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The Interpretations of Eternalism in Reality Club’s 2112 Pasopati, Rommel Utungga; Sasmita, Dimas Rakhmat; Santoso, Liora Samantha Valent; Kurniawati, Wiwin Anggraeni; Kartiningsih, Rindrah
Educalitra: English Education, Linguistics, and Literature Journal Vol. 3 No. 2 (2024)
Publisher : English Language Education Study Program, Faculty of Social, Economics, and Humanities, University of Nahdlatul Ulama Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.13134392

Abstract

This paper exposes the matter of eternalism in the song of 2112 by Reality Club. By accentuating the theory of eternalism by J. M. E. McTaggart, eternalism is underlined in how all existence in time is equally real. In analysis, the song of 2112 depicts a love story that goes on since the couples were teenagers. Things are getting more complicated since they could not be together but they still have feelings of comfort and togetherness as if they live in eternal times. The memories keep going on though the time moves forward. It proves that the block universe of past, present and future events are all on an equal footing. In conclusion, the song reflects the matter of eternalism in the points of memories, not as past understandings, but as an open future towards any determinism in showing that any event is always interpreted through any matter of time.
The Vitality of Reality Distortion in Tim Burton’s The Nightmare Before Christmas Kurniawati, Wiwin Anggraeni; Siadari, Yoshua Veron Handika Putra; Pasopati, Rommel Utungga; Andharu, Devito; Fadillah, Muhammad Reza Ishadi
SALIENCE: English Language, Literature, and Education Journal Vol 5 No 1 (2025): Mei
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/salience.v5i1.527

Abstract

This writing investigates about the distorted reality portrayed in the Tim Burton’s movie called The Nightmare Before Christmas. The film follows the misadventures of Jack Skellington, Halloweentown's beloved pumpkin king, who has become bored with the same annual routine of frightening people in the "real world.” When Jack accidentally stumbles on Christmas town, all bright colors and warm spirits, he plots to bring Christmas under his control by kidnapping Santa Claus and taking over the role. The theory behind the world portrayed in The Night Before Christmas is about distorted reality that is a term used to describe a phenomenon where perceptions of reality are altered or distorted in some way. Using a qualitative method and explorative approach, this essay analyses the distorted reality showed in the Halloween Town. The architecture is angular with distorted shapes and lines reflecting the way Burton felt as an outcast and the way society views the strange and different. Moreover, the characters in the film live in a world of perpetual horror and ‘nightmarishness’, but that is their comfort and normality. In conclusion, The Nightmare Before Christmas indicates that reality distortion may not always be eerie, but may mean to reflect ‘otherness’ and unique perspectives of another world.