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All Journal Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Gudang Jurnal Multidisiplin Ilmu
Anggoro Cahyo Wicaksono
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Religion Aerospace Engineering Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Public Health Social Sciences Other

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The Noteworthiness Of Perpetual Justice In James Baldwin's The Bell Of Atri Fennyta Diva Fadilla; Anggoro Cahyo Wicaksono; Dyah Ayu Ratna Jelita; Yovita Olivia; Rommel Utungga Pasopati; Andharu, Devito; M Reza Ishadi Fadillah
Gudang Jurnal Multidisiplin Ilmu Vol. 2 No. 4 (2024): GJMI - APRIL
Publisher : PT. Gudang Pustaka Cendekia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/gjmi.v2i4.413

Abstract

This article investigates how perpetual justice is prolonged in James Baldwin’s flash fiction entitled The Bell of Atri. Drawing on theories of moral and ethical principles, this study examines the idea of justice that transcends time and its implications in the context of the narrative. There is restorative justice emphasizing on repairing the harm caused by lawlessness and restoring disturbed relationships between perpetrators, victims, and society. Through qualitative approach, this article involves the active participation in the restorative process of apology, reparation, and reconciliation. The Bell of Atri then underscores the importance of moral integrity and fairness in society as it highlights the enduring relevance of ethical principles and the significance of upholding justice across generations. In conclusion, The Bell of Atri emphasizes the importance of the perception of justice in the relationships of fellow beings and the peace within well-being conditions of others.
LACANIAN PSYCHOANALYTICAL ANALYSIS OF ADELE’S SONG EASY ON ME Lisma Ayu Arditha; Na’ilah Farashifah; Luke Zefranezra Mulyanto; Anggoro Cahyo Wicaksono; Kusuma Wijaya; Rommel Utungga Pasopati
Seminar Nasional Hasil Riset dan Pengabdian Vol. 7 (2025): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 7 Tahun 2025
Publisher : LPPM Universitas PGRI Adi Buana

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Abstract

This study aims to analyze Adele's song Easy on Me through Jacques Lacan's psychoanalytic approach using descriptive qualitative methods. The research data consists of song lyrics which are then interpreted using Lacan's main concepts, namely the Real, the Imaginary, and the Symbolic. The analysis shows that the lyrics represent the inner conflict of the lyrical character in facing separation and an unresolved past. The request to “go easy on me” reflects the need for recognition in the Imaginary realm, as well as the guilt and responsibility present in the Symbolic. Meanwhile, emotional experiences that cannot be fully expressed through language describe the presence of the Real as something traumatic and unattainable. The results of this study show that song lyrics are not only emotional expressions, but also spaces of unconscious representation that can be understood through Lacan's psychoanalytic framework. In conclusion, this study points out that Adele’s song matches with Lacanian perspectives on psychoanalysis that mediates trauma through language of everyday life.
CULTURAL ANALYSIS OF ELTON JOHN’S SONG SATURDAY NIGHT’S ALRIGHT FOR FIGHTING Dwi Ainur Riza; Wiwin Anggraeni Kurniawati; Anggoro Cahyo Wicaksono; Achmad Maulana Marharendra; Rindrah Kartiningsih; Rommel Utungga Pasopati
Seminar Nasional Hasil Riset dan Pengabdian Vol. 7 (2025): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 7 Tahun 2025
Publisher : LPPM Universitas PGRI Adi Buana

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Abstract

This study analyzes Elton John's song Saturday Night's Alright for Fighting, co-written with lyricist Bernie Taupin, through a cultural studies perspective. Released in 1973, the song is known for its energetic rock style and lyrics depicting teenage nightlife, drinking, and fighting. More than just a work of entertainment, the song can be seen as a cultural text depicting the practices and identities of working-class youth in Britain in the 1970s. Drawing on Stuart Hall's theories of representation and encoding/decoding, this study examines how meanings of freedom, aggression, and social identity are constructed in the lyrics and how listeners interpret these meanings based on their cultural and class positions. Furthermore, Dick Hebdige's subcultural theory is used to understand how music and style function as symbolic practices and forms of resistance within working-class culture. Recent research on youth and popular music suggests that cultural practices, including music, often serve as crucial spaces for the negotiation of identity and masculinity, particularly for marginalized young working-class men. In conclusion, this article argues that Saturday Night's Alright for Fighting not only depicts the spirit and rebellion of youth but also reflects the struggles, hopes, and cultural styles of working-class masculinity.
Co-Authors Achmad Maulana Marharendra Andharu, Devito Dwi Ainur Riza Dyah Ayu Ratna Jelita Fennyta Diva Fadilla Kusuma Wijaya Lisma Ayu Arditha Luke Zefranezra Mulyanto M Reza Ishadi Fadillah Na’ilah Farashifah Pasopati, Rommel Utungga Rindrah Kartiningsih Wiwin Anggraeni Kurniawati Yovita Olivia