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From Tweet to Conflict: Critical Discourse Analysis on Daryl Morey's Tweet about Hong Kong Protest Sujiwa, Krisna; Munandar, Aris
Rubikon : Journal of Transnational American Studies Vol 11, No 1 (2024)
Publisher : Pengkajian Amerika, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/rubikon.v11i1.91458

The research focuses on the hidden reason that made Daryl Morey's tweet controversial in America and China. This research uses a descriptive qualitative method. The primary data are response tweets of Daryl Morey's tweet about the Hong Kong protest and Daryl Morey's initial tweet about the Hong Kong protest. This research also applies a transnational perspective; Fairclough's three-dimensional CDA is used to analyze and answer two research questions: how Morey's tweet about Hong Kong became a political issue between the NBA and China and how this issue affected the NBA. The research finding shows five reasons on how Morey's controversy became a political issue between the NBA and China: There are differences in interpretations of the tweet; where the U.S. interpreted it as freedom of speech and expression, but the Chinese interpreted it as a challenge to their sovereignty. Basketball's popularity in China expanded the escalation of the conflict. Moreover, by using Transnational as perspective and CDA as theory, researcher able to demonstrate how a single tweet can incite a global uproar and become the catalyst for a costly conflict between two superpower nations.

A GENDER PERFORMATIVITY ANALYSIS ON GENDER NORMS PORTRAYED IN LOUISA MAY ALCOTT’S LITTLE WOMEN Traesar, Livia; Sujiwa, Krisna
JOLALI: Journal of Language and Literature Vol. 3 No. 1 (2025)
Publisher : Universitas Respati Yogyakarta (UNRIYO)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35842/jolali.v3i1.48

This research analyses gender norms and performativity in Louisa May Alcott's Little Women (1868) using Judith Butler's gender performativity theory. Alcott's semi-autobiographical portrayal of the March sisters paints a vivid picture of nineteenth-century American gender norms and their societal ramifications. This study focuses on Jo March and Theodore "Laurie" Lawrence and examines how their refusal to comply with standard gender norms reveals the performativity of gender. Jo, an outspoken and ambitious writer, and Laurie, a sensitive aspiring musician, are both subjected to social pressures to conform to traditional conceptions of femininity and masculinity, resulting in feelings of alienation and misfitting. By examining their problems, the research demonstrates how gender, as defined by societal and cultural assumptions, limits individual expression and imposes conformity. The study uses Butler's framework to show how Alcott's characters adopt gendered behaviors to fulfill society's expectations, emphasizing the tension between uniqueness and societal conventions. The research dives deeper into Alcott's subversion of preconceptions, as seen by Jo's rejection of traditional female roles and Laurie's challenges to masculine standards. Finally, this research emphasizes Little Women's ongoing importance as a critique of gender stereotypes and a reflection on the larger societal assumptions that shape identity. This study reinforces the importance of Alcott's work in conversations about gender performativity and societal expectations by locating it within feminist discourse.

MANFAAT SISTEM PENAMPUNGAN DAN PENYARINGAN AIR HUJAN SEBAGAI SOLUSI BERKELANJUTAN: STUDI KASUS KELURAHAN BALONG, GIRISUBO, GUNUNG KIDUL Widyatama, Rendra; Nugroho, Rahmat Muhajir; Sujiwa, Krisna
JURNAL PENGABDIAN KEPADA MASYARAKAT Vol. 31 No. 1 (2025): JANUARI-MARET
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar

Kelurahan Balong, Kecamatan Girisubo, Kabupaten Gunung Kidul, menghadapi permasalahan keterbatasan air bersih akibat kondisi geologis daerah karst yang sulit menyimpan air tanah. Studi ini meneliti implementasi sistem penampungan dan penyaringan air hujan (PAH) sebagai solusi berkelanjutan untuk mengatasi permasalahan tersebut. Program ini melibatkan survei lapangan, pemasangan instalasi PAH, serta sosialisasi kepada warga. Hasil penelitian menunjukkan bahwa sistem PAH mampu meningkatkan ketersediaan air bersih secara signifikan, dengan kapasitas tampungan 1.000-1.500 liter per unit. Selain mengurangi ketergantungan pada sumber air konvensional, sistem ini juga berkontribusi terhadap konservasi lingkungan dan efisiensi ekonomi masyarakat. Pendampingan oleh Sekolah Air Hujan Banyu Bening turut memperkuat keberlanjutan program dengan memberikan edukasi mengenai pengelolaan air hujan. Dengan pendekatan berbasis partisipasi masyarakat, sistem PAH tidak hanya berfungsi sebagai solusi teknis, tetapi juga sebagai model pemberdayaan komunitas dalam pengelolaan sumber daya air. Oleh karena itu, program ini diharapkan dapat direplikasi di wilayah lain yang mengalami permasalahan serupa.

American Influence in Boku no Hero Academia: A Semiotic Study Sujiwa, Krisna
Titian: Jurnal Ilmu Humaniora Vol. 9 No. 1 (2025): Juni 2025
Publisher : Fakultas Ilmu Budaya, Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/titian.v9i1.42777

This study examines the influence of American culture on Japanese manga, with a focus on Boku no Hero Academia (BNHA). It explores how American superhero tropes, values, and ideologies are incorporated into Japanese media, reflecting broader themes of globalization and cultural hybridization. Using Roland Barthes' semiotic theory, the research analyzes BNHA's visual, narrative, and thematic elements to uncover both denotative and connotative meanings of American influences. The qualitative research approach relies on primary data from the manga, focusing on character designs, dialogue, and institutional structures. Key findings show that characters like All Might, Star and Stripe, Best Jeanist, Present Mic, and Snipe embody American cultural archetypes, such as superhero and cowboy imagery. All Might symbolizes American exceptionalism, while Star and Stripe reflects militaristic ideals. The study reveals how BNHA blends American influences with Japanese storytelling, contributing to global discussions on cultural exchange in popular media and illustrating the hybrid nature of modern narratives. Abstrak Penelitian ini mengkaji pengaruh budaya Amerika pada manga Jepang, dengan fokus pada Boku no Hero Academia (BNHA). Penelitian ini mengeksplorasi bagaimana tropes, nilai, dan ideologi superhero Amerika diintegrasikan ke dalam media Jepang, mencerminkan tema-tema globalisasi dan hibridisasi budaya. Menggunakan teori semiotik Roland Barthes, penelitian ini menganalisis elemen visual, naratif, dan tematik BNHA untuk mengungkap makna denotatif dan konotatif dari pengaruh Amerika. Pendekatan penelitian kualitatif ini mengandalkan data primer dari manga, dengan fokus pada desain karakter, dialog, dan struktur institusional. Temuan utama menunjukkan bahwa karakter-karakter seperti All Might, Star and Stripe, Best Jeanist, Present Mic, dan Snipe mewakili arketipe budaya Amerika, seperti ikonografi superhero dan mitologi koboi. All Might, misalnya, melambangkan eksseptionalisme Amerika, sementara Star and Stripe mencerminkan ideologi militeristik. Penelitian ini mengungkap bagaimana BNHA menggabungkan pengaruh Amerika dengan penceritaan Jepang, berkontribusi pada diskusi global tentang pertukaran budaya dalam media populer dan menggambarkan sifat hibrida dari narasi modern.

Penanaman Pola Pikir Kritis Berwawasan Eco-Pesantren Reduce Reuse dan Recycle di Pondok Modern Tazakka Batang Hidayat, Ferry; Irianti, Danika Rahma; Restu, Pandu Wiguna; Sujiwa, Krisna; Aris Munandar; Achmad Munjid; Amin Basuki
Bakti Budaya: Jurnal Pengabdian kepada masyarakat Vol 5 No 2 (2022): 2022: Edisi 2
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/bakti.5112

One of the Tri Dharma of College institutions is a form of community service. This program aims to provide education and hands-on practice regarding environmental management and procedures for managing waste properly and correctly to fellow students at Pondok Modern Tazakka in Batang district, Central Java. This community service is carried out using a Service-Learning approach. Robert Sigmon (1979), described service-learning as an experiential educational strategy based on “reciprocal learning”. The target of this activity is the students at Pondok Modern Tazakka with a total of 77 people with the result’s hope that they can understand how to manage waste properly, especially in the living environment so that it would not create a further environmental problem. This activity uses the form of seminar and direct practice in the form of making mind mapping about their creative ideas on how to manage waste, this activity runs smoothly and it is very visible through the enthusiasm of the students engaged in each of the agendas. The results of this activity are hoped that the students can directly practice the knowledge gained from educational activities on waste management and the environment. ==== Salah satu Tri Dharma Perguruan Tinggi adalah adanya kegiatan pengabdian masyarakat. Program ini bertujuan untuk memberikan edukasi dan praktik langsung mengenai pengelolaan lingkungan dan tata cara mengelola sampah yang baik dan benar kepada para santriwan di Pondok Modern Tazakka di Kabupaten Batang, Jawa Tengah. Kegiatan pengabdian ini dilaksanakan dengan pendekatan Service-Learning. Robert Sigmon (1979) menggambarkan Service-Learning sebagai strategi pendidikan pengalaman berdasarkan “Reciprocal Learning”. Sasaran kegiatan ini adalah sejumlah 77 orang santriwan Pondok Modern Tazakka, dengan harapan mereka bisa memahami cara mengelola sampah, khususnya di lingkungan tempat tinggal mereka, agar tidak menimbulkan masalah lingkungan. Kegiatan dilaksanakan melalui seminar dan praktik secara langsung, yang berupa pembuatan mind mapping tentang ide-ide kreatif cara pengelolaan sampah. Kegiatan ini berjalan dengan lancar dan sangat terlihat antusiasme dari para santriwan saat mengikuti setiap acara yang diselenggarakan oleh tim PkM. Melalui kegiatan edukasi ini diharapkan agar para santriwan dapat mempraktikkan ilmu yang diperoleh untuk pengelolaan sampah dan lingkungan.

RECONSTRUCTING THE ORIENT: A POSTCOLONIAL ANALYSIS OF AI-GENERATED ERASURE IN TRUMP'S GAZA VIDEO Chemamat, Sakis; Sujiwa, Krisna; Prihatika, Yusrina Dinar
Rubikon : Journal of Transnational American Studies Vol 12, No 2 (2025)
Publisher : Pengkajian Amerika, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/rubikon.v12i2.111180

This study offers a critical analysis of an AI-generated video, circulated in early 2025, which depicts a fictional plan by former U.S. President Donald Trump to reconstruct Gaza as a hyper-modern, Westernized urban space. Through a postcolonial lens informed by Edward Said’s theory of Orientalism, this research examines how the video functions as a digital artifact that reproduces colonial power dynamics. The analysis reveals that the video—featuring luxury amenities, a monumental Trump statue, and the complete erasure of Palestinian people—constructs the West as a benevolent savior while symbolically eliminating indigenous presence and agency. Specific visual tropes, such as faceless children moving toward a futuristic city, the glorification of Trump as a heroic figure, and scenes of elite leisure, aestheticize systemic oppression and reframe military occupation as benign intervention. By converting trauma into spectacle and domination into development, the video exemplifies how AI-generated content can perpetuate Orientalist ideologies under the guise of satire or innovation. This research concludes that such digital representations are not politically neutral but actively reinforce imperial narratives, marginalize Palestinian voices, and normalize hierarchies of power. It underscores the urgency of critically engaging with emerging media technologies as sites of ideological reproduction in a post-9/11 world marked by enduring Islamophobia and digital Orientalism.

Beyond True Crime: Race, Class, and Institutional Failure in Netflix’s Monster: The Jeffrey Dahmer Story Amalia, Shabrina Nur; Sujiwa, Krisna; Prihatika, Yusrina Dinar
Lingua Susastra Vol 6, No 2 (2025)
Publisher : Departemen Bahasa dan Sastra Indonesia dan Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ls.v6i2.480

This study explores Netflix’s Monster: The Jeffrey Dahmer Story (2022) by using the theories of Intersectionality and Post-National American Studies to understand how racism, class inequality, and institutional failure are shown in the series. The research aims to examine how the show reflects real social problems in American society, especially the unfair treatment of Black, queer, and immigrant communities. The problem addressed in this study is the lack of academic discussion about how true crime stories can reveal deeper issues of social injustice. Using a qualitative method with content analysis, this research analyzes selected episodes and scenes that show how race, class, gender, and citizenship influence the way victims are represented and treated by institutions. The theory of Intersectionality helps explain how different identities overlap to create multiple forms of discrimination, while Post-National Approach provides perspective to criticize the idea of American exceptionalism. The findings show that the series portrays strong examples of racial bias, class prejudice, and neglect from law enforcement, where the voices of Black women and other minorities are often ignored or doubted. The show also reveals how the media tends to sympathize with white perpetrators while minimizing the suffering of minority victims. In conclusion, Monster: The Jeffrey Dahmer Story is not only a retelling of a true crime case but also a reflection of structural problems in the American justice system, showing how inequality and institutional failure continue to affect vulnerable groups in society.

Strategi Kelompok Difabel DIY dalam mendorong Pemilu Inklusif: Studi Kasus Pilkada di DIY 2024 Darojat, Abdurrahman; Sujiwa, Krisna; Arief, Dikdik Baihaqi
Jurnal Demokrasi dan Politik Lokal Vol 7 No 2 (2025): Edisi Oktober
Publisher : Jurusan Ilmu Politik, FISIP, Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/jdpl.7.2.133-150.2025

This research aims to identify the strategies of disabled groups to promote inclusive elections in the 2024 regional elections in DIY. Disabled groups tend to receive stigma and are associated with the stereotype of being a second-class society, lacking the same abilities as the majority of the population. Disabled groups, as part of the citizenry, are entitled to equal political rights. This research is a qualitative study with a case study approach. The data collection for this research was conducted through in-depth interviews and literature studies. The research results show that accessibility is still a challenge in realizing inclusive elections. The strategies employed by disabled groups to promote inclusive elections in the 2024 regional elections in DIY include collective actions such as community-based campaigns and socialization, political pressure, and litigation-based advocacy

Blues as Cultural Resistance: Representing Black Struggle through Music in Sinners 2025 Ramadhanti, Rahma; Sujiwa, Krisna
Journal of English Language and Education Vol 11, No 2 (2026)
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jele.v11i2.2317

This study investigates the role of blues music in Sinners, directed by Ryan Coogler, as a form of cultural resistance against racial oppression during the Jim Crow era. It adopts Tricia Rose’s theory of Cultural Resistance and applies a qualitative interpretive method within the broader framework of Cultural Studies. The analysis focuses on how blues operates beyond its function as background music and instead serves as a narrative and ideological device that shapes meaning and representation. The findings identify three interrelated dimensions. First, blues functions as a medium of political expression that articulates the lived experiences and collective memory of Black communities. Second, the film presents a clear politics of sound and space, particularly in locations such as juke joints, where music becomes a site of negotiation, control, and resistance. These spaces are not neutral; they structure who can speak, perform, and be heard. Third, the narrative highlights an ongoing struggle to reclaim identity and cultural ownership in the face of appropriation and commodification. Blues emerges as both a cultural resource and a contested terrain shaped by unequal power relations. Overall, the study demonstrates that blues in Sinners operates as a hidden transcript, a form of symbolic protection, and a site of cultural contestation. These roles reveal both the resilience and the vulnerability of Black expressive culture under systemic oppression. This research contributes to film studies, sound studies, and cultural studies by emphasizing how material and spatial conditions influence practices of resistance and cultural production.

RAISING VOICES FOR PALESTINE: ANALYZING MACKLEMORE’S "HIND’S HALL" THROUGH BARTHES' SEMIOTIC LENS Sujiwa, Krisna; Zulferdi, Lazuar Azmi
Rubikon : Journal of Transnational American Studies Vol 13, No 1 (2026)
Publisher : Pengkajian Amerika, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/rubikon.v13i1.116926

This study examines Macklemore’s 2024 protest song “Hind’s Hall” as a cultural text that articulates transnational solidarity with Palestine amid escalating global attention to the Israeli–Palestinian conflict. While popular music has long functioned as a medium of political expression, scholarly analyses of contemporary Western protest songs addressing this issue remain limited. The research investigates how the song’s lyrics and visuals construct meanings related to resistance, institutional repression, and global activism. Grounded in Roland Barthes’ semiotic theory, particularly the concepts of denotation and connotation, the study employs a qualitative method through close reading of lyrical content and selected scenes from the music video. The findings reveal that denotative elements depict protest actions, state violence, and humanitarian suffering, while connotative meanings expose deeper ideological critiques of colonialism, racial capitalism, media manipulation, and the criminalization of dissent. The song also mobilizes affect and empathy to foster a sense of collective responsibility and transnational unity. This study concludes that “Hind’s Hall” operates not merely as a protest anthem but as a layered cultural artifact that challenges dominant narratives and amplifies marginalized voices. By transforming personal expression into political discourse, the song demonstrates how contemporary music can function as a powerful instrument of global awareness and resistance.

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