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All Journal Journal of Contemporary Indonesian Art JADECS (Journal of Art, Design, Art Education and Culture Studies) Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Capture : Jurnal Seni Media Rekam Visual Heritage: Jurnal Kreasi Seni dan Budaya Narada : Jurnal Desain dan Seni ARTISTIC : International Journal of Creation and Innovation INJECT Interdisciplinary Journal of Communication
I Gusti Ngurah Tri Marutama
Universitas Sebelas Maret
Religion Arts Humanities Computer Science & IT Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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Perspektif Visual dan Interaksi nilai Budaya di Situs Pokekea Marutama, I Gusti Ngurah Tri; Setyawan, Alfan; Yudhanto, Sigied Himawan
Narada : Jurnal Desain dan Seni Vol 11, No 3 (2024)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2024/v11.i3.004

Abstract

Pokekea site, located in the Besoa Valley of Lore Lindu National Park in Central Sulawesi, Indonesia, is a megalithic site rich in cultural and historical artifacts. This study aims to examine how visual perspectives and cultural interactions at the Pokekea site have influenced changes in the values and identity of local life. A qualitative method with a cultural anthropology approach was used to observe and analyze the changes in visual and cultural aspects that occurred by collecting data through discussion, participatory observation, and document study. The results showed that visual perspectives and cultural value interactions have caused a shift in values and identity at the Pokekea megalithic site in Besoa Valley. Traditional values that are local and communitarian have led to formal values that are global. The visual perspective is seen in the aesthetic function of megalithic objects as inanimate objects that tend to be more open to change and innovation and are more easily influenced by outside cultures, which, of course, the interaction of cultural values will be a strategic effort to maintain a balance between the preservation of traditional culture and adaptation to changing times.
Visual Repetition and Quantitative Descriptive Analysis of Visual Discourse in Environmental Activism Posters: The Work of Nobodycorp.org in the Bali Rejects Benoa Bay Reclamation Ngurah Tri Marutama, I Gusti; Bambang Sunarto; Bambang Sugiharto
INJECT (Interdisciplinary Journal of Communication) Vol. 11 No. 1 (2026)
Publisher : FAKULTAS DAKWAH UIN SALATIGA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/inject.v11i1.6513

Abstract

This article examines twelve environmental activism posters from the "Bali Rejects Benoa Bay Reclamation" campaign (2014–2018) produced by Nobodycorp.org as a limited visual corpus within the communication system of the ForBALI movement. This study establishes the corpus as an object of analysis through scope limitation to maintain analytical rigor. This analysis integrates descriptive-quantitative mapping with critical discourse analysis through the tracking of visual relations, thereby structurally identifying ideological meanings. This procedure applies quantitative visual discourse methods through frequency distribution and co-occurrence networks, systematically detecting dominant elements. These findings indicate the red color system, the black color system, and the excavator image as the main elements, with the excavator appearing in 91.7% of the data. This analysis shows a relational intensity between the excavator and the red color of 0.92, and between the excavator and the black color of 0.74, thus forming a stable pattern of visual interconnection. These results demonstrate the stabilization of visual meaning through repeated relational grouping, so that signification does not depend on isolated symbolic units. This research formulates an operational model of visual meaning based on measurable relations through limited generalization, allowing visual communication studies to obtain replicable analytical instruments. This analysis shows the formation of ideological coherence through systematic visual organization, thereby articulating the framework of ecological conflict consistently. This analysis shows peripheral elements as low-connectivity components through relational measurement, thereby forming a structured asymmetry in the representation system. This research limits the analysis to a single producer corpus through data delimitation, so broad generalizations and reception dynamics are not covered.
Co-Authors Ajimahendra, Widy Dwi Ariesa Pandanwangi Aripin, Nur Adibah Nadiah Mohd Arissuta, Dona Prawita Bambang Sugiharto Bambang Sunarto Diana Lukitasari Galih Pranata M. Khizal Mohamed Saat Mohamed Saat, Mohammad Khizal Mohammad Khizal Mohamed Saat Rudy Wicaksono Herlambang Setyawan, Alfan Seviana Rinawati Sigit Purnomo sigit purnomo adi Taemprasit, Somporn Yudhanto, Sigied Himawan