyo
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 9 No. 2 (2023)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v9i2.2958

Abstract

Kumpulan cerpen Nelayan itu Berhenti Melaut karya Safar Banggai merupakan kumpulan dari 12 cerpen yang hampir seluruhnya erat dengan latar laut dan kemaritiman. Penceritaan yang diusung pun beragam dari beberapa sudut pandang di masing-masing cerpen. Namun demikian, hampir seluruhnya menyinggung perihal masyarakat laut yang dalam beberapa cerpen disebut sebagai masyarakat Bajo. Tulisan ini bertujuan untuk menunjukkan bentuk-bentuk representasi identitas masyarakat laut khususnya masyarakat Bajo yang digambarkan dalam kumpulan cerpen Nelayan itu Berhenti Melaut karya Safar Banggai. Buku ini merupakan kumpulan cerita pendek yang mendefinisikan kembali masyarakat laut dengan narasi dikotomis untuk melihat kehidupan masyarakat laut dan peradabannya. Melalui analisis struktural serta penggunaan konsep identitas dan pendekatan sosiologis, dikotomi tersebut digunakan untuk merumuskan representasi identitas masyarakat laut. Hasil penelitian ini menunjukkan bahwa ditemukannya lima bentuk representasi identitas masyarakat laut di dalam kumpulan cerpen ini, seperti masyarakat laut sebagai penghuni laut; masyarakat laut menjaga laut dan tradisi laut; masyarakat laut selalu setia terhadap laut; masyarakat laut dan tradisi mistik; serta masyarakat laut tidak tunduk pada batasan daratan.
Pengenalan Budaya dan Bahasa Betawi kepada Pengungsi Asal Timur Tengah, Myanmar, dan Afrika di Jakarta Saragih, Mike Wijaya; Prasetyo, Teguh; Sirait, Lisbeth; Fortunae, Benedicta Stella; Sandidi, Agung; Lendway, Natan Christofel
Jurnal PKM: Pengabdian Kepada Masyarakat Vol 8, No 1 (2025): Jurnal PkM: Pengabdian kepada Masyarakat
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/jurnalpkm.v8i1.27561

Abstract

Pengungsi merupakan komunitas diaspora yang sering dianggap liyan karena terpaksa pindah dari negara asal. Di Indonesia, khususnya Jakarta, pengungsi menempati ruang-ruang terbatas sebagai warga yang terkonsentrasi pada tempat-tempat tertentu dan kurang terintegrasi dengan ruang budaya Jakarta itu sendiri. Pengungsi kurang memiliki akses untuk melebur atau sekadar memahami budaya lokal Jakarta. Menyikapi fenomena tersebut, Universitas Kristen Indonesia bekerja sama dengan JRS Indonesia dan UNHCR melakukan upaya mengenalkan budaya dan bahasa Jakarta/Betawi kepada para pengungsi di Jakarta. Target peserta dalam kegiatan ini adalah pengungsi dewasa yang berasal dari Timur Tengah, Afrika, dan Myanmar. Pengenalan budaya ini dilakukan dengan berbagai cara, seperti menonton film pendek dan diskusi mengenai tradisi Palang Pintu. Dari film tersebut, pengungsi diajak berkenalan lebih jauh mengenai tradisi, bahasa, maupun makanan tradisional Betawi. Tujuannya, para pengungsi, khususnya orang tua, dapat lebih mendekatkan diri dengan masyarakat di tempat mereka singgah, yakni di Jakarta. Metode yang digunakan dalam pengenalan dan diskusi budaya ini adalah dengan sosialisasi, diskusi/wawancara, dan pengisian kuesioner. Dari wawancara dan pengisian kuesioner ditemukan bahwa kegiatan ini sangat membantu dalam memperkaya pengetahuan tentang lingkungan dan budaya masyarakat Jakarta sehingga mereka lebih mengenal dan mau berbaur (tidak merasa inferior) dengan masyarakat Jakarta sendiri.
Representasi Sikap Hidup Orang Jawa dalam Pengakuan Pariyem karya Linus Suryadi AG dan Babad Ngalor Ngidul karya Elizabeth D. Inandiak Teguh Prasetyo; Mike Wijaya Saragih
Jurnal Seni Nasional Cikini Vol. 10 No. 2 (2024): Jurnal Seni Nasional Cikini Vol. 10 No.2
Publisher : Riset, inovasi dan PKM - Institut Kesenian Jakarta, DKI Jakarta.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52969/jsnc.v10i2.509

Abstract

Orang Jawa seringkali digambarkan sebagai manusia yang memiliki tradisi dan sikap hidup yang ikhlas dan selaras. Dalam kesusastraan Indonesia, gambaran masyarakat Jawa seringkali dimunculkan, terutama oleh pengarang keturunan Jawa sendiri. Namun, terdapat pula beberapa gambaran orang Jawa yang muncul dari pengaran yang berasal dari luar Jawa, bahkan warga negara asing (non-Jawa). Pertanyaan selanjutnya adalah bagaimana sikap hidup orang Jawa digambarkan dalam novel-novel yang ditulis oleh pengarang Jawa dan non-Jawa. Untuk itu, penulis mengambil dua sampel prosa Indonesia, yaitu Pengakuan Pariyem karya Linus Suryadi AG (pengarang keturunan Jawa) dan Babad Ngalor Ngidul karya Elizabeth D. Inandiak (pengarang berkewarganegaraan Prancis). Melalui dua novel ini, penulis ingin melihat gambaran sikap hidup orang Jawa dari sudut pandang penceritaan pengarang yang berbeda latar belakang budaya. Dengan melihat struktur karya, narasi, dan konsep representasi, penulis ingin membedah penggambaran sikap hidup orang Jawa dari kedua pengarang yang memiliki latar belakang yang berbeda. Hasil dari analisis dalam artikel ini menunjukkan bahwa keduanya menggambarkan jati diri dan sikap hidup orang Jawa seperti yang seringkali ditunjukkan dalam berbagai literatur, yakni sebagai orang yang menjunjung keselarasan dan laku hidup yang mengindahkan dunia. Namun demikian, keduanya memiliki gaya penarasian yang unik, yang menunjukkan bahwa Inandiak, pengarang berkebangsaan Prancis, memiliki kecenderungan penggambaran yang bernada lebih orientalis dibanding penarasian dari karya Linus Suryadi AG sebagai orang keturunan Jawa. Javanese people are often described as having traditions and attitudes that are sincere and harmonious. In Indonesian literature, images of Javanese people are often presented, especially by authors of Javanese descent. However, there are also some images of Javanese people that appear from authors who come from outside Java, even foreign nationals (non-Javanese). The next question is how the Javanese attitude to life is depicted in novels written by Javanese and non-Javanese authors. For this purpose, the author takes two samples of Indonesian prose, namely Pengakuan Pariyem by Linus Suryadi AG (a Javanese author) and Babad Ngalor Ngidul by Elizabeth D. Inandiak (a French author). Through these two novels, the author wants to see the depiction of Javanese life attitudes from the perspective of authors with different cultural backgrounds. By looking at the structure of the work, narrative, and the concept of representation, the author wants to dissect the depiction of Javanese attitudes of life from the two authors who have different backgrounds. The results of the analysis in this article show that both authors portray the Javanese identity and attitude to life as often shown in various literatures, namely as people who uphold harmony and practice life that heeds the world. However, both have a unique narrative style, which shows that Inandiak, a French author, has a tendency to portray a more orientalist tone than Linus Suryadi AG's narrative as a person of Javanese descent.
PEMANFAATAN MEDIA SOSIAL INSTAGRAM DALAM PEMBELAJARAN BAHASA INGGRIS PADA SISWA ENGLISH CLUB DI SMPN 163 JAKARTA Mike Wijaya Saragih; Febrimarini Br. Sinulingga; Susanne A.H. Sitohang; Thesalonika Alvina; Adiranto Hia
JURNAL Comunità Servizio : Jurnal Terkait Kegiatan Pengabdian kepada Masyarakat, terkhusus bidang Teknologi, Kewirausahaan dan Sosial Kemasyarakatan Vol. 5 No. 1 (2023): APRIL
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPM), Univesitas Kristen Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/cs.v5i1.4647

Abstract

This paper aims to show the results of the Faculty of Letters and Languages UKI’s Community Service (PkM) focusing on the use of Instagram in learning English for the English Club students of SMPN 163, Jakarta, in the period of August to November 2022. Instagram is a medium used to evaluate students' understanding of the learning material provided by tutors every week. The forms of assignments varied, ranging from making posters, videos, short essays, presentation materials, and greeting cards, which were adjusted to weekly themes, and were carried out both independently and in groups. From the learning evaluation distributed through the Google form, there were 52 respondents consisting of 33 female and 19 male respondents. The survey results show that more than 90% of respondents feel the benefits of using Instagram in the process of learning English, both in terms of improving hard skills and soft skills. The hard skills acquired are related to English skills both spoken and written and skills in making and editing posters and videos, while the soft skills acquired are related to creativity and the ability to work together in a team. The evaluation results also show that more than 80% of English Club participants recommend continuing the use of Instagram social media in the future English learning process. Keywords: English Club; Instagram; hard and soft skills
Narasi Komodifikasi dan Relasi Kuasa pada Kumpulan Cerpen Nelayan Itu Berhenti Melaut Karya Safar Banggai Saragih, Mike Wijaya; Prasetyo, Teguh; Sinulingga, Febrimarini; Ndoen, Gabriella
Dialektika: Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia Vol 12, No 1 (2025)
Publisher : Department of Indonesia Language and Literature Teaching, UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/dialektika.v12i1.42343

Abstract

Since the echo of the "back to sea" policy, there have been many things that have become the concern of the Indonesian government to gain revenue from Indonesia's marine resources, including its tourism potential. In implementing the program, several issues arose related to the welfare of the maritime community itself. In the collection of short stories "Nelayan itu Berhenti Melaut" by Safar Banggai, these issues are raised as the main narrative. Therefore, this article will try to dissect the issue of commodification narratives and power relations in several short stories in this collection of short stories. The analysis in this article will use a sociological approach, borrowing critical theories centered on the concepts of commodification and power relations. The results of this analysis indicate that the sea communities narrated in several short stories are bound by power relations that make their voices muffled and make them reified as objects. This form of commodification is not only seen in the objectification of society and its settlements, which are considered exotic, but also in socio-cultural practices that have changed because the traditions have been mortgaged
Food and Memory as Portrayed in Crying in H Mart Memoir by Michelle Zauner Melano, Daniel; Saragih, Mike Wijaya
Journal of Language and Literature Vol 25, No 2 (2025): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v25i2.10887

Abstract

Crying in H Mart, a memoir by Michelle Zauner, describes how Michelle, as the main character, recalls her memories through Korean food. After her mother died, she tried to keep connected with her mother through the activity that they did together related to Korean food. Some activities included cooking, eating, visiting restaurants, preparing food, etc. While reconnecting to her memory, Michelle also tried to keep connected with the heritage that her mother had given to her, which is a Korean identity. This study aims to show the connection between food, memory, and culture in the Crying in H Mart memoir. The writers use a descriptive qualitative method with a close reading of the memoir.  Abarca's concept of Holistic Culinary is needed to analyze the connection between food, memory, and culture portrayed in the memoir. The result shows that the connection of food, memory, and culture enabled Michelle to reconnect to her experience with her family, especially her mother. From reconnecting to her past, Michelle's emotions were triggered. The way Michelle reconnected to her past makes her keep connected with her mother's heritage and explore the Korean culture more through interacting with Korean people, doing self-cultural exploration, and promoting Korean culture.
Co-Authors Adiranto Hia Esteria Ernawati Hutauruk Febrimarini Br. Sinulingga Felia Aditya S. Meliala Fortunae, Benedicta Stella Gabriella Immanuel Ndoen Jordan Marelino Parsaulian Naibaho Lendway, Natan Christofel Melano, Daniel Ndoen, Gabriella Nelly Trisna Raja Guk-Guk Prasetyo, Teguh Sandidi, Agung Sinthon L. Siahaan Sinulingga, Febrimarini Sirait, Lisbeth Srisna J. Lahay Susanne A.H. Sitohang Susanne Sitohang Teguh Prasetyo Teguh Prasetyo Thesalonika Alvina Thesalonika Alvina Yosep Liderman Panggabean