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All Journal Tanra : Jurnal Desain Komunikasi Visual Fakultas Seni dan Desain Universitas Negeri Makassar
Martinus Eko Prasetyo
Universitas Multimedia Nusantara
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DYNAMIC COMPOSITION IN THE FILM THOR: LOVE AND THUNDER ON DISNEY+ HOTSTAR PLATFORM." Martinus Eko Prasetyo
Tanra: Jurnal Desain Komunikasi Visual Fakultas Seni Dan Desain Universitas Negeri Makassar Vol 11, No 2 (2024): Mei - Agustus
Publisher : Universitas Negeri makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/tanra.v11i2.59376

Abstract

The popularity of Marvel Studio films in Indonesia has been quite popular since the last ten years. Many films produced by Marvel Studio have received the attention of the public, one of the most recent is a film entitled Thor: Love and Thunder which is currently showing on the Disney+ Hotstar platform as one of the family's favorite films which is quite visually appealing. Based on the analysis conducted by the author of two previous studies regarding the visual composition of moving images in a Netflix film and the visual composition of a photographic still image, how to take pictures on a camera is important and the authors try to prove this through this research. By using a qualitative descriptive research method, the author dissects the application of dynamic composition in the shooting of the film Thor: Love and Thunder which is analyzed from several important scenes that occur at the beginning of the film, in the middle of the film, and at the end of the film. This research shows the importance of taking dynamic composition from the start in camera shooting of the latest 2022 Marvel film production because it has a direct effect on conveying messages to the audience.
KOMPOSISI VISUAL TRAILER FILM KARTINI 2017 Martinus Eko Prasetyo; Shierly Everlin
Tanra: Jurnal Desain Komunikasi Visual Fakultas Seni Dan Desain Universitas Negeri Makassar Vol 12, No 3 (2025): Desember
Publisher : Universitas Negeri makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/tanra.v12i3.67930

Abstract

AbstractThis study discusses the visual composition in the trailer of the film Kartini (2017), focusing on color, lighting, and spatial elements in the film’s visuals. It is crucial to understand how the visual elements in each scene are technically created as a medium of communication to convey messages to the audience. The primary objective of this research is to analyze the visual elements utilized in the trailer to construct the narrative, atmosphere, and technical aspects of the visuals. The research method employed is qualitative visual analysis, encompassing observations of cinematography, lighting, color, camera angles, and visual symbols. The findings reveal that the Kartini trailer strategically employs visual elements to depict the colonial-era atmosphere in Java, highlight social conflicts, and reinforce Kartini's characterization as the main figure. The use of warm tones, natural lighting, and dominant close-up shots effectively emphasizes Kartini's emotions and struggles. Additionally, the representation of Javanese cultural symbols enriches the visual narrative, thereby providing a unique appeal to the audience.
Co-Authors Everlin, Shierly