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Perkembangan Teknologi Sebagai Modus Scamming Di Laman Jual Beli Online Retno Wahyu Ningsih; Robi’ah Al Adawiyah; Andhita Risko Faristiana
Jurnal Kajian dan Penelitian Umum Vol. 1 No. 3 (2023): Juni : Jurnal Kajian dan Penelitian Umum
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (900.775 KB) | DOI: 10.47861/jkpu-nalanda.v1i3.232

Abstract

Indonesia is one of the countries with rapid technological developments. Through the development of this technology, of course, it will make it easier for the community to carry out activities, such as buying and selling online. Buying and selling online is very popular in the community, because for them it is very easy, fast and practical. However, along with the convenience that is presented in buying and selling online, it is often used by irresponsible persons to seek profit. The research method used is a qualitative research method. The main focus of this research is to see the reality that occurs in the field with the aim of digging up information about fraud in buying and selling and the laws that are applied. Researchers use this research because they want to clearly describe the technological developments that are used as a fraudulent mode of buying and selling online.
Sarkasme sebagai Bentuk Kritik Publik di Tiktok terhadap Film Animasi One For All: Merah Putih Robi’ah Al Adawiyah; Fera Indasari; Muslimin Ritonga
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humani... Vol. 4 No. 2 (2026): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v4i2.2188

Abstract

The rapid growth of social media has transformed public communication into a more open and participatory digital space, particularly in expressing criticism toward cultural products through TikTok. One prominent phenomenon is the use of sarcasm in user comments on the animated film One For All: Merah Putih. This study aims to identify the forms and meanings of sarcasm as a strategy of public criticism in digital spaces. The research employs a qualitative approach using critical discourse analysis based on Teun A. van Dijk’s model. Data were collected from user comments on three TikTok videos posted by both media and personal accounts, and analyzed through the dimensions of text structure, social cognition, and social context. The findings reveal that sarcasm is the dominant form of expression in conveying criticism, manifested through irony, exaggerative expressions, and indirect insinuation. The novelty of this study lies in demonstrating that sarcasm functions not only as a linguistic style but also as a mechanism of public evaluation that reflects audience expectations and quality standards toward national animated films. These findings indicate that social media serves as an active discursive space in shaping public perception and opinion dynamics in the digital era.