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All Journal Tsaqofah: Jurnal Penelitian Guru Indonesia YASIN: Jurnal Pendidikan dan Sosial Budaya Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) Jurnal Kajian dan Penelitian Umum Seniman: Jurnal Publikasi Desain Komunikasi Visual Jurnal Mahasiswa Kreatif Jurnal Intelek Dan Cendikiawan Nusantara Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Seniman: Jurnal Publikasi Desain Komunikasi Visual
Jupriani Jupriani
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Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Analisis Cover Album “Savage” Dari Girl Group Aespa Salsabila Hamza; Jupriani Jupriani
Jurnal Kajian dan Penelitian Umum Vol. 1 No. 4 (2023): Agustus : Jurnal Kajian dan Penelitian Umum
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/jkpu-nalanda.v1i4.414

Abstract

The research aims to understand the visual form and meaning of the album "Savage" by girl group Aespa. It is hoped that this study can be useful as a new knowledge base and can be used as a future research reference. To achieve these goals and benefits, the author uses a descriptive qualitative approach. An analysis of this study was conducted with the semiotics theory of Charles Sanders Pierce. The resources obtained are primary data obtained directly from SYNK DIVE's physical album "Savage" and interview process, while secondary data are from various literature sources. The results that the authors obtained after conducting this study were the album's cover design to visualize the contents of the songs and concepts on the album. The album's cover was designed using a flow of futurism that describes the speed of a movement.
Analisis Pengaruh Mouth Watering Food Photography Pada Postingan Instagram @Ayambakarmertua_Official Terhadap Minat Beli Konsumen Lathyfah Lathyfah; Jupriani Jupriani
Jurnal Kajian dan Penelitian Umum Vol. 1 No. 5 (2023): Oktober : Jurnal Kajian dan Penelitian Umum
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/jkpu-nalanda.v1i5.417

Abstract

The following research was conducted with the aim of knowing the effect of applying one of the food photography trends, namely mouth watering food photography by the Instagram account @ayambakarmertua_official in its posts on consumer buying interest. Researchers used quantitative methods with Likert scale measurements. The data source is primary data which is obtained directly based on respondents from a questionnaire for tools in obtaining data. The simple random sampling method was used by researchers for sampling with a total of 100 respondents based on the Lemeshow formula. From this study it was concluded that promotional media can influence consumer buying interest through the use of Mouth Watering Food Photography by the Instagram account @Ayambakarmertua_Official.
Kriya Keramik Modern Dengan Teknik Putar Muhamad Asri Romadhan; Jupriani Jupriani
Jurnal Mahasiswa Kreatif Vol. 1 No. 6 (2023): November : Jurnal Mahasiswa Kreatif
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59581/jmk-widyakarya.v1i6.1521

Abstract

The aim of this creation is to 1) create modern ceramic crafts as an effort to develop ceramic craft designs in West Sumatra, 2) make ceramic crafts a source of income for the author, 3) as a requirement for the author to complete undergraduate studies at Padang State University. The method for creating works uses the method according to Bandem (2001:10), the creation method consists of five stages, namely; (1) preparation, (2) elaboration, (3) synthesis, (4) concept realization, and (5) completion. In creating the works, the author used an electric rotary tool and provided Minangkabau motifs by adding glitter powder and beads. The resulting works were 7 works with titles including: Itiak Pulang Patang (ducks coming home in the afternoon), Bada Mudiak ( anchovy upstream), Pucuak Rabuang (bamboo shoots), Kaluak Paku (rolluangan fern), Siriah Gadang (large betel), Bungo Taratai in aia (lotus flower in water), and Saik Galamai (pieces of gelamai)
Analisis Visualisasi Film Menjelang Magrib Mengenai Tradisi Pasung Pada Orang Dalam Gangguan Jiwa Menggunakan Teori Semiotika Rahmat Ramadhan; Jupriani Jupriani
Jurnal Mahasiswa Kreatif Vol. 1 No. 6 (2023): November : Jurnal Mahasiswa Kreatif
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59581/jmk-widyakarya.v1i6.1536

Abstract

The purpose of this research is to analyze the visual signs in Menjelang Magrib film regarding the tradition of pasung on people with mental disorders using Charles Sanders Pierce theory. The type of research used is descriptive qualitative with content analysis method to analyze the visuals and identify the meanings that appear in the film. This research uses Charles Sanders Pierce's semiotic theory through aspects of icons, symbols, and indexes that focus on the tradition of pasung on people with mental disorders experienced by Nina. The object of this research is the movie "Menjelang Magrib". The results of this study indicate that the tradition of pasung carried out on people with mental disorders has a negative impact, because it will hurt mentally and physically the person who is shackled. The tradition of pasung experienced by Nina is a social campaign message to reject the practice of pasung tradition as a form of human rights struggle where people with mental disorders should be treated better.
Analisis Semiotika Terhadap Fenomena Bullying Dalam Animasi “A Silent Voice” Halil Hidayatur Ramadhan; Jupriani Jupriani
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 2 No. 2 (2023): Oktober : Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v2i2.1568

Abstract

This research aimed to analyze bullying scenes in "A Silent Voice" animation from Kyoto Animation Studio directed by Naoko Yamada. In this study, the researcher used Roland Barthes Semiotics analysis research method consisted of three analysis meanings which are denotation, connotation, and myth utilized an analysis unit which are some scenes in "A Silent Voice" animation, and used information source in a form of documentation from "A Silent Voice" animation. The research result indicates that "A Silent Voice" movie has bullying scenes which can be categorized into three types namely physical bullying, verbal bullying, and relational bullying. Other than that, "A Silent Voice" animation illustrates that there are still many unjustice and bullying in school. This movie is useful so that people do not ignore bullying cases in school or other places
Analisis Bentuk Dan Makna Visual pada Film Animasi Pacu Baluluak (Tinjauan Semiotika) Diana Erwilla Rahmi; Jupriani Jupriani
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 2 No. 2 (2023): Oktober : Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v2i2.1569

Abstract

This research aimed to describe visual meaning in animation movie Pacu Baluluak. study used qualitative descriptive method. This research problem on visual analysis (colour, gesture, and character), with a little review about Pacu Baluluak animation. In order to analyze the data, the researcher used semiotics review by Roland Barthes to define three meaning levels (denotative, connotative, and myth) on some scenes and visual (colour, gesture, and character) in Pacu Baluluak animation documented by the researcher. From the research result, it can be concluded that Pacu Baluluak animation has a good visual communication strategy in creating character, in a form of gesture, colour, and character so that it illustrates a strong character. The moral value in this animation is arranged well with a simple illustration, so that we can easily follow and understand the storyline.
Analisis Konten Visual Pada Akun Instagram New Normal Burger Bar Ditinjau Dari Teori Retorika Danis Suryadi; Jupriani Jupriani
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 2 No. 2 (2023): Oktober : Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v2i2.1604

Abstract

Visual content is currently being loved by business activists to compete in introducing their business to customers. This has motivated one of the restaurant businesses, namely New Normal Burgerbar, in the city of Padang to make promotional efforts through their Instagram social media in order to attract customers. This proves that visual content is crucial in its application as an information medium. In this regard, a descriptive qualitative research was conducted to analyze how the role of rhetoric (ethos, pathos, and logos) in achieving interesting visual content results can be conveyed effectively.
Representasi Budaya Indonesia Dalam Logo G20 Indonesia 2023 Ahmad Fatoni; Jupriani Jupriani
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 2 No. 2 (2023): Oktober : Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v2i2.2031

Abstract

In this research, the author identified the visual forms found in the G20 Indonesia 2022 logo. These forms were identified in order to determine the representation of Indonesian culture contained in the G20 Indonesia 2022 logo. The author used descriptive research with a qualitative approach. The visual form and meaning of the G20 Indonesia 2022 logo were analyzed through preiconographical, iconographic and iconological theories which were explained by Edward Panofsky. Visual elements such as shape, color, typography, contained in the G20 Indonesia 2022 logo were identified through this process. These three steps examine the hidden meaning of the G20 Indonesia 2022 logo which is linked to basic cultural mentality. These steps became the basis for researchers to analyze the data. Researchers analyzed the visual form and meaning of the G20 Indonesia 2022 logo to determine the relationship between the logo and Indonesian culture. Analysis of the visual appearance and meaning was carried out to conclude the representation of Indonesian culture in the G20 Indonesia 2022 logo. Based on the findings of this research, it was concluded that the G20 Indonesia 2022 logo has a form and meaning that represents Indonesian culture.
Representasi Visual Budaya Kolombia Pada Film Animasi “Encanto” Indah Putri Ani; Jupriani Jupriani
SENIMAN: Jurnal Publikasi Desain Komunikasi Visual Vol. 1 No. 2 (2023): November : Jurnal Publikasi Desain Komunikasi Visual
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59581/seniman-widyakarya.v1i2.1099

Abstract

This study analyzes the system of signs and meanings of Colombian culture in the animated film "Encanto" from Disney Animation. The film takes inspiration from Latin American culture, specifically Colombia, focusing on the Madrigal family who have magical powers and live in a hidden village. A qualitative approach with descriptive-interpretative methods is used with content analysis, based on Charles Sander Pierce's semiotic concept which includes icons, indexes, and symbols. Data obtained through observation and literature study. The results of the study show that elements of Colombian culture, such as language, clothing, food, and traditions, are reflected in film characters and scenes. Examples of representation include the Arepa dining area, Cali salsa dancing, Colombian music, and Colombian-style mountain scenery. Thus, Encanto succeeded in communicating Colombian cultural messages through visual cues in the animated film.
Analisis Visualisasi Tokoh Ajo Kawir Pada Film Seperti Dendam, Rindu Harus Dibayar Tuntas Karya Edwin Dan Eka Kurniawan Rifa Shandhika; Jupriani Jupriani
SENIMAN: Jurnal Publikasi Desain Komunikasi Visual Vol. 1 No. 2 (2023): November : Jurnal Publikasi Desain Komunikasi Visual
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59581/seniman-widyakarya.v1i2.1100

Abstract

There are two objectives of this research. First, analyzing the visualization of the character Ajo Kawir in the film Like Revenge, Longing Must Also Be Paid Fully. Second, to analyzing the meaning visualization of Ajo Kawir's character in the film Like Revenge, Longing Must Also Be Paid Completely. This type of research is descriptive qualitative with visual analysis method to explore various visual aspects that describe Ajo Kawir's character, including his physical appearance, facial expressions, gestures, and interactions with the environment and other characters. Data collection techniques using observation and documentation. The data analysis technique of this research is to use studies, namely Charles Sanders Pierce's Semiotics through icons, symbols, and indexes that focus on Ajo Kawir's impotence. The object of this research is the film "Like Revenge, Longing Must Also Be Paid Fully". The results of this study indicate that the impotent disease experienced by the character Ajo Kawir makes him more emotional and tries to cover it up by frequently fighting to show that he is strong. Ajo Kawir was reproached by society that people who have impotence cannot do things that are brave and strong beyond normal limits.
Co-Authors Ahmad Fatoni Aufa Hanif Danis Suryadi Diana Erwilla Rahmi Feri irawan Genta Kurniawan Halil Hidayatur Ramadhan Hawa Madya Algiani Indah Putri Ani Jihan Yufatika Aqsya Lathyfah Lathyfah Muhamad Asri Romadhan Rahmat Ramadhan Rifa Shandhika Rina Andaresta Salsabila Hamza Weghia Oksa Billa