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REPRESENTATION OF VERISIMILITUDE IN ANALYSIS OF FLASH FICTION Kusuma Wijaya; Rommel Utungga Pasopati; Fransisca Irnidianis Magdalena Suyaji; Kheista Sasi Kirana; Salsabila Adinda Oktavia; Riska Dewi Ramadhani
Seminar Nasional Hasil Riset dan Pengabdian Vol. 6 (2024): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 6 Tahun 2024
Publisher : LPPM Universitas PGRI Adi Buana

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Abstract

This article exposes matters of representations in the contexts of analysis of flash fiction. Flash fiction has never been into the spotlight due to its brevity compared to other canon literature. However, the simplicity of it emphasizes its complexities and specifications. Through qualitative method and explorative approach, this paper underlines that flash fiction is never limited by its short number of words. In analysis, first, the meanings involved in flash fiction are never limited by the number of words, but widened through experience and taste beyond the rigidity of definitions. Second, even many leading writers such as Ernest Hemingway and Gabriel Garcia Marquez also use this type of work as a form of simplification of their other works. Third, flash fiction relies on characters and plots by highlighting the tension between the fixed and the flexible, intention-interpretation, and even tone-mood. Fourth, flash fiction finds its uniqueness in the plot twists and extreme points of reality. Fifth, flash fiction handles representations by various cliches. Sixth, flash fiction approaches reality through explorative meanings in verisimilitude. In conclusion, flash fiction involves its verisimilitude not through transparent reality, but full of imagination starting from metaphors, representations, to subtext. Keywords Flash Fiction; Representation; Verisimilitude
Subtextual Analysis through Hegelian Dialectics in 5 Seconds of Summer’s Good Girls Rommel Utungga Pasopati; Erlis Hersetya Firda; Albert Wijaya Kusuma; Riska Dewi Ramadhani; Firdausy Alya Hasana; Khaled Ahmed Mohammed
Mutiara: Jurnal Ilmiah Multidisiplin Indonesia Vol. 3 No. 3 (2025): JIMI - JULI
Publisher : PT. PENERBIT TIGA MUTIARA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61404/mutiara.v3i3.391

Abstract

This article investigates patterns of Hegelian Dialectics in 5 Seconds of Summer’s song lyrics entitled Good Girl. The background of this study lies on such stereotypes whether new literary works may still contain philosophical ideas. The research question of this paper is whether 5 Seconds of Summer’s song lyrics entitled Good Girl can be analyzed through Hegelian Dialectics. Through qualitative method, this paper shows how the situation of the girl is covered by old and new knowledge in the scheme of thesis-antithesis-synthesis as theorized by G. W. F. Hegel. This approach emphasizes how traditional and modern understandings interact, highlighting how dynamic identity building is. Using explorative approach, the components of the song lyrics are discussed through subtextual understandings that Hegelian Dialectics may erode such stereotype and later shape another stigma as well. It is analyzed that the girl lives the stigma that a good girl is a nerd and should not have fun outside the house. The song lyrics then accentuate that a smart girl could also be a bad girl and it indeed breaks the stigma of a clever girl is always a good girl. In conclusion, the song lyrics show how ideas of a good and a bad girl are not that simple since those reflect complex situation between common, social, and even academic norms. By stating so, the novelty of this article is evident; such new literary works may still always contain certain philosophical presuppositions.