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Pemanfaatan Media Plexiglas Sebagai Media Pada Karya Monoprint Sigit Purnomo; I Gusti Ngurah Tri Marutama
Journal of Contemporary Indonesian Art Vol 6, No 1 (2020)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jocia.v6i1.3490

Monoprint termasuk dalam seni modern dan bukan termasuk seni tradisional sertaberada di luar seni grafis konvensional, karena monoprint merupakan upaya seniman untuk“menaikkan” kelas seni grafis, karena monoprint hanya dicetak 1 x cetakan. Dan denganteknik monoprint akan didapatkan ekslusivitas karya seni grafis. Memang dalam seni grafisdalam berkarya diharuskan untuk digandakan.Monoprint dalam perkembangannya tidak hanya dicetak di atas kertas tetapi juga diataskanvas. Monoprint di atas kanvas pernah booming secara market di tahun 2000an.Berbagai inovasi dilakukan untuk mengejar kebaharuan dalam berkarya, termasuk dalamteknik monoprint. Teknik monoprint yang pada umumnya dicetak di atas kanvas dan kertasperlu diganti pada media yang lebih fleksibel. Pemilihan teknik Monoprint di atas mediapleksiglas dengan kolase limbah kertas dan plastik sangat cocok baik secara teknis maupunsecara visual. Monoprint bukan hanya karya seni rupa saja tetapi bisa juga digunakansebagai suvenir. Monoprint dengan media pleksiglas memiliki berbagai keuntungan, salahsatunya karya bisa dibawa ke luar negeri dengan catatan karya tidak besar-besar, aman,tidak mudah rusak. Monoprint dengan media pleksiglas juga menggunakan kolase bahan-bahan limbah bisa sebagai alternatif karya-karya yang peduli lingkungan, karenamenggunakan bahan bahan limbah.Kata kunci: Monoprint, Pleksiglas, Kolase.

EKSOTISME ARSITEKTUR BANGUNAN BELANDA DAN ARSITEKTUR BANGUNAN JAWA TERHADAP PENERAPAN TEKNIK TIMELAPSE VIDEO (TINJAUAN BANGUNAN CAGAR BUDAYA KOTA SURAKARTA) Rudy Wicaksono Herlambang; Diana Lukitasari; IGN Tri Marutama; Galih Pranata
JADECS (Journal of Art, Design, Art Education & Cultural Studies) Vol 4, No 2 (2019)
Publisher : Jurusan Seni dan Desain, Fakultas Sastra, Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um037v4i22019p56-65

Penelitian ini mengkaji mengenai bentuk daya tarik antara bangunan cagar budaya peninggalan Belanda dengan bangunan Jawa di Kota Surakarta. Tujuan penelitian ini adalah mengeksplorasi eksotisme yang dihadirkan melalui dua bentuk bangunan yang berbeda, yakni bangunan Belanda dan bangunan Jawa. Hasil dari penelitian menunjukkan bahwa strategi branding melalui video timelapse memberikan daya tarik tersendiri sebagai media kebaharuan dalam dunia promosi era digital. Pada bangunan Belanda Surakarta seperti halnya Benteng Vastenburg, menyimpan sisi elegan dan kekokohan pada bangunan, sedangkan pada arsitektur bangunan Jawa pada bangunan Keraton Surakarta terdapat unsur falsafah sebagai simbol pusat peradaban Jawa di Surakarta.

MINIPRINT ARTWORK CREATION WITH SATO KEWAN OBJECT Sigit Purnomo Adi, S.Sn, M.Sn; Mohammad Khizal Mohamed Saat; I Gusti Ngurah Tri Marutama
ARTISTIC : International Journal of Creation and Innovation Vol 2, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Animals have provided humans with everything from meat to eggs to pleasure. Thus, animals, including chameleons, must be rescued from extinction. The chameleon's uniqueness makes it an intriguing subject for artistic creation. The purpose of this artwork is to visualize the concept of personal expression through miniprint works using Sato Kewan (variety of animals) object, specifically the chameleon. The creation of this printmaking work is part of artistic research, more specifically research into art practice, which is conducted using plywood as a medium, an abstract expressionism style, and the concept of art as personal expression. The stages of creation include experimentation, contemplation, and formation. A chameleon miniprint reflecting personal expression is created as a result of the creation process. Hence, visualization of chameleon miniprints using advanced printing techniques can result in abstract expressionism-inspired printmaking works. The creation, which incorporates traditional and contemporary art elements, is expected to be competitive nationally and internationally.

Poster dengan Teknik Cetak Tinggi sebagai Bentuk Kritik Ekologis Sigit Purnomo Adi; I Gusti Ngurah Tri Marutama; Seviana Rinawati; M. Khizal Mohamed Saat
Visual Heritage: Jurnal Kreasi Seni dan Budaya Vol 4, No 2 (2022): Visual Heritage: Jurnal Kreasi Seni dan Budaya
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/vh.v4i2.4018

Tujuan penelitian ini adalah ingin memahami persoalan yang muncul dalam eksistensi poster dengan teknik cetak tinggi pada karya seniman-seniman di Indonesia dalam menyingkapi fenomena ekologis. Pertanyaan yang diajukan (1) apakah poster dengan teknik cetak tinggi mampu menghadirkan dimensi estetik yang kritis; (2) bagaimana pengaruh lingkungan membentuk kesadaran seniman dalam praktik poster dengan teknik cetak tinggi. Keberadaan praktik poster dengan teknik cetak tinggi terhadap perkembangan seni rupa kontemporer dengan teknik dan medium baru, serta dengan paradigma, konsep dan keyakinan dasar seniman yang lebih memiliki kepekaan ekologis. Dalam proses kreatif penciptaan poster dengan teknik cetak tinggi mampu menghadirkan sesuatu yang dipandang kritis terhadap berbagai fenomena ekologis. Beberapa seniman yang bermukim di Indonesia memanfaatkan ruang publik sebagai tempat untuk mempresentasikan karya sebagai bentuk penyadaran publik tentang berbagai hal, khususnya tentang kerusakan lingkungan alam. Hasil penelitian ini menunjukkan bahwa praktik poster dengan teknik cetak tinggi ternyata mampu menghadirkan dimensi pendidikan kritis. Sebagai bentuk tanggungjawab sosial seniman, seni bukan hanya urusan estetik dan galeri, seni yang baik adalah seni yang mampu memberikan kontribusi bagi kehidupan yang lebih baik sebagai bentuk pemuliaan terhadap nilai-nilai hidup dan menghidupi.

THE GUNUNGAN METAPHOR IN THE URIP IKU URUP VIDEO ART adi, sigit purnomo; Mohamed Saat, Mohammad Khizal; Ajimahendra, Widy Dwi; Tri Marutama, I Gusti Ngurah
Capture : Jurnal Seni Media Rekam Vol. 13 No. 1 (2021)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i1.3994

Urip Iku Urup is a highly printed artwork made from plastic waste that serves as video art. Environmentally friendly relief prints used as video artworks motivate studies on their meanings. Thus, this study's problem is how to visualize the metaphor of the mountains (Gunungan) in the Urip Iku Urup video art. This qualitative-descriptive study seeks to discover the Gunungan metaphor in the video art by using the metaphor approach. The findings demonstrate that Urip Iku Urup's work uses the Gunungan metaphor as a manifesto for the three relationships between God, man, and nature. Gunungan, as a teaching in Javanese life philosophy, implies human desire or hope for future accomplishments.

THE CREATION OF PUBLICATION MEDIA FOR RELIEF-PRINT ART EXHIBITION POST-COVID 19 Adi, Sigit Purnomo; Aripin, Nur Adibah Nadiah Mohd; Marutama, I Gusti Ngurah Tri; Arissuta, Dona Prawita
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.5976

The creation of publication media for these relief-print artworks is a creative and innovative work because it does not only create relief-print works of art, but also creates publication media or exhibition media to exhibit relief-print works of art. This publication media work is a publication work that combines virtual and offline. The purpose of this work is the creation of relief-print art exhibition publication media that try to find alternative publication media which are environmentally friendly, efficient and global. The creation of this publication media uses the Tri Cipta Karya creation method which is an elaboration of the Artistic Creation method. The results of this creation produce an efficient Hybrid publication media, meaning that in the exhibition it is not only exhibited offline or physically, but also exhibited online or through a virtual gallery. The implications of this publication media creation have opened up wide opportunities for artists or designers to publish their works across countries online.

PIS BOLONG POSTER DESIGN: THE ACCULTURATION OF CHINESE AND BALINESE CULTURE IN INDONESIA Rai, I Gusti Ngurah Tri Marutama; Adi, Sigit Purnomo; Taemprasit, Somporn
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 1 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i1.6324

This study explores the integration of Chinese and Balinese cultural elements in poster design as a means of visual communication. This study aims to understand how cultural acculturation is manifested in poster design by integrating visual idioms from both cultures to convey messages of solidarity, tolerance, and cultural appreciation and preservation. Using qualitative research and a Design Thinking approach, this study seeks to present cultural acculturation values in poster design elements and evaluate their impact on the audience. The research findings demonstrate that the combination of Chinese and Balinese cultural symbols, colors, and patterns effectively produced a communicative and aesthetically appealing visual narrative. These findings highlight the significance of cultural comprehension in visual communication design and contribute to the development of culture-based design practices. This study enhances our understanding of the function of design in communicating cultural values.

PEMANFAATAN KOLASE DENGAN MEDIA KERTAS DAN PLASTIK BEKAS DALAM KARYA MONOPRINT Adi, Sigit Purnomo; Tri Marutama, I Gusti Ngurah
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 11 No. 1 (2019)
Publisher : Institut Seni Indoensia Surakarta

The use of used plastic and used paper to produce an alternative in the use of media in the process of visual processing specifically graphic artwork, this step is one of the efforts to save the environment with the help of art. By utilizing used goods, mostly used paper, plastic will not directly reduce the damage caused by plastic and paper materials. Paper and plastic are explored as sustainable media, while graphic art works are not only an aesthetic realm, but seniors as a way to provide awareness and care will discuss the environment. This creation uses monoprint and collage techniques as techniques for exploration and ideas in the art process.

PENCIPTAAN KARYA CETAK TINGGI DENGAN MIXED MEDIA SEBAGAI UPAYA MENCIPTAKAN INOVASI DAN KREASI BERBASIS TRADISI JAWA Adi, Sigit Purnomo; Pandanwangi, Ariesa; Marutama, I Gusti Ngurah Tri; Yudhanto, Sigied Himawan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 13 No. 1 (2021)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v13i1.3570

Relief print is one of the techniques in graphic arts. The process of making a relief print is considered easy because it uses simple tools and materials, so that the artwork produced from this relief printing process is considered less creative and innovative. Conventional printmaking rules have predefined indicators. This creation research aims to produce novelty in graphic arts based on the concept of Javanese tradition. The method used is a mix of methods, namely the artistic creation process method: experimentation, reflection and creation of works. The creation of high-level printed artworks is made with a mix of media on the basis of Javanese tradition visually, so it is hoped that these works of art will be able to compete in the international world. The results of this creation research have innovations and creations in the form of contemporary art works extracted from Javanese traditional art.

MINIPRINT ARTWORK CREATION WITH SATO KEWAN OBJECT Adi, S.Sn, M.Sn, Sigit Purnomo; Mohamed Saat, Mohammad Khizal; Tri Marutama, I Gusti Ngurah
ARTISTIC : International Journal of Creation and Innovation Vol. 2 No. 2 (2021)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v2i1.3989

Animals have provided humans with everything from meat to eggs to pleasure. Thus, animals, including chameleons, must be rescued from extinction. The chameleon's uniqueness makes it an intriguing subject for artistic creation. The purpose of this artwork is to visualize the concept of personal expression through miniprint works using Sato Kewan (variety of animals) object, specifically the chameleon. The creation of this printmaking work is part of artistic research, more specifically research into art practice, which is conducted using plywood as a medium, an abstract expressionism style, and the concept of art as personal expression. The stages of creation include experimentation, contemplation, and formation. A chameleon miniprint reflecting personal expression is created as a result of the creation process. Hence, visualization of chameleon miniprints using advanced printing techniques can result in abstract expressionism-inspired printmaking works. The creation, which incorporates traditional and contemporary art elements, is expected to be competitive nationally and internationally.

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