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All Journal Philology: Journal Of English Language and Literature
Irawan, Fadhilah
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Languange, Linguistic, Communication & Media

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COMPARATIVE ANALYSIS BETWEEN INDIAN AND AMERICAN CULTURE IN THE NOVEL THE NAMESAKE BY JHUMPA LAHIRI Ningsih, Ayu Melati; Irawan, Fadhilah; Sultan Nico, Rifky; Fahreza, Mas Andika; Raudah, Raudah
PHILOLOGY Journal of English Language and Literature Vol. 4 No. 1 (2024): PHILOLOGY: Journal Of English Language and Literature
Publisher : Fakultas Sastra UMN AL Washliyah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32696/pjell.v4i1.2822

Abstract

The novel The Namesake by JhumpaLahiri tells the story of Gogol Ganguli, an American-Indian man who was born in Calcutta, India, and raised in the United States. The novel explores themes of identity, culture, and family. In this novel, American and Indian cultures are depicted in contrast. American culture is characterized by individualism, freedom, and pragmatism. Meanwhile, Indian culture is characterized by collectivism, tradition and spirituality. The aim of the comparative cultural analysis in this novel is to explore and unravel the complex cultural interactions depicted in the narrative. Through this analysis, the researcher aims to uncover the complexities and nuances of the journey of the protagonist, Gogol Ganguli, as he adapts between his Indian heritage and the American lifestyle.
NARRATIVE STRUCTURE ANALYSIS OF F. SCOTT FITZGERALD’S THE GREAT GATSBY MOVIE Irawan, Fadhilah; Kristiana, Vera; Nurmala, Dewi
PHILOLOGY Journal of English Language and Literature Vol. 5 No. 2 (2025): PHILOLOGY Journal of English Language and Literature
Publisher : Fakultas Sastra UMN AL Washliyah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32696/pjell.v5i2.5261

Abstract

This thesis analyzes the narrative structure of Baz Luhrmann’s 2013 adaptation of The Great Gatsby using A.J. Greimas’ actantial model. The study aims to explore how the roles of actants influence the story’s progression and themes, and how the narrative structure shapes character relationships within the film. Employing a qualitative descriptive method, the research identifies and categorizes the six actants—Subject, Object, Sender, Receiver, Helper, and Opponent—within the movie’s plot. The analysis reveals that Jay Gatsby functions as the Subject in pursuit of Daisy Buchanan, the Object, with the supporting characters embodying various actantial roles that shape the film’s development. The study also applies Greimas’ canonical narrative schema to examine the narrative progression through stages of Manipulation, Competence, Performance, and Sanction. Findings show that the movie’s narrative structure not only follows a classical storytelling model but also reflects deeper socio-cultural themes such as the illusion of the American Dream, class struggle, and identity. Through this approach, the research highlights how structuralist narrative theory enhances the understanding of character dynamics and thematic complexity in cinematic adaptations of literary works.
Co-Authors Ayu Melati Ningsih Fahreza, Mas Andika Nurmala, Dewi Raudah Raudah Sultan Nico, Rifky Vera Kristiana