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All Journal Prosiding Seminar Nasional Pascasarjana Catharsis
Muh Fakhrihun Naam
Universitas Negeri Semarang, Indonesia
Arts Education

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Nail Art : Sejarah, Bentuk, Warna dan Teknik Pembuatannya Maria Krisnawati; Agus Cahyono; Muh Ibnan Syarif; Muh Fakhrihun Naam; Erni Eka Ariyanti
Prosiding Seminar Nasional Pascasarjana Vol. 5 No. 1 (2022)
Publisher : Pascasarjana Universitas Negeri Semarang

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Abstract

Abstrak. Nail art adalah tindakan untuk mempercantik kuku dengan memberi gambar, lukisan atau hiasan baik secara langsung maupun menggunakan kuku palsu. Tujuan penelitian ini adalah untuk menjelaskan sejarah, bentuk, warna dan teknik pembuatannya. Metode penelitian ini menggunakan studi pustaka. Hasil penelitian menunjukkan bahwa nail art atau seni menghias kuku telah dikenal sejak ratusan tahun yang lalu dan berkembang hingga sampai saat ini, terdapat bentuk nail art yang dilihat dari kukunya yaitu oval, square, squoval, round dan pointed, dari segi warna tersedia berbagai macam warna namun penggunaannya harus disesuaikan dengan warna kulit. Teknik yang digunakan untuk membuat nail art adalah kuas, stamping, water marble, dan ombre. Hasil penelitian ini untuk meningkatkan pengetahuan nail art yang dapat dimanfaatkan oleh masyarakat dan pendidikan. Abstract. Nail art is an action to beautify nails by giving pictures, painting or decorations either directly or using artificial nails. The purpose of this study is to explain the history, shape, colour and manufacturing techniques. This research method uses literature study. The results show that nail art or nail art has been known for hundreds of years and has developed until now, there are forms of nail art seen from the nails, namely oval, square, squoval, round and pointed, in terms of color, there are various colors available. but its use must be adjusted to the color of the skin. The techniques used to make nail art are brush, stamping, water marble, and ombre. The results of this study are to increase knowledge of nail art that can be utilized by the community and education.
Analisis Bentuk Estetik pada Properti Visual Ritual Obong Masyarakat Kalang Kabupaten Kendal Abdul Aziz; Eko Sugiarto; Muh Fakhrihun Naam
Catharsis Vol. 12 No. 2 (2023): September 2023
Publisher : Universitas Negeri Semarang

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Abstract

The obong ritual is a death ritual carried out by the kalang community as a means of respecting the spirits of deceased ancestors. This ritual is a local wisdom in Kendal Regency. However, many people of kalang descent have abandoned obong rituals, so there is a need for cultural socialization media so that these rituals are not eroded by the times. This research aims to analyze the aesthetic form, symbolic meaning, and role of the obong ritual as a medium for cultural socialization. The research method used is a qualitative approach. Data was taken using in-depth interviews, documentation and observation. The research was conducted in Tratemulyo Village, Weleri District, Kendal Regency. The uniqueness of this research location is that the majority of the kalang people in Tratemulyo Village are actually Muslim, but still practice and carry out ceremonies of respect for ancestral spirits in the form of obong rituals. The research results show that the aesthetic form of the visual properties used in the obong ritual contains deep symbolism. It is not just decoration, but also summarizes the values and traditions that have been passed down from generation to generation. The symbolic meaning of offerings in the obong ritual never experiences a shift in meaning, because the meaning is passed down from generation to generation by the kalang shaman.
Co-Authors Abdul Aziz Agus Cahyono Eko Sugiarto Erni Eka Ariyanti Maria Krisnawati Muh. Ibnan Syarif, Muh. Ibnan