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All Journal Jurnal CoreIT Jurnal Penelitian Agama Hindu Metta : Jurnal Ilmu Multidisiplin Lektur, Jurnal Ilmu Komunikasi
Anggara Putu Dharma Putra
Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Chemistry Computer Science & IT Earth & Planetary Sciences Economics, Econometrics & Finance Education Energy Engineering Environmental Science Health Professions Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Nursing Physics Public Health Social Sciences Other

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Penerapan Teori Dramaturgi Dalam Citra Diri Media Sosial Instagram (Studi Kasus Mahasiswa UHN I Gusti Bagus Sugriwa Denpasar) Made Ika Kusuma Dewi; Anggara Putu Dharma Putra; Bagus Ade Tegar Prabawa; Komang Dewi Komala Yogantari
Lektur: Jurnal Ilmu Komunikasi Vol 8, No 3 (2025): Lektur: Jurnal Ilmu Komunikasi
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/lektur.v8i3.25072

Abstract

Second account menciptakan dinamika dramatis baru dalam konteks media sosial, dimana individu memiliki lebih banyak kendali atas presentasi diri pengguna dan cara individu berinteraksi dengan berbagai audiens. Penggunaan second account dapat dianggap sebagai bentuk dramaturgi digital, dimana individu secara sadar membentuk dan memainkan peran dalam pertunjukan online media sosial Instagram. Sejalan dengan pandangan Goffman tentang interaksi sosial sebagai suatu dramaturgi, setiap individu berusaha untuk mengekspresikan diri sesuai dengan harapan sosial dan menciptakan kesan yang diinginkan dihadapan orang lain. Istilah panggung depan merujuk pada apa yang ditampilkan saat individu berinteraksi dengan orang lain atau dalam konteks kelompok sosial dimasyarakat, yang mencerminkan identitas sosial yang diinginkan. Hasil penelitian terdapat penerapan teori dramaturgi pada aktivitas sosial media Instagram mahasiswa UHN I Gusti Bagus Sugriwa Denpasar. Mahasiswa memberikan informasi bagaimana aktivitas first account yang mencerminkan bagaimana mahasiswa ingin dikenal oleh pengikut media sosial Instagram agar dapat mencitrakan diri sebaik mungkin. Pada second account aktivitas media sosial yang hanya dapat diakses kalangan tertentu untuk menampilkan sisi yang berbeda dari first account.
Implementasi Konsepsi Ke-Esaan Tuhan Dalam Tri Murti Puja di Pura Samuantiga: Perspektif Komunikasi Hindu I Wayan Wirta; Anggara Putu Dharma Putra; Sintyananda Gayatri; Made Suta
Metta : Jurnal Ilmu Multidisiplin Vol. 6 No. 1 (2026)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/metta.v6i1.4916

Abstract

The understanding of the concept of the Oneness of God among Hindu devotees is often reduced to symbolic and traditional ritual practices, resulting in a gap between Vedic theological teachings and everyday religious practice. This condition underscores the importance of studies that position Tri Murti Puja not merely as a ritual expression, but as a form of theological communication that represents the doctrine of the One Supreme God in Hinduism. This study aims to examine the concept of the Oneness of God based on Hindu sacred texts and its implementation in Tri Murti Puja practices through the perspective of Hindu communication. This research employs a qualitative approach with a descriptive-interpretative design. Data were collected through textual analysis of the Vedas, Upanishads, Puranas, and the Tri Sandhya mantra, as well as field research involving ritual observation, documentation of temple shrines (pelinggih), and interviews with temple priests and Hindu devotees at Pura Samuantiga. Data analysis was conducted inductively through processes of data reduction, categorization, and interpretation of the theological and communicative meanings of ritual practices. The findings indicate that the concept of the Oneness of God in Hinduism is consistently affirmed in Vedic teachings through the principle of Ekam Eva Advitiyam, which is symbolically implemented in Tri Murti Puja. The Tri Murti does not represent polytheism, but rather a differentiation of divine functions within a single transcendent reality. Ritual practices such as Ngambeng, Nampyog, and Siat Sampian function as media of religious communication that transmit theological, ethical, and social values to the community. Rituals serve as a system of signs that bridge abstract understandings of divine unity with concrete religious experience. This study confirms that Tri Murti Puja constitutes an effective form of Hindu communication in internalizing the doctrine of the Oneness of God. The integration of theological, symbolic, and communicative dimensions within ritual practices strengthens śraddhā and bhakti among devotees while ensuring the continuity of Hindu teachings within the local cultural context. The originality of this study lies in its use of a Hindu communication perspective to explain Tri Murti Puja as a theological medium for expressing the concept of the Oneness of God, a perspective that has been insufficiently explored in previous studies.
Sakralitas Digital Hindu Bali Translokasi Ruang Suci ke Media Sosial Anggara Putu Dharma Putra
Jurnal Penelitian Agama Hindu Vol 10 No 1 (2026)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v10i1.4481

Abstract

Digital transformation has blurred the boundaries between the sacred and the profane, positioning social media not merely as a means of communication but also as a new arena for religious expression. In the context of Balinese Hinduism, the translocation of sacred spaces onto digital timelines raises questions about how sacredness is produced, perceived, and renegotiated within the digital ecology. This study aims to examine the phenomenon of uploaded sacredness by emphasizing the dynamics of visual representation, authority, and online community validation. This research employs a qualitative approach through digital ethnography and visual anthropology. Data were collected through online observation, documentation of 120 posts on Instagram, Facebook, TikTok, and YouTube (2022–2024), as well as semi-structured interviews with 20 key informants, including priests, content creators, and Hindu practitioners. Data analysis was conducted inductively through visual coding, digital discourse analysis, and ethnographic interpretation. The study reveals four main findings. First, sacred spaces are aesthetically represented through photos, videos, and poetic captions that extend religious experiences into the virtual sphere. Second, the emergence of hybrid rituals marks the convergence of offline ritual practices and online content production. Third, religious authority shifts into the digital realm, producing dynamics of post-traditional religiosity in which young priests and content creators become authoritative figures. Fourth, community validation through likes, comments, and reshares constitutes the legitimacy of digital sacredness, although often accompanied by tensions between sanctity and commodification. The study demonstrates that sacredness does not disappear in its translocation to social media but is re-mediated through visual aesthetics, community participation, and platform logics. This research contributes to the study of religion, visual culture, and digital anthropology by asserting that uploaded sacredness is a hybrid religious phenomenon that is both global and local, while also enriching theoretical frameworks on religious mediation in the era of digital disruption.
Evaluation of the Latent Dirichlet Allocation for Modeling News Topics of Nusantara Capital City Luh Gede Surya Kartika; Anggara Putu Dharma Putra; Komang Rinartha; Megawati Megawati
Jurnal CoreIT: Jurnal Hasil Penelitian Ilmu Komputer dan Teknologi Informasi Vol. 11 No. 2 (2025): December 2025
Publisher : Fakultas Sains dan Teknologi, Universitas Islam Negeri Sultan Syarif Kasim Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Research regarding topic modeling on the coverage of the Nusantara Capital City (IKN) in national mass media remains limited. This study aims to not only model IKN-related topics but also rigorously evaluate the Latent Dirichlet Allocation (LDA) model to ensure its robustness for future implementation. The dataset comprises 1,498 news articles gathered from prominent Indonesian online media, specifically Detik (1,050 articles) and Kompas (448 articles). The methodology involves experimental variations of LDA parameters, including document volume, maximum features, and topic count, utilizing the Scikit-learn library. The results indicate that an increase in data volume and feature dimensions significantly correlates with longer computation times and a higher number of epochs required for convergence. Furthermore, the expansion of variables and data volume resulted in more negative log-likelihood values and increased perplexity, suggesting that model complexity challenges predictive precision. A convergence threshold of $1e^{-2}$ was applied to optimize the training cessation point. While this study establishes a baseline for static topic modeling, future research implies the necessity of Dynamic Topic Modeling (DTM) to capture the temporal evolution of topics, a dimension not addressed by the standard LDA model.
Co-Authors Bagus Ade Tegar Prabawa I Wayan Wirta Komang Dewi Komala Yogantari Komang Rinartha Luh Gede Surya Kartika Made Ika Kusuma Dewi Made Suta Megawati Megawati Sintyananda Gayatri