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All Journal Jurnal Pendidikan Bahasa Jepang Undiksha Mezurashii: Journal of Japanese Studies IJLHE: International Journal of Language, Humanities, and Education Varia Humanika
Dwi Puspitosari
Universitas Negeri Semarang
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Students' Use of Vocabulary and Kanji in Essays: Corpus Data-Based Measurement Ai Sumirah Setiawati; Dwi Puspitosari; Danny Buyung Yudha Prasetya; Yulia Agustina
IJLHE: International Journal of Language, Humanities, and Education Vol. 6 No. 2 (2023): IJLHE: International Journal of Language, Humanities, and Education
Publisher : Master Program in Indonesian Language Education and The Institute for Research and Community Service STKIP PGRI Bandar Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research was conducted to describe 1) the level of Vocabulary and Kanji that students tend to use in essays measured based on JLPT standards and 2) the suitability of the level of Vocabulary and Kanji used by students in Japanese essays with the learning level that has been taken, namely N4. These two measurements utilize a corpus of data that has only been used for reading-learning purposes. This research uses a qualitative approach, and the data source is 53 students with data collection techniques, namely assignments to write essays with predetermined themes and questionnaires. The data analyzed is the vocabulary and Kanji students use in their essays. This research shows that students use 68.8% of N5-level vocabulary and 61% of N5-level Kanji in their essays. The findings from assessing the use of vocabulary and Kanji differ from their current learning level, namely level N4, which the highest percentage at this level should indicate. Thus, the target of students' ability to use N4-level vocabulary and Kanji at their current learning level has not been achieved.
Kesantunan Verbal dan Non-Verbal dalam Etika Bisnis Budaya Jepang kepada Para Staff PT PRPP Jawa Tengah untuk Meningkatkan Hospitality dan Servis Excellence Rina Supriatnaningsih; Lisda Nurjaleka; Silvia Nurhayati; Anggraeni; Dwi Puspitosari; Yoyok Nugroho
Varia Humanika Vol. 5 No. 2 (2024)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/vh.v5i2.10975

Abstract

Verbal and non-verbal politeness in Japanese cultural business ethics given to PT PRPP Central Java staff as part of tourism business actors can improve service with hospitality in accordance with the transformation of PT PRPP Central Java into a Tourism Holding Company. This excellent service can be realized with verbal and non-verbal services from a blend of Indonesian and Japanese politeness. As a result of the training from verbal practice in Japanese culture, the training staff consisted of 23 participants consisting of operational managers, HRD managers, cashier supervisors, marketing supervisors, marketing staff, general affairs supervisors, Public Relations, security coordinators, security members, electrical mechanic coordinators, freelancers tickets, and internship participants at PT PRPP, based on the results of a questionnaire via google form after being given training, it can be concluded that participants can learn to introduce themselves by using the ending desu or masu in the use of greeting sentences 'good morning' by saying ohayou gozaimasu, not pronounced with ohayou. When introducing themselves, the staff can say sentences, such as ….. desu or …. to moushimasu ‘I ……’. Non-verbal polite service, staff can do ojigi or 'bow' to show courtesy to others while exchanging business cards or meishi as part of the Japanese culture of business ethics. In addition, the staff can practice writing their own names in Japanese characters using katakana letters as evidenced by uploading the name card files that all participants have made
Analisis Hubungan Antara 糸 (Benang) dengan Makna Kanji yang mengandung Bushu Ito (糸) Secara Tidak Langsung Astrid Julianti; Dwi Puspitosari
Mezurashii: Journal of Japanese Studies Vol. 7 No. 2 (2025): OKTOBER
Publisher : Japanese Department Faculty of Cultural Science Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/mezurashii.v7i2.131866

Abstract

Kanji adalah simbol yang diciptakan berdasarkan makna yang ingin disampaikan. Penelitian ini difokuskan pada 39 Kanji yang mengandung Bushu 糸 yang memiliki hubungan dengan makna “benang” secara tidak langsung yang diambil dari kamus Kanji Jepang " Shin Reinboo Shougaku Kanji Jiten Kaitei Dai 3 Ban" (新レインボー小学漢字辞典改訂第3版). Tujuan penelitian ini untuk menjelaskan bagaimana peran semantik unsur 糸 pada Kanji yang ber-Bushu 糸 berdasarkan naritachi dan makna asosiasi. Metode penelitian yang digunakan adalah deskriptif kualitatif, teori yang dipakai adalah teori peran semantik oleh Sumiko (2005) dan teori makna. Dari hasil analisis, dapat diketahui terdapat total 39 Kanji yang memiliki hubungan dengan 糸(benang) secara tidak langsung. Dari 10 klasifikasi Kanji berdasarkan teori peran semantik oleh (Sumiko, 2005) hanya ditemukan 6 peran semantik, yaitu peran semantik sebagai penderita dengan 11 data, sebagai tema 10 data, sebagai pelaku 7 data, sebagai tujuan 7 data, sebagai alat 3 data dan sebagai lokasi 2 data.
Analisis Semantik Kosakata Dialek Kansai yang Trending di Aplikasi X: Semantic Analysis of Kansai Dialect Vocabulary Trending on the X Platform Hanan Taufiequrrahman; Dwi Puspitosari
Jurnal Pendidikan Bahasa Jepang Undiksha Vol. 12 No. 2 (2026): Linguistic and Japanese Culture
Publisher : Undiksha Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jpbj.v12i2.110212

Abstract

The development of digital technology has encouraged the spread of regional dialects into virtual spaces. This study examines the phenomenon of Kansai Dialect vocabulary usage that has become a trend on the X Platform as a form of language variation in digital communication. The aim of this study is to identify the dominant forms of Kansai Dialect vocabulary and analyse the processes of semantic change and linguistic adaptation. This research employs a descriptive qualitative approach with a sociolinguistic design. The data consist of posts on the X Platform in September 2025, which were analysed using theories of semantics and semantic change. The results show that four vocabulary items are the most dominant, namely honma, meccha, egui, and shaanai. These vocabulary items have undergone semantic adaptations, including shifts in emotional function, dialect standardisation, semantic amelioration, and changes in pragmatic function. This study concludes that the use of Kansai Dialect on social media functions not only as a means of information exchange but also as a medium for self-expression and the formation of social closeness.
Penggunaan Dialek Kansai sebagai Yakuwarigo dalam Anime Summertime Render: The Use of the Kansai Dialect as Yakuwarigo in the Anime Summertime Render Hafizh Cahya Kurnia; Dwi Puspitosari
Jurnal Pendidikan Bahasa Jepang Undiksha Vol. 12 No. 2 (2026): Linguistic and Japanese Culture
Publisher : Undiksha Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jpbj.v12i2.110306

Abstract

This study aims to determine: (1) the characteristics of the Kansai dialect as yakuwarigo spoken by Kofune Ushio in the anime series Summertime Render, and (2) the use of the Kansai dialect as yakuwarigo spoken by Kofune Ushio in Summertime Render based on Abdul Chaer's sociolinguistic theory. This study employed a descriptive qualitative method. The data were collected using the observation and note-taking techniques, while theoretical triangulation was applied to ensure data validity. The data were analyzed using qualitative content analysis. The results indicate that there are five forms of shuujoshi with a total of 57 data, twenty forms of jodoushi with a total of 59 data, and seven forms of verb conjugation variations with a total of 51 data. Furthermore, the use of the Kansai dialect is not influenced by changes in setting or time; rather, it functions as a marker of the character's linguistic identity. Based on Abdul Chaer's sociolinguistic theory, the aspects of language user, language use, place of language use, and time of language use can be clearly identified, whereas the aspect of language contact is not found. Therefore, this study demonstrates that the Kansai dialect in Summertime Render is deliberately and systematically employed as a narrative device to construct the character's identity and support the coherence of the story.
Analyzing The Use of Metaphors In The Lyrics of PinocchioP’s Songs Aprena Fatih Almas; Dwi Puspitosari
Mezurashii: Journal of Japanese Studies Vol. 8 No. 1 (2026): APRIL
Publisher : Japanese Department Faculty of Cultural Science Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/mezurashii.v8i1.132868

Abstract

Metaphor is figure of speech that is often used in written and spoken works of art such as songs as a way of connecting two similar things without using comparative words. This study aims to examine the use of metaphors in PinocchioP's songs through Stephen Ullmann's four classifications of metaphors: anthropomorphic, abstraction, synesthetic, and Zoomorphic. This study uses qualitative descriptive approach with listening and note-taking technique on 27 songs contained in PinocchioP's BEST ALBUM 2009-2020 Kotobuki. It can be concluded that all four classifications of metaphors according to Ullmann's classification method appear in 26 of the 27 songs analyzed. There are seventy-one pieces of data from 26 songs in the album PinocchioP Best Album 2009-2020 Kotobuki. Abstraction metaphors appear most frequently in the lyrics of PinocchioP's songs with 39 pieces of data. Anthropomorphic and synesthetic metaphors appear 12 times respectively. Zoomorphic appeared last with eight instances. This shows that metaphors are one of the linguistic tools frequently used by PinocchioP. The meaning conveyed by each metaphor also depends on the context of the song lyrics and their relationship to the theme. Most of the themes raised are “relationships,” either with other people (Kimi mo Warui Hito de Yokatta, Yozurina) or with oneself (Slow Motion, Motivation ga Shindeiru) or even to Hatsune Miku herself (Aisarenakute mo Kimi ga Iru, 10-nengo no VOCALOID no Uta). The role of this theme supports the use of metaphors as a way for PinocchioP to give deep impression and impact in the lyrics of his songs.
Co-Authors Ai Sumirah Setiawati Anggraeni Aprena Fatih Almas Astrid Julianti Danny Buyung Yudha Prasetya Hafizh Cahya Kurnia Hanan Taufiequrrahman Lisda Nurjaleka Rina Supriatnaningsih Silvia Nurhayati Yoyok Nugroho Yulia Agustina